Book contents
- Language, the Singer and the Song
- Language, the Singer and the Song
- Copyright page
- Contents
- Images
- Figures
- Tables
- Preface
- Introduction
- Prologue
- Part I Creating Community and Identity through Song
- Chapter 2 ‘Breaking through’ into Performance
- Chapter 3 The Communality of Folk Song: Co-performance and Co-production
- Chapter 4 Answering Back: Rebels with and without a Cause
- Part II Variation in Language and Folk Song
- Part III Folk Song Performance and Linguistics
- Epilogue
- Appendix Overview of Musical Concepts
- References
- Index
Chapter 2 - ‘Breaking through’ into Performance
from Part I - Creating Community and Identity through Song
Published online by Cambridge University Press: 12 January 2019
- Language, the Singer and the Song
- Language, the Singer and the Song
- Copyright page
- Contents
- Images
- Figures
- Tables
- Preface
- Introduction
- Prologue
- Part I Creating Community and Identity through Song
- Chapter 2 ‘Breaking through’ into Performance
- Chapter 3 The Communality of Folk Song: Co-performance and Co-production
- Chapter 4 Answering Back: Rebels with and without a Cause
- Part II Variation in Language and Folk Song
- Part III Folk Song Performance and Linguistics
- Epilogue
- Appendix Overview of Musical Concepts
- References
- Index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781316285657/resource/name/firstPage-9781107112711c2_43-67.jpg)
- Type
- Chapter
- Information
- Language, the Singer and the SongThe Sociolinguistics of Folk Performance, pp. 43 - 67Publisher: Cambridge University PressPrint publication year: 2019