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18 - Atalanta

Published online by Cambridge University Press:  18 March 2023

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Summary

THE plot, simpler than that of most operas of this period, is outlined concisely, if with a nice derangement of tenses, in the Argument prefixed to the printed libretto.

‘Meleager, King of Etolia, being in love with Atalanta, Daughter of Jasion, King of Arcadia, demanded her of her Father in Marriage; but she, not to lose the Pleasure she took in hunting wild Beasts, refused his Crown and Love; and under the name of Amarillis, went to the Woods among Nymphs and Shepherds, the better to follow the Chace. Meleager, as a Shepherd, under the Name of Thirsis, follows her to the Woods, where she at last fell in love with him. Nicander, an old Shepherd, to whom Meleager had trusted the Secret, discovers their Births and Characters; whereupon their Nuptuals ensue. The Loves of Amintas and Irene are introduced, to give greater Scope to the Drama.’

The scene of all three acts (until the epilogue) is a large Champaign Country, with a Prospect of Cottages: A Wood on each Side, and a vast Mountain at a Distance. Tirsi (Meleagro) is searching for Atalanta. Aminta, a shepherd likewise neglected by the maid who once returned his vows, tries unsuccessfully to console him. Irene, the maid in question, enters and resorts to her ‘wonted Arts’: she summons Tirsi to the chase and tells Aminta (‘inactive Swain’) to stay and amuse himself with amorous nymphs. Tirsi prefers to hunt alone. Irene spurns Aminta because he was not satisfied with her but asked her father for a dowry of herds and agricultural land as well. He goes off to die: her cruelty alone is the cause. Her father Nicandro asks Irene why she is so coy; she replies that she wants to test Aminta's fidelity. Nicandro rebukes her for heartlessness. Alone, she admits that her love is quite as strong as Aminta’s, and promises that his eventual happiness will be all the more delightful after his present pain. Amarilli (Atalanta) enters, followed by Tirsi and shepherds, and disposes her beaters to put up a wild boar. She refuses Tirsi's offer to stay beside her, though inwardly delighted to receive it. Irene tries to dissuade Aminta from suicide.

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Publisher: Boydell & Brewer
Print publication year: 2006

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  • Atalanta
  • Winton Dean
  • Book: Handel's Operas, 1726-1741
  • Online publication: 18 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781846154737.021
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  • Atalanta
  • Winton Dean
  • Book: Handel's Operas, 1726-1741
  • Online publication: 18 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781846154737.021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Atalanta
  • Winton Dean
  • Book: Handel's Operas, 1726-1741
  • Online publication: 18 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781846154737.021
Available formats
×