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Bibliography

Published online by Cambridge University Press:  22 September 2009

Paul Lopes
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Tufts University, Massachusetts
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Print publication year: 2002

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References

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Armstrong, Louis. 1936. Swing that Music. Reprint, New York: De Capo Press, 1993
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Blesh, Rudi 1971. Combo USA: Eight Lives in Jazz. Philadelphia: Chilton Books
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Bourdieu, Pierre 1996. The Rules of Art: Genesis and Structure of the Literary Field. Stanford University Press
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Badger, R. Reid. 1989. “James Reese Europe and the Prehistory of Jazz.”American Music 7:48–67CrossRefGoogle Scholar
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Cameron, William Bruce. 1954. “Sociological Notes on the Jam Session,” Social Forces 33:177–82
Cantwell, Robert. 1996. When We Were Good: The Folk Revival. Cambridge, MA: Harvard University Press
Charters, Samuel B. and Leonard Kunstadt. 1962. Jazz: A History of the New York Scene. Garden City, NY: Doubleday
Chase, Gilbert. 1987. America's Music: From the Pilgrims to the Present. 3rd ed. Chicago: University of Illinois Press
Christian, Charles M. 1999. Black Saga: The African American Experience. 2nd ed. Washington, DC: Civitas Counterpoint
Clayton, Buck, and Nancy Miller Elliott. 1987. Buck Clayton's Jazz World. New York: Oxford University Press
Crane, Diana. 1992. The Production of Culture: Media and the Urban Arts. Newbury Park, CA: Sage Publications
Craven, Robert R, ed. 1986. Symphony Orchestras of the United States: Selected Profiles. New York: Greenwood Press
Cuney-Hare, Maude. 1936. Negro Musicians and their Music. Reprint, New York: G. K. Hall & Company, 1996
Davis, Ronald L. 1981. A History of Music in American Life. Volume III, Malabar, FL: Robert Krieger Publishing
DeLong, Thomas A. 1983. Pops: Paul Whiteman, King of Jazz. Piscataway, NJ: New Century Publishers
DeLong, Thomas A. 1996. Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960. Jefferson, NC: McFarland & Company
Denisoff, R. Serge. 1986. Tarnished Gold: the Record Industry Revisited. New Brunswick, NJ: Transaction Books
DeVeaux, Scott. 1987. “Conversation with Howard McGhee: Jazz in the Forties.”The Black Perspective in Music 15/1:65–78Google Scholar
DeVeaux, Scott 1989. “The Emergence of the Jazz Concert, 1935–1945.”American Music 7: 6–29CrossRef
DeVeaux, Scott 1991. “Constructing the Jazz Tradition: Jazz Historiography.”Black American Literature Forum 25/3:525–60
DeVeaux, Scott 1997. The Birth of Bebop: A Social and Musical History. Berkeley: University of California Press
Dexter, Dave. 1964. The Jazz Story. Englewood Cliffs, NJ: Prentice-Hall
DiMaggio, Paul. 1982. “Cultural Entrepreneurship in Nineteenth-Century Boston,”Media, Culture and Society 4(1 & 2): 33–50, 303–22CrossRefGoogle Scholar
DiMaggio, Paul 1991. “Social Structure, Institutions, and Cultural Goods: The Case of the United States” in Social Theory for a Changing Society, eds. P. Bourdieu and J. S. Coleman. San Francisco: Westview Press
DiMaggio, Paul 1992. “Cultural Boundaries and Structural Change: The Extension of the High Culture Model to Theater, Opera, and the Dance, 1900–1940” in Cultivating Differences: Symbolic Boundaries and the Making of Inequality, eds. M. Lamont and M. Fournier. University of Chicago Press
Dodge, Roger Pryor. 1995. Hot Jazz and Jazz Dance. New York: Oxford University Press
Dugan, James, and John, Hammond. 1974. “An Early Black Music Concert From Spirituals to Swing.”The Black Perspective in Music 2/2:191–208CrossRefGoogle Scholar
Eberly, Philip K. 1982. Music in the Air: America's Changing Tastes in Popular Music, 1920–1980. New York: Hastings House Publishers
Elworth, Steven B. 1995. “Jazz in Crisis, 1948–1958: Ideology and Representation” in Jazz Among the Discourses, ed. K. Gabbard. Durham, NC: Duke University Press
Ennis, Philip H. 1992. The Seventh Stream: The Emergence of Rocknroll in American Popular Music. Hanover, NH: Wesleyan University Press
Erenberg, Lewis A. 1981. Steppin' Out: New York Nightlife and the Transformation of American Culture, 1890–1930. University of Chicago Press
Erenberg, Lewis A. 1989. “Things to Come: Swing Bands, Bebop, and the Rise of a Post War Jazz Scene” in Recasting America: Politics and Culture in the Age of the Cold War, ed. L. May. University of Chicago Press
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  • Bibliography
  • Paul Lopes, Tufts University, Massachusetts
  • Book: The Rise of a Jazz Art World
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511489495.008
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  • Bibliography
  • Paul Lopes, Tufts University, Massachusetts
  • Book: The Rise of a Jazz Art World
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511489495.008
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  • Bibliography
  • Paul Lopes, Tufts University, Massachusetts
  • Book: The Rise of a Jazz Art World
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511489495.008
Available formats
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