Book contents
- Frontmatter
- Dedication
- Contents
- Authors’ Note
- Samuel Beckett (1906–1989): The Last Literary Giant
- Dialogue I Messianism: Pros and Cons: Waiting for Godot (1949)
- Dialogue II The Tyranny of the Emancipated Mind: Endgame (1956)
- Dialogue III The Fiasco of Self-Creation: Krapp's Last Tape (1958)
- Dialogue IV Incorrigible Optimism: Happy Days (1961)
- Dialogue V The Comic Side of Pessimism: Rough for Theatre II (late 1950s)
- Dialogue VI Life as Purgatory: Play (1962)
- Dialogue VII Darkness and Forms of Speech: Not I (1972)
- Dialogue VIII Inventing Oneself: That Time (1974)
- Dialogue IX Life without a Father: Footfalls (1975)
- Dialogue X Creatures of the Night: …but the clouds… (1976)
- Dialogue XI The Abyss of the Unconscious: Ohio Impromptu (1981)
- Dialogue XII Catastrophe with No Tragedy: Catastrophe (1982)
Samuel Beckett (1906–1989): The Last Literary Giant
Published online by Cambridge University Press: 30 March 2019
- Frontmatter
- Dedication
- Contents
- Authors’ Note
- Samuel Beckett (1906–1989): The Last Literary Giant
- Dialogue I Messianism: Pros and Cons: Waiting for Godot (1949)
- Dialogue II The Tyranny of the Emancipated Mind: Endgame (1956)
- Dialogue III The Fiasco of Self-Creation: Krapp's Last Tape (1958)
- Dialogue IV Incorrigible Optimism: Happy Days (1961)
- Dialogue V The Comic Side of Pessimism: Rough for Theatre II (late 1950s)
- Dialogue VI Life as Purgatory: Play (1962)
- Dialogue VII Darkness and Forms of Speech: Not I (1972)
- Dialogue VIII Inventing Oneself: That Time (1974)
- Dialogue IX Life without a Father: Footfalls (1975)
- Dialogue X Creatures of the Night: …but the clouds… (1976)
- Dialogue XI The Abyss of the Unconscious: Ohio Impromptu (1981)
- Dialogue XII Catastrophe with No Tragedy: Catastrophe (1982)
Summary
Samuel Beckett was an extraordinary writer; but he was extraordinary in a number of other ways. An Irishman, he was not Catholic like most of his countrymen but Protestant, from a Huguenot family which had come to Ireland in the eighteenth century, fleeing religious persecution. He himself travelled in the opposite direction, leaving Ireland when still quite young, like many famous Irishmen before him, and settling in France.
Beckett wrote most of his work in two languages: his native English and French. He spoke a number of other languages besides these; he was highly educated and had been a good student, but he preferred to keep his distance from the world of academe and rejected the academic career path.
His parents were well off and he had a comfortable childhood in which he lacked for nothing; as an adult he spurned material comforts and led an ascetic life. When his writing brought fame and fortune, he made no use of his money except for necessities, and gave much of it away. He also shunned publicity, refusing interviews, television appearances and readings. He even refused to go in person to collect his Nobel Prize, asking his French publisher to attend the ceremony for him. Throughout his life he fiercely guarded his privacy and independence. But he was an extraordinarily warm person, kind and generous to his friends.
He avoided involvement in politics and never took sides or spoke out in public conflicts of any kind; but during World War II he unhesitatingly joined the Resistance, which nearly cost him his life and later earned him the French Military Cross. The certificate was signed by General de Gaulle. After the war he stood up for victims of persecution in various parts of the world, including those living under communist regimes in Eastern and Central Europe. This, too, he did quietly and with no publicity. When Poland was under martial law he gave a sizeable chunk of his royalties to ‘Solidarity’, and he dedicated one of his last plays, Catastrophe, to Václav Havel, who at the time was serving a three-year sentence in a communist prison in Czechoslovakia.
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- Dialogues on BeckettWhatever Happened to God?, pp. 1 - 2Publisher: Anthem PressPrint publication year: 2019