Book contents
- Frontmatter
- Contents
- Acknowledgements
- Biographical Outline
- Abbreviations
- Introduction
- 1 Decline and Fall 1928
- 2 Vile Bodies 1930
- 3 Black Mischief 1932
- 4 A Handful of Dust 1934
- 5 Scoop 1938
- 6 Work Suspended 1942 (composed 1939)
- 7 Put Out More Flags 1942
- 8 Brideshead Revisited 1945
- 9 The Loved One (1948)
- 10 Helena 1950
- 11 Men at Arms 1952
- 12 Officers and Gentlemen 1955
- 13 The Ordeal of Gilbert Pinfold 1957
- 14 Towards Unconditional Surrender: A Recapitulation, 1941–61
- 15 Unconditional Surrender 1961 and Sword of Honour 1965
- Appendix A
- Appendix B
- Notes
- Select Bibliography
- Index
8 - Brideshead Revisited 1945
- Frontmatter
- Contents
- Acknowledgements
- Biographical Outline
- Abbreviations
- Introduction
- 1 Decline and Fall 1928
- 2 Vile Bodies 1930
- 3 Black Mischief 1932
- 4 A Handful of Dust 1934
- 5 Scoop 1938
- 6 Work Suspended 1942 (composed 1939)
- 7 Put Out More Flags 1942
- 8 Brideshead Revisited 1945
- 9 The Loved One (1948)
- 10 Helena 1950
- 11 Men at Arms 1952
- 12 Officers and Gentlemen 1955
- 13 The Ordeal of Gilbert Pinfold 1957
- 14 Towards Unconditional Surrender: A Recapitulation, 1941–61
- 15 Unconditional Surrender 1961 and Sword of Honour 1965
- Appendix A
- Appendix B
- Notes
- Select Bibliography
- Index
Summary
As Waugh's disillusion with the war intensified, his next step in defence of embattled Christendom logically took him to its invisible heart, the soul of the individual. In a later essay on Saint Helena, he identifies the conviction that underlies both Brideshead Revisited, and the subsequent war trilogy:
What we can learn from Helena is something about the workings of God; that He wants a different thing from each of us, laborious or easy, conspicuous or quite private, but something which only we can do and for which we were created. (Holy Places 13)
Waugh would have liked to achieve something conspicuous as a soldier. Even his loudest detractors freely admit his bravery. He was perfectly ready and seriously expected to sacrifice his life fighting for the survival of Christianity. For him personally, the Second World War, even more than its Abyssinian overture, was ‘a disappointing war’. His assignments after the fall of Crete were humdrum. In 1943 a heaven-sent accident during a practice parachute drop – literally a happy fall – brought him injury, sick-leave, and finally official permission for three months’ unpaid leave in order to write Brideshead Revisited. His magnum opus. Something which only he could do.
In his letter applying for leaveWaugh said his projected novel would not deal directly with the war; nor could it be pretended to have any propaganda value, but ‘it may cause innocent amusement and relaxation’ to its readers (D 557, n.1). Most readers respond innocently and pleasurably to Ryder's two love stories, for Sebastian, and his sister Julia. Contemporaries were also quick to identify the originals Waugh denied in his prefatory Author's note: ‘I am not I: thou art not he or she: they are not they.’ As Nancy Mitford wrote to Waugh, everyone was saying that Lord Marchmain was the Seventh Earl Beauchamp and the Flytes were his friends, the Lygon children. However, this easy identification ignores a central difference between the two families. Lord Beauchamp had to leave England because of his homosexuality; Lord Marchmain took up voluntary exile because of his adultery. Lady Marchmain's Catholicism makes divorce impossible; in Marchmain's Venetian palazzo and continental watering-places her estranged husband, a lapsed Catholic, maintains a ménage of quiet propriety with his mistress, Cara.
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- Evelyn Waugh , pp. 98 - 127Publisher: Liverpool University PressPrint publication year: 2016