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Published online by Cambridge University Press:  22 September 2009

Michael Patterson
Affiliation:
De Montfort University, Leicester
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Chapter
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Strategies of Political Theatre
Post-War British Playwrights
, pp. 202 - 222
Publisher: Cambridge University Press
Print publication year: 2003

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[With Margaretta D'Arcy] Awkward Corners: Essays, Papers, Fragments, London: Methuen, 1988
Building the play: an interview’, Encore 8 (4), July–August 1961, 22–41
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‘Getting time for adjustments’, Interview with John Arden and Margaretta D'Arcy by Paul Hadfield and Linda [= Lynda] Henderson, Writing Ulster, Coleraine: University of Ulster 2/3, 1991–2, 88–9
On comedy: John Arden talks to Albert Hunt’, Encore 12 (5), September–October 1965, 13–19
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Who's for a revolution? Two interviews with John Arden’ [with Walter Wager and Simon Trussler], Tulane Drama Review 11 (2) (t34), Winter 1966, 41–53CrossRef
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‘Energy – and the small discovery of dignity’ [interview with Malcolm Hay and Simon Trussler], Theatre Quarterly 10 (40), Autumn– Winter 1981, 3–14
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‘Oppression, resistance and the writer's testament’ [interview with Finlay Donesky], Theatre Quarterly 2 (8), November 1986, 336–44
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‘Creating what is normal’ [interview with Tony Coult], Plays and Players 23 (3), 1975, 9–13
‘A discussion’ [with Harold Hobson et al.], Gambit 5 (17), 1970, 5–38
‘Drama and the dialectics of violence: Edward Bond interviewed by the editors’ [Roger Hudson, Catherine Itzin and Simon Trussler], Theatre Quarterly 2 (5), January–March 1972, 4–14
‘Dramatist in a schizophrenic society: Edward Bond on the context of the ideas in his plays’ [interview with W. Bachem and R. Tabbert], anglistik & englischunterricht 7, 1979, 121–32
‘Edward Bond in conversation’ [interview with D. Roper], Gambit 9 (36), 1980, 35–45
‘The first circle’ [interview with G. Loney], Performing Arts Journal 1, 1976, 37–45
‘From rationalism to rhapsody’ [interview with Christopher Innes], Canadian Theatre Review 23, 1979, 108–13
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‘Creating what is normal’ [interview with Tony Coult], Plays and Players 23 (3), 1975, 9–13
‘A discussion’ [with Harold Hobson et al.], Gambit 5 (17), 1970, 5–38
‘Drama and the dialectics of violence: Edward Bond interviewed by the editors’ [Roger Hudson, Catherine Itzin and Simon Trussler], Theatre Quarterly 2 (5), January–March 1972, 4–14
‘Dramatist in a schizophrenic society: Edward Bond on the context of the ideas in his plays’ [interview with W. Bachem and R. Tabbert], anglistik & englischunterricht 7, 1979, 121–32
‘Edward Bond in conversation’ [interview with D. Roper], Gambit 9 (36), 1980, 35–45
‘The first circle’ [interview with G. Loney], Performing Arts Journal 1, 1976, 37–45
‘From rationalism to rhapsody’ [interview with Christopher Innes], Canadian Theatre Review 23, 1979, 108–13
An interview by Giles Gordon’, Transatlantic Review 22, Autumn 1966, 7–15
On Brecht: a letter to Peter Holland’, Theatre Quarterly 8 (30), Summer 1978, 34–5
Arnold, Arthur. ‘Lines of development in Bond's plays’, Theatre Quarterly 2 (5), 1972, 15–19Google Scholar
Buhmann, Detlef. Edward Bond: Theater zwischen Psyche und Politik, Frankfurt am Main: Lang, 1988
Bulman, James C.Bond, Shakespeare and the Absurd’, Modern Drama 29 (1), March 1986, 63CrossRefGoogle Scholar
Coult, Tony. The Plays of Edward Bond, London: Eyre Methuen, 1978
Dark, Gregory. ‘Production Casebook no. 5: Edward Bond's Lear at the Royal Court’, Theatre Quarterly 2 (5), January–March 1972, 20–31Google Scholar
Donahue, Delia. Edward Bond: A Study of His Plays, Rome: Bulzoni editore, 1979
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Hirst, David L. Edward Bond, London: Macmillan, 1985
Holland, Peter. ‘Brecht, Bond, Gaskill and the practice of political theatre’, Theatre Quarterly 8 (30), Summer 1978, 24–34Google Scholar
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Klotz, Günther. ‘Erbezitat und zeitlose Gewalt: zu Edward Bonds Lear’, Weimarer Beiträge 19 (10), 1973, 54–65Google Scholar
Lappin, Lou. The Art and Politics of Edward Bond, New York: Lang, 1987
Oppel, Horst, and Sandra Christenson. Edward Bond's Lear and Shakespeare's King Lear, Abhandlungen der geistes- und sozialwissenschaftlichen Klasse, 1974 (2), Mainz: Akademie der Wissenschaften und der Literatur, 1974
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Roberts, Philip. File on Bond, London: Methuen, 1985
Roberts, Philip. ‘Political metaphors: the plays of Edward Bond’, New Edinburgh Review, 30 August 1975, 34–5Google Scholar
Roberts, Philip ‘“Making the two worlds one”: the plays of Edward Bond’, Critical Quarterly 21 (4), 1979, 75–84CrossRefGoogle Scholar
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Interview [with Hugh Herbert], The Guardian, 9 May 1974
‘On Iranian Nights’, Tariq Ali and Howard Brenton, Independent Magazine 36, 13 May 1989
‘Petrol bombs through the proscenium arch’ [interview with Catherine Itzin and Simon Trussler], Theatre Quarterly, 5 (17), March–May 1975, 4–20
‘The red theatre under the bed’ [interview with Tony Mitchell], New Theatre Quarterly 3 (11), August 1987, 195–201
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Writing for democratic laughter’, Drama 157 (3), 1985, 9–11
Boon, Richard. Brenton: the Playwright, London: Methuen, 1991
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Not ordinary, not safe’, The Twentieth Century, November 1960, 443–51
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‘Current concerns’ [interview with Peter Ansorge and David Hare], Plays and Players, July 1974, 18–22
Interview, The Leveller, November 1976, 12–13
Interview with Pat Silburn, Gambit 8 (29), 1976, 30–6
‘Politics and populist culture’ [interview with Alison Summers], Canadian Theatre Review, Summer 1980, 22–9
‘Towards the mountain top’ [interview with Robert Cushman], Plays and Players 21, August 1974, 14–19
‘Transforming the husk of capitalism’ [interview with Catherine Itzin and Simon Trussler], Theatre Quarterly 6 (22), Summer 1976, 25–46
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‘Current concerns’ [interview with Peter Ansorge and David Hare], Plays and Players, July 1974, 18–22
Interview, The Leveller, November 1976, 12–13
Interview with Pat Silburn, Gambit 8 (29), 1976, 30–6
‘Politics and populist culture’ [interview with Alison Summers], Canadian Theatre Review, Summer 1980, 22–9
‘Towards the mountain top’ [interview with Robert Cushman], Plays and Players 21, August 1974, 14–19
‘Transforming the husk of capitalism’ [interview with Catherine Itzin and Simon Trussler], Theatre Quarterly 6 (22), Summer 1976, 25–46
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‘From Portable Theatre to Joint Stock … via Shaftesbury Avenue’ [interview with Catherine Itzin and Simon Trussler], Theatre Quarterly 5 (20), December 1975–February 1976, 108–15
‘Humanity and passion don't count’ [interview with Peter Ansorge], Plays and Players 19, February 1972, 14–24
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‘A lecture given at King's College, Cambridge, March 5 1978’, Licking Hitler, London: Faber & Faber, 1978, 57–71
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‘Better a bad night in Bootle …’ [interview with Catherine Itzin and Simon Trussler], Theatre Quarterly 5 (19), September–November 1975, 39–54
‘New directions’ [interview with Ramona Gibbs], Plays and Players, November 1972, ⅻⅰ–ⅺⅴ
‘Popular theatre and the changing perspective of the eighties’ [interview with Tony Mitchell], New Theatre Quarterly 1 (4), November 1985, 390–9
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The Cheviot, the Stag and the Black, Black Oil, first publ. Breakish: West Highland Publishing, 1974, revised edn, London: Methuen, 1981
A Good Night Out: Popular Theatre: Audience, Class and Form, London: Methuen, 1981
The Bone Won't Break: On Theatre and Hope in Hard Times, London: Methuen, 1990
‘Better a bad night in Bootle …’ [interview with Catherine Itzin and Simon Trussler], Theatre Quarterly 5 (19), September–November 1975, 39–54
‘New directions’ [interview with Ramona Gibbs], Plays and Players, November 1972, ⅻⅰ–ⅺⅴ
‘Popular theatre and the changing perspective of the eighties’ [interview with Tony Mitchell], New Theatre Quarterly 1 (4), November 1985, 390–9
The theory and practice of political theatre’, Theatre Quarterly 9 (36), 1980, 43–54
The Year of the Cheviot’, Plays and Players, February 1974, 24–30
Barker, Clive. ‘Das Ensemble 7:84: über die Arbeit einer englischen Theatergruppe’, Theater der Zeit 31 (2), 1976, 48–50Google Scholar
Boa, Elizabeth. ‘Some versions of the pastoral in McGrath's The Cheviot, the Stag and the Black, Black Oil and Kroetz's Stallerhof’, Anglistentag 1984, Passau, ed. M. Pfister, Giessen: Hoffmann, 1985, 219–30
Höhne, Horst. ‘Political analysis, theatrical form, and popular language in the plays of Charles Wood, Henry Livings and John McGrath’, Zeitschrift für Anglistik und Amerikanistik 25 (4), 1977, 332–50Google Scholar
Jäger, Andreas. John McGrath und die 7:84 Company Scotland: Politik, Popularität und Regionalismus im Theater der siebziger Jahre in Schottland, Amsterdam: Rodopi, 1986
MacLennan, Elizabeth. The Moon Belongs to Everyone: Making Theatre with 7:84, London: Methuen, 1990
Maguire, Tom. ‘Under new management: the changing direction of 7:84 (Scotland)’, Theatre Research International 17 (2), 1992, 132–7CrossRefGoogle Scholar
McFerran, Ann. ‘7:84 six years on’ (and response by John McGrath), Time Out 8–14 April 1977, 11 and 13; 29 April–5 May 1977, 3Google Scholar
Page, Malcolm. ‘John McGrath’ [checklist and bibliography], New Theatre Quarterly 1 (4), November 1985, 400–16CrossRefGoogle Scholar
Schliephake, Bernd. ‘Politisches Theater in Schottland: John McGrath und die Gruppe 7:84’, Englisch Amerikanische Studien 2 (4), December 1980, 519–25Google Scholar
Roots, in: The Wesker Trilogy, London: Jonathan Cape, 1960
As Much as I Dare: Autobiography 1932–1959, London: Century, 1994
Distinctions, London: Jonathan Cape, 1985
Fears of Fragmentation, London: Jonathan Cape, 1970
‘Art is not enough’, Twentieth Century, February 1961, 190–4; reprinted in English Dramatic Theories, ed. P. Goetsch, 1972, 107–11
Casual condemnations: a brief study of the critic as censor’, Theatre Quarterly 1, April 1971, 16–30
From a writer's notebook’, Theatre Quarterly 6, May–June 1972, 8–13
His very own and golden city’ [interview with Simon Trussler], Tulane Drama Review 11 (2), Winter 1966, 192–202CrossRef
An interview on Centre 42’, Encore 9 (3), May–June 1962, 39–44
Interview with Maureen Cleave, Observer Magazine, 4 October 1981
Let battle commence !’, Encore 5 (4), November–December 1958, 18–24
Miniautobiography in three acts and a prologue’, Contemporary Authors Autobiography Series 7, Detroit: Gale Research, 1987, 227–63
To react – to respond’, Encore 6 (3), May–June 1959, 6–8
Adler, T. P.The Wesker trilogy revisited: games to compensate for the inadequacy of words’, Quarterly Journal of Speech 65, 1979, 429–38CrossRefGoogle Scholar
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Aylwin, A. M. Notes on Arnold Wesker's ‘Roots’, London: Methuen Educational, 1975
Coppieters, Frank. ‘Arnold Wesker's Centre Fortytwo: a cultural revolution betrayed’, Theatre Quarterly 5 (18), June–August 1975, 37–51Google Scholar
Dornan, Reade. Arnold Wesker Revisited, New York: Twayne, 1994
Drabble, Margaret. ‘Profile 10: Arnold Wesker’, New Review 11, 1975, 25–30Google Scholar
Elsom, John. ‘Roots: Royal Court Theatre 30 June 1959’ (reviews), Post-War British Theatre Criticism, London: Routledge, 1981, 91–7
Findlater, Richard. ‘Plays and politics: Arnold Wesker's trilogy’, Twentieth Century 168, September 1960, 235–42Google Scholar
Garforth, John. ‘Arnold Wesker's mission’, Encore 10 (3), May–June 1963, 38–43Google Scholar
Hayman, Ronald. Arnold Wesker, London: Heinemann, 2nd edn, 1974
Hughes, Ted. ‘Arnold Wesker: “A Sort of Socialism”’, Nation, 19 November 1960, 402–4Google Scholar
Hunt, Albert. ‘Roots in Norfolk’, Encore 7 (3), May–June1960, 30–31Google Scholar
Jones, A. R.The theatre of Arnold Wesker’, Critical Quarterly 2, Winter 1960, 366–70Google Scholar
Jones, Mervyn. ‘Arnold Wesker's epic’, Encore 7 (5), September–October 1960, 6–10Google Scholar
Latham, J.Roots: a reassessment’, Modern Drama 8, September 1965, 192–7CrossRefGoogle Scholar
Leeming, Glenda. Wesker the Playwright, London: Methuen, 1983
Leeming, Glenda Wesker on File, London: Methuen, 1985
Leeming, Glenda, and Simon Trussler. The Plays of Arnold Wesker: an Assessment, London: Gollancz, 1971
Lindemann, Klaus and Valeska. Arnold Wesker, Munich: Fink, 1985
Mander, John. ‘Arnold Wesker's Roots’, The Writer and Commitment, London: Secker & Warburg, 1961, 194–211
Marland, Michael (ed.). Arnold Wesker, London: Times Newspapers, 1970
Patterson, Michael. ‘The reception of Arnold Wesker's plays in Europe’, History of European Ideas 20 (1–3), Oxford: Pergamon, 1995, 31–4
Ribalow, Harold U. Arnold Wesker, New York: Twayne, 1966
Wilcher, Robert. Understanding Arnold Wesker, Columbia, South Carolina: University of South Carolina Press, 1991
Zimmermann, Heiner O.Wesker and Utopia in the sixties’, Modern Drama 29, 1986, 185–206CrossRefGoogle Scholar
Roots, in: The Wesker Trilogy, London: Jonathan Cape, 1960
As Much as I Dare: Autobiography 1932–1959, London: Century, 1994
Distinctions, London: Jonathan Cape, 1985
Fears of Fragmentation, London: Jonathan Cape, 1970
‘Art is not enough’, Twentieth Century, February 1961, 190–4; reprinted in English Dramatic Theories, ed. P. Goetsch, 1972, 107–11
Casual condemnations: a brief study of the critic as censor’, Theatre Quarterly 1, April 1971, 16–30
From a writer's notebook’, Theatre Quarterly 6, May–June 1972, 8–13
His very own and golden city’ [interview with Simon Trussler], Tulane Drama Review 11 (2), Winter 1966, 192–202CrossRef
An interview on Centre 42’, Encore 9 (3), May–June 1962, 39–44
Interview with Maureen Cleave, Observer Magazine, 4 October 1981
Let battle commence !’, Encore 5 (4), November–December 1958, 18–24
Miniautobiography in three acts and a prologue’, Contemporary Authors Autobiography Series 7, Detroit: Gale Research, 1987, 227–63
To react – to respond’, Encore 6 (3), May–June 1959, 6–8
Adler, T. P.The Wesker trilogy revisited: games to compensate for the inadequacy of words’, Quarterly Journal of Speech 65, 1979, 429–38CrossRefGoogle Scholar
Anderson, Michael. ‘Arnold Wesker: the last humanist’, New Theatre Magazine 8 (3), 1968, 10–27Google Scholar
Aylwin, A. M. Notes on Arnold Wesker's ‘Roots’, London: Methuen Educational, 1975
Coppieters, Frank. ‘Arnold Wesker's Centre Fortytwo: a cultural revolution betrayed’, Theatre Quarterly 5 (18), June–August 1975, 37–51Google Scholar
Dornan, Reade. Arnold Wesker Revisited, New York: Twayne, 1994
Drabble, Margaret. ‘Profile 10: Arnold Wesker’, New Review 11, 1975, 25–30Google Scholar
Elsom, John. ‘Roots: Royal Court Theatre 30 June 1959’ (reviews), Post-War British Theatre Criticism, London: Routledge, 1981, 91–7
Findlater, Richard. ‘Plays and politics: Arnold Wesker's trilogy’, Twentieth Century 168, September 1960, 235–42Google Scholar
Garforth, John. ‘Arnold Wesker's mission’, Encore 10 (3), May–June 1963, 38–43Google Scholar
Hayman, Ronald. Arnold Wesker, London: Heinemann, 2nd edn, 1974
Hughes, Ted. ‘Arnold Wesker: “A Sort of Socialism”’, Nation, 19 November 1960, 402–4Google Scholar
Hunt, Albert. ‘Roots in Norfolk’, Encore 7 (3), May–June1960, 30–31Google Scholar
Jones, A. R.The theatre of Arnold Wesker’, Critical Quarterly 2, Winter 1960, 366–70Google Scholar
Jones, Mervyn. ‘Arnold Wesker's epic’, Encore 7 (5), September–October 1960, 6–10Google Scholar
Latham, J.Roots: a reassessment’, Modern Drama 8, September 1965, 192–7CrossRefGoogle Scholar
Leeming, Glenda. Wesker the Playwright, London: Methuen, 1983
Leeming, Glenda Wesker on File, London: Methuen, 1985
Leeming, Glenda, and Simon Trussler. The Plays of Arnold Wesker: an Assessment, London: Gollancz, 1971
Lindemann, Klaus and Valeska. Arnold Wesker, Munich: Fink, 1985
Mander, John. ‘Arnold Wesker's Roots’, The Writer and Commitment, London: Secker & Warburg, 1961, 194–211
Marland, Michael (ed.). Arnold Wesker, London: Times Newspapers, 1970
Patterson, Michael. ‘The reception of Arnold Wesker's plays in Europe’, History of European Ideas 20 (1–3), Oxford: Pergamon, 1995, 31–4
Ribalow, Harold U. Arnold Wesker, New York: Twayne, 1966
Wilcher, Robert. Understanding Arnold Wesker, Columbia, South Carolina: University of South Carolina Press, 1991
Zimmermann, Heiner O.Wesker and Utopia in the sixties’, Modern Drama 29, 1986, 185–206CrossRefGoogle Scholar

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  • Michael Patterson, De Montfort University, Leicester
  • Book: Strategies of Political Theatre
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  • Chapter DOI: https://doi.org/10.1017/CBO9780511486197.015
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  • Select bibliography
  • Michael Patterson, De Montfort University, Leicester
  • Book: Strategies of Political Theatre
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486197.015
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  • Michael Patterson, De Montfort University, Leicester
  • Book: Strategies of Political Theatre
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486197.015
Available formats
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