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Book contents
- Frontmatter
- CONTENTS
- List of Contributors
- Introduction: Narrating Domestic Portability: Emigration, Domesticity and Genre Formation
- 1 Unsettled Status in Australian Settler Novels
- 2 Agents of Empire and Feminist Rebels: Settlement and Gender in Isabella Aylmer's Distant Homes and Ellen Ellis's Everything Is Possible To Will
- 3 Reconstructing British Domesticity on the North American Frontier
- 4 Divided House, Divided Self: Susanna Moodie's Flora Lyndsay; or, Passages from an Eventful Life
- 5 For Fortune and Adventure: Representations of Emigration in British Popular Fiction, 1870–1914
- 6 The Return and Rescue of the Émigré in A Tale of Two Cities
- 7 Settling Back in at Home: Impostors and Imperial Panic in Victorian Narratives of Return
- 8 Surviving Black Thursday: The Great Bushfire of 1851
- 9 ‘I am but a Stranger Everywhere’: Missionary Themes in Charlotte Yonge's New Ground and My Young Alcides
- 10 Sad Remains: Foreclosing Settlement in The Coral Island
- 11 Nineteenth-Century Female Crusoes: Rewriting the Robinsonade for Girls
- 12 ‘The Freedom Suits Me’: Encouraging Girls to Settle in the Colonies
- 13 Domestic Goddesses on the Frontier; or, Tempting the Mothers of Empire with Adventure
- 14 A ‘Curious Political and Social Experiment’: A Settler Utopia, Feminism and a Greater Britain in Catherine Helen Spence's Handfasted
- Notes
- Index
9 - ‘I am but a Stranger Everywhere’: Missionary Themes in Charlotte Yonge's New Ground and My Young Alcides
- Frontmatter
- CONTENTS
- List of Contributors
- Introduction: Narrating Domestic Portability: Emigration, Domesticity and Genre Formation
- 1 Unsettled Status in Australian Settler Novels
- 2 Agents of Empire and Feminist Rebels: Settlement and Gender in Isabella Aylmer's Distant Homes and Ellen Ellis's Everything Is Possible To Will
- 3 Reconstructing British Domesticity on the North American Frontier
- 4 Divided House, Divided Self: Susanna Moodie's Flora Lyndsay; or, Passages from an Eventful Life
- 5 For Fortune and Adventure: Representations of Emigration in British Popular Fiction, 1870–1914
- 6 The Return and Rescue of the Émigré in A Tale of Two Cities
- 7 Settling Back in at Home: Impostors and Imperial Panic in Victorian Narratives of Return
- 8 Surviving Black Thursday: The Great Bushfire of 1851
- 9 ‘I am but a Stranger Everywhere’: Missionary Themes in Charlotte Yonge's New Ground and My Young Alcides
- 10 Sad Remains: Foreclosing Settlement in The Coral Island
- 11 Nineteenth-Century Female Crusoes: Rewriting the Robinsonade for Girls
- 12 ‘The Freedom Suits Me’: Encouraging Girls to Settle in the Colonies
- 13 Domestic Goddesses on the Frontier; or, Tempting the Mothers of Empire with Adventure
- 14 A ‘Curious Political and Social Experiment’: A Settler Utopia, Feminism and a Greater Britain in Catherine Helen Spence's Handfasted
- Notes
- Index
Summary
Everyone's heart seemed to be in England instead of the new country. It was as if all were sojourning there, and not at home.
Ever since Grace had found out that she could call home-sickness nostalgia, she had been quite satisfied.
Charlotte Yonge's spiritual priorities provided her with a distinctive interpretation of ‘home’ and ‘settlement’, wherever these may be in the world, plus a longer time-span whereby to evaluate diverse communities. This chapter focuses on two of her novels: New Ground (1868), a story about a missionary cleric and his family in Natal, and, more briefly, My Young Alcides (1875), where Australian colonists return to Britain and criticize the society which they rediscover. Useful contemporary comparisons to these books are provided by some works of Mary Anne Barker Broome (usually known as Lady Barker): Station Life in New Zealand (1870), Station Amusements in New Zealand (1874) and A Year's Housekeeping in South Africa (1877). Barker's judgements reflect widespread contemporary ideas about the nature of transferrable British culture, which could be rolled out as new turf across the fresh fields of foreign lands with little respect for the traditions of the existing peoples of her various destinations. Yonge's viewpoint concentrated rather on divine destinations and is encapsulated by some lines she uses to preface chapter 2 of New Ground.
- Type
- Chapter
- Information
- Victorian Settler NarrativesEmigrants, Cosmopolitans and Returnees in Nineteenth-Century Literature, pp. 141 - 152Publisher: Pickering & ChattoFirst published in: 2014