Book contents
- Frontmatter
- Contents
- Lists of Figures and Music examples
- Contributors
- Acknowledgements
- Introduction: Approaches to Word–Music Studies of the Long Nineteenth Century
- 1 Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other
- 2 Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera
- 3 New Expectations: How to Listen to Sonata Form, 1800–1860
- 4 The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past
- 5 Musical Listening in The Mysteries of Udolpho
- 6 Katherine Mansfield and Nineteenth-Century Musicality
- 7 E.T.A. Hoffmann beyond the ‘Paradigm shift’: Music and Irony in the Novellas 1815–1819
- 8 Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner
- 9 Théodore de Banville and the Mysteries of Song
- 10 Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song
- 11 The Grit in the Oyster, or How to Quarrel with a Poet
- Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword
- Bibliography
- Index
Contents
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- Lists of Figures and Music examples
- Contributors
- Acknowledgements
- Introduction: Approaches to Word–Music Studies of the Long Nineteenth Century
- 1 Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other
- 2 Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera
- 3 New Expectations: How to Listen to Sonata Form, 1800–1860
- 4 The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past
- 5 Musical Listening in The Mysteries of Udolpho
- 6 Katherine Mansfield and Nineteenth-Century Musicality
- 7 E.T.A. Hoffmann beyond the ‘Paradigm shift’: Music and Irony in the Novellas 1815–1819
- 8 Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner
- 9 Théodore de Banville and the Mysteries of Song
- 10 Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song
- 11 The Grit in the Oyster, or How to Quarrel with a Poet
- Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword
- Bibliography
- Index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781782041375/resource/name/firstPage-9781782041375toc_pv-vi_CBO.jpg)
- Type
- Chapter
- Information
- Words and Notes in the Long Nineteenth Century , pp. v - viPublisher: Boydell & BrewerPrint publication year: 2013