Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-rkxrd Total loading time: 0 Render date: 2024-07-24T11:18:57.646Z Has data issue: false hasContentIssue false

4 - Re-writing History

Published online by Cambridge University Press:  20 January 2021

Get access

Summary

In 1936, Oskar Maurus Fontana, the well-known Austrian journalist, theatre critic and writer, published Der Weg durch den Berg, the path through the mountain. The novel tells the story of the Gotthard Tunnel construction in the form of a historical tale. Fontana explained that he stayed true to the historical facts but took the liberty to interpret them freely. The historical figures Louis Favre and Alfred Escher stood model for the central characters in the book. Fontana re-tells the history of the tunnel construction as a national deed. Protagonist Louis Favre is determined to construct the Gotthard Tunnel for the benefit of his country. He readily bears all responsibilities and risks to be able to conquer the Gotthard Mountain. In his battle, he met unexpected opposition from the local population and, as it seemed, from the Gotthard Mountain itself. However, while drilling the tunnel, Favre's relation with the Gotthard Mountain changes. One day, Favre expresses his increasing doubts about his work underneath the mountains. He explains to his daughter:

The Gotthard is not like chalk that transforms itself willingly or lets itself be changed. It is not plain building material that wants to please the landscape or the people. No, the Gotthard is more, it is primeval rock (Urgestein). But is stone not stone? Can stone be alive?

The novel follows Favre's quest in finding the answer to those questions. Technology, national identity and the Gotthard Mountain play key roles in the unfolding storyline. In this fictional history, the tunnel construction forms the décor against which the writer brings idealised Swiss and universal values to the fore.

Fontana's work of fiction is just one example of multiple novels that were published on the Gotthard before, during and shortly after the Second World War. In this period, the Gotthard inspired many novelists and playwrights outside and inside Switzerland. Two radio plays, two stage plays and six novels appeared that all touched upon the themes of collective identity, Gotthard Mountains and technological change. Most of this Gotthard fictional literature falls under the heading of ‘light reading’ and fits the German category Unterhaltungsromane453 or Heimatliteratur.

Type
Chapter
Information
Materialising Identity
The Co-construction of the Gotthard Railway and Swiss National Identity
, pp. 115 - 138
Publisher: Amsterdam University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×