Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-sv6ng Total loading time: 0 Render date: 2024-08-16T20:21:25.494Z Has data issue: false hasContentIssue false

R

Published online by Cambridge University Press:  05 October 2010

Get access

Summary

RACKS.—See Board-Rack, Case-Rack, and Forme-Rack.

RANKS.—From the frames in a composing-room being placed in a row, the compositors are said to be in the ranks ; thus, if a compositor has been selected for a reader or overseer, and he afterwards works at the case as compositor, it is said he is come to the ranks again.

RAT.—Savage defines this opprobrious epithet, thus:—“A compositor or pressman who executes work at less than the regular prices, or for less than the generality of the trade think it deserves, or for less than the Chapel decides it ought to be paid, or for less than others are paid for it, becomes what is termed a rat. The most miserable situation, perhaps, that a workman can be placed in. He is hooted at and despised by the rest of the workman in every house where he may obtain employment; and this feeling towards him does not subside, for the opprobrious epithet accompanies him for life.”

RAT-HOUSE.—A printing-office where the rules of the printers' trade unions are not conformed to.

READER.—See Proof Reader.

REAM.—Twenty quires of paper, each of which usually contains twenty-four sheets, but paper intended for newspapers is usuallymade up in quires containing twenty-five sheets each, in which case the ream consists of 500 sheets. A “perfect” ream for printing purposes consists of 21½ quires or 516 sheets, waste being thus provided for.

REFERENCES.—There are various references used for notes, according to the fancy of the author, or the master printer, where they are not numerous in a page.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010
First published in: 1875

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • R
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.020
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • R
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.020
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • R
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.020
Available formats
×