Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-x5cpj Total loading time: 0 Render date: 2024-07-30T05:20:55.782Z Has data issue: false hasContentIssue false

2 - Tracing rock art in the field with Helen Tongue, 1905–1907

Published online by Cambridge University Press:  20 April 2018

Get access

Summary

The walls of this long cave are covered with paintings. Here have been dances, processions, weird dressed-up figures, pictures with ornamented background, hunts; in short, a whole panorama of scenes from Bushman life.

Dorothea Bleek and fellow teacher Helen Tongue made this observation, probably in the summer of 1905–1906, during a trip through the mountains of south-eastern southern Africa. The young women were on a rock art copying expedition that had brought them to this cave in the Malotis. They followed, in some instances, in the footsteps of George Stow, who had trod nearby ground with a similar mission in mind some 40 years earlier. What they saw on the rock walls before them underlined the urgency of their task. In the co-published book published just four years later, Dorothea wrote of the damage that had been done to the painting, commenting that ‘native herd boys have chipped at these paintings with stones, wherever they could reach them, and spoilt them, as no mere rubbing of sheep or cattle could do. Most are so effaced that to trace them was out of the question. We could only make out just enough to regret most bitterly the impossibility of restoring the whole.’

Helen and Dorothea had travelled ‘five hours’ from Maseru (passing Roma, the ‘chief station of the Roman Catholic missionaries in Basutoland’) to reach this rock shelter, where they worked through an afternoon thunderstorm. ‘The rain poured down in torrents, but not a drop touched us in the cave,’ Dorothea wrote later. The researchers had to pile up stones in order to reach paintings that had not been damaged. They carried out their copying work watched by a crowd of curious local people, described later as ‘an attentive audience of four Basuto men, two youths and ten pickaninnies’ who had followed them from the village. The site was on the slopes of a peak known as ‘Mochacha’, one of the highest in the foothills of the Malotis, ‘close to the village of Theko’. It was located on a well-traversed route that was known to other copyists, including the French artist and Protestant missionary Frédéric Christol, who had left in the cave ‘the mangled remains of a drawing of archers’ he had copied and published several years previously. Now, sadly, Dorothea and Helen found the group ‘past tracing’.

Type
Chapter
Information
Dorothea Bleek
A life of scholarship
, pp. 44 - 65
Publisher: Wits University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×