Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Introduction
- 267 Shakespeare on Air I: Early British Radio and Radio Audiences
- 268 Shakespeare on Air II: The Golden Age of US Radio
- 269 Shakespeare and Audio Recording
- 270 TV and Early TV Audiences in Europe and the United States
- 271 Film and Film Audiences
- 272 World Cinema
- 273 Plays-within-the-Film
- 274 Shakespeare Documentaries
- 275 The Sonnets Onscreen
- 276 Shakespeare and Animation
- 277 Shakespeare and Online Video
- Index
- References
275 - The Sonnets Onscreen
from Part XXVIII - Shakespeare and Media History
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Introduction
- 267 Shakespeare on Air I: Early British Radio and Radio Audiences
- 268 Shakespeare on Air II: The Golden Age of US Radio
- 269 Shakespeare and Audio Recording
- 270 TV and Early TV Audiences in Europe and the United States
- 271 Film and Film Audiences
- 272 World Cinema
- 273 Plays-within-the-Film
- 274 Shakespeare Documentaries
- 275 The Sonnets Onscreen
- 276 Shakespeare and Animation
- 277 Shakespeare and Online Video
- Index
- References
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Keywords
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- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1959 - 1966Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
BUFVC International Database of Shakespeare on Film, Television, and Radio. www.bufvc.ac.uk/databases/shakespeare/index.html.Google Scholar
Duncan-Jones, Katherine. Shakespeare’s Sonnets. The Arden Shakespeare 3. Nashville: Nelson, 1997.Google Scholar
Edmondson, Paul, and Wells, Stanley. Shakespeare’s Sonnets. Oxford: Oxford UP, 2004.CrossRefGoogle Scholar
O’Neill, Stephen. Shakespeare and YouTube: New Media Forms of the Bard. London: Arden Shakespeare, 2014.Google Scholar
Schalkwyk, David. Speech and Performance in Shakespeare’s Sonnets and Plays. Cambridge: Cambridge University Press, 2002.CrossRefGoogle Scholar