Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-11T13:48:26.697Z Has data issue: false hasContentIssue false

201 - Sound Design

from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

By
Ross Brown
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

acousmatic relocation of soundacoustic reinforcementamplificationatmosphereauditoriumauditory environmentauralityBanksideBBC Radiophonic WorkshopbelievabilityBlackfriars (playhouse)clichédigital samplingdramaturgyeffectsflourishesGreecehautboysIndiaintermedialityLondonloudspeakermise-en-scènemixing consolesmusical instrument digital interface (MIDI)musical instrumentsnoisemakingnoises-offpanatropePA systemsphonographpicturesque sound“onification”propsprosceniumresonancesamplersequencersoundsound designsound effectssoundscapesound scorespectacular settingsstagecraftstage managertapetape recordingtheatertheater acousticsthunderunderscoringVitruvius
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1460 - 1467
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Brook, Peter. There Are No Secrets. London: Methuen, 1993.CrossRefGoogle Scholar
Brown, Ross. Sound: A Reader in Theatre Practice. Basingstoke: Palgrave Macmillan, 2009.Google Scholar
Collison, David. The Sound of Theatre. Eastbourne: PLASA, 2008.Google Scholar
Hardcastle, E. Wine and Walnuts: Or After Dinner Chit-Chat. London: Longman, printed for Hurst, Rees, Orme and Brown, 1823.Google Scholar
Isaacs, Jacob. Production and Stage-Management at the Blackfriars Theatre. London: Oxford UP, 1933.Google Scholar
Kennedy, Dennis. Granville-Barker and the Dream of Theatre. Cambridge: Cambridge University Press, 1985.Google Scholar
Koller, Ann Marie. The Theatre Duke: Georg II of Saxe-Meiningen and the German Stage. Stanford: Stanford UP, 1984.Google Scholar
Lavender, Andy. “The Builders Association – Super-Vision.” Making Contemporary Theatre. Ed. Lavender, Andy and Harvie, Jen. Manchester: Manchester UP, 2010.Google Scholar
Napier, Frank. Noises-Off – A Handbook of Sound Effects. London: F. Muller, 1936.Google Scholar
Smith, Bruce R. The Acoustic World of Early Modern England – Attending to the O-Factor. Chicago: U of Chicago P, 1999.Google Scholar
Vincent, Harley. “Stage Sounds.” The Strand Magazine 28 (October 1904): 417–22.Google Scholar
Wardle, Irving. The Theatres of George Devine. London: Cape, 1978.Google Scholar

Further reading

Bracewell, John. L. Sound Design in the Theatre. Englewood Cliffs: Prentice Hall, 1993.Google Scholar
Burris-Meyer, H., Mallory, V., and Goodfriend, L.. Sound in the Theatre. Mineola: Radio Magazines, Inc., 1959.Google Scholar
Folkerth, Wes. The Sound of Shakespeare. London: Routledge, 2002.Google Scholar
Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books, 1994.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×