Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-5wvtr Total loading time: 0 Render date: 2024-07-19T20:20:55.574Z Has data issue: false hasContentIssue false

CHAP. III - Second Day. The Oratorio—the Ball

Published online by Cambridge University Press:  29 August 2010

Get access

Summary

In nothing is the difference between home and foreign arrangements more striking than in the quantity of entertainment deemed fashionable and sufficient. Talk of the English as lukewarm in the matter of public amusements! Where else shall we find audiences willing to be shut up in the strait seats of a theatre, or the cramping benches of an opera pit, from seven o'clock in the evening till an hour past midnight? Where else, frames robust enough to endure, as at our provincial festivals, four hours of oratorio in the morning, and five hours of concert in the evening, with all the intermediate hurries and cares attendant on the pleasure?

I was sitting on the second morning revolving our incessant habits in my mind, and rejoicing in the rationality of a few hours' pause, when Dr. Mendelssohn kindly paid me a visit. There were some MSS. of Sebastian Bach to be inspected ; there was to be organ-playing in the Cathedral: in short, it was to be one of those mornings of musical lounging and luxury, which, as regards real enjoyment of, and insight into, the art, are sometimes worth a score of formal performances. Once again the friendly hospitality must be dwelt upon which included in these choice pleasures a total stranger, without his being allowed for a single instant, to feel himself tolerated or de trop.

Type
Chapter
Information
Modern German Music
Recollections and Criticisms
, pp. 36 - 47
Publisher: Cambridge University Press
Print publication year: 2009
First published in: 1854

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×