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Introduction

Published online by Cambridge University Press:  28 July 2011

Terry Gifford
Affiliation:
Bath Spa University
Terry Gifford
Affiliation:
Bath Spa University
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Summary

When some of us who have contributed to this book were asked in 2009 to support the campaign to have a memorial to Ted Hughes (1930–1998) installed in Westminster Abbey, the question we were asked to answer by the Dean was whether Hughes would be a poet whose work would still be read by generations to come. In one sense, this is impossible to guess. In another sense we were being asked whether the work of Hughes was of the stature of the towering figures of twentieth-century poetry who were themselves the major influences upon his own work as a young poet – figures such as W. B. Yeats, D. H. Lawrence, Dylan Thomas and T. S. Eliot. At the end of the first decade of the twenty-first century it is probably true to say that Hughes’s reputation as a poet has never been higher, both in the school and university curriculum and in British culture at large. There are also signs that, after largely ignoring his work during Hughes’s lifetime, American critics and teachers are starting to catch up. Hughes is often the only post-war English poet considered in books like Harvard professor Lawrence Buell’s Writing for an Endangered World (2001) and Stanford professor John Felstiner’s Can Poetry Save the Earth? (2009). Any course in British Modern Poetry would be incomplete without the inclusion of work by Ted Hughes. In the four years prior to May 2010 six books on the work of Hughes were published – five monographs and a collection of essays – plus two memoirs. In the last months of his life the publication of Birthday Letters (1998), following a lifetime of apparent silence about the tragic death of his first wife Sylvia Plath, brought a new audience to his work. At the same time, his translation of Tales from Ovid (1998) won literary awards and was turned into a highly successful play by Tim Supple and Simon Reade (1999). Hughes’s late flowering as a playwright translating classics of European theatre also added to the swell of praise that brought him a higher profile in his final years than individual volumes of poetry had done earlier in his life.

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Publisher: Cambridge University Press
Print publication year: 2011

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  • Introduction
  • Edited by Terry Gifford, Bath Spa University
  • Book: The Cambridge Companion to Ted Hughes
  • Online publication: 28 July 2011
  • Chapter DOI: https://doi.org/10.1017/CCOL9780521197526.001
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  • Introduction
  • Edited by Terry Gifford, Bath Spa University
  • Book: The Cambridge Companion to Ted Hughes
  • Online publication: 28 July 2011
  • Chapter DOI: https://doi.org/10.1017/CCOL9780521197526.001
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Edited by Terry Gifford, Bath Spa University
  • Book: The Cambridge Companion to Ted Hughes
  • Online publication: 28 July 2011
  • Chapter DOI: https://doi.org/10.1017/CCOL9780521197526.001
Available formats
×