Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-m9pkr Total loading time: 0 Render date: 2024-07-12T23:31:01.954Z Has data issue: false hasContentIssue false

12 - The Color Purple: translating the African-American novel for Hollywood

Published online by Cambridge University Press:  12 January 2010

Allen Woll
Affiliation:
Professor of History and also directs the Film Studies program, Rutgers University-Camden
R. Barton Palmer
Affiliation:
Clemson University, South Carolina
Get access

Summary

When it was announced that Alice Walker's (b. 1944) Pulitzer Prize-winning third novel The Color Purple (1982) was to be filmed in 1985, there was reason for considerable optimism about the result. Hollywood's top moneymaking director Steven Spielberg had decided to direct the film with Walker's approval. Quincy Jones had joined the company as a producer, and young talents Whoopi Goldberg, Oprah Winfrey, and Margaret Avery had signed for the major roles of Celie, Sofia, and Shug.

As the year's Academy Award nominations were announced, it seemed that The Color Purple might sweep the board. Nominated for eleven Oscars, including Best Picture, Best Director, and three acting awards (Goldberg, Winfrey, and Avery), the film faltered at the presentation, winning none of the honors. The big winner that year was Out of Africa (directed by Sidney Pollack and starring Robert Redford and Meryl Streep), which won many of the awards for which The Color Purple had been nominated. The Color Purple won some secondary awards (a Golden Globe for Goldberg), but it finished out of the running for the most prestigious ones.

While The Color Purple earned respectable grosses during its first six months of release (approximately $94 million), it was also greeted with considerable criticism during this period. Many would later argue that the harsh reception of the film, particularly from the African-American community, hurt both its earnings and its award potential, and left a lingering bad taste among the various participants in the film.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bogle, Donald, Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films (New York and London: Continuum, 2001).Google Scholar
Bowser, Pearl, Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences (New Brunswick, NJ: Rutgers University Press, 2000).Google Scholar
A Collaboration of Spirits: Casting and Acting The Color Purple, directed by Bouzereau, Laurent (DVD) (Warner Home Video, 2003).Google Scholar
Collins, Glenn, “New Departures for Two Major Directors,” New York Times, December 15, 1985, Section 2, p. 1.Google Scholar
The Color Purple: The “Musical” directed by Bouzereau, Laurent (DVD), Warner Home Video, 2003.Google Scholar
Conversations with the Ancestors: The Color Purple from Book to Screen, directed by Bouzereau, Laurent (DVD), Warner Home Video, 2003.Google Scholar
Cultivating a Classic: The Making of The Color Purple, directed by Bouzereau, Laurent (DVD), Warner Home Video, 2003.Google Scholar
Walker, Alice, The Color Purple (New York: Harcourt Books, 2003).Google Scholar
Walker, Alice, The Same River Twice – Honoring the Difficult: A Meditation on Life, Spirit, Art, and the Making of the Film The Color Purple Ten Years Later (New York, Charles Scribner's Sons, 1996).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×