Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-767nl Total loading time: 0 Render date: 2024-07-13T23:40:49.419Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 June 2012

Gina MacDonald
Affiliation:
Nicholls State University, Louisiana
Andrew MacDonald
Affiliation:
Loyola University, New Orleans
Get access
Type
Chapter
Information
Jane Austen on Screen , pp. 266 - 280
Publisher: Cambridge University Press
Print publication year: 2003

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Allen, Brooke. “Jane Austen for the Nineties.” The New Criterion (September 1995): 15–22Google Scholar
Alleva, Richard. “Emma Can Read, Too.” Review of Sense and Sensibility. Commonweal (March 8, 1996): 15–18Google Scholar
Amis, Martin. “Jane's World.” The New Yorker 71 (January 8, 1996): 31–35Google Scholar
Anderson, Pat. Review (Persuasion). Films in Review (September 1995)
Andreae, Christopher. “In Defense of the Perfect Pride and Prejudice.” Christian Science Monitor (December 6, 1995): 16Google Scholar
Ansen, David. “Emma.” Newsweek 128 (July 29, 1996): 67Google Scholar
Ansen, David. “In This Fine Romance, Virtue Is Rewarded.” Review of Persuasion. Newsweek (October 9, 1995): 78Google Scholar
Ansen, David. “Mansfi eld Park.” Newsweek 134 (November 29, 1999): 96Google Scholar
Arnold, Judith. “Women Do.” In Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the Romance. Ed. Jayne Ann Krentz. Philadelphia: University of Pennsylvania Press, 1992: 133–139
Auerbach, Nina. “Jane Austen's Dangerous Charm: Feeling as One Ought about Fanny PriceWomen and Literature 3 (1983): 208–223Google Scholar
Austen Anew” in Talk of the Town. The New Yorker 71 (August 28, 1995): 55 (2)
Austen, Jane. The Novels of Jane Austen. 6 vols. Ed. R. W. Chapman. Oxford: Oxford University Press, 1933
Ballaster, Ros. “Adapting Jane Austen.” English Review 7 (September 1996): 10–13Google Scholar
Bander, Elaine. “Jane Austen and the Uses of Silence.” In Literature and Ethics; Essays Presented to A. E. Malloch. Eds. Gary Wihl and David Williams. Montreal: McGill-Queen's University Press, 1988: 46–61
Barnes, Julian. Review of Mansfield Park (1983). The Observer (November 13, 1983): 48Google Scholar
Beals, Jennifer. “Gwyneth Paltrow.” Interview 25 (September 1995): 118 (4)Google Scholar
Bellafante, Ginia. “Sick of Jane Austen Yet?Time 147 (January 15, 1996): 66Google Scholar
Benedict, Barbara M. “Sensibility by the Numbers: Austen's Work as Regency Popular Fiction.” In Janeites: Austen's Disciples and Devotees. Ed. Deirdre Lynch. Princeton: Princeton UP, 2000: 63–86
Bentley, Hale. “The English Novel in the Twentieth Century: #3: Televising a Classic Novel for Students.” Contemporary Review 268 (March 1996): 141–143Google Scholar
Bentley, Hale. “The Best Cinema of 1995.” Time 146 (December 25, 1995/January 1, 1996): 139Google Scholar
Birtwistle, Sue, and Susie Conklin. The Making of Jane Austen's Emma. London: Penguin, 1995
Birtwistle, Sue, and Susie Conklin. The Making of Pride and Prejudice. London: Penguin, 1995
Blake, Richard A.Plain Jane.” Review of Sense and Sensibility. America 174 (March 9, 1996): 20–21Google Scholar
Blandford, Linda. “Beware the Insidious Grip of Darcy Fever.” New York Times (January 14, 1996): H31Google Scholar
Boggs, Joseph M., and Dennis W. Petrie. The Art of Watching Films. London: Mayfield Publishing, 2000
Bowers, Faye. “No Longer Clueless about Austen's Clout.” Christian Science Monitor (April 5, 1996): 7Google Scholar
Brosh, Liora. “Consuming Women: The Representation of Women in the 1940 Adaptation of Pride and Prejudice.” Quarterly Review of Film and Video 17 (2000): 147–159CrossRefGoogle Scholar
Brown, Geoff. Review of Clueless. The Times (October 19, 1995): 35Google Scholar
Buss, Robin. “The Writing's on the Screen.” Times Educational Supplement (February 16, 1996): B10 (2)Google Scholar
Caughie, John, and Kevin Rockett. The Companion to British and Irish Cinema. London: Cassill and The British Film Institute, 1996
Chapman, R[obert]. W[illiam]. Jane Austen: A Critical Bibliography. Oxford: Clarendon Press, 1953
“Cinema” (The Best of 1995). Time 146 (December 25, 1995): 139
Clausen, Christopher. “Jane Austen Changes Her Mind.” The American Scholar (Spring 1999): 1785Google Scholar
Clausen, Christopher. “Thoroughly Modern Austen.” The Wilson Quarterly 23 (Autumn 1999): 100Google Scholar
Clerc, Susan. “Estrogen Brigades and ‘Big Tits’ Threads: Media Fandom On-line and Off.” In Wired Women: Gender and New Realities in Cyberspace. Eds. L. Cherny and E. Reba Weise. Seattle: Seal Press, 1996. Reprinted in The Cybercultures Reader. Eds. David Bell and Barbara M Kennedy. London: Routledge, 2000: 214–229
Cohen, Rich. “High School Confidential” (Amy Heckerling Interview). Rolling Stone (September 7, 1995): 53Google Scholar
Collins, James. “Jane Reactions.” Vogue (January 1996): 70–72Google Scholar
Colon, Christine. “The Social Constructions of Douglas McGrath's Emma: Earning a Place on Miss Woodhouse's Globe.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)Google Scholar
Constantine, David. “Finding the Words: Translation and the Survival of the Human.” Times Literary Supplement (May 21, 1999): 15Google Scholar
Copeland, Edward, and Juliet McMaster, eds. The Cambridge Companion to Jane Austen. Cambridge: Cambridge University Press, 1997
Corliss, Richard. “But I'm a Cheerleader.” Time 155 (January 24, 2000): 69Google Scholar
Corliss, Richard. “To Live and Buy in L. A.: Clueless.” Time (July 31, 1995): 65Google Scholar
Corliss, Richard. “A Touch of Class.” Time (July 29, 1996): 74–75Google Scholar
Corrigan, Timothy. Film and Literature: An Introduction and Reader. Upper Saddle River, NJ: Prentice Hall, 1999
Costume Drama in Light and Darker Guise.” London Times (November 25, 1996)
Coughlan, Sean. “Surf and Sensibility.” Times Educational Supplement (September 22, 1995): 2.18Google Scholar
Crabb, Michael, “Another Jane Austen Novel Heads for the Big Screen.” Info Culture 25 (May 1999)Google Scholar
Crowther, Bosley. “‘Pride and Prejudice,’ a Delightful Comedy of Manners, Seen at the Music Hall.” New York Times (August 9, 1940): 38Google Scholar
Cunningham, Kim. “Austen-tatious.” People Weekly 45 (March 4, 1996): 106Google Scholar
Davies, Andrew. “Austen's Horrible Heroine.” Discussion of Emma. The Electronic Telegraph(November 23, 1996). Online at http://www.telegraph.ukGoogle Scholar
Davies, Andrew. “Picture the Scene.” Times Educational Supplement (September 22, 1995): 2. 10–11Google Scholar
Dear, Nick. Persuasion: A Screenplay. London: Methuen, 1996
Denby, David. “Clueless.” New Yorker 28 (August 7, 1995): 71Google Scholar
Díaz de Chumaceiro, Cora L. “Induced Recall of Jane Austen's Novels: Films, Television, Videos.” Journal of Poetry Therapy 14 (2000): 41–50; (September 6, 2001) http://journals.ohiolink.edu/pdflinks/010806101642238458.pdf
Dick, Bernard F. Anatomy of Film. New York: St. Martin's Press, 1994
Doherty, Tom. “Clueless Kids.” Cineaste 21 (Fall 1995): 14–17Google Scholar
Dowd, Maureen. “Will Jane Nix Pix?New York Times 144 (August 24, 1995): A15, A23Google Scholar
Duckworth, Alistair. Review of Mansfield Park. Eighteenth-Century Fiction 12.4 (July 2000): 565–571Google Scholar
Duncan, Rebecca Stephens. “Sense and Sensibility: A Convergence of Readers/Viewers/Browsers.” In A Companion to Jane Austen Studies. Eds. Laura Cooner Lambdin and Robert Thomas Lambdin. Westport, CT: Greenwood, 2000: 1–16
Dunlap, Lynn. “The Cinematographic Novel: Specularity and Narrative Authority in ‘The House of Mirth,’ ‘Mansfield Park’ and ‘Villette,’”Dissertation: University of Washington, 1992
Ebert, Roger. Review of Emma. Chicago Sun-Times (August 1996). Online at http://www.suntimes.com
Ebert, Roger. Review of Persuasion. Chicago Sun-Times (October 27, 1995). Online at http://www.suntimes.com
Ebert, Roger. Review of Sense and Sensibility. Chicago Sun-Times (December 13, 1996). Online at http://www.suntimes.com
Eggleston, Robert. “Emma, the Movies, and First-Year Literature Classes.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Eisenbach, Helen. “The Clued-in Director” (Heckerling). Interview 29 (July 1999): 42Google Scholar
Emma Thompson: A Close Reading.” The New Yorker 71 (August 28, 1995): 55–56; 69 (November 15, 1993): 46 (3)
Favret, Mary A. “Being True to Jane Austen.” In Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century. Eds. John Kucich and Dianne F. Sadoff. Minneapolis: University of Minnesota Press, 2000: 64–82
Fergus, Jan S. Jane Austen and the Didactic Novel: Northanger Abbey, Sense and Sensibility, and Pride and Prejudice. New York: Macmillan, 1983CrossRef
Fergus, Jan S. Jane Austen: The Literary Career. New York: Macmillan, 1990
Fergus, Jan S. Jane Austen: A Literary Life. New York: Macmillan, 1991CrossRef
Fergus, Jan S.‘My Sore Throats, You Know, Are Always Worse than Anybody's’: Mary Musgrove and Jane Austen's Art of Whining.” Persuasions: Journal of the Jane Austen Society of North America (December 15, 1993): 139–147Google Scholar
Fergus, Jan S. “Sex and Social Life in Jane Austen's Novels.” In Jane Austen in a Social Context. Ed. David Monaghan. New York: Macmillan, 1981: 66–85
Ferguson, Moira. “Mansfield Park: Slavery, Colonialism, and Gender.” The Oxford Literary Review 13 (1991): 1–2, 118–139CrossRefGoogle Scholar
Fields, Suzanne. “Losing it at the Movies with Jane Austen.” Insight on the News 12 (March 25, 1996: 48Google Scholar
Finch, Casey, and Peter, Bowen. “‘The Tittle-Tattle of Highbury’: Gossip and the Free Indirect Style in Emma.” Representations 31 (Summer 1990): 1–18CrossRefGoogle Scholar
Flynn, Christopher. “‘No Other Island in the World’: Mansfield Park, North America, and Post-Imperial Malaise.” Symbiosis 4 (2000): 173–186Google Scholar
Folkenflick, Robert. “‘Homo Alludens’ in the Eighteenth Century.” Criticism 24 (1982): 218–231Google Scholar
Forde, John Maurice. “Janespotting.” Topic: A Journal of the Liberal Arts 48 (1997): 11–21Google Scholar
Foster, Jennifer. “Austenmania, EQ, and the End of the Millennium.” Topic: A Journal of the Liberal Arts 48 (1997): 56–64Google Scholar
Fraiman, Susan. “Jane Austen and Edward Said: Gender, Culture, and Imperialism.” Critical Inquiry (Summer 1995)CrossRefGoogle Scholar
Francke, Lizzie. Review of Sense and Sensibility. New Statesman and Society (February 23, 1996): 43Google Scholar
Franklin-2. “The Best Dramatic Series in Television History.” Included in IMDB website for The Forsyte Saga (1967). http://us.imdb.com/Title?0061253. September 25, 2000
Fritzer, Penelope Joan. Jane Austen and Eighteenth-Century Courtesy Books. Westport, CT: Greenwood, 1997
Fuller, Graham. “Cautionary Tale.” Sight and Sound (March 1996): 21–23Google Scholar
Fuller, Graham. “Shtick and Seduction.” Sight and Sound (March 1996): 24Google Scholar
Gallager, John Andrew. Film Directors on Directing. London: Praeger, 1989
Gard, Roger. Jane Austen, Emma and Persuasion. London: Penguin, 1985
Gard, Roger. Jane Austen's Novels: The Art of Clarity. New Haven, CT: Yale University Press, 1992
Gard, Roger. “Lady Susan and the Single Effect.” Essays in Criticism: A Quarterly Journal of Literary Criticism 4 (October 30, 1989): 305–325Google Scholar
Gard, Roger. “Mansfi eld Park, Fanny Price, Flaubert and the Modern Novel.” English: The Journal of the English Association 38 (Spring 1989): 160, 1–33Google Scholar
Gay, Penny. “A Changing View: Jane Austen's Landscape.” Sydney Studies in English 15 (1989–1990): 47–62Google Scholar
Gay, Penny. Jane Austen and the Theatre. Cambridge: Cambridge University Press, 2002
Gay, Penny. “Theatricals and Theatricality in Mansfield Park.” Sydney Studies in English 13 (1987–1988): 61–73Google Scholar
Gelman-Warner, Libby. “Clueless.” Premiere 9 (October 1995): 46+Google Scholar
Gelman-Warner, Libby. “Girlfriendly Fire” (Sense and Sensibility). Premiere 9 (March 1996): 54 (2)Google Scholar
Giddings, Anthony, Keith Selby, and Chris Wensley. Screening the Novel: The Theory and Practice of Literary Dramatization. Houndmills, NY: Macmillan, 1990CrossRef
Giles, Jeff. “Earth Angel.” Review of Emma. Newsweek (July 29, 1996): 66–68Google Scholar
Gleiberman, Owen. “A Novel Romance: An Adaptation of Jane Austen's Mansfield Park Gets to the Heart of a British Family's Tangled Relationships with Love and Money.” Entertainment Weekly (November 19, 1999): 108Google Scholar
Gliatto, Tom. “Pride and Prejudice.” People Weekly 45 (January 15, 1996): 13Google Scholar
Gooneratne, Yasmine. “Making Sense: Jane Austen on the Screen.” Intercultural Encounters: Studies in English Literatures. Eds. Heinz Anton and Kevin L. Cope. Heidelberg: Carl Winter, 1999: 259–66
Grant, Steve. “Mansfield Park.” Sunday Times (London) (April 2, 2000): sec. 9, 8
Grassin, Sophie. “Emma, c'est elle.” L'Express International (February 29, 1996): 61Google Scholar
Gray, Beverly. “Sense and Sensibility: A Script Review.” Creative Screenwriting 4 (Summer 1997): 74–82Google Scholar
Greenfield, John R. “Is Emma Clueless? Fantasies of Class and Gender from England to California.” Topic: A Journal of the Liberal Arts 48 (1997): 31–38Google Scholar
Gritten, David. “A Match Made in Hollywood.” Daily Telegraph (October 16, 1995): 41–42Google Scholar
Grunwald, Henry. “Jane Austen's Civil Society.” Wall Street Journal (October 2, 1996): A14, A16Google Scholar
Hall, Anthea. “Jane's People.” The Sunday Telegraph (November 13, 1983): 15Google Scholar
Halperin, John. “The Novelist as Heroine in Mansfield Park: A Study in Autobiography.” Modern Language Quarterly 2 (June 1983): 136–156CrossRefGoogle Scholar
Handelman, David. “Through the Looking Glass.” Premiere 10 (August 1997): 72–77Google Scholar
Hannon, Patrice. “Austen Novels and Austen Films: Incompatible Worlds?Persuasions: The Journal of the Jane Austen Society of North America 18 (1996): 24–32Google Scholar
Harding, D. W. “Regulated Hatred: An Aspect of the Work of Jane Austen.” Scrutiny 8 (1939–1940): 346–362Google Scholar
“Harold Lloyd Master Seminar: Amy Heckerling” http://www.afionline.org/haroldlloyd/heckerling/script.1.html
Harris, Jocelyn. “Anne Elliot, the Wife of Bath, and Other Friends.” Women and Literature (1983): 273–293Google Scholar
Harris, Jocelyn. “The Influence of Richardson on Pride and Prejudice.” In Approaches to Teaching Austen's Pride and Prejudice. Ed. Marcia McClintock Folsom. Modern Language Association of America, 1993: 94–99
Harris, Jocelyn. Jane Austen's Art of Memory. Cambridge: Cambridge University Press, 1989
Harris, Jocelyn. “Jane Austen and the Burden of the (Male) Past: The Case Reexamined.” In Jane Austen and Discourses of Feminism. Ed. Devoney Looser. New York: St. Martin's Press, 1995: 87–100
Harris, Jocelyn. “Review of Sense and Sensibility, Persuasion, and Clueless.” Eighteenth-Century Fiction 8 (1996): 427–430CrossRefGoogle Scholar
Hays, Matthew. “Everything's Coming up Rozema.” The Advocate (January 18, 2000): 95Google Scholar
Hearty, Kitty Bowe. “Nick Cassavetes, Doug McGrath and Billy Bob Thornton” (Breakthroughs'97). Us (April 1997): 78 (2)Google Scholar
Heckerling, Amy. “Classic Scene: Clueless.” Premiere 15 (October 2001): 102Google Scholar
Heyns, Michiel. “Shock and Horror: The Moral Vocabulary of Mansfield Park.” English Studies in Africa: A Journal of the Humanities 29 (1986): 1–18CrossRefGoogle Scholar
Hoberg, Tom. “Her First and Last: Austen's Sense and Sensibility, Persuasion, and Their Screen Adaptations.” In Nineteenth-Century Women at the Movies: Adapting Classic Women's Fiction to Film. Ed. Barbara Tepe Lupack. Bowling Green, OH: Popular Press, 1999: 140–166
Hochman, David. “Gwyneth Paltrow.” Us (August 1996): 40 (6)Google Scholar
Holly, Grant I.Emmagrammatology.” Studies in Eighteenth-Century Culture 19 (1989): 39–51Google Scholar
Hopkins, Lisa. “Emma and the Servants.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Hough, Graham. “Narrative and Dialogue in Jane Austen.” Critical Quarterly 12 (1970): 201–230CrossRefGoogle Scholar
Hummel, Kathryn. “Austen's English Roses.” Meanjin 56 (September – December 1997): 735 (3)Google Scholar
Hunt, Liz. “Get Down and Party with Mr. Darcy.” The Independent (July 19 1996): S4 (2)Google Scholar
Hunt, Liz. The International Dictionary of Films and Filmmakers. 3rd ed. Chicago: St. James Press, 1997
Iverson, Annemarie. “Emma Beauty, Circa 1996.” Harper's Bazaar (November 1996): 126Google Scholar
Jacobs, Laura. “Playing Jane.” Vanity Fair 59 (January 1996): 74 (6)Google Scholar
James, Caryn. “Austen Tale of Lost Love Refound.” Review of Persuasion. New York Times (September 27, 1995): C18Google Scholar
James, Caryn. “An Emma Both Darker and Funnier.” New York Times (February 15, 1997): 28Google Scholar
“Jane Austen.” Entertainment Weekly (Special Year-End Double Issue: Best of 1995) (December 29, 1995): 40–41
“Jane Austen in the 21st Century Audio Archive.” www.humanities.wisc.edu/archives
Jane Austen: Nearly Two Centuries after her Death, Directors Got Some Sense and Embraced her Sensibility.” People Weekly 44 (December 25, 1995): 73
“Jane Austen's Emma.” The Washington Post. www.washingtonpost.com/wp-srv/style/longterm/movies/videos/emma.htm
Jerome, Helen. Pride and Prejudice: A Sentimental Comedy. Garden City, NY: Doubleday, 1936
Johnson, Brian. “Austen Powers: Rozema's Version of Mansfield Park.” Maclean's 112 (November 22, 1999): 106–108Google Scholar
Johnson, Brian. “Sense and Sensibility.” Maclean's 108 (December 25, 1995): 86–87Google Scholar
Johnson, Claudia L. “The Authentic Audacity of Patricia Rozema's Mansfield Park (1999).” Times Literary Supplement (December 31, 1999): 16–17Google Scholar
Kaplan, Deborah. “Mass Marketing Jane Austen: Men, Women, and Courtship in Two of the Recent Films.” Persuasions: Journal of the Jane Austen Society of North America 18 (December 16, 1996): 171–187Google Scholar
Katz, Richard A. “The Comic Perception of Jane Austen.” In Voltaire, the Enlightenment and the Comic Mode: Essays in Honor of Jean Sareil. Ed. Maxine G. Cutler. New York: Peter Lang, 1990: 65–87
Kauffmann, Stanley. “Division, Delay, Drag – Persuasion.” The New Republic 213 (October 9, 1995): 26–27Google Scholar
Kauffmann, Stanley. “Emma.” The New Republic (August 19/29, 1996): 38–39Google Scholar
Kauffmann, StanleyReview of Sense and Sensibility. The New Republic (January 8, 1996): 34–35
Kearney, J. A.Jane Austen and the Reason–Feeling Debate.” Theoria: A Journal of Studies in the Arts, Humanities and Social Sciences 75 (May 1990): 107–122Google Scholar
Kearney, J. A.Tumult of Feeling, and Restraint, in Mansfield Park.” Theoria: A Journal of Studies in the Arts, Humanities and Social Sciences 71 (May 1988): 35–45Google Scholar
Kennedy, Dana. “Sense and Sensibility.” Entertainment Weekly (December 22, 1995): 60–61Google Scholar
King, Andrea. “How TV's Clueless Gets its Look.” Glamour 94 (November 1996): 92Google Scholar
Klein, Michael, and Gillian Parker, eds. The English Novel and the Movies. New York: Ungar, 1981
Kroll, Jack. “Jane Austen Does Lunch.” Newsweek 126 (December 18, 1995): 66–68Google Scholar
Konigsberg, Ira. Narrative Technique in the English Novel: Defoe to Austen. Hamden, CT: Archon Books, 1985
Kuhn, Annette. Women's Pictures: Feminism and Cinema. London and New York: Routledge, 1982
Lane, Anthony. “The Dumbing of Emma.” The New Yorker (August 5, 1996): 76–77Google Scholar
Lane, Anthony. “Jane's World.” The New Yorker (September 25, 1995): 107–108Google Scholar
Lane, Anthony. “Mansfi eld Park.” The New Yorker 75 (November 29, 1999): 140Google Scholar
Lane, Anthony. “Persua sion.” The New Yorker (September 25, 1995): 107–108Google Scholar
Lauritzen, Monica. Jane Austen's Emma on Television: A Study of a BBC Classic Serial. Acta Gothenburg Studies in English 48. Göteburg, Sweden: Acta Universitatis Gothoburgensis, 1981
Lawrence, Amy. Echo and Narcissus: Women's Voices in Classical Hollywood Cinema. Berkeley: University of California Press, 1991
Lawson-Peebles, Robert. “European Conflict and Hollywood's Reconstruction of English Fiction.” Yearbook of English Studies 26 (1996): 1–13CrossRefGoogle Scholar
Leak, Rozen. “Clueless.” People Weekly 44 (July 31, 1995): 20Google Scholar
Lee, Susan. “A Tale of Two Movies.” Forbes 158 (November 4, 1996): 391Google Scholar
Le Faye, Deirdre, ed. Jane Austen's Letters. Oxford: Oxford University Press, 1995
Lehmann-Haupt, Christopher. “Pride and Prejudice.” New York Times (February 8, 1997). http://archives.nytimes.com.archives/
Leland, John. “Clueless.” Newsweek 126 (July 24, 1995): 52–53Google Scholar
Lellis, George, and Philip Bolton. “Pride but No Prejudice.” The English Novel and the Movies. Eds. Michael Klein and Gillian Parker. New York: Ungar, 1981
LeMahieu, D. L.Imagined Contemporaries: Cinematic and Televised Dramas about the Edwardians in Great Britain and the United States, 1967–1985”, Historical Journal of Film, Radio and Television 10 (1990): 243–253CrossRefGoogle Scholar
Levin, Tom. “The Acoustic Dimension: Notes on Cinema Sound.” Screen 25. 3 (1984): 55–68CrossRefGoogle Scholar
Libin, Kathryn L. Shanks. “‘–a very elegant looking instrument–’: Musical Symbols and Substance in the Films of Jane Austen's Novels.” Persuasions: Journal of the Jane Austen Society of North America 19 (1997): 187–194Google Scholar
Lipman, Amanda. “Clueless.” Sight and Sound (October 1995): 46Google Scholar
Litvak, Joseph. “The Infection of Acting: Theatricals and Theatricality in Mansfield Park.” ELH 53 (Summer 1986): 2, 331–355CrossRefGoogle Scholar
Litvak, Joseph. “Reading Characters: Self, Society and Text in Emma.” PMLA 100 (1985): 763–773CrossRefGoogle Scholar
Looser, Devoney. “Jane Austen ‘Responds’ to the Men's Movement.” Persuasions: The Journal of the Jane Austen Society of North America 18 (1996): 159–170Google Scholar
Lovric, Michelle. Women's Wicked Wit: From Jane Austen to Roseanne Barr. London: Prion, 2000
Lupack, Barbara Tepa, ed. Nineteenth-Century Women at the Movies: Adapting Classic Women's Fiction to Film. Bowling Green, OH: Bowling Green Popular University Press, 1999
Lyall, Sarah. “‘Emma’ No. 2 Makes Austen's Heroine Darker and Spikier.” New York Times (February 16, 1997): F4Google Scholar
Lynch, Deirdre, ed. Janeites: Austen's Disciples and Devotees. Princeton: Princeton University Press, 2000
Lyons, Donald. “Passionate Prelison: Sense and Sensibility.” Film Comment (January–February 1996): 36–42Google Scholar
Lyttle, John. “All Dressed up for the Movies.” The Independent (August 26, 1996): S2 (2)Google Scholar
McCarthy, Todd. “Austen City Limits.” Premiere 10 (September 1996): 38Google Scholar
Macdonald, Andrew, and Macdonald, Gina. “Emma: Balancing Satire and Sympathy in Clueless.” Creative Screenwriting (Summer 2000): 22–30Google Scholar
McGrath, Douglas. “Candid Camera.” Harper's Bazaar (August 1996): 90Google Scholar
McGrath, Douglas. “Raising Jane: A Diary on the Making of the Film Emma.” Premiere 10 (September 1996): 74–77+Google Scholar
McGrory, Mary. “‘Clueless’ about Jane Austen.” Washington Post 118 (August 20, 1995): C1+Google Scholar
McGrory, Mary. “Dense Insensibility.” Washington Post (December 19, 1995): A2Google Scholar
MacLesh, Rod. “Movies Just Can't Get Past Austen's Charm.” The Christian Science Monitor 88 (January 31, 1996): 19Google Scholar
Mallett, Phillip. “On Liking Emma.” Durham University Journal 53.2 (July 1992): 249–254Google Scholar
Mandel, Miriam B.Fiction and Fiction-Making: Emma.” Persuasions: Journal of the Jane Austen Society of North America (December 16, 1991): 13, 100–103Google Scholar
Marshall, Christine. “‘Dull Elves’ and Feminists: A Summary of Feminist Criticism of Jane Austen.” Persuasions: Journal of the Jane Austen Society of North America 14 (December 16, 1992): 39–45Google Scholar
Marshall, P. Scott. “Techniques of Persuasion in Persuasion: A Lawyer's Viewpoint.” Persuasions: Journal of the Jane Austen Society of North America 6 (December 6, 1984): 44–47Google Scholar
Maslin, Janet. “Clueless.” New York Times (July 19, 1995): C9Google Scholar
Maslin, Janet. “Emma.” New York Times (August 2, 1996)
Maslin, Janet. “Sense and Sensibility.” New York Times (December 13, 1995)Google Scholar
Maslin, Janet. “So Genteel, So Scheming, So Austen.” Review of Emma. New York Times (August 2, 1996): C1, C15Google Scholar
Masters, Kim. “Austen Found: Hollywood Rediscovers the 19th-Century Writer.” Washington Post 119 (December 19, 1995): G1, G7Google Scholar
Mayne, Judith. Cinema and Spectatorship. London and New York: Routledge, 1993
Mazmanian, Melissa. “Reviving Emma in a Clueless World: The Current Attraction to a Classic Structure.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Medhurst, Andy. “Dressing the Part.” Sight and Sound 6 (June 1996): 28–30Google Scholar
Menand, Louis. “Hollywood's Trap.” New York Review of Books 43 (September 19, 1996): 4–6Google Scholar
Menand, Louis. “What Jane Austen Doesn't Tell Us.” New York Review of Books 43 (February 1, 1996): B13–15Google Scholar
Mettler, Mike. “Clueless.” Video 19 (February/March 1996): 65–66Google Scholar
Michaels, Lloyd. [Book review.] Screen 39.4 (Winter 1998): 425–432CrossRefGoogle Scholar
Michaels, Lloyd. “The ‘Midcult’ Film Genre.” Cineaste 22 (Fall 1996): 1Google Scholar
Millard, Mary A.Jane Austen and the Other Emma.” Persuasions: Journal of the Jane Austen Society of North America 10 (December 16, 1988): 48Google Scholar
Miller, Laura. “Austen-mania.”Www.salon.com/02dec1995/features/austen.html
Mitry, Jean. “Remarks on the Problem of Cinematic Adaptation.” Trans. Richard Dyer. Bulletin of Midwest Modern Language Association (1971): 1CrossRefGoogle Scholar
Molan, Ann. “Persuasion in Persuasion.” The Critical Review 24 (1982): 16–29Google Scholar
Moler, Kenneth L.‘Gutter Press Voices’ in Jane Austen's Narration.” Persuasions: Journal of the Jane Austen Society of North America 13 (December 16, 1991): 7–12Google Scholar
Monaghan, David, “Introduction: Jane Austen as a Social Novelist.” Jane Austen in a Social Context. Ed. David Monaghan. Totawa, NJ: Barnes and Noble Books, 1981: 1–8
Monaghan, David, Jane Austen, Structure and Social Vision. London: Macmillan, 1980
Monaghan, David, ed. Emma, Jane Austen. New York: St. Martin's Press; London: Macmillan, 1992
Monaghan, David, ed. Jane Austen in a Social Context. London: Macmillan, 1981
Monaghan, Peter. “With Sex and Sensibility, Scholars Redefine Jane Austen: A Wealth of New Scholarship Examines the Author and her Readers.” The Chronicle of Higher Education 47 (August 17, 2001): a10 (3)
Moody, Ellen. “A Review-Essay of Film Adaptations of Jane Austen's Novels from 1940 to 1997.” www.jimandellen.org/austen
Morgan, Susan. “Captain Wentworth, British Imperialism, and Personal Romance.” Persuasions: Journal of the Jane Austen Society of North America 18 (December 16, 1996): 88–97Google Scholar
Morgenstern, Joe. “Persuasion.” Wall Street Journal (October 6, 1995): A8Google Scholar
Morgenstern, Joe. “Sense and Sensibility.” Wall Street Journal (December 15, 1995): A14Google Scholar
Morrison, Sarah R. “Emma Minus Its Narrator: Decorum and Class Consciousness in Film Versions of the Novel.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Mullen, Lisa. “Fair Game.” Time Out [London] (October 28–November 4, 1998): 24Google Scholar
Nathan, John. “Jane and Louisa May: TV, Film and Tie-in Rights for Novels of Jane Austen, Louisa May Alcott.” Publishers Weekly 243 (June 24, 1996): 24Google Scholar
Neumann, A. Lin. “Cultural Revolution: Taiwan director Ang Lee Takes on Jane Austen.” Far Eastern Economic Review 159 (December 28, 1995): 97 (2)Google Scholar
Nichols, Peter M.Literary Cycle: Bookshelf, Broadcast, Video Store.” New York Times (September 7, 1997). Online at http.//www.nytimes.comGoogle Scholar
Nichols, Peter M. “Tracking Jane Austen's Emma vs. Emma.” (March 7, 1997). Online at www.pemberley.com/kip/emma/emvem.html
North, Julian. “Conservative Austen, Radical Austen: Sense and Sensibility from Text to Screen.” In Adaptation from Text to Screen, Screen to Text. Eds. Deborah Cartmell and Imelda Whelehan. London, England: Routledge, 1999: 38–50
O'Connor, John J.An England Where the Heart and Purse Are Romantically United.” Review of Pride and Prejudice. New York Times (January 13, 1996): 13, 18Google Scholar
O'Connor, Suzanne. “Persuasion.” New York Times (October 1, 1995): H26Google Scholar
O'sullivan, Charlotte. “Fast Foreward: Sense and Sensibility.” Observer Preview (February 24, 1996): 4Google Scholar
O'Toole, Lesley. “A Cute Accent.” The Guardian (September 3, 1996): T8 (2)Google Scholar
Page, Alex. “‘Straightforward Emotions and Zigzag Embarrassments’ in Austen's Emma.” In Johnson and His Age. Ed. James Engell. Cambridge, MA: Harvard University Press, 1984: 559–574
Palmer, Sally. “Robbing the Roost: Reinventing Socialism in Diarmuid Lawrence's Emma.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Parker, Mark. “The End of Emma: Drawing the Boundaries of Class in Austen.” Journal of English and Germanic Philology 91. 3 (July 1992): 344–359Google Scholar
Parrill, Sue. “The Cassandra of Highbury: Miss Bates on Film.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Parrill, Sue. Jane Austen on Film and Television: A Critical Study of the Adaptations. Jefferson, NC: McFarland, 2002
Parrill, Sue. “Pride and Prejudice on A&E: Visions and Revisions.” Literature–Film Quarterly 27 (April 1999): 142 (7)Google Scholar
Parrill, Sue. “What Meets the Eye: Landscape in the Films Pride and Prejudice and Sense and Sensibility.” Persuasions: Journal of the Jane Austen Society of North America 21 (1999): 32–43Google Scholar
Parrish, Stephen Maxfield, ed. Emma: An Authoritative Text, Backgrounds, Reviews, and Criticism. New York: Norton Press, 1972
Parys, Bill. “Ewan McGregor.” Us (August 1996): 82 (2)Google Scholar
PBS Corporate Organization Web Page. http://www.pbs.org/insidepbs/facts/faq1.html (September 25, 2000)
Pearlman, Cindy. “Common Sense.” Entertainment Weekly (January 12, 1996): 9Google Scholar
Pendreigh, Brian. “Wherefore Art?The Guardian (July 2, 1999): S2 (2)Google Scholar
Penley, Constance, ed. Feminism and Film Theory. New York: Routledge, 1988
Petrie, Duncan. Creativity and Constraint in the British Film Industry. London: Macmillan, 1991
Phillips, William, and Louise Heal. “Extensive Grounds and Classic Columns: Emma on Film.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Pidduck, Julianne. “Of Windows and Country Walks: Frames of Space and Movement in 1990s Austen Adaptations.” Screen 39.4 (Winter 1998): 381–400CrossRefGoogle Scholar
Pinion, F. B. A Jane Austen Companion: A Critical Survey and Reference Book. New York: Macmillan, 1973CrossRef
Poovey, Mary. “Persuasion and the Promises of Love.” In The Representation of Women in Fiction. Eds. Carolyn G. Heilbrun and Margaret R. Higonnet. Baltimore, MD: Johns Hopkins University Press, 1983: 152–179
Poplawski, Paul. A Jane Austen Encyclopedia. Westport, CT: Greenwood Press, 1998
Pride and Prurience.” The Economist (US) 317 (November 3, 1990): 106
Randle, Nancy Jalasca. “Jane Austen and EMMA – Women For All Seasons.” Los Angeles Times (February 1997)Google Scholar
Randoja, Ingrid. “Gwyneth Paltrow Glows as Emma.” Now 15 (August 8–14, 1996)Google Scholar
Rapping, Elayne. “The Jane Austen Thing.” The Progressive 60 (July 1996): 37–38Google Scholar
Rapping, Nathan. “Jane and Louisa May.” Publishers Weekly 243 (June 24, 1996): 24Google Scholar
Rauch, Irmengard. “On the BBC/A&E Bicentennial Pride and Prejudice.” Interdisciplinary Journal for Germanic Linguistics and Semiotic Analysis 2.2 (Fall 1997): 327–346Google Scholar
Ray, Joan Klingel. “Message from the President: Code Word Jane Austen, or How a Chinese Film about Martial Arts Teaches Life Arts.” Persuasions: The Jane Austen Journal (Annual 2000): 7 (6)Google Scholar
Review of Pride and Prejudice. Time (July 29, 1940): 44–45
Rhodes, Joe. “Gwyneth Paltrow” (Breakthrough Stars of'96). Us (April 1996): 68 (5)Google Scholar
Rice, Tania. “Persuasive Arguments (BBC Film of Jane Austen Book Persuasion).” Times Educational Supplement (April 14, 1995): 30Google Scholar
Rochlin, Margy. “Like Emma, Setting her World All Astir.” New York Times 2 (July 28, 1996): 11Google Scholar
Romano, Carlin. “Members of Jane Austen Society are Divided on Whether Hollywood is Good for their Author.” Knight-Ridder/Tribune News Service (April 24, 1996): 424k3106
Romney, Jonathan. “One Minute Wonders of the Big Screen.” Review of Clueless. New Statesman (October 20, 1995): 35Google Scholar
Rosen, Leah. “Mansfield Park.” People Weekly 52 (December 6, 1999): 48Google Scholar
Rosenfeld, Megan. “A & E's Take on Austen's Matchmaker Rings True.” Washington Post (February 16, 1997)Google Scholar
Rosmarin, Adena. “‘Misreading’ Emma: The Powers and Perfidies of Interpretative History.” English Literary History 51.2 (Summer 1984): 315–342CrossRefGoogle Scholar
Roth, Barry. An Annotated Bibliography of Jane Austen Studies, 1973–83. Norfolk, VA: The University Press of Virginia, 1985
Roth, Barry. An Annotated Bibliography of Jane Austen Studies, 1984–94. Ohio: Ohio University Press, 1996
Rothstein, Edward. “Jane Austen Meets Mr. Right.” New York Times (December 10, 1995): 4.1, 4.14Google Scholar
Rowland-Brown, Lilian. “Navy, Army, and Jane Austen.” Nineteenth Century and After (July/December 1917)Google Scholar
Rozema, Patricia. Mansfield Park: A Screenplay. New York: Miramax, 1999
Rubinstein, Elliot, ed. Twentieth-Century Interpretations of Pride and Prejudice; A Collection of Critical Essays. New York: Prentice-Hall 1969
Ruoff, Gene W. Jane Austen's Sense and Sensibility (Critical Studies of Key Texts). New York: St. Martin's Press, 1992
Said, Edward W. “Jane Austen and Empire.” In Raymond Williams: Critical Perspectives. Ed. Terry Eagleton. Northeastern University Press, 1989: 150–164
Sales, Roger. Jane Austen and Representations of Regency England. New York: Routledge, 1996
Sauter, Michael. “The Seductions of Emma.” Entertainment Weekly (July 26, 1996): 41Google Scholar
Schatz, Thomas. Boom and Bust: The American Cinema in the 1940s. New York: Scribner's, 1997
Schickel, Richard. “Mansfield Park: Written and Directed by Patricia Rozema.” Time 154 (November 29, 1999): 86Google Scholar
Schwartz, Amy. “‘Clued in’ to Jane Austen.” Washington Post 118 (August 11, 1995): A23Google Scholar
Schwartz, Stan. “On EMMA and Other Austenian Matters.” Urban Desires. 1996. www.pemberley.com/kip/emma/urban.html
Schwarzbaum, Lisa. “Clueless.” Entertainment Weekly (August 16, 1996): 54–55Google Scholar
Schwarzbaum, Lisa. “Emma.” Entertainment Weekly (August 16, 1996): 48
Schwarzbaum, Lisa. “Pride and Prejudice.” Entertainment Weekly (August 16, 1996): 55Google Scholar
Self, David. Television Drama: An Introduction. London and New York: Macmillan, 1984
Sessums, Kevin. “Never Look Back” (Emma Thompson Interview). Vanity Fair 59 (February 1996): 80 (11)Google Scholar
Shapiro, Laura, and Hall, Carol. “Beyond Sense and Sensibility.” Newsweek (August 14, 1995): 70Google Scholar
Shepard, Richard F.Serban, in Film Debut, Meets Jane Austen.” The New York Times 129 (January 28, 1998): PC11Google Scholar
Simon, John. Review of Jane Austen's Persuasion. National Review 45 (October 23, 1995): 58–59Google Scholar
Simon, John. Review of Sense and Sensibility. National Review 48 (January 29, 1996): 67Google Scholar
Simons, Judy, ed. Jane Austen and Cinema. London: Athlone Press, 2004
Siskel, Gene. “Clueless.” TV Guide 47 (January 30/February 5, 1999): 16Google Scholar
Siskel, Gene. “Sense and Sensibility.” TV Guide 46 (December 19–25, 1998): 21Google Scholar
Sonnet, Esther. “From Emma to Clueless: Taste, Pleasure, and the Scene of History.” In Adaptation from Text to Screen, Screen to Text. Eds. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999
Spacks, Patricia Ann Meyer, ed. Persuasion: Authoritative Text, Backgrounds and Contexts, Criticism. New York: Norton, 1995
Stark, Susan. “Clueless No Longer.” Detroit News. www.pemberley.com/kip/emma/detroit.htm
Stenger, Ila. “Jane Austen's England: The Film Version of Sense and Sensibility Takes Us to the England that Was – and, in Some Places, Still Is.” Town & Country 150 (January 1996): 78 (6)Google Scholar
Stern, Lesley. “Emma in Los Angeles: Remaking the Book and the City.” In Film Adaptation. Ed. James Naremore. Rutgers Depth of Field Series. New Brunswick: Rutgers University Press, 2000: 221–238
Sterritt, David. “Emma.” Christian Science Monitor (August 2, 1996): 11Google Scholar
Stevens, Amy. “Poor Jane Austen Didn't Live to See ‘Sense and Sensibility.’Wall Street Journal (March 25 1996): 1+Google Scholar
Stone, Alan. Review of Persuasion. Boston Review 20: 6
Stovel, Bruce. “Emma's Search for a True Friend.” Persuasions: Journal of the Jane Austen Society of North America 13 (December 16, 1991): 58–67Google Scholar
Stovel, Bruce. “Northa nger Abbey at the Movies.” Persuasions: Journal of the Jane Austen Society of North America 20 (Summer 1998): 236–247Google Scholar
Stovel, Bruce. “Secrets, Silence, and Surprise in Pride and Prejudice.” Persuasions: Journal of the Jane Austen Society of North America 11 (December 16, 1989): 85–91Google Scholar
Stovel, Bruce. “Surprise in Pride and Prejudice.” In Approaches to Teaching Austen's Pride and Prejudice. Ed. Marcia McClintock Folsom. Modern Language Association of America, 1993: 115–125
Sutcliffe, Thomas. “Making Sense of Miss Thompson's Sensibility.” The Independent (February 23, 1996): S2 (2)Google Scholar
Sutherland, Eileen. “That Infamous Flannel Waistcoat.” Persuasions: Journal of the Jane Austen Society of North America 18 (December 1996): 58Google Scholar
Thomas, Evan. “Hooray for Hypocrisy.” Newsweek 127 (January 29, 1996): 61Google Scholar
Thompson, Emma. The “Sense and Sensibility” Screenplay and Diaries: Bringing Jane Austen's Novel to Film. London: Bloomsbury, 1995. Rev. ed. New York: Newmarket, 1996
Thomsen, Inger Sigrun. “Dangerous Words and Silent Lovers in Sense and Sensibility.” Persuasions: Journal of the Jane Austen Society of North America 12 (December 16, 1990): 134–138Google Scholar
Tibberts, John C., and James M. Welsh. Novels into Film: The Encyclopedia of Movies Adapted from Books. New York: Checkmark, 1997
Tobin, Mary Elisabeth Fowkes. “Aiding Impoverished Gentlewomen: Power and Class in Emma.” Criticism: A Quarterly for Literature and the Arts 30.4 (Fall 1988): 413–430Google Scholar
Todd, Janet. “Jane Austen, Politics and Sensibility.” In Feminist Criticism: Theory and Practice. Eds. Susan Sellers, Linda Hutcheon, and Paul Perron. Toronto: University of Toronto Press, 1991: 71–87
Tonkin, Boyd. Review of Emma, dir. Douglas McGrath. New Statesman (September 13, 1996): 39Google Scholar
Travers, Peter. “Clueless.” Rolling Stone (August 10, 1995): 61–2+Google Scholar
Trilling, Lionel. “Emma and the Legend.” The Last Decade: Essays and Reviews, 1965–75. Ed. Diana Trilling. New York: Harcourt Brace Jovanovich, 1979
Troost, Linda. “Jane Austen and Technology.” Topic: A Journal of the Liberal Arts 48 (1997): ⅲ–ⅴGoogle Scholar
Troost, Linda, and Sayre Greenfield, “Filming Highbury: Reducing the Community in Emma to the Screen.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Troost, Linda, and Sayre Greenfield, eds. Jane Austen in Hollywood. Lexington: University of Kentucky Press, 1998
Turan, Kenneth. “Interview with Anne Rutherford (Lydia), Marsha Hunt (Mary), and Karen Morley (Charlotte Lucas).” Persuasions: Journal of the Jane Austen Society of North America 11 (1989): 143–150Google Scholar
Turan, Kenneth. “Introduction to Emma on Film.” Persuasions: Journal of the Jane Austen Society of North America. Occasional Papers 3 (Fall 1999)
Turan, Kenneth. “Pride and Prejudice: An Informal History of the Garson–Olivier Motion Picture.” Persuasions: Journal of the Jane Austen Society of North America 11 (1989): 140–143Google Scholar
Wald, Gayle. “Clueless in the Neo-Colonial World Order.” In The Postcolonial Jane Austen. Eds. You-me Park and Rajeswari Sunder Rajan. Routledge Research in Postcolonial Literatures 2. New York: Routledge, 2000: 218–233
Wall, James M.. “Sense and Sensibility.” The Christian Century 113 (January 24, 1996): 67Google Scholar
Wallace, Tara Ghoshal. Jane Austen and Narrative Authority. New York: Macmillan, 1995
Wallace, Tara Ghoshal. “Northanger Abbey and the Limits of Parody.” Studies in the Novel 20.3 (Fall 1988): 262–273Google Scholar
Wallace, Tara Ghoshal. “Sense and Sensibility and the Problem of Feminine Authority.” Eighteenth Century Fiction 2 (January 4, 1992): 149–163Google Scholar
Webb, Christine. “Rents and Rentability in Austen's Sensible City.” The Times (October 23, 1996): S4Google Scholar
Weinraub, Bernard. “A Surprise Film Hit about Rich Teen-Age Girls: Clueless.” New York Times (July 24, 1995): C10Google Scholar
Welch, Jim. “The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film.” Literature–Film Quarterly 24 (January 1996): 111 (2)Google Scholar
Weldon, Fay. “Jane Austen and the Pride of Purists.” New York Times (October 8, 1995): H15, H24Google Scholar
Weldon, Fay. “Star of Age and Screen.” The Guardian (April 12, 1995): 2 (3)Google Scholar
What is it about Jane Austen? Stories with Lots of Words, No Kissing, No Vulgarity Add up to Big Box Office.” Los Angeles Times 115 (January 7, 1996): M4
Wilmington, Michael. “Adaptation of Austen's Persuasion Entertains Seamlessly.” Chicago Tribune (October 27, 1995): 1+2
Wilt, Judith. “Jane Austen's Men: Inside/Outside ‘the Mystery’.” Women and Literature 2 (1982): 59–76Google Scholar
Wiltshire, John. Recreating Jane Austen. Cambridge: Cambridge University Press, 2000
Wiltshire, John. “The World of Emma.” The Critical Review 27 (1985): 84–97Google Scholar
Wolf, Matt. “Jane Austen Goes Shopping”. Interview with Amy Heckerling. The Times (October 19, 1995): 35Google Scholar
Wood, Robin. Sexual Politics and Narrative Film: Hollywood and Beyond. New York: Columbia University Press, 1999
Wooden, Shannon R.‘You even forget yourself’: The Cinematic Construction of Anorexic Women in the 1990s Austen Films.” Journal of Popular Culture 36 (2) (Fall 2002): 221–235CrossRefGoogle Scholar
Wright, Andrew. “Jane Austen Adapted.” Nineteenth-Century Fiction 30 (December 1975): 421–453CrossRefGoogle Scholar
www.jasa.net.au
www.aetv.com
www.movie-reviewscolossus.net
www.pemberley.com/janeinfo
www.telegraph.co.uk

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Gina MacDonald, Nicholls State University, Louisiana, Andrew MacDonald, Loyola University, New Orleans
  • Book: Jane Austen on Screen
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139164702.015
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Gina MacDonald, Nicholls State University, Louisiana, Andrew MacDonald, Loyola University, New Orleans
  • Book: Jane Austen on Screen
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139164702.015
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Gina MacDonald, Nicholls State University, Louisiana, Andrew MacDonald, Loyola University, New Orleans
  • Book: Jane Austen on Screen
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139164702.015
Available formats
×