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Introduction

Published online by Cambridge University Press:  22 September 2009

Barbara Fuchs
Affiliation:
University of Washington
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Summary

Cuzco, Peru, 1570. As Viceroy Francisco de Toledo makes his formal entrance into the city, he is greeted with elaborate pageantry. In the main square, once site of the Inca festivals, a Moorish castle and an enchanted wood have been erected for the celebration. The mock-Moors emerge from the castle to capture young women at a fountain, only to be pursued by valiant Christian knights, who engage them in fierce mock combat. The conquistadors play “themselves.” The Moors are played by the Indians.

Bristol, England, 1613. To celebrate Queen Anne's visit, the city stages a water-combat between a Christian ship and two Turkish galleys. After a lively mock battle, the “Turks” are brought as prisoners before the Queen, who laughingly observes that they are “not only like Turks by their apparell, but by their countenances.”

The representation of an encounter with the other is always fraught with difficulties. To mime such an encounter is also, fundamentally, to set the self adrift in a space where identity becomes nothing but props and costume. The two examples above convey some sense of the complexity of intercultural performance on early modern imperial stages. In the first, a time-honored Mediterranean script is produced in an American setting, casting the natives of the New World as the Islamic bogeymen of the Old.

Type
Chapter
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Mimesis and Empire
The New World, Islam, and European Identities
, pp. 1 - 12
Publisher: Cambridge University Press
Print publication year: 2001

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  • Introduction
  • Barbara Fuchs, University of Washington
  • Book: Mimesis and Empire
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486173.002
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  • Introduction
  • Barbara Fuchs, University of Washington
  • Book: Mimesis and Empire
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486173.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Barbara Fuchs, University of Washington
  • Book: Mimesis and Empire
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486173.002
Available formats
×