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Chapter 2 - Berlin – The City of Sound and Sensation in Fritz Lang's M and E. A. Dupont's Varieté

Published online by Cambridge University Press:  05 June 2012

Isa Murdock-Hinrichs
Affiliation:
University of California, San Diego
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Summary

London is an old lady in black lace and diamonds who guards her secrets with dignity and to whom one would not tell those secrets of which one was ashamed. Paris is a woman in the prime of life to whom one would only tell those secrets one desires to be repeated. But Berlin is a girl in a pullover, not much powder on her face, Hölderlin in her pocket, thighs like those of Atlanta, an undigested education, a heart that is almost to ready to sympathize, and a breadth of view that charms one's repressions from their poison, and shames one's correctitude. One walks with her among the lights and in the shadows. And after an hour or so one is hand-in-hand.

—Harold Nicolson, ‘The Charm of Berlin’ (1932)

I am not satisfied with the expression ‘street image’; I would prefer to say ‘street landscape’ or ‘cityscape’, for what it refers to is the actual landscape total image, which is produced by the arrangement and forming of masses in the same manner as the natural landscape emerges out of the grouping of mountain masses and vegetation.

—Walter Rathenau, ‘Die Schönste Stadt der Welt’ (1902)

Joe May's Asphalt (1929) opens with a scene of several men solidifying the asphalt on newly built streets with large handheld objects. Asphalt as a foundation of the city seems to promise not only swifter movement and a level ground for the passage of horse carriages, cars and pedestrians, but also appears to hint at the way in which the progressive urbanisation shapes German culture and becomes an increasingly prominent aspect of Weimar cinema. The next few scenes focus on the bustling life of the city. May intersperses rapidly moving cars and low angle shots capturing feet of the crowds as they cross streets and push through the traffic with images of people pausing fascinated in front of store windows, watching live models pulling on stockings.

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Publisher: Anthem Press
Print publication year: 2012

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