Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Foreword
- Dedication
- Introduction: Making Black Histories, Stories and Memories Visible
- Artist Statement I: Gathering and Reusing
- Part 1 Visualising the Politics of Representation
- Part 2 Resistance, Reclamation and Revolutionary History Painting
- Part 3 Past, Present and Future Artistry, Activism and Agency
- Part 4 Imagining ‘the ghosts and the traces’
- ‘It's all about action’: An Interview with Lubaina Himid
- Conclusion: ‘Lives depend on accurate histories’
- Bibliography
- Index
Contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Foreword
- Dedication
- Introduction: Making Black Histories, Stories and Memories Visible
- Artist Statement I: Gathering and Reusing
- Part 1 Visualising the Politics of Representation
- Part 2 Resistance, Reclamation and Revolutionary History Painting
- Part 3 Past, Present and Future Artistry, Activism and Agency
- Part 4 Imagining ‘the ghosts and the traces’
- ‘It's all about action’: An Interview with Lubaina Himid
- Conclusion: ‘Lives depend on accurate histories’
- Bibliography
- Index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781789625035/resource/name/firstPage-9781789625035toc_pv-vi_CBO.jpg)
- Type
- Chapter
- Information
- Inside the InvisibleMemorialising Slavery and Freedom in the Life and Works of Lubaina Himid, pp. v - viPublisher: Liverpool University PressPrint publication year: 2019