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1 - Biography and early works

Oliver Feltham
Affiliation:
University of Paris
A. J. Bartlett
Affiliation:
University of Melbourne
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Summary

How can a life correspond to a proper name when that life is incomplete, its vicissitudes not exhausted, its past forever open before it? How does a mortal's life correspond to a proper name when the name itself marks the desire for immortality? And if a mortal life has intersected more than one subject – in the Badiouean sense of the term – and if each subject is properly infinite, then what possible correspondence can be written out between one name and a life? Only a correspondence of personae, of heteronyms.

First persona: the teacher, the master. A graduate student spends a year researching his doctorate in Paris, sits in on three notorious seminars. To distinguish the lecturers he disposes of three variables, each with two values: starts late or not, dresses up or down, audience rich or poor. One starts late, dresses up and the audience is rich; another starts late, dresses up, and the audience is rich; the other starts late, dresses down and the audience is poor – which one was Miller, which Derrida, and which Badiou? Badiou avows having encountered three masters in his youth: Sartre, Althusser and Lacan, but in each text he engages in a progressive multiplication of masters: Mao and Mallarmé, Hegel and Pascal, Canguilhem, Cavaillès and Lautman, Cantor and Cohen, not to mention the seven poets of the Manifesto for Philosophy's “Age of Poetry”.

Type
Chapter
Information
Alain Badiou
Key Concepts
, pp. 8 - 10
Publisher: Acumen Publishing
Print publication year: 2010

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