Book contents
- Frontmatter
- CONTENTS
- List of Contributors
- List of Figures
- Introduction: Victorian Domestic Fiction Down Under
- 1 Retracing Domestic Space: English National Identity in Harriet Martineau's Homes Abroad
- 2 ‘Hasten to the Land of Promise’: The Influence of Emigrant Letters on Dickens's Life and Literature
- 3 ‘Ever so Many Partings Welded Together’: Serial Settlement and Great Expectations
- 4 ‘The Heavens were on Fire’: Incendiarism and the Defence of the Settler Home
- 5 The ‘Australian Girl’ and the Domestic Ideal in Colonial Women's Fiction
- 6 Fugitive Homes: Multiple Migrations in Ethel Turner's Fiction
- 7 Devout Domesticity and Extreme Evangelicalism: The Unsettled Australian Domestic of Maud Jean Franc
- 8 ‘That's what Children are – Nought but Leg-Ropes’: Motherhood in Rosa Praed's Mrs Tregaskiss
- 9 The Antipodal House Beautiful: Louisa Alice Baker's Colonial Aesthetic
- 10 Antipodal Home Economics: International Debt and Settler Domesticity in Clara Cheeseman's A Rolling Stone
- 11 ‘What is in the Blood will Come Out’: Belonging, Expulsion and the New Zealand Settler Home in Jessie Weston's Ko Méri
- Notes
- Index
8 - ‘That's what Children are – Nought but Leg-Ropes’: Motherhood in Rosa Praed's Mrs Tregaskiss
- Frontmatter
- CONTENTS
- List of Contributors
- List of Figures
- Introduction: Victorian Domestic Fiction Down Under
- 1 Retracing Domestic Space: English National Identity in Harriet Martineau's Homes Abroad
- 2 ‘Hasten to the Land of Promise’: The Influence of Emigrant Letters on Dickens's Life and Literature
- 3 ‘Ever so Many Partings Welded Together’: Serial Settlement and Great Expectations
- 4 ‘The Heavens were on Fire’: Incendiarism and the Defence of the Settler Home
- 5 The ‘Australian Girl’ and the Domestic Ideal in Colonial Women's Fiction
- 6 Fugitive Homes: Multiple Migrations in Ethel Turner's Fiction
- 7 Devout Domesticity and Extreme Evangelicalism: The Unsettled Australian Domestic of Maud Jean Franc
- 8 ‘That's what Children are – Nought but Leg-Ropes’: Motherhood in Rosa Praed's Mrs Tregaskiss
- 9 The Antipodal House Beautiful: Louisa Alice Baker's Colonial Aesthetic
- 10 Antipodal Home Economics: International Debt and Settler Domesticity in Clara Cheeseman's A Rolling Stone
- 11 ‘What is in the Blood will Come Out’: Belonging, Expulsion and the New Zealand Settler Home in Jessie Weston's Ko Méri
- Notes
- Index
Summary
‘In Britain, at the present day … an average of about six children per marriage (not per head of female inhabitants) is necessary in order to keep the population just stationary’, claimed Grant Allen in his 1889 article ‘Plain Words on the Woman Question’. Concerned primarily with the health of the nation, Allen argued that ‘a woman ought to be ashamed to say she has no desire to become a wife and mother’. Allen was one of many who weighed in on debates surrounding women and motherhood at the fin de siècle. Pressures on women to prioritize motherhood were often heightened by growing feminist activism, fears of degeneration, and concerns about the future of the nation. Some women like Sarah Grand and Jane Hume Clapperton responded by becoming advocates of eugenic motherhood. Others like ‘A Woman of the Day’, the anonymous author of an 1895 article ‘Motherhood and Citizenship and the New Woman’, felt differently:
The only woman at the present time who is willing to be regarded as a mere breeding machine is she who lacks the wit to adopt any other role … That the zenith of her youth should be spent in the meaningless production of children born into a country already over-populated, seems to the woman of today a sorry waste of vitality.
- Type
- Chapter
- Information
- Domestic Fiction in Colonial Australia and New Zealand , pp. 125 - 134Publisher: Pickering & ChattoFirst published in: 2014