Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-05-31T23:17:11.261Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

21 - Fredric Jameson

from II - POLITICS OF THE CINEMATIC CENTURY

Scott Durham
Affiliation:
Northwestern University
Felicity Colman
Affiliation:
Manchester Metropolitan University
Get access

Summary

Fredric Jameson (b. 1934) is William A. Lane Professor of Comparative Literature at Duke University. After completing his doctorate at Yale, he taught at Harvard, Yale, the University of California, San Diego, and the University of California, Santa Cruz, before moving to Duke in 1985. His doctoral dissertation was published in 1961 as Sartre: The Origins of a Style. He has since published numerous books on literature, film, philosophy and cultural theory, including Marxism and Form (1971), The Prison-House of Language (1972), The Political Unconscious (1981), Signatures of the Visible (1990), Postmodernism, or the Cultural Logic of Late Capitalism (1991), The Geopolitical Aesthetic (1992), The Seeds of Time (1994), Brecht and Method (1998), Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (2005) and The Modernist Papers (2007).

Fredric Jameson is among the most prominent theorists of postmodernism and one of the foremost Marxist critics of his generation. In Postmodernism, or the Cultural Logic of Late Capitalism (1991), film occupies a central place in his account of the formal features of postmodernism and in his analysis of the relationship of postmodern culture to the social and economic forms of “late capitalism”. In other works, such as Signatures of the Visible (1990) and The Geopolitical Aesthetic (1992), film is the focal point of his reflections on the fate of critical and utopian thought in postmodern culture, and of his evaluation of the possibilities and limits of various narrative and representational forms for imagining the place of individual experience in the new global system.

Type
Chapter
Information
Film, Theory and Philosophy
The Key Thinkers
, pp. 233 - 242
Publisher: Acumen Publishing
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×