Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Form, feeling, metaphysics, and music
- 2 Music, language, and the origins of modernity
- 3 Rhythm and Romanticism
- 4 Hegel, philosophy and music
- 5 Music and the subjects of Romanticism
- 6 Music, freedom, and the critique of metaphysics
- 7 Pro and contra Wagner
- 8 Music, language, and being: Wittgenstein and Heidegger
- 9 Adorno: musical philosophy or philosophical music?
- Conclusion
- References
- Index
References
Published online by Cambridge University Press: 15 October 2009
- Frontmatter
- Contents
- Preface
- Introduction
- 1 Form, feeling, metaphysics, and music
- 2 Music, language, and the origins of modernity
- 3 Rhythm and Romanticism
- 4 Hegel, philosophy and music
- 5 Music and the subjects of Romanticism
- 6 Music, freedom, and the critique of metaphysics
- 7 Pro and contra Wagner
- 8 Music, language, and being: Wittgenstein and Heidegger
- 9 Adorno: musical philosophy or philosophical music?
- Conclusion
- References
- Index
Summary
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- Type
- Chapter
- Information
- Music, Philosophy, and Modernity , pp. 418 - 425Publisher: Cambridge University PressPrint publication year: 2007