Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pftt2 Total loading time: 0 Render date: 2024-05-01T00:49:35.173Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  26 May 2021

Get access

Summary

In the ever-growing field of research concerned with the ways the Arabic script has been adapted to the phonetic needs of other languages – or what African Studies scholars have come to call ‘‘Ajamī’ – the nineteenth century looms large. It is striking how often this period provides the backdrop for the expansion of this particular orthographic practice as a tool of Islamic education. In locations as varied as southern Somalia, Senegambia, and the Kenya coast (the settings of the following three chapters), the fusion of Sufi identity, poetic expression, and ‘Ajamī (lit. ‘non-Arab’) is paramount. Why?

Together, the chapters in this section begin to provide an answer. In ‘Bringing ʿIlm to the Common People: Sufi Vernacular Poetry and Islamic Education in Brava, c. 1890–1950’, Lidwien Kapteijns and Alessandra Vianello describe the emergence of new forms of religious instruction in the port city of Brava on Somalia's southern Benadir coast. Led by the legendary scholar Shaykh ‘Uways (1847–1909), Brava's poets used Chimiini, or the ‘language of the town’, to write didactic verse aimed at educating Brava's entire population in Islamic precepts, regardless of social background. Drawing on not only the broader Islamic scholarly tradition, but also on the more specific networks of the western Indian Ocean that linked Brava to southern Arabia and the Swahili coast, these scholars composed steenzi: didactic poems about foundational Islamic concepts (tawba, taqwa, tawakkul, etc.) that were deliberately easy to memorize and often recited in public. Such gatherings came to be associated with the Qādiriyya community in Brava, but they were not exclusive to any particular ṭarīqa, as shown by the scholar-poet Mallim Nuri's Ahmadiyya affiliation. The most unique steenzi author, however, was the female scholar Mana Sitti Habib Jamaladdin, or Dada Masiti (c. 1820–1919), whose life as a celibate female saint drew comparisons to the eighth-century mystic Rābi‘a al-ʿAdawiyya and whose poetry most vividly evoked Brava's local character. She perhaps best exemplifies the intense (and intensely local) religious expression that Kapteijns and Vianello conclude lay at the heart of a new movement for Islamic education of the common people at a time of intensifying European presence in East Africa.

Type
Chapter
Information
Islamic Scholarship in Africa
New Directions and Global Contexts
, pp. 323 - 325
Publisher: Boydell & Brewer
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×