Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
89 - Theater and Religion
from Part X - Religion
Published online by Cambridge University Press: 17 August 2019
Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 690 - 697Publisher: Cambridge University PressPrint publication year: 2016
References
Source cited
Further reading
Beauregard, David N. Catholic Theology in Shakespeare’s Plays. Newark: U of Delaware P, 2008.Google Scholar
Diehl, Huston. Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England. Ithaca: Cornell UP, 1997.Google Scholar
Haigh, Christopher. English Reformations: Religion, Politics, and Society under the Tudors. Oxford: Clarendon; New York: Oxford UP, 1993.CrossRefGoogle Scholar
Haigh, Christopher. The Plain Man’s Pathways to Heaven: Kinds of Christianity in Post-Reformation England, 1570–1540. Oxford: Oxford UP, 2007.CrossRefGoogle Scholar
Hamilton, Donna B. Shakespeare and the Politics of Protestant England. New York: Harvester Wheatsheaf, 1992.Google Scholar
Jackson, Ken, and Marotti, Arthur F., eds. Shakespeare and Religion: Early Modern and Postmodern Perspectives. Notre Dame: U of Notre Dame P, 2011.Google Scholar
Knapp, Jeffrey. Shakespeare’s Tribe: Church, Nation, and Theater in Renaissance England. Chicago: U of Chicago P, 2002.Google Scholar
Mayer, Jean-Christophe. Shakespeare’s Hybrid Faith: History, Religion and the Stage. Houndmills: Palgrave Macmillan, 2006.Google Scholar
Milward, Peter. Religious Controversies of the Elizabethan Age: A Survey of Printed Sources. London: Scolar, 1977.Google Scholar
Milward, Peter. Religious Controversies of the Jacobean Age: A Survey of Printed Sources. Lincoln: U of Nebraska P, 1978.Google Scholar
Pincuss, Gerald M. Forbidden Matter: Religion in the Drama of Shakespeare and His Contemporaries. Newark: U of Delaware P; London: Associated UP, 2000.Google Scholar
Poole, Kristen. Radical Religion from Shakespeare to Milton: Figures of Nonconformity from Shakespeare to Milton. Cambridge: Cambridge University Press, 2000.Google Scholar
Poole, Kristen. Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama. Cambridge: Cambridge University Press, 2011.CrossRefGoogle Scholar
Shuger, Debora K. Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture. Berkeley: U of California P, 1990.Google Scholar