Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- PART ONE LIVE ART IN A TIME OF CRISIS
- PART TWO LOSS, LANGUAGE AND EMBODIMENT
- PART THREE RETHINKING THE ARCHIVE, REINTERPRETING GESTURE
- PART FOUR SUPPRESSED HISTORIES AND SPECULATIVE FUTURES
- 12 To Heal a Nation: Performance and Memorialisation in the Zone of Non-Being
- 13 Astronautus Afrikanus: Performing African Futurism
- 14 ‘Touched by an Angel’ (of History) in Athi-Patra Ruga's The Future White Women of Azania
- 15 Performance in Biopolitical Collectivism: A Study of Gugulective and iQhiya
- Contributors
- List of Illustrations
- Index
14 - ‘Touched by an Angel’ (of History) in Athi-Patra Ruga's The Future White Women of Azania
from PART FOUR - SUPPRESSED HISTORIES AND SPECULATIVE FUTURES
Published online by Cambridge University Press: 30 May 2019
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- PART ONE LIVE ART IN A TIME OF CRISIS
- PART TWO LOSS, LANGUAGE AND EMBODIMENT
- PART THREE RETHINKING THE ARCHIVE, REINTERPRETING GESTURE
- PART FOUR SUPPRESSED HISTORIES AND SPECULATIVE FUTURES
- 12 To Heal a Nation: Performance and Memorialisation in the Zone of Non-Being
- 13 Astronautus Afrikanus: Performing African Futurism
- 14 ‘Touched by an Angel’ (of History) in Athi-Patra Ruga's The Future White Women of Azania
- 15 Performance in Biopolitical Collectivism: A Study of Gugulective and iQhiya
- Contributors
- List of Illustrations
- Index
Summary
- Type
- Chapter
- Information
- Acts of TransgressionContemporary Live Art in South Africa, pp. 309 - 331Publisher: Wits University PressPrint publication year: 2019