Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-m8qmq Total loading time: 0 Render date: 2024-04-18T23:09:06.796Z Has data issue: false hasContentIssue false

25 - Representation restructured

from Part IV - The Ends of Romanticism

Published online by Cambridge University Press:  28 May 2009

Get access

Summary

John Stuart Mill, in his essays on Jeremy Bentham and Samuel Taylor Coleridge, observes that ‘these two men’, though ‘they agreed in being closet-students’, ‘were destined to renew a lesson given to mankind by every age, and always disregarded – to show that speculative philosophy … is in reality the thing on earth which most influences’ mankind. Mill, in the first instance, stresses the points of contrast between the two. Thus, he paints Bentham as a figure who continually challenged the truth of standard formulations and was unwilling to accept views simply because they were customary and Coleridge as one who saw ‘the long duration of a belief’ to be ‘at least proof of an adaptation in it to some portion or other of the human mind’ (p. 100). Yet Mill’s account also helps to bring out certain similarities in their projects: both were crucial participants in a massive change in the understanding of representation that occurred within their lives and those of their Romantic contemporaries. When Mill refers to the Germano-Coleridgean legacy, he points to Coleridge’s role in bringing to England a specific appreciation for the Kantian claim that humans are not passive recipients of sensory experience but rather active originators of representations that make the perception of objects possible. The consequence, for Coleridge as for many others of Romantic-era England, was that human psychology, understood as the study of the basic laws of human nature, developed a powerful centrality.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Arnold, Matthew, Essays in Criticism, intro. G. K. Chesterton (London: Dent, 1966).
Barrell, John, Imagining the King’s Death: Figurative Treason, Fantasies of Regicide, 1793–1796, Oxford: Oxford University Press, 2000.
Bate, W. Jackson, The Burden of the Past and the English Poet (New York: W. W. Norton and Company, 1970)
Bell, Andrew, The Madras School: or, Elements of Tuition (London: Routledge/Thoemmes Press, 1993).
Bentham, Jeremy, Chrestomathia, ed. Smith, M. J. and Burston, W. H., Oxford: Clarendon Press, 1984.
Bentham, Jeremy, The Panopticon Writings, ed. Bozovic, Miran, London: Verso, 1995.
Bolla, Peter de, The Discourse of the Sublime: History, Aesthetics and the Subject, Oxford: Basil Blackwell, 1989.
Burke, Edmund, Further Reflections on the Revolution in France, ed. Ritchie, Daniel E. (Indianapolis: Liberty Fund, 1992).
Butler, Marilyn, Jane Austen and the War of Ideas, Oxford: Oxford University Press, 1987.
Canuel, Mark, Religion, Toleration, and British Writing, 1790–1832, Cambridge: Cambridge University Press, 2002.
Chandler, James, England in 1819: The Politics of Literary Culture and the Case of Romantic Historicism, Chicago: The University of Chicago Press, 1998.
Christensen, Jerome, Romanticism at the End of History, Baltimore: Johns Hopkins University Press, 2000.
Coleridge, Samuel Taylor, The Collected Works of Samuel Taylor Coleridge, Princeton: Princeton University Press, 1969–2001.
Dart, Gregory, Rousseau, Robespierre and English Romanticism, Cambridge: Cambridge University Press, 1999.
Ferguson, Frances, Solitude and the Sublime: Romanticism and the Aesthetics of Individuation, New York: Routledge, 1992.
Franta, Andrew, Romanticism and the Rise of the Mass Public, Cambridge: Cambridge University Press, 2007.
Galperin, William, The Return of the Visible in English Romanticism, Baltimore: Johns Hopkins University Press, 1993.
Goodman, Kevis, Georgic Modernity and British Romanticism: Poetry and the Mediation of History, Cambridge: Cambridge University Press, 2004.
Habermas, Jürgen, The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger with the assistance of Frederick Lawrence (Cambridge, MA: The MIT Press, 1991).
Halevy, Elie, The Growth of Philosophic Radicalism, trans. Morris, Mary, Boston: The Beacon Press, 1955.
Hartman, Geoffrey H., Wordsworth’s Poetry, 1787–1814, New Haven: Yale University Press, 1971.
Hazlitt, William, The Complete Works of William Hazlitt, ed. Howe, P. P., London: J. M. Dent and Sons, 1932.
Hofkosh, Sonia, Sexual Politics and the Romantic Author, Cambridge: Cambridge University Press, 2006.
Jacobus, Mary, Romanticism, Writing, and Sexual Difference: Essays on The Prelude, Oxford: Oxford University Press, 1994.
Janowitz, Anne, Lyric and Labour in the Romantic Tradition, Cambridge: Cambridge University Press, 1998.
Jarvis, Simon, Wordsworth’s Philosophic Song, Cambridge: Cambridge University Press, 2007.
Johnson, Claudia L., Equivocal Beings: Politics, Gender, and Sentimentality in the 1790s: Wollstonecraft, Radcliffe, Burney, Austen, Chicago: The University of Chicago Press, 1995.
Johnston, Kenneth R., Chaitin, Gilbert, Hanson, Karen and Marks, Herbert ed., Romantic Revolutions: Criticism and Theory, (Bloomington: Indiana University Press, 1990)
Keach, William, Arbitrary Power: Romanticism, Language, Politics, Princeton: Princeton University Press, 2004.
Kelley, Theresa M., Reinventing Allegory, Cambridge: Cambridge University Press, 1997.
Klancher, Jon, The Making of English Reading Audiences, 1790–1832, Madison: University of Wisconsin Press, 1987.
Lancaster, Joseph, Improvements in Education (Clifton, NJ: Augustus M. Kelley Publishers, 1973)
Levinson, Marjorie, The Romantic Fragment Poem: A Critique of a Form, Chapel Hill: University of North Carolina Press, 1986.
Liu, Alan, Wordsworth: The Sense of History, Stanford: Stanford University Press, 1989.
McGann, Jerome J., The Romantic Ideology: A Critical Investigation, Chicago: The University of Chicago Press, 1985.
McLane, Maureen N., Romanticism and the Human Sciences: Poetry, Population, and the Discourse of the Species, Cambridge: Cambridge University Press, 2006.
Mill, John Stuart, Mill on Bentham and Coleridge, ed. Leavis, F. R., Cambridge: Cambridge University Press, 1980.
Pfau, Thomas, Romantic Moods: Paranoia, Trauma, and Melancholy, 1790–1840, Baltimore: Johns Hopkins University Press, 2005.
Pinch, Adela, Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen, Stanford: Stanford University Press, 1999.
Quincey, Thomas de, The Works of Thomas de Quincey, Oxford: Oxford University Press, 2006.
Richardson, Alan, Literature, Education and Romanticism: Reading as Social Practice, 1780–1832, Cambridge: Cambridge University Press, 1994.
Russett, Margaret, De Quincey’s Romanticism: Canonical Minority and the Forms of Transmission, Cambridge: Cambridge University Press, 1997.
Shelley, Mary Wollstonecraft, Frankenstein, ed. Rieger, James, Indianapolis: Bobbs-Merrill Company, 1974.
Shelley, Percy Bysshe, Letters, ed. Jones, Frederick L. (Oxford: Clarendon Press, 1964), vol. II.
Shelley, Percy Bysshe, Shelley’s Poetry and Prose, ed. Reiman, Donald H. and Powers, Sharon B., New York: W. W. Norton and Company, 1977.
Simpson, David, Romanticism, Nationalism, and the Revolt against Theory, Chicago: The University of Chicago Press, 1993.
Siskin, Clifford, The Work of Writing: Literature and Social Change in Britain, 1700–1830, Baltimore: Johns Hopkins University Press, 1998.
Smith, Olivia, The Politics of Language, 1791–1819, Oxford: Clarendon Press, 1984.
Taylor, Barbara, Mary Wollstonecraft and the Feminist Imagination, Cambridge: Cambridge University Press, 2003.
Trumpener, Katie, Bardic Nationalism: The Romantic Novel and the British Empire, Princeton: Princeton University Press, 1997.
Tuite, Clara, Romantic Austen: Sexual Politics and the Literary Canon, Cambridge: Cambridge University Press, 2002.
Whale, John, Imagination under Pressure, 1789–1832: Aesthetic, Politics, and Utility, Cambridge: Cambridge University Press, 2005.
Williams, Raymond, Culture and Society, 1780–1850, New York: Harper and Row, 1966.
Wolfson, Susan, Formal Charges: The Shaping of Poetry in British Romanticism, Stanford: Stanford University Press, 1999.
Wordsworth, William, The Prose Works of William Wordsworth, ed. Owen, W. J. B. and Worthington Smyser, Jane, Oxford: Clarendon Press, 1974.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×