Book contents
- Frontmatter
- CONTENTS
- Acknowledgements
- Introduction
- 1 Reframing Lyrical Ballads (1800/1798)
- 2 Textual Travelling in the 1800 Lyrical Ballads
- 3 Short-Circuiting Wordsworth's 1807 Poems: Richard Mant's The Simpliciad
- 4 Wordsworth's ‘Library of Babel’: The Excursion and the 1815 Poems
- 5 Opening up Chapter 13 of Coleridge's Biographia Literaria
- 6 J. H. Reynolds's ‘Peter Bell’ and the Wordsworthian Reputation
- 7 The River Duddon Volume and Wordsworth's Canonical Ascent
- Notes
- Works Cited
- Index
5 - Opening up Chapter 13 of Coleridge's Biographia Literaria
- Frontmatter
- CONTENTS
- Acknowledgements
- Introduction
- 1 Reframing Lyrical Ballads (1800/1798)
- 2 Textual Travelling in the 1800 Lyrical Ballads
- 3 Short-Circuiting Wordsworth's 1807 Poems: Richard Mant's The Simpliciad
- 4 Wordsworth's ‘Library of Babel’: The Excursion and the 1815 Poems
- 5 Opening up Chapter 13 of Coleridge's Biographia Literaria
- 6 J. H. Reynolds's ‘Peter Bell’ and the Wordsworthian Reputation
- 7 The River Duddon Volume and Wordsworth's Canonical Ascent
- Notes
- Works Cited
- Index
Summary
Dear C.
You ask my opinion concerning your Chapter on the Imagination, both as to the impressions it made on myself, and as to those which I think it will make on the PUBLIC, i.e. that part of the public, who from the title of the work and from its forming a sort of introduction to a volume of poems, are likely to constitute the great majority of your readers.
As to myself, and stating in the first place the effect on my understanding, your opinions and method of argument were not only so new to me, but so directly the reverse of all I had ever been accustomed to consider as truth, that even if I had comprehended the premises sufficiently to have admitted them, and had seen the necessity of your conclusions, I should still have been in that state of mind, which in your note, p. 72, 73, you have so ingeniously evolved, as the antithesis to that in which a man is, when he makes a bull. In your own words, I should have felt as if I had been standing on my head.
The effect on my feelings, on the other hand, I cannot better represent, than by supposing myself to have known only our light and airy modern chapels of ease, and then for the first time to have been placed, and left alone, in one of our largest Gothic cathedrals in a gusty moonlight night of autumn. ‘Now in glimmer, and now in gloom;’ often in palpable darkness not without a chilly sensation of terror; then suddenly emerging into broad yet visionary lights with coloured shadows, of fantastic shapes yet all decked with holy insignia and mystic symbols; and ever and anon coming out full upon pictures and stone-work images of great men, with whose names I was familiar, but which looked upon me with countenances and an expression, the most dissimilar to all I had been in the habit of connecting with those names. Those whom I had been taught to venerate as almost super-human in magnitude of intellect, I found perched in little fret-work niches, as grotesque dwarfs; while the grotesques, in my hitherto belief, stood guarding the high altar with all the characters of Apotheosis.
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- Publisher: Pickering & ChattoFirst published in: 2014