Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Introduction
- 70 Poetry
- 71 Classical Genres: Epic, Tragedy, Comedy, Satire
- 72 Educational Practices: Rhetoric
- 73 Educational Practices: Religion and Gender
- 74 Philosophy
- 75 History and Historiography
- 76 Music
- 77 Military and Chivalric Culture
- 78 The Royal Court
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
70 - Poetry
from Part VIII - High Culture
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Introduction
- 70 Poetry
- 71 Classical Genres: Epic, Tragedy, Comedy, Satire
- 72 Educational Practices: Rhetoric
- 73 Educational Practices: Religion and Gender
- 74 Philosophy
- 75 History and Historiography
- 76 Music
- 77 Military and Chivalric Culture
- 78 The Royal Court
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 549 - 554Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bates, Catherine. The Rhetoric of Courtship in Elizabethan Language and Literature. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Cheney, Patrick. Shakespeare, National Poet-Playwright. Cambridge: Cambridge University Press, 2004.Google Scholar
de Grazia, Margreta. “The Scandal of Shakespeare’s Sonnets.” Shakespeare Survey 46 (1994): 35–50.Google Scholar
Duncan-Jones, Katherine, and Woudhuysen, H. R., eds. Shakespeare’s Poems. London: Thomson Learning, 2007.Google Scholar
Hadfield, Andrew. “Michael Drayton’s Brilliant Career.” Proceedings of the British Academy 125 (2004): 119–47.Google Scholar
Honan, Park. “Wriothesley, Henry, Third Earl of Southampton (1573–1624).” Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004.Google Scholar
May, Steven W. The Elizabethan Courtier Poets: The Poems and Their Contexts. Columbia: U of Missouri P, 1999.Google Scholar
McMullan, Gordon. Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Price, Diana. “Reconsidering Shakespeare’s Monument.” Review of English Studies 48 (1997): 168–81.Google Scholar
Roberts, Sasha. Reading Shakespeare’s Poems in Early Modern England. Basingstoke: Palgrave, 2003.Google Scholar
Further reading
Javitch, Daniel. Poetry and Courtliness in Renaissance England. Princeton: Princeton UP, 1978.Google Scholar
Richards, Jennifer. Rhetoric and Courtliness in Early Modern Literature. Cambridge: Cambridge University Press, 2003.Google Scholar
Tricomi, Albert H. Anti-Court Drama in England, 1603–42. Charlottesville: UP of Virginia, 1989.Google Scholar