Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- 1 Introduction
- 2 From the subject of evil to the evil subject: Cultural difference in postapartheid South African crime fiction
- 3 Freedom on a frontier? The double bind of (white) postapartheid South African literature
- 4 The transitional calm before the postapartheid storm
- 5 Biopsies on the body of the ‘new’ South Africa
- 6 Referred pain, wound culture and pathology in postapartheid writing
- 7 Fiction's response
- Notes
- Works cited
- Index
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- 1 Introduction
- 2 From the subject of evil to the evil subject: Cultural difference in postapartheid South African crime fiction
- 3 Freedom on a frontier? The double bind of (white) postapartheid South African literature
- 4 The transitional calm before the postapartheid storm
- 5 Biopsies on the body of the ‘new’ South Africa
- 6 Referred pain, wound culture and pathology in postapartheid writing
- 7 Fiction's response
- Notes
- Works cited
- Index
Summary
- Type
- Chapter
- Information
- Losing the PlotCrime, Reality and Fiction in Postapartheid Writing, pp. viiPublisher: Wits University PressPrint publication year: 2016