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1 - Stage interpreters

Published online by Cambridge University Press:  22 September 2009

Nicholas Grene
Affiliation:
Trinity College, Dublin
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Summary

Here, for the first time, is the real Ireland on stage:

Ireland, so rich in scenery, so full of romance and the warm touch of nature, has never until now been opened by the dramatist. Irish dramas have hitherto been exaggerated farces, representing low life or scenes of abject servitude and suffering. Such is not a true picture of Irish society.

(Playbill for the first production of Dion Boucicault's The Colleen Bawn, New York, 1860)

We will show that Ireland is not the home of buffoonery and of easy sentiment, as it has been represented, but the home of an ancient idealism. We are confident of the support of all Irish people, who are weary of misrepresentation.

(Manifesto for the Irish Literary Theatre, 1897).

the neo-Gaelic movement … is bent on creating a new Ireland after its own ideal, whereas my play is a very uncompromising presentment of the real old Ireland.

(Preface to John Bull's Other Island, 1907)

apart from Synge, all our dramatists have pitched their voices for English acceptance and recognition … However I think that for the first time this is stopping … We are talking to ourselves as we must and if we are overheard in America, or England, so much the better.

(Brian Friel, on the Field Day production of Translations, 1980)
Type
Chapter
Information
The Politics of Irish Drama
Plays in Context from Boucicault to Friel
, pp. 5 - 50
Publisher: Cambridge University Press
Print publication year: 2000

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  • Stage interpreters
  • Nicholas Grene, Trinity College, Dublin
  • Book: The Politics of Irish Drama
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486029.003
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  • Stage interpreters
  • Nicholas Grene, Trinity College, Dublin
  • Book: The Politics of Irish Drama
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486029.003
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Stage interpreters
  • Nicholas Grene, Trinity College, Dublin
  • Book: The Politics of Irish Drama
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511486029.003
Available formats
×