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CHAPTER XI - Taking Impressions for Transferring

Published online by Cambridge University Press:  05 July 2011

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Summary

Stones, after the Etching, described in the last chapter, are ready for the press. As we have, however, given instructions for drawing in two styles on paper; with pen and brush (line work) and with chalk (grained paper), we must show how they are to be put upon the stone previous to printing from them, or in the language of the trade, transferring them. The transferring method applies not only to work executed in the first instance by hand labour, but also to the reproduction by Lithography of engraved plates, blocks, and type. We shall, therefore, take this subject next in order, and devote a chapter to it.

99. One of the most important qualifications for the foreman of a small lithographic printing-office, is the ability to pull transfers from copperplate.

In these days of extreme division of labour it is not every youth who has the opportunity given him for practice, and it is the more important, therefore, that this treatise should attempt to supply the deficiency.

100. The Copper-Plate Press may be used for pulling the transfers, but the litho press will be found quite sufficient. It is as well to devote a small press entirely to this purpose, and have conveniences at hand for use at any time. A small lithographic press will cost less money than a copper-plate press, and may be used for litho work as well in a small establishment. If cost is of greater consideration than convenience, a larger press capable of any ordinary work may be used without injury to it, if a smaller extra tympan and frame be employed to save the full-size one.

Type
Chapter
Information
The Grammar of Lithography
A Practical Guide for the Artist and Printer in Commercial and Artistic Lithography, and Chromolithography, Zincography, Photo-lithography, and Lithographic Machine Printing
, pp. 75 - 82
Publisher: Cambridge University Press
Print publication year: 2010
First published in: 1878

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