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Musical Performance and Reception

Published online by Cambridge University Press:  30 September 2019

Alan Howard
Affiliation:
Selwyn College, Cambridge
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Publisher: Cambridge University Press
Print publication year: 2019

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References

Published titles

Butt, John Playing with History: The Historical Approach to Musical PerformanceGoogle Scholar
Garratt, James Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century MusicCrossRefGoogle Scholar
Haines, John Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval MusicCrossRefGoogle Scholar
Hogwood, Christopher (ed.) The Keyboard in Baroque EuropeGoogle Scholar
Leech-Wilkinson, Daniel The Modern Invention of Medieval Music: Scholarship, Ideology, PerformanceGoogle Scholar
Musgrave, Michael and Sherman, Bernard (eds) Performing Brahms: Early Evidence of Performance StyleGoogle Scholar
Pollens, Stewart StradivariGoogle Scholar
Skowroneck, Tilman Beethoven the PianistGoogle Scholar
Ponsford, David French Organ Music in the Reign of Louis XIVGoogle Scholar
Varwig, Bettina Histories of Heinrich SchützCrossRefGoogle Scholar
Yearsley, David Bach’s Feet: The Organ Pedals in European CultureGoogle Scholar
Dirst, Matthew Engaging Bach: The Keyboard Legacy from Marpurg to MendelssohnGoogle Scholar
Brooks, Jeanice The Musical Work of Nadia Boulanger: Performing Past and Future between the WarsCrossRefGoogle Scholar
Page, Christopher The Guitar in Tudor England: A Social and Musical HistoryCrossRefGoogle Scholar
Page, Christopher The Guitar in Stuart England: A Social and Musical HistoryCrossRefGoogle Scholar
Rose, Stephen Musical Authorship from Schütz to BachCrossRefGoogle Scholar
Howard, Alan Compositional Artifice in the Music of Henry PurcellCrossRefGoogle Scholar

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