Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-m42fx Total loading time: 0 Render date: 2024-07-17T01:06:48.974Z Has data issue: false hasContentIssue false

4 - The Path to the Prix de Rome: 1882–84

Published online by Cambridge University Press:  07 September 2019

Get access

Summary

In spring 1882, Achille presented himself for the first time in the preliminary examination for the Prix de Rome. The requirements included writing a fourvoice fugue on a subject by Gounod, and then setting a text by Count Anatole de Ségur, “Salut printemps, jeune saison,” for female chorus. It is almost surprising to find in the notes of one jury member, Théodore Dubois, that Achille was described as “ingenious, progressing.” However, the student did not advance to the second round of the competition. Guiraud's opinion, on 26 June, suggests that their relationship had not yet blossomed into a friendship: “Some progress. Poorly balanced nature, but intelligent. Will get there, I believe.” This assessment was reserved, compared with that of Théodore Dubois!

It is unlikely that Achille showed his teacher everything he was writing at this time, including works such as “Flots, palmes, sables,” a “Mélodie persane” by Armand Renaud (2 June); a transcription for violoncello of his own Nocturne et Scherzo (14 June); a setting of Hymnis, a “comédie lyrique” by Théodore de Banville; Le triomphe de Bacchus, a suite for piano, four hands, whose title was also inspired by Banville; and finally, Daniel, a cantata whose text came from an earlier Prix de Rome competition and which he set for three soloists and orchestra. He offered a copy of it to a classmate, Georges-Eugène Marquet (who had won a first honorable mention in comic opera in 1880). This incessant production did not prevent him from writing an Intermezzo for orchestra (dated 21 June) for the examination that took place on 11 July, when he shared a second honorable mention with Edmond Missa. Later, Debussy would criticize Missa in Gil Blas, while acknowledging that he had been “a kind and devoted friend.”

Second Visit to Russia

Now in his twentieth year, Achille felt much less urgency to join Mme von Meck for the summer. His love kept him back in Paris as long as the Vasnier family schedule could accommodate him. The beautiful weather lured them to Villed'Avray, where they rented a villa; Achille often went there for the day, returning in the evenings via the last train

Type
Chapter
Information
Claude Debussy
A Critical Biography
, pp. 42 - 57
Publisher: Boydell & Brewer
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×