Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
131 - Manuscripts Containing Texts by Shakespeare
from Part XIV - Shakespeare’s Early Reception (to 1660)
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
Alleyn, EdwardThe Booke of Sir Thomas MoorebookkeeperCarthwright, WilliamCrane, RalphDaborne, Robert“Dering MS”Dulwich CollegeThe Game at ChessThe Gypsies Metamorphosed Hand DHenslowe, PhilipHerbert, Sir HenrymanuscriptsThe Masque of BlacknessThe Masque of QueensMaster of the RevelsMiddleton, Thomasprompt books
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 986 - 995Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
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