THE PREVIOUS CHAPTER GAVE a historical overview of how the United States and Canada, respectively, have semioticized space. It looked at how representations of symbolic spaces became the dominant spatial narratives of each nation in processes of canon formation and focused especially on the function of nature-culture paradigms for the literary self-conceptualization of the United States and Canada. My concluding argument was that while in the past the city did not loom large in the Canadian imagination, due to factors of literary history — the lack of a strong pastoral tradition, for instance — and to sociocultural aspects — the overwhelming presence of city images emanating from Great Britain and the United States, for instance — the city is gaining ground in the literary imagination of Canada in our days. This is happening at a time in which general conceptualizations of space have drastically changed and in which both urban space and urban fiction are being reassessed. American urban fiction is firmly grounded in the aesthetic traditions of modernism and postmodernism and is grappling with those legacies while trying to find ways to represent the city in new terms. Contemporary Canadian urban fiction, on the other hand, still deals with questions of national self-conceptualization and of defining the “here.” What North American urban fiction shares these days is that it contributes to making and reflecting the multicultural metropolis and investigates the complex ways in which individual and collective, private and public positions and spheres overlap in the city.