Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-vsgnj Total loading time: 0 Render date: 2024-07-22T00:59:12.953Z Has data issue: false hasContentIssue false

References

Published online by Cambridge University Press:  02 February 2022

Jon Stewart
Affiliation:
BIMM Institute, Brighton
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abram, W. A. (2014) A History of Blackburn: Town and Parish. Morrisville, NC: Lulu Press.Google Scholar
Abramson, P. R. and Inglehart, R. (1986) Generational replacement and value change in six West European societies. American Journal of Political Science 30: 125.Google Scholar
Adler, M. (1979) Drawing Down the Moon: Witches, Druids, Goddess-Worshippers and Other Pagans in America Today. New York, NY: Viking Press.Google Scholar
Allert, T. (2009) The Hitler Salute: On the Meaning of a Gesture. New York, NY: Henry Holt and Company.Google Scholar
Amis, M. (1993) Visiting Mrs. Nabokov & Other Excursions. London: Jonathan Cape.Google Scholar
Anon. (1970) Bob Dylan’s secret recording session with George Harrison and friends.Google ScholarGoogle Scholar
Anon. (2008) Mind Games (Early Take) YouTube: piggies1.Google Scholar
Anon. (2009) Dylan unnoticed on Beatles tour. BBC News, 12 May. http://news.bbc.co.uk/1/hi/8046278.stm.Google Scholar
Anon. (2011) John Lennon – swastika on the wall (RARE). YouTube: Metrazol Electricity., 17 September. https://youtu.be/QoSsjNmzplE.Google Scholar
Anon. (2014) How the Beatles learned Transcendental Meditation – and what they thought about it. Transcendental Meditation News & More, 10 December. http://tmhome.com/experiences/interview-lennon-and-harrison-on-meditation/.Google Scholar
Anon. (2015) John Lennon larking about Hitler salute / The Beatles. YouTube: Fry Pan Music, 9 November. https://youtu.be/hXe7M-y7hdg.Google Scholar
Anon. (2018) The Beatles – Commonwealth (Rare Track) – Get Back Sessions, 1969.Google ScholarGoogle Scholar
Ardrey, R. (1961) African Genesis: A Personal Investigation into the Animal Origins and Nature of Man. New York, NY: Atheneum Books.Google Scholar
Arendt, H. (1963) Eichmann in Jerusalem: A Report on the Banality of Evil. New York, NY: Viking Press.Google Scholar
Armstrong, K. (2004) A Short History of Myth. London: Cannongate Books.Google Scholar
Aronowitz, A. (1994) Eyewitness: Dylan turns The Beatles on to dope. Q Magazine, 92. www.rocksbackpages.com/Library/Article/eyewitness-dylan-turns-the-beatles-on-to-dope.Google Scholar
Ashbee, B. (1999) A beginner’s guide to art bollocks and how to be a critic. Art Review. https://web.archive.org/web/20150131083911/ http://www.ipod.org.uk/reality/art_bollocks.asp.Google Scholar
Attali, J. (1985) Noise: The Political Economy of Music. Minneapolis, MN: University of Minnesota Press.Google Scholar
Badman, K. (2001) The Beatles Diary Volume 2: After the Break-Up 1970–2001. London: Omnibus Press.Google Scholar
Badman, K. (2009) The Beatles: Off the Record. London: Omnibus Press.Google Scholar
Baeten, J. (2017) Contested landscapes of displacement: Oliver Iron and Minnesota’s Hibbing district. Change Over Time 7(1): 5273.Google Scholar
Baggs, M. (2013) Paul McCartney ‘paranoid’ of asking Thom Yorke to record duet: Beatles icon also talks Dylan and Lennon. Gigwise, 3 October. www.gigwise.com/news/84720/.Google Scholar
Baird, J. (2007) Imagine This: Growing up with My Brother John Lennon. London: Hodder & Stoughton.Google Scholar
Baker, G. A. (1996) The Beatles Down Under: The 1964 Australian and New Zealand Tour. Lane End, UK: The Magnum Imprint.Google Scholar
Bari, M. A. (2008) Mass Media Is the Message: Yoko Ono and John Lennon’s 1969 Year of Peace. PhD Thesis, University of Maryland, College Park, MD.Google Scholar
Barker, D. (2011) The Good Atheist: Living a Purpose-Filled Life without God. Berkeley, CA: Ulysses Press.Google Scholar
Barthes, R. (1981) The Grain of the Voice: Interviews 1962–1980. Evanston, IL: Northwestern University Press.Google Scholar
Bashwiner, D. (2018) The neuroscience of musical creativity. In Jung, R. E. and Vartanian, O. (eds.), The Cambridge Handbook of the Neuroscience of Creativity (pp. 495–516). Cambridge, UK: Cambridge University Press.Google Scholar
Bayton, M. (1998) Frock Rock: Women Performing Popular Music. Oxford: Oxford University Press.Google Scholar
Beauchamp, S. and Shephard, A. (2012) Bob Dylan and John Lennon’s weird, one-sided relationship, The Atlantic, 24 September. www.theatlantic.com/entertainment/archive/2012/09/bob-dylan-and-john-lennons-weird-one-sided-relationship/262680/.Google Scholar
Beck, G. L. (2006) Sacred Sound: Experiencing Music in World Religions. Waterloo, Ontario: Wilfrid Laurier University Press.Google Scholar
Beebee, T. O. (1991) Ballad of the apocalypse: Another look at Bob Dylan’s ‘Hard Rain’. Text and Performance Quarterly, 11(1): 1834.Google Scholar
Bennahum, D. (1991) The Beatles – after the Break-up: In Their Own Words. London: Omnibus Press.Google Scholar
Best, P. and Doncaster, P. (1985) Beatle!: The Pete Best Story. London: Plexus Books.Google Scholar
Bhagwan, D. (2015) The Science of Karma. Simandhar City, India: Dada Bhagwan Foundation.Google Scholar
Blanchard, T. (2009) Paul McCartney’s meat-free Monday mission. The Telegraph, 25 June. www.telegraph.co.uk/news/earth/5621148/Paul-McCartneys-Meat-Free-Monday-mission.html.Google Scholar
Blaney, J. (2005) John Lennon: Listen to This Book. Guildford, UK: Paper Jukebox.Google Scholar
Blaney, J. (2007) Lennon and McCartney: Together Alone: A Critical Discography of Their Solo Work. London: Jawbone Press.Google Scholar
Blavatsky, H. P. (1967) Practical Occultism. Wheaton, IL: Theosophical Publishing House.Google Scholar
Bloom, P. (2013) Just Babies: The Origins of Good and Evil. New York, NY: Random House.Google Scholar
Born, G. and Hesmondhalgh, D. (2000) Introduction: On difference, representation, and appropriation in music. In Born, G. and Hesmondhalgh, D. (eds.), Western Music and Its Others: Difference, Representation, and Appropriation in Music (pp. 1–58). Berkeley, CA: University of California Press.Google Scholar
Boucher, D. (2004a) Dylan and Cohen: Poets of Rock and Roll. London: Continuum.Google Scholar
Boucher, D. (2004b) Images and distorted facts: Politics, poetry and protest in the songs of Bob Dylan. In Boucher, D. and Browning, G. (eds.), The Political Art of Bob Dylan (pp. 135–69). Basingstoke, UK: Palgrave Macmillan.Google Scholar
Boucher, D. and Browning, G. (eds.) (2004) The Political Art of Bob Dylan. Basingstoke, UK: Palgrave Macmillan.Google Scholar
Bowden, B. (2001) Performed Literature: Words and Music by Bob Dylan. Basingstoke, UK: Palgrave Macmillan.Google Scholar
Boyd, K. (2002) Manliness and the Boys’ Story Paper in Britain: A Cultural History, 1855–1940. Basingstoke, UK: Palgrave Macmillan.Google Scholar
Brackett, N. and Hoard, C. D. (2004) The New Rolling Stone Album Guide. New York, NY: Simon & Schuster.Google Scholar
Bradby, B. (2005) ‘She told me what to say’: The Beatles and girl‐group discourse. Popular Music and Society 28(3):359–90.Google Scholar
Bramwell, T. (2004) Magical Mystery Tours: My Life with The Beatles. London: Robson.Google Scholar
Breschard, J. and Snyder-Scumpy, P. (1974) Sometime in LA – Lennon plays it as it lays. Crawdaddy Magazine, March.Google Scholar
Brinkley, D. (2009) Bob Dylan’s late-era, old-style American individualism. Rolling Stone, 14 May. www.rollingstone.com/music/news/bob-dylans-america-20090514.Google Scholar
Brinkley, D. (2020) Inside Bob Dylan’s lost interviews and unseen letters. Rolling Stone, 21 October. www.rollingstone.com/music/music-features/bob-dylan-lost-letters-interviews-tony-glover-1074916/.Google Scholar
Browne, D. (2001) Dream Brother: The Lives and Music of Jeff and Tim Buckley. London: Fourth Estate.Google Scholar
Browne, D. (2012) Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Lost Story of 1970. Cambridge, MA: Da Capo Press.Google Scholar
Bullock, A. (1993) Hitler and Stalin: Parallel Lives. London: Fontana Press.Google Scholar
Burbidge, E. M., Burbidge, G. R., Fowler, W. A. and Hoyle, F. (1957) Synthesis of the elements in stars. Reviews of Modern Physics 29(4): 547–60.Google Scholar
Burger, J. (2016) Lennon on Lennon: Conversations with John Lennon. Chicago, IL: Chicago Review Press.Google Scholar
Burgess, A. (1964) Malayan Trilogy. London: Pan Books.Google Scholar
Burrows, T. (2013) The Beatles: Day by Day. London: Chartwell Books.Google Scholar
Buskin, R. (2009) John Lennon ‘Whatever Gets You thru the Night’. Sound on Sound, June. www.soundonsound.com/people/john-lennon-whatever-gets-you-thru-night.Google Scholar
Buss, D. M. (2006) Strategies of human mating. Psychological Topics 15(2): 239–60.Google Scholar
Butler, W. (2018) John Lennon’s self-portrait depicting himself as Hitler sells for $54,000. NME, 22 April. www.nme.com/news/music/john-lennon-self-portratit-depicting-himself-as-hitler-sells-for-54000-2299520.Google Scholar
Buzzanco, R. (1996) Masters of War: Military Dissent and Politics in the Vietnam Era. Cambridge, UK: Cambridge University Press.Google Scholar
Byrne, R. (2006) The Secret. New York, NY: Atria Books.Google Scholar
Calhoun, S. (2012) Exploring U2: Is This Rock ‘n’ Roll? Lanham, MD: Rowman & Littlefield.Google Scholar
Campbell, G. (1975) Bob Dylan and the pastoral apocalypse. Journal of Popular Culture 8(4): 697707.Google Scholar
Capra, F. (1975) The Tao of Physics: An Exploration of the Parallels between Modern Physics and Eastern Mysticism. Boulder, CO: Shambhala Publications.Google Scholar
Carlyle, T. (1841) On Heroes, Hero-Worship, and the Heroic in History. London: James Fraser.Google Scholar
Carr, G. J. (1945) Health problems in the merchant navy. British Journal of Industrial Medicine 2(2): 6573.Google Scholar
Carrol, L. (1865) Alice’s Adventures in Wonderland. London: Macmillan.Google Scholar
Carroll, J. (2011) Reading Human Nature: Literary Darwinism in Theory and Practice. Albany, NY: State University of New York Press.Google Scholar
Carter, I. (2009) John Lennon, the boy we knew. The Observer, 13 December. www.theguardian.com/music/2009/dec/13/john-lennon-childhood-girlfriend-liverpool.Google Scholar
Caute, D. (1961) At Fever Pitch. New York, NY: Pantheon Books.Google Scholar
Cavett, D. (2005) The Dick Cavett Show: John and Yoko Collection [DVD]. R. S. Bader (Producer). Palisades, NY: Daphne Productions.Google Scholar
Chalmers, D. J. (1995) Facing up to the problem of consciousness. Journal of Consciousness Studies 2(3): 200–19.Google Scholar
Chomsky, N. (1965) Aspects of the Theory of Syntax. Cambridge, MA: MIT Press.Google Scholar
Chulov, M. (2018) The jihadist ‘Beatles’: Britons who became the face of Isis cruelty The Guardian, 9 February. www.theguardian.com/world/2018/feb/09/jihadist-beatles-britons-face-isis-cruelty.Google Scholar
Citron, S. (1996) The Wordsmiths: Oscar Hammerstein 2nd and Alan Jay Lerner. London: Sinclair-Stephenson.Google Scholar
Citron, S. (2001) Sondheim and Lloyd-Webber: The New Musical. Oxford: Oxford University Press.Google Scholar
Citron, S. (2005) Noel and Cole: The Sophisticates. Milwaukee, WI: Hal Leonard Corporation.Google Scholar
Clark, T. (2020) The 50 best-selling music artists of all time. Business Insider, 10 September. www.businessinsider.com/best-selling-music-artists-of-all-time-2016-9?r=US&IR=T.Google Scholar
Clayton, S. (2009) Not from nowhere: identity and aspiration in Bob Dylan’s hometown. In Shelly, C. and Swiss, T. (eds.), Highway 61 Revisited: Bob Dylan’s Road from Minnesota to the World (pp. 25–38). Minneapolis, MN: University of Minnesota Press.Google Scholar
Cleave, M. (2006) How does a Beatle live? John Lennon lives like this. London Evening Standard, March 4, 1966. In Sawyers, J. S. (ed.), Read the Beatles: Classics and New Writings on the Beatles, Their Legacy, and Why They Still Matter (pp. 8591). London: Penguin Books.Google Scholar
Clegg, C. (2015) George Harrison & Bob Dylan – Yesterday (1970). YouTube: Beatles Bootlegs. https://youtu.be/oJYYxhjYEMw.Google Scholar
Clydesdale, G. (2006) Creativity and competition: The Beatles. Creativity Research Journal 18(2): 129–39.Google Scholar
Cobb, M. C. (2016) ‘When I feel a song in me’: Exploring emotions through the creative songwriting process. In Schneider, C. J., Denzin, N. K. and Kotarba, J. A. (eds.), Symbolic Interactionist Takes on Music (pp. 6179). Bingley, UK: Emerald Group Publishing.Google Scholar
Cobussen, M. (2008) Thresholds: Rethinking Spirituality through Music. Farnham, UK: Ashgate.Google Scholar
Cole, R. J. (2007) Forty years of chanting: A study of the Hare Krishna Movement from its foundation to the present day. In Dwyer, G. and Cole, R. J. (eds.), The Hare Krishna Movement: Forty Years of Chant and Change. London: I.B. Tauris.Google Scholar
Coleman, E. J. (1998) Creativity and Spirituality: Bonds between Art and Religion. Albany, NY: State University of New York Press.Google Scholar
Coleman, E. (2018) Revisit our infamous 1963 profile of Bob Dylan. Newsweek, 24 May. www.newsweek.com/bob-dylans-75th-birthday-revisit-our-infamous-1963-profile-462801.Google Scholar
Coleman, R. (1965) Beatles say - Dylan shows the way, Melody Maker, 9 January. http://amoralto.tumblr.com/post/60467020158/melody-maker-beatles-say-dylan-shows-the-way-january.Google Scholar
Coleman, R. (1984) John Ono Lennon: Volume 2 1967–1980. London: Sidgwick & Jackson.Google Scholar
Coley, R. (2015) ‘I don’t believe you … you’re a liar’: The fabulatory function of Bob Dylan. In Banauch, E. (ed.), Refractions of Bob Dylan: Cultural Appropriations of an American Icon (pp. 83–97). Manchester: Manchester University Press.Google Scholar
Colt, J. (1968) The Rolling Stone interview with John Lennon. Rolling Stone, 23 November. www.beatlesinterviews.org/db1968.11jl.beatles.html.Google Scholar
Contosa, D. R. (2008) Rebel Giants: The Revolutionary Lives of Abraham Lincoln and Charles Darwin. Amhurst, MA: Prometheus Books.Google Scholar
Cook, G. and Mercer, N. (2000) ‘From me to you’: Austerity to profligacy in the language of the Beatles. In Inglis, I. (ed.), The Beatles, Popular Music and Society: A Thousand Voices (pp. 86–104). Basingstoke, UK: Macmillan Press.Google Scholar
Corcoran, N. (2002) Death’s honesty. In Corcoran, N. (ed.), Do You Mr Jones? Bob Dylan with the Poets and the Professors (pp. 143–74). London: Pimlico.Google Scholar
Cormany, K. (2009) John Lennon – you saved my soul. YouTube: cubfan8290. https://youtu.be/musbzUWbDpk.Google Scholar
Cortright, D. (2005) Soldiers in Revolt: G. I. Resistance during the Vietnam War. Chicago, IL: Haymarket Books.Google Scholar
Cott, J. (2007) Dylan on Dylan. London: Hodder.Google Scholar
Cott, J. and Doudna, C. (1982) The Ballad of John and Yoko. New York, NY: Doubleday.Google Scholar
Courrier, K. (2009) Artificial Paradise: The Dark Side of the Beatles’ Utopian Dream. Westport, CT: Praeger Publishers.Google Scholar
Covach, J. (2006) From craft to art: Formal structures in the music of the Beatles. In Womack, K. and Davis, T. F. (eds.), Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four (pp. 3753). Albany, NY: State University of New York Press.Google Scholar
Cowen, A. S., Fang, X., Sauter, D. and Keltner, D. (2020) What music makes us feel: At least 13 dimensions organise subjective experiences associated with music across different cultures. Proceedings of the National Academy of Sciences 117(4): 1924–34.Google Scholar
Cox, K. B. (2017) The road to Rishikesh: The Beatles, India and globalised dialogue in 1967. In Womack, K. and Cox, K. B. (eds.), The Beatles, Sgt. Pepper, and the Summer of Love (pp. 67–88). Lanham, MD: Lexington Books.Google Scholar
Cronkhite, G. F. (1951) The transcendental railroad. The New England Quarterly, 24(3): 306–28.Google Scholar
Crossland, D. (2006) The stars in St Pauli: Hamburg’s heady days of rock and roll. Speigel Online, 15 February. www.spiegel.de/international/the-stars-in-st-pauli-hamburg-s-heady-days-of-rock-roll-a-400870.html.Google Scholar
Crow, C. (1985) Biograph [Sleeve notes]. London: Columbia Records.Google Scholar
Crowley, A. (1909) Liber AL vel Legis (The Book of the Law). Barstow, CA: Thelema Publishing.Google Scholar
Curtis, J. (1987) Rock Eras: Interpretations of Music and Society 1954–1984. Bowling Green, OH: Bowling Green State University Popular Press.Google Scholar
d’Aranda, E. (1666) The History of Algiers and It’s Slavery with Many Remarkable Particularities of Africk London: John Starkey.Google Scholar
Dalton, D. (2012) Who Is That Man? In Search of the Real Bob Dylan. Waterville, ME: Thorndike Press.Google Scholar
Davies, H., Lennon, J. and Ono, Y. (2012) The John Lennon Letters: Edited and with an Introduction by Hunter Davies. London: Weidenfeld & Nicholson.Google Scholar
de Herrera, N. C. (2016) All You Need Is Love: An Eyewitness Account of When Spirituality Spread from East to West. New York, NY: Open Road Media.Google Scholar
de Waal, F., Macedo, S. and Ober, J. (2009) Primates and Philosophers: How Morality Evolved, Princeton, NJ: Princeton University Press.Google Scholar
Dederer, C. (2017) ‘What do we do with the art of monstrous men?’ The Paris Review, 20 November. www.theparisreview.org/blog/2017/11/20/art-monstrous-men/.Google Scholar
Denisoff, R. S. (1966) Songs of persuasion: A sociological analysis of urban propaganda songs. The Journal of American Folklore 79(314): 581–9.Google Scholar
Denisoff, R. S. (1968) Protest movements: Class consciousness and the propaganda song. Sociological Quarterly IX: 228–47.Google Scholar
Denisoff, R. S. (1969a) Folk-rock: folk music, protest, or commercialism. Journal of Popular Culture 3(2): 214–30.Google Scholar
Denisoff, R. S. (1969b) Urban folk ‘movement’ research: Value free? Western Folklore 28(3): 183–97.Google Scholar
Denisoff, R. S. (1970) Protest songs: Those on the top forty and those of the streets. American Quarterly 22(4): 807–23.Google Scholar
Denisoff, R. S. (1972) The evolution of the American protest song. In Denisoff, R. S. (ed.), The Sounds of Social Change (pp. 15–25). Chicago, IL: Rand MacNally.Google Scholar
Denisoff, R. S. (1973) Great Day Coming: Folk Music and the American Left. Champaign, IL: University of Illinois Press.Google Scholar
Denisoff, R. S. (1983) Sing a Song of Social Significance. Bowling Green, KY: Popular Press.Google Scholar
Denlsoff, R. S. and Fandray, D. (1977) ‘Hey, hey Woody Guthrie I wrote you a song’: The political side of Bob Dylan. Popular Music and Society 5(5): 3142.Google Scholar
Denisoff, R. S. and Levine, M. H. (1971) The popular protest song: The case of ‘Eve of Destruction’. Public Opinion Quarterly 35(1): 117–22.Google Scholar
Dennett, D. C. (1993) Consciousness Explained. London: Penguin Books.Google Scholar
Desjardins, M. (1997) Peace, Violence and the New Testament. Sheffield, UK: Sheffield Academic Press.Google Scholar
DiAngelo, R. (2018) White Fragility: Why It’s So Hard for White People to Talk About Racism. Boston, MA: Beacon Press.Google Scholar
Doggett, P. (2007) There’s a Riot Going on: Revolutionaries, Rock Stars and the Rise and Fall of ‘60s Counter-Culture. Edinburgh: Canongate Books.Google Scholar
Doggett, P. (2009) The Art & Music of John Lennon. London: Omnibus Press.Google Scholar
Dunlap, J. (2006) Through the eyes of Tom Joad: Patterns of American idealism, Bob Dylan, and the folk protest movement. Popular Music and Society 29(5): 549–73.Google Scholar
Dunn, G. D. and McDonald, B. (2009) Six impossible things before breakfast. In Irwin, W. and Davis, R. B. (eds.), Alice in Wonderland and Philosophy: Curiouser and Curiouser (pp. 6177). Hoboken, NJ: John Wiley & Sons.Google Scholar
Dunson, J. (1963) Birth of a Broadside. Broadside, 20: 1011.Google Scholar
Durkheim, É., Cladis, M. S. and Cosman, C. (2001) The Elementary Forms of Religious Life. Oxford: Oxford University Press.Google Scholar
Dutton, D. (2009) The Art Instinct: Beauty, Pleasure, and Human Evolution. Oxford: Oxford University Press.Google Scholar
Dylan, B. (1962) ‘I Will Not Go Down under the Ground’. Broadside, 3: 3.Google Scholar
Dylan, B. (1963) ‘With God on Our Side’. Broadside, 27: 1.Google Scholar
Dylan, B. (1964) ‘11 Outlined Epitaphs’. The Times They Are A-Changin’ [Sleeve notes]: Columbia Records.Google Scholar
Dylan, B. (1965) Bringing It All Back Home [Sleeve notes]: Columbia Records.Google Scholar
Dylan, B. (1971) Tarantula. New York, NY: Scribner.Google Scholar
Dylan, B. (1972) Eat the Document [film]. B. Dylan (Dir.) Los Angeles, CA: Pennebaker Associates.Google Scholar
Dylan, B. (2004a) Chronicles: Volume 1. London: Simon & Schuster.Google Scholar
Dylan, B. (2004b) Lyrics: 1962–2001. London: Simon & Schuster.Google Scholar
Dylan, B. (2006a) ‘Cars’. Theme Time Radio Hour. White Plains, NY: Grey Water Park Productions.Google Scholar
Dylan, B. (2006b) ‘Jail’. Theme Time Radio Hour. White Plains, NY: Grey Water Park Productions.Google Scholar
Dylan, B. (2006c) ‘Rich Man, Poor Man’. Theme Time Radio Hour. White Plains, NY: Grey Water Park Productions.Google Scholar
Dylan, B. (2006d) ‘Weather’. Theme Time Radio Hour. White Plains, NY: Grey Water Park Productions.Google Scholar
Dylan, B. (2009) ‘Work’. Theme Time Radio Hour. White Plains, NY: Grey Water Park Productions.Google Scholar
Dylan, B. (2011) To my fans and followers. News Archive, 13 May. www.bobdylan.com/us/news/my-fans-and-followers.Google Scholar
Dylan, B. (2013) Bob Dylan songs played live. BobDylan.com. www.bobdylan.com/us/songs.Google Scholar
Dylan, B. (2015) Read Bob Dylan’s complete, riveting MusiCares speech. Rolling Stone, 9 February. www.rollingstone.com/music/news/read-bob-dylans-complete-riveting-musicares-speech-20150209.Google Scholar
Dylan, B. (2018) In the Garden. Saved (1980). https://bobdylan.com/songs/garden/.#Google Scholar
Dysinger, C. and Gebhardt, S. (Dirs.) (2011) John Lennon Live in New York City [VHS, PAL]. London: Picture Music International.Google Scholar
Ehrlich, D. (1997) Inside the Music: Conversations with Contemporary Musicians about Spirituality, Creativity, and Consciousness. Boulder, CO: Shambhala Publications.Google Scholar
Elliott, E. (1995) The Mourning of John Lennon. Melbourne: Melbourne University Press.Google Scholar
Emerson, R. W. (1841) Essays: First Series. Boston, MA: James Munroe and Company.Google Scholar
Emerson, R. W. (1844) Essays: Second Series. Boston, MA: James Monroe and Company.Google Scholar
Engels, F. (1892) Condition of the Working Class in England in 1844 (trans. F. Kelley). London: George Allen & Unwin.Google Scholar
Epstein, D. M. (2011) The Ballad of Bob Dylan: A Portrait. London: Souvenir Press.Google Scholar
Evans, J. S. B. and Stanovich, K. E. (2013) Dual-process theories of higher cognition: Advancing the debate. Perspectives on Psychological Science 8(3): 223–41.Google Scholar
Evans, M. (2004) The Beatles Literary Anthology. London: Plexus.Google Scholar
Everett, W. (1999) The Beatles as Musicians: Revolver through the Anthology. Oxford: Oxford University Press.Google Scholar
Eyerman, R. and Barretta, S. (1996) From the 30s to the 60s: The folk music revival in the United States. Theory and Society 25(4): 501–43.Google Scholar
Eyerman, R. and Jamison, A. (1998) Music and Social Movements: Mobilizing Traditions in the Twentieth Century. Cambridge, UK: Cambridge University Press.Google Scholar
Faithfull, M. and Dalton, D. (1994) Faithfull: An Autobiography. New York, NY: Little, Brown and Company.Google Scholar
Fawcett, A. (1976) John Lennon: One Day at a Time: A Personal Biography of the Seventies. New York, NY: Grove Press.Google Scholar
Feinstein, R. (2009) Real Moments: Bob Dylan: The Photographs of Bob Dylan. London: Omnibus Press.Google Scholar
Filene, B. (2000) Romancing the Folk: Public Memory and American Roots Music. Raleigh, NC: University of North Carolina Press.Google Scholar
Fink, L. (2011) Sweatshops at Sea: Merchant Seamen in the World’s First Globalized Industry, from 1812 to the Present. Raleigh, NC: University of North Carolina Press.Google Scholar
Fish, D. R. (1994) Songs of the Sixties: A Rhetorical Examination of Song as a Protest against the Vietnam War, PhD Thesis, Department of Communication, University of Utah.Google Scholar
Flanagan, B. (2017) Q&A with Bill Flanagan. Bob Dylan.com. https://bobdylan.com/news/qa-with-bill-flanagan/.Google Scholar
Flory, M. W. (2012) Postmodern prophecy: Bob Dylan and the practices of self-subversion. In Clark, T. R. and Clanton, D. W. (eds.), Understanding Religion and Popular Culture: Theories, Themes, Products and Practices (pp. 213–22). Abingdon, UK: Routledge.Google Scholar
Ford, M. (2003) ‘Trust yourself’: Emerson and Dylan. In Corcoran, N. (ed.), Do You Mr Jones? Bob Dylan with the Poets and the Professors (pp. 127–42). London: Pimlico.Google Scholar
Forland, T. E. (1992) ‘Bringing It All Back Home’ or ‘Another Side of Bob Dylan’: Midwestern isolationist. Journal of American Studies 26(3): 337–55.Google Scholar
Forster, E. M. (1924) A Passage to India. London: Edward Arnold.Google Scholar
Foucault, M. (1965) Madness and Civilization: A History of Insanity in the Age of Reason. New York, NY: Pantheon Books.Google Scholar
Freemantle, F. (1975) The Tibetan Book of the Dead. Boulder, CO: Shambhala Publications.Google Scholar
Friedman, J. C. (2013) The Routledge History of Social Protest in Popular Music. Abingdon, UK: Routledge.Google Scholar
Frith, S. (1978) The Sociology of Rock. London: Constable and Company.Google Scholar
Frith, S. (1989) Why do songs have words? Contemporary Music Review 5: 7796.Google Scholar
Frith, S. (1996) Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.Google Scholar
Frontani, M. R. (2009) The Beatles: Image and the Media. Jackson, MI: University Press of Mississippi.Google Scholar
Fry, P. (2009) 18. The political unconscious. YouTube: Yale Courses. https://youtu.be/GQvp5z0Zbvo.Google Scholar
Gadamer, H. G. (1965) Truth and Method. New York, NY: Crossroad Publishing Company.Google Scholar
Gallie, W. B. (1956) IX. Essentially contested concepts. Proceedings of the Aristotelian Society 56(1): 167–98.Google Scholar
Gascoigne, J. (2006) The expanding historiography of British imperialism. The Historical Journal 49(2): 577–92.Google Scholar
Gill, A. (1998) Don’t Think Twice It’s All Right: Bob Dylan, the Early Years. New York, NY: Thunder’s Mouth Press.Google Scholar
Gill, A. and Odegard, K. (2004) A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks. Cambridge, MA: Da Capo Press.Google Scholar
Gilmour, M. J. (2011) The Gospel According to Bob Dylan: The Old, Old Story of Modern Times. Louisville, KY: Presbyterian Publishing Corporation.Google Scholar
Gilroy, P. (2010) Postcolonial Melancholia. New York, NY: Columbia University Press.Google Scholar
Giuliano, G. (1989) Dark Horse. London: Bloomsbury.Google Scholar
Giuliano, G. (2001) Lennon in America: 1971–1980, Based in Part on the Lost Lennon Diaries. Lanham, MD: Cooper Square Press.Google Scholar
Gladden, P. R. and Cleator, A. M. (2018) Sexual assault and intimate partner violence. In Shackelford, T. K. and Weekes-Shackelford, V. A. (eds.), Encyclopedia of Evolutionary Psychological Science. https://doi.org/10.1007/978-3-319-16999-6_1722-1.Google Scholar
Gleed, P. (2012) ‘The rest of you, if you’ll just rattle your jewelry’: The Beatles and questions of mass and high culture. In Womack, K. and Davis, T. F. (eds.), Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four (pp. 161–8). Albany, NY: State University of New York Press.Google Scholar
Goldberg, P. (2010) American Veda: From Emerson and the Beatles to Yoga and Meditation – How Indian Spirituality Changed the West. Berkeley, CA: Potter/TenSpeed/Harmony.Google Scholar
Goldman, A. (1988) The Lives of John Lennon. New York, NY: William Morrow & Co.Google Scholar
Golson, G. B. (1981) The Playboy Interview. Chicago, IL: Playboy Press.Google Scholar
Goodden, J. (2014a) Cover shoot for Sgt Pepper. The Beatles Bible. www.beatlesbible.com/1967/03/30/cover-shoot-for-sgt-pepper/.Google Scholar
Goodden, J. (2014b) Days in the life: The Beatles’ history. The Beatles Bible. www.beatlesbible.com/history/.Google Scholar
Goodden, J. (2014c) Filming: A Hard Day’s Night. The Beatles Bible. www.beatlesbible.com/1964/04/16/filming-a-hard-days-night-33/.Google Scholar
Goodden, J. (2014d) Filming: Help! The Beatles Bible. www.beatlesbible.com/1965/04/05/filming-help-31/.Google Scholar
Goodden, J. (2014e) Get Back/Let It Be sessions: Complete song list. The Beatles Bible. www.beatlesbible.com/features/get-back-let-it-be-sessions-complete-song-list/.Google Scholar
Goodden, J. (2014f) ‘In My Life’. The Beatles Bible. www.beatlesbible.com/songs/in-my-life/.Google Scholar
Goodden, J. (2014g) John and Cynthia Lennon, George Harrison and Pattie Boyd fly to Tahiti. The Beatles Bible. www.beatlesbible.com/1964/05/04/john-cynthia-lennon-george-harrison-pattie-boyd-holiday-tahiti/.Google Scholar
Goodden, J. (2014h) John Lennon is filmed with Bob Dylan. The Beatles Bible. www.beatlesbible.com/1966/05/27/john-lennon-bob-dylan-eat-the-document/.Google Scholar
Goodden, J. (2014i) Press conference: Warwick Hotel, New York, NY: The Beatles Bible. www.beatlesbible.com/1966/08/22/press-conference-warwick-hotel-new-york-city/.Google Scholar
Goodden, J. (2014j) Recording, mixing: ‘The Ballad of John and Yoko’. The Beatles Bible. www.beatlesbible.com/1969/04/14/recording-mixing-the-ballad-of-john-and-yoko/.Google Scholar
Goodden, J. (2014k) ‘Serve Yourself’. The Beatles Bible. www.beatlesbible.com/people/john-lennon/songs/serve-yourself/.Google Scholar
Goodden, J. (2017) Riding so High: The Beatles and Drugs. Cardiff: Pepper & PearlGoogle Scholar
Gorra, M. (2008) After Empire: Scott, Naipaul, Rushdie. Chicago, IL: University of Chicago Press.Google Scholar
Gould, J. (2007) Can’t Buy Me Love: The Beatles, Britain and America. London: Portrait.Google Scholar
Gracyk, T. (1996) Rhythm and Noise: An Aesthetics of Rock. London: I.B. Tauris.Google Scholar
Gray, M. (2006) The Bob Dylan Encyclopedia. London: Bloomsbury Academic.Google Scholar
Gray, M. (2008) The Bob Dylan Encyclopedia. Updated and revised edition. London: Continuum.Google Scholar
Graziano, M. S. A. (2013) Consciousness and the Social Brain. Oxford: Oxford University Press.Google Scholar
Green, J. (1983) Dakota Days. New York, NY: St Martin’s Press.Google Scholar
Greene, A. (2012) A history of Rock and Roll Hall of Fame no shows. Rolling Stone, 12 April. www.rollingstone.com/music/news/a-history-of-rock-and-roll-hall-of-fame-no-shows-20120412.Google Scholar
Greene, D. (2016) Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. Jefferson, NC: McFarland & Company.Google Scholar
Grossberg, L. (1984) Another boring day in paradise: Rock and roll and the empowerment of everyday life. Popular Music 4: 225–58.Google Scholar
Grossman, M. and Wooding, D. (1999) ‘Please pray for Bob Dylan’ asks his former pastor. Kenn Gulliksen says Dylan is still ‘a believer’ and ‘God is not through with him yet’. Expecting Rain: The Bob Dylan Who’s Who. http://expectingrain.com/dok/who/g/gulliksenken.html.Google Scholar
Gura, P. F. and Myerson, J. (1982) Critical Essays on American Transcendentalism. Boston, MA: G. K. Hall & Co.Google Scholar
Haidt, J. (2012) The Righteous Mind: Why Good People Are Divided by Politics and Religion. New York, NY: Pantheon Books.Google Scholar
Haigha, H. (2017) John Lennon and Alice in Wonderland. Alice is Everywhere. http://aliceiseverywhere.com/john-lennon-alice-wonderland/.Google Scholar
Hamlin, J. (2015) Top 10 most covered artists. WhoSampled. www.whosampled.com/news/2015/02/11/top-10-most-covered-artists/.Google Scholar
Hammill, P. (1975) Long night’s journey into day: A conversation with John Lennon. Rolling Stone, 5 June. www.beatlesinterviews.org/db1975.0605.beatles.html.Google Scholar
Hampton, W. (1986) Guerrilla Minstrels: John Lennon, Joe Hill, Woody Guthrie, Bob Dylan. Knoxville, TN: University of Tennessee Press.Google Scholar
Harker, D. (1980) One for the Money: Politics and Popular Song. London: Hutchinson.Google Scholar
Harrell, D. E. (1985) Oral Roberts: An American Life. Bloomington, IN: Indiana University Press.Google Scholar
Harris, K. M. (1978) Carlyle and Emerson: Their Long Debate. Cambridge, MA: Harvard University Press.Google Scholar
Harrison, G. (2004) I Me Mine. London: Phoenix.Google Scholar
Harry, B. (1964) ‘The Daily Howl’. Mersey Beat, 12 March. www.triumphpc.com/mersey-beat/archives/dailyhowl.shtml.Google Scholar
Harry, B. (2000) The John Lennon Encyclopedia. London: Virgin.Google Scholar
Hawksley, R. (2015) Sir Paul McCartney: I’m frustrated Lennon’s assassination made him a martyr. The Telegraph. 4 July. www.telegraph.co.uk/culture/music/the-beatles/11718010/Sir-Paul-McCartney-the-fact-that-Lennons-martyred-has-elevated-him.html.Google Scholar
Hay, E. K. (1984) Kipling and Forster: A case for dual biography. Biography 7(2): 123–33.Google Scholar
Hegel, G. W. F. (1977) Phenomenology of Spirit (trans. A. V. Miller and J. N. Findlay). Oxford: Oxford University Press.Google Scholar
Helm, L. and Davis, S. (2000) This Wheel’s on Fire: Levon Helm and the Story of the Band. 2nd ed. Chicago, IL: Chicago Review Press.Google Scholar
Henke, J. (2003) Lennon Legend: An Illustrated Life of John Lennon. Washington, DC: Becker & Meyer.Google Scholar
Hersch, C. (1998) Democratic Artworks: Politics and the Arts from Trilling to Dylan. Albany, NY: State University of New York Press.Google Scholar
Hesmondhalgh, D. (1996) Flexibility, post-Fordism and the music industries. Media, Culture & Society 18(3): 469–88.Google Scholar
Heylin, C. (1995) Bob Dylan: The Recording Sessions 1960–1994. New York, NY: St. Martin’s Press.Google Scholar
Heylin, C. (1996) Bob Dylan, A Life in Stolen Moments: Day by Day, 1941–1995. New York, NY: Schirmer Books.Google Scholar
Heylin, C. (2000) Bob Dylan: Behind the Shades, the Biography – Take Two. 2nd ed. London: Penguin Books.Google Scholar
Heylin, C. (2010a) Revolution in the Air: The Songs of Bob Dylan 1957–73. London: Constable & Robinson.Google Scholar
Heylin, C. (2010b) Still on the Road: The Songs of Bob Dylan Vol. 2 1974–2008. London: Constable & Robinson.Google Scholar
Heylin, C. (2011) Bob Dylan, Behind the Shades: The 20th Anniversary Edition. London: Faber and Faber.Google Scholar
Heylin, C. (2016) JUDAS! From Forest Hills to the Free Trade Hall: A Historical View of the Big Boo. London: Jawbone Press.Google Scholar
Hiatt, B. (2011) George Harrison: The private life of the quiet Beatle. Rolling Stone, 2 September. www.rollingstone.com/music/pictures/the-private-life-of-george-harrison-20110902/on-the-courts-with-dylan-0096947.Google Scholar
Higgins, K. M. (2012) The Music between Us: Is Music a Universal Language? Chicago, IL: University of Chicago Press.Google Scholar
Hislope, R. (2018) The Beatles against Machiavelli: Is it better to be loved or feared? In Jenkins, P. O. and Jenkins, H. (eds.), Teaching the Beatles (pp. 37–49). Abingdon, UK: Routledge.Google Scholar
Hobsbawm, E. (1987) The Age of Empire: 1875–1914. London: Weidenfeld & Nicholson.Google Scholar
Hollingshaus, W. (2013) Philosophizing Rock Performance: Dylan, Hendrix, Bowie. Lanham, MD: Scarecrow Press.Google Scholar
Hopkins, J. (1987) Yoko Ono: A Biography. London: Sidwick & Jackson.Google Scholar
Horgan, J. (2012) John Lennon snorting Pepsi in the 1964 classic A Hard Day’s Night. YouTube: Jerry Horgan. https://youtu.be/i91ys01B-es.Google Scholar
Hubbard, L. R. (1968) Dianetics: The Modern Science of Mental Health. Los Angeles, CA: Hubbard College of Scientology.Google Scholar
Hurston, Z. N. (1937) Their Eyes Were Watching God. Philadelphia, PA: J. B. Lippincott & Co.Google Scholar
Inglis, I. (1996a) Presley and the Beatles. International Review of the Aesthetics and Sociology of Music 27(1): 5378.Google Scholar
Inglis, I. (1996b) Synergies and reciprocities: The dynamics of musical and professional interaction between the Beatles and Bob Dylan. Popular Music and Society 20(4): 5379.Google Scholar
Inglis, I. (2000a) The Beatles, Popular Music and Society: A Thousand Voices. Basingstoke, UK: Palgrave Macmillan.Google Scholar
Inglis, I. (2000b) ‘The Beatles are coming!’ Conjecture and conviction in the myth of Kennedy, America, and the Beatles. Popular Music and Society 24(2): 93108.Google Scholar
Inglis, I. (2008) Cover story: Magic, myth and music. In Julien, O. (ed.), Sgt. Pepper and the Beatles: It Was Forty Years Ago Today (pp. 91102). Farnham, UK: Ashgate.Google Scholar
Inglis, I. (2012) The Beatles in Hamburg. London: Reaktion Books.Google Scholar
Jackson, A. (2006) The British Empire and the Second World War. London: Hambleton Continuum.Google Scholar
Jaichandran, R. and Madhav, B. D. (2003) Pentecostal spirituality in a postmodern world. Asian Journal of Pentecostal Studies 6(1): 3961.Google Scholar
James, D. (1989) The Vietnam War and American music. Social Text 23: 122–43.Google Scholar
James, J. (1995) The Music of the Spheres: Music, Science, and the Natural Order of the Universe. New York, NY: Springer Publishing.Google Scholar
James, W. (1929) The Varieties of Religious Experience: A Study in Human Nature. New York, NY: Random House.Google Scholar
Jameson, F. (1981) The Political Unconscious: Narrative as a Socially Symbolic Act. London: Methuen & Co.Google Scholar
Jameson, F. (1984) Periodizing the 60s. Social Text 9(10): 178209.Google Scholar
Jameson, F. (1991) Postmodernism, or, the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.Google Scholar
Jardine, C. (2016) The Best Alan Watts Quotes. Morrisville, NC: LULU Press.Google Scholar
Jarosinski, A. (2006) Every Mind Polluting Word: Assorted Bob Dylan Utterances. 2nd ed. Wrocław, Poland: Don’t Ya Tell Henry Publications.Google Scholar
Johanson, D. C. and Wong, K. (2009) Lucy’s Legacy: The Quest for Human Origins. New York, NY: Harmony Books.Google Scholar
Jones, A. (2012) Bob Dylan –Tempest. Uncut, 7 September. www.uncut.co.uk/reviews/bob-dylan-tempest-2341/.Google Scholar
Jones, E. (1949) Hamlet and Oedipus. New York, NY: W. W. Norton & Company.Google Scholar
Jones, J. (1992) Let Me Take You Down: Inside the Mind of Mark David Chapman, the Man Who Killed John Lennon. New York, NY: Villard Books.Google Scholar
Jones, M. (2007) That Would Be Me: Rock & Roll Survivor to Hollywood Actor. Bloomington, IN: AuthorHouse.Google Scholar
Julien, D. (2005) Lot #179 John Lennon white suit from Abbey Road album cover. Julien’s Auctions: The Auction House to the Stars. https://web.archive.org/web/20181011023510/ https://www.juliensauctions.com/auctions/2005/autumn-auction/lot179.html.Google Scholar
Kahneman, D. (2011) Thinking, Fast and Slow. London: Allen Lane.Google Scholar
Kaiser, D. (2011) How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival. London: W. W. Norton & Company.Google Scholar
Keen, S. (2006) A theory of narrative empathy. Narrative 14(3): 207–36.Google Scholar
Keinan, G. (2002) The effects of stress and desire for control on superstitious behavior. Personality and Social Psychology Bulletin 28(1): 102–8.Google Scholar
Kelly, A. (2013) Mood swings. In Bob Dylan Mood Swings Catalogue. London: Halcyon Gallery.Google Scholar
Kennedy, R. (1967) Far and near: The holes in our roads. The Daily Mail, 17 January.Google Scholar
Kenny, F. (2015) The Making of John Lennon: The Untold Story of the Rise and Fall of the Beatles. Edinburgh: Luath Press.Google Scholar
Kierkegaard, S. (1843) Frygt og Bæven [Fear and Trembling]. Copenhagen: C.A. Reitzel.Google Scholar
King, B. J. (2017) Evolving God: A Provocative View on the Origins of Religion. Expanded edition. Chicago, IL: University of Chicago Press.Google Scholar
Kipling, R. (1889) ‘The Ballad of East and West’. In Eliot, T. S. (ed.) (1941) A Choice of Kipling’s Verse, Made by T. S. Eliot, with an Essay on Rudyard Kipling (pp. 111–15). London: Faber and Faber.Google Scholar
Kun, J. (2005) Audiotopia: Music, Race, and America. Berkley, CA: University of California Press.Google Scholar
Lalvani, K. (2016) The Making of India: The Untold Story of British Enterprise. London: Continuum International Publishing Group.Google Scholar
Lander, J. (2010) Lincoln and Darwin: Shared Visions of Race, Science, and Religion. Carbondale, IL: Southern Illinois University Press.Google Scholar
Lasky, M. (1998) Defusing the enemy’s vocabulary. Society 36(1): 6671.Google Scholar
Leaf, D. and Scheinfeld, J. (2007) The US vs John Lennon [DVD]. D. Leaf and J. Scheinfeld (Producers). London: Lionsgate Home Entertainment.Google Scholar
Leary, T., Metzner, R. and Alpert, R. (1964) The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead. New Hyde Park, NY: University Books.Google Scholar
Lennon, J. (1961) Being a short diversion on the dubious origins of Beatles (translated from the John Lennon). Mersey Beat. www.triumphpc.com/mersey-beat/archives/dubious.shtml.Google Scholar
Lennon, J. (1964) In His Own Write. London: Macmillan.Google Scholar
Lennon, J. (1965) A Spaniard in the Works. London: Simon & Schuster.Google Scholar
Lennon, J. (1967) What I believe by Beatle John (The Daily Sketch, 9 October). Beatles Interviews. www.beatlesinterviews.org/db1967.1009.beatles.html.Google Scholar
Lennon, J. (1986) Skywriting by Word of Mouth. New York, NY: Harper & Row.Google Scholar
Lennon, J. and Prabhupāda, A. C. B. S. (1981) Search for Liberation: Featuring a Conversation between John Lennon and Swami Bhaktivedanta. Alachua, FL: Bhaktivedanta Book Trust.Google Scholar
Lennon, J., Ono, Y. and Sheff, D. (1981) The Playboy Interviews with John Lennon and Yoko Ono. New York, NY: Playboy Press.Google Scholar
Lerner, M. (2007) The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965 [DVD]. M. Lerner, J. Rosen and A. Wall (Producers). London: BBC.Google Scholar
Lester, J. (1968) Look Out Whitey! Black Power’s Goin’ Get Your Mama! New York, NY: The Dial Press.Google Scholar
Lester, R. (1964) A Hard Day’s Night [DVD]. W. Shenson (Producer). London: United Artists.Google Scholar
Lester, R. (1967) How I Won the War [DVD]. R. Lester (Producer). London: United Artists.Google Scholar
Lévi-Strauss, C. (1978) Myth and Meaning. Abingdon, UK: Routledge.Google Scholar
Lewis-Giggetts, T. M. (2017) When faith and music intersect: The spiritual evolution of a musical genius. Journal of African American Studies 21(3): 533–9.Google Scholar
Lewisohn, M. (1996) The Complete Beatles Chronicles. London: Bounty Books.Google Scholar
Lewisohn, M. (2004) The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970. London: Hamlyn.Google Scholar
Lewisohn, M. (2013) The Beatles – All These Years: Volume One: Tune In. London: Little, Brown Book Group.Google Scholar
Lifton, D. (2015) The history of John Lennon’s five-year battle with the FBI. Ultimate Classic Rock, 21 March. http://ultimateclassicrock.com/john-lennon-fbi-history/.Google Scholar
Lifton, D. (2016) The story of Bob Dylan’s infamous ‘Judas’ concert. Ultimate Classic Rock, 17 May. http://ultimateclassicrock.com/bob-dylan-judas-concert/.Google Scholar
Lifton, R. J. (1961) Thought Reform and the Psychology of Totalism: A Study of ‘Brainwashing’ in China. Raleigh, NC: University of North Carolina Press.Google Scholar
Lifton, R. J. (ed.) (1975) Explorations in Psychohistory: The Wellfleet Papers. New York, NY: Simon & Schuster.Google Scholar
Lindsey, H. and Carlson, C. C. (1970) The Late, Great Planet Earth. Grand Rapids, MI: Zondervan.Google Scholar
Long, T. (2002) Take What You Need: Musical, Cultural, and Literary Influences on Bob Dylan. PhD Thesis, Middle Tennessee State University. Murfreesboro, TN.Google Scholar
Lorcin, P. M. E. (2013) Imperial nostalgia; colonial nostalgia. Differences of theory, similarities of practice? Historical Reflections 39(3): 97111.Google Scholar
Lott, E. (1993) Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford: Oxford University Press.Google Scholar
MacDonald, I. (1994) Revolution in the Head: The Beatles’ Records and the Sixties. London: Vintage.Google Scholar
MacDonald, I. (2008) Revolution in the Head: The Beatles’ Records and the Sixties. Second revised edition. London: Vintage.Google Scholar
MacFarlane, T. (2007) The Beatles’ Abbey Road Medley: Extended Forms in Popular Music. Lanham, MD: Scarecrow Press.Google Scholar
MacFarlane, T. (2013) The Beatles and McLuhan: Understanding the Electric Age. Lanham, MD: Scarecrow Press.Google Scholar
Mäkelä, J. (2004) John Lennon Imagined: Cultural History of a Rock Star (Vol. 4). New York, NY: Peter Lang.Google Scholar
Marcus, G. (2009) Hibbing High School and ‘the mystery of democracy’. In Shelly, C. and Swiss, T. (eds.), Highway 61 Revisited: Bob Dylan’s Road from Minnesota to the World (pp. 314). Minneapolis, MN: University of Minnesota Press.Google Scholar
Marques, J. M., Abrams, D., Paez, D. and Taboada, C. (1998) The role of categorization and ingroup norms in judgments of groups and their members. Journal of Personality and Social Psychology 75(4): 976–88.Google Scholar
Marqusee, M. (2005) Wicked Messenger: Bob Dylan and the 1960s. London: Seven Stories Press.Google Scholar
Marshall, L. (2013) Bob Dylan: The Never Ending Star. London: Polity Press.Google Scholar
Martin, G. and Pearson, W. (1994) Summer of Love: The Making of Sgt. Pepper. London: Macmillan.Google Scholar
Marvin, C. and Ingle, D. W. (1996) Blood sacrifice and the nation: Revisiting civil religion. Journal of the American Academy of Religion 64(4): 767–80.Google Scholar
Marx, K. and Engels, F. (1848) Manifesto of the Communist Party. London: J. E. Berghard.Google Scholar
Marx, L. (2000) The Machine in the Garden: Technology and the Pastoral Ideal in America. Thirty-fifth anniversary edition. Oxford: Oxford University Press.Google Scholar
Masuda, Y. (1990) Managing in the Information Society. Oxford: Blackwell Publishers.Google Scholar
Matthiessen, F. (1941) American Renaissance: Art and Expression in the Age of Emerson and Whitman. New York: Oxford University Press.Google Scholar
Maxa, R. (1979) Bob Dylan knocks on heaven’s door, accepts Christ, says a West Coast pastor as the music biz and the star’s fans await an album to explain it all. The Washington Post, 27 May. www.washingtonpost.com/archive/lifestyle/magazine/1979/05/27/bob-dylan-knocks-on-heavens-door-accepts-christ-says-a-west-coast-pastor-as-the-music-biz-and-the-stars-fans-await-an-album-to-explain-it-all/78a25f0a-c879-4539-81db-d4866c3f0508/.Google Scholar
McCarron, A. (2017) Light Come Shining: The Transformations of Bob Dylan, Oxford: Oxford University Press.Google Scholar
McCartney, P. and Miles, B. (1997) Many Years from Now. London: Martin Secker & Warburg.Google Scholar
McCullough, D. (2017) The American Spirit: Who We Are and What We Stand For. New York, NY: Simon & Schuster.Google Scholar
McGeorge, A. (2015) Disturbing footage of John Lennon mocking disabled people leaves fans in shock. The Daily Mirror, 20 September. www.mirror.co.uk/3am/celebrity-news/disturbing-footage-john-lennon-mocking-6480508.Google Scholar
McGrath, J. (2010a) Liverpool’s black community and the Beatles: Black Liverpudlian angles on the Beatles’ history. Soundscapes Journal on Media Culture 12(4). www.icce.rug.nl/~soundscapes/VOLUME12/Interview_McGrath.shtml.Google Scholar
McGrath, J. (2010b) Ideas of Belonging in the Work of John Lennon and Paul McCartney, PhD Thesis, Leeds Metropolitan University.Google Scholar
McGrath, P. (2007) John & Yoko: Give Peace A Song [DVD]. Pinewood: Fabulous Films.Google Scholar
McIntosh, P. (1988) White privilege: Unpacking the invisible knapsack. Beyond heroes and holidays. Working Paper 189 White Privilege and Male Privilege: A Personal Account of Coming to See Correspondences through Work in Women’s Studies. Wellesley, MA: Wellesley College Center for Research on Women. https://codeofgoodpractice.com/wp-content/uploads/2019/05/Mcintosh-White-Privilege-Unpacking-the-Invisible-Knapsack.pdf.Google Scholar
McKay, R. (2019) Bob Dylan’s wild night of knife fights and robberies in Glasgow. GlasgowLive, 17 December. www.glasgowlive.co.uk/news/history/bob-dylans-wild-night-glasgow-12022386.Google Scholar
McMillian, J. (2013) Beatles vs. Stones. London: Simon & Schuster.Google Scholar
Mehr, S. A., Singh, M., Knox, D. et al. (2019) Universality and diversity in human song. Science 366(6468): eaax0868. https://doi.org/10.1126/science.aax0868.Google Scholar
Meisel, P. (2010) The Myth of Popular Culture from Dante to Dylan. Chichester, UK: Wiley & Sons.Google Scholar
Mellers, W. (1974) Twilight of the Gods: The Music of the Beatles. New York: The Viking Press.Google Scholar
Metzinger, P. (2017) The Mike Douglas Show S11E122 John Lennon & Yoko Ono, Jerry Rubin, Barbar Loden, Dr Jesse Steinfeld. YouTube: Paul Metzger. https://youtu.be/dxh5fY4p720.Google Scholar
Middleton, R. (1990) Studying Popular Music. Milton Keynes, UK: Open University Press.Google Scholar
Miles, B. (2001) The Beatles Diary Volume 1: The Beatles Years. London: Omnibus.Google Scholar
Miller, M. E. and Cook-Greuter, S. R. (2000) Creativity, Spirituality, and Transcendence: Paths to Integrity and Wisdom in the Mature Self. New York, NY: Ablex Publishing Corporation.Google Scholar
Muir, A. (2019) Bob Dylan & William Shakespeare: The True Performing of It. Falmouth, UK: Red Planet Books.Google Scholar
Mulley, C. (2017) The Women Who Flew for Hitler: The True Story of Hitler’s Valkyries. London: Macmillan.Google Scholar
Nachman, G. (2009) Right Here on Our Stage Tonight!: Ed Sullivan’s America. Berkeley, CA: University of California Press.Google Scholar
Negus, K. (2007) Living, breathing songs: Singing along with Bob Dylan. Oral Tradition 22(1): 7183.Google Scholar
Negus, K. (2010) Bob Dylan’s phonographic imagination. Popular Music 29(2): 213–28.Google Scholar
Nickerson, E. (2012) Top 200 most popular names in England and Wales in 1900. British Baby Names. www.britishbabynames.com/blog/2012/08/top-200-most-popular-names-in-england-and-wales-1900.html.Google Scholar
Norman, P. (1981) Shout!: The True Story of the Beatles. London: Penguin Books.Google Scholar
Norman, P. (2009) John Lennon: The Life. London: HarperCollins.Google Scholar
O’Brien, L. (1995) She Bop: The Definitive History of Women in Rock, Pop and Soul. London: Penguin.Google Scholar
Ono, Y. (1964) Grapefruit. Tokyo: Wunternaum Press.Google Scholar
Ono, Y. (2010) IMAGINE PEACE by Yoko Ono for Peace Day: 21 September 2010. Imagine Peace. http://imaginepeace.com/home/faq.Google Scholar
Orwell, G. (1940) Boys’ weeklies. In Inside the Whale and Other Essays (pp. 89130). London: Victor Gollancz.Google Scholar
Parker, B. (2010) Good Vibrations: The Physics of Music. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Partridge, C. (2017) Emotion, meaning and popular music. In Partridge, C. and Moberg, M. (eds.), The Bloomsbury Handbook of Religion and Popular Music (pp. 23–31). London: Bloomsbury Academic.Google Scholar
Pearson, B. L. and McCulloch, B. (2010) Robert Johnson: Lost and Found. Champaign, IL: University of Illinois Press.Google Scholar
Peddie, I. (2006) The Resisting Muse: Popular Music and Social Protest. Farnham, UK: Ashgate.Google Scholar
Pennebaker, D. A. (1967) Dont Look Back [DVD]. J. Court and A. Grossman (Producers). Los Angeles, CA: Docurama.Google Scholar
Peters, L. (2000) Orphan Texts: Victorian Orphans, Culture and Empire. Manchester: Manchester University PressGoogle Scholar
Petrie, K. J., Pennebaker, J. W. and Silverstein, B. (2008) ‘Things We Said Today’: A linguistic analysis of the Beatles. Psychology of Aesthetics, Creativity, and the Arts 2(4): 197202.Google Scholar
Phillips-Silver, J., Aktipis, C. A. and Bryant, G. A. (2010) The ecology of entrainment: Foundations of coordinated rhythmic movement. Music Perception, 28(1): 314.Google Scholar
Pichaske, D. (2010) Song of the North Country: A Midwest Framework to the Songs of Bob Dylan. London: Continuum International Publishing Group.Google Scholar
Pickering, M. (2008) Research Methods for Cultural Studies. Edinburgh: Edinburgh University Press.Google Scholar
Pinker, S. (2003) The Blank Slate: The Modern Denial of Human Nature. London: Penguin Books.Google Scholar
Polizzotti, M. (2006) Bob Dylan’s Highway 61 Revisited (33 1/3) London: Continuum Publishing.Google Scholar
Preston, S. D. and de Waal, F. B. M. (2002) Empathy: Its ultimate and proximate bases. Behavioral and Brain Sciences 25: 172.Google Scholar
Ra, A. (2016) Foundational Falsehoods of Creationism. Durham, NC: Pitchstone Publishing.Google Scholar
Raiola, J. (2016) John Lennon’s journey to feminism and why it matters in the era of Trump. The Huffington Post, 10 October. www.huffpost.com/entry/john-lennons-journey-to-feminism-and-why-it-matters_b_57f9601ee4b090dec0e71412.Google Scholar
Ramachandran, V. S. (2003) The Emerging Mind: The Reith Lectures 2003. London: Profile Books.Google Scholar
Ramachandran, V. S. (2005) A Brief Tour of Human Consciousness: From Imposter Poodles to Purple Numbers. New York, NY: Pi Press.Google Scholar
Rasmussen, A. K. (2010) Women, the Recited Qur’an, and Islamic Music in Indonesia. Berkeley, CA: University of California Press.Google Scholar
Reck, D. R. (1985) Beatles Orientalis: Influences from Asia in a popular song tradition. Asian Music 16(1): 83149.Google Scholar
Reed, T. L. (2003) The Holy Profane: Religion in Black Popular Music. Lexington, KY: The University Press of Kentucky.Google Scholar
Rein, L. (2012) Never before published transcript of a conversation between John Lennon, Yoko Ono, Timothy Leary and Rosemary Leary – at the Montreal Bed-In, May 1969. Timothy Leary Archives. www.timothylearyarchives.org/never-before-published-transcript-of-a-conversation-between-john-lennon-yoko-ono-timothy-leary-and-rosemary-leary-%E2%80%93-at-the-montreal-bed-in-may-1969/.Google Scholar
Richards, T. (1993) The Imperial Archive: Knowledge and the Fantasy of Empire. London: Verso.Google Scholar
Ricks, C. (2011) Dylan’s Visions of Sin. Edinburgh: Canongate Books.Google Scholar
Riley, T. (2011) Lennon: The Man, the Myth, the Music – The Definitive Life. London: Ebury Publishing.Google Scholar
Risen, J. L. (2016) Believing what we do not believe: Acquiescence to superstitious beliefs and other powerful intuitions. Psychological Review 123(2): 182.Google Scholar
Ritter, H. (1986) Dictionary of Concepts in History. Westport, CT: Greenwood Press.Google Scholar
Robock, A. (2005) Tonight as I stand inside the rain: Bob Dylan and weather imagery. Bulletin of the American Meteorological Society 86(4): 483–7.Google Scholar
Rocheleau, J. (2006) ‘Far between sundown’s finish and midnight’s broken toll’: Enlightenment and postmodernism in Dylan’s social criticism. In Vernezze, P. (ed.), Bob Dylan and Philosophy (pp. 6677). Chicago, IL: Open Court.Google Scholar
Rodnitzky, J. L. (1969) The evolution of the American protest song. The Journal of Popular Culture 3(1): 3545.Google Scholar
Rodnitzky, J. L. (1988) Also born in the USA: Bob Dylan’s outlaw heroes and the real Bob Dylan. Popular Music and Society 12(2): 3743.Google Scholar
Rodriguez, R. (2012) Revolver: How the Beatles Reimagined Rock ‘n’ Roll. Milwaukee, WI: Backbeat Books.Google Scholar
Roe, N. (2003) Playing time. In Corcoran, N. (ed.), Do You Mr Jones? Bob Dylan with the Poets and the Professors. London: Pimlico.Google Scholar
Rogan, J. (2010) Lennon: The Albums. London: Omnibus Press.Google Scholar
Rogers, R. A. (2006) From cultural exchange to transculturation: A review and reconceptualization of cultural appropriation. Communication Theory 16: 474503.Google Scholar
Rogovoy, S. (2010) Bob Dylan: Prophet, Mystic, Poet. New York, NY: Simon Spotlight Entertainment.Google Scholar
Rojek, C. (2001) Celebrity. London: Reaktion Books.Google Scholar
Rosen, R. (2002) Nowhere Man: The Final Days of John Lennon. San Francisco, CA: Quick American Archives.Google Scholar
Roskin, M. (1974) From Pearl Harbor to Vietnam: Shifting generational paradigms and foreign policy. Political Science Quarterly 89(3): 563–88.Google Scholar
Roylance, B. (2000) The Beatles Anthology. London: Weidenfeld & Nicolson.Google Scholar
Sagan, C. (1995) Cosmos. New York, NY: Wings Books.Google Scholar
Sahlins, M. D. (1972) Stone Age Economics. Piscataway, NJ: Transaction Publishers.Google Scholar
Said, E. W. (1978) Orientalism. New York, NY: Pantheon Books.Google Scholar
Said, E. (2005) The pleasures of imperialism. In Bloom, H. and Loos, P. (eds.), Edwardian and Georgian Fiction (pp. 245–78). Philadelphia, PA: Chelsea House Publishers.Google Scholar
Saluszinsky, I. (1992) The genius of Dylan. The Australian Weekend Review, 28–9 March. http://expectingrain.com/dok/who/s/saluszinskyimre.html.Google Scholar
Saluszinsky, I. (2001) Tangled up in Bob. In Craven, P. (ed.), The Best Australian Essays 2001 (pp. 529–36). Melbourne: Black.Google Scholar
Sauceda, J. (1983) The Literary Lennon: A Comedy of Letters: The First Study of All the Major and Minor Writings of John Lennon. Ypsilanti, MI: Pierian Press.Google Scholar
Sawyers, J. S. (2011) Bob Dylan: New York. Albany, CA: Roaring Forties Press.Google Scholar
Scaduto, A. (1996) Bob Dylan: A Biography. 2nd ed. London: Helter Skelter Publishing.Google Scholar
Scarza, V. (1985) Live Aid [DVD]. London: Rhino.Google Scholar
Schmidt, C. M. (2003) David Hume: Reason in History. University Park, PA: Pennsylvania State University Press.Google Scholar
Schneider, M. (2003) ‘What matters is the system!’ The Beatles, the ‘Passover Plot’ and conspiratorial narrativity. Anthropoetics: The Journal of Generative Anthropology 8(2). http://anthropoetics.ucla.edu/ap0802/beatles2/.Google Scholar
Schneider, M. (2008) The Long and Winding Road from Blake to the Beatles. Basingstoke, UK: Palgrave Macmillan.Google Scholar
Schonfield, H. J. (1965) The Passover Plot. London: Hutchinson.Google Scholar
Schreiber, D. A. (2012) On the epistemology of postmodern spirituality. Verbum et Ecclesia 33(1): 18.Google Scholar
Scorsese, M. (1978) The Last Waltz [DVD]. R. Robertson and J. Taplin (Producers). Los Angeles, CA: United Artists Classics.Google Scholar
Scorsese, M. (2005) No Direction Home: Bob Dylan [DVD]. S. Lacy, J. Rosen, M. Scorsese, N. Sinclair and A. Wall (Producers). London: BBC.Google Scholar
Scorsese, M. (2011) George Harrison: Living in the Material World [DVD]. O. Harrison, M. Scorsese and N. Sinclair (Producers). London: BBC.Google Scholar
Scott, P. (1966) The Jewel in the Crown. London: Heinemann.Google Scholar
Seaman, F. (1992) The Last Days of John Lennon: A Personal Memoir. New York, NY: Random House.Google Scholar
Seybold, E. (1960) Thoreau for everyone. The Emerson Society Quarterly XVIII: 1921.Google Scholar
Sharp, K. R. (2011) Starting Over: The Making of John Lennon and Yoko Ono’s Double Fantasy. London: Simon & Schuster.Google Scholar
Shelton, R. (1986) No Direction Home: The Life and Music of Bob Dylan. London: Penguin Books.Google Scholar
Shelton, R. (2011) Tapes reveal Bob Dylan struggled with heroin addiction. The Times, 23 May. www.thetimes.co.uk/article/tapes-reveal-bob-dylan-struggled-with-heroin-addiction-zbndg6zg6bk.Google Scholar
Shipper, M. (1978) Paperback Writer: The Life and Times of the Beatles: The Spurious Chronicle of Their Rise to Stardom. London: New English Library.Google Scholar
Shotton, P. (1984) The Beatles, Lennon, and Me. Lanham, MD: Madison Books.Google Scholar
Shotton, P. and Schaffner, N. (1983) John Lennon: In My Life. Briarcliff Manor, NY: Stein and Day.Google Scholar
Shumway, D. R. (2014) Rock Star: The Making of Musical Icons from Elvis to Springsteen. Baltimore, MD: John Hopkins University Press.Google Scholar
Sillitoe, A. (1961) Key to the Door. London: W. H. Allen & Co.Google Scholar
Silverton, P. (2011) Bob Dylan’s back in Britain. Again. Just like he was last year. And the year before that. Rock’s Back Pages. www.rocksbackpages.com/Library/Article/bob-dylans-back-in-britain-again-just-like-he-was-last-year-and-the-year-before-that.Google Scholar
Simpson, J., Gardham, D. and Haynes, D. (2014) The hunt for British jihadist ‘Jailer John’. The Times, 21 August. www.thetimes.co.uk/article/the-hunt-for-british-jihadist-jailer-john-w060mkh3sfl.Google Scholar
Small, C. (1998) Musicking: The Meanings of Performing and Listening. Middletown, CT: Wesleyan University Press.Google Scholar
Smeaton, B. and Wonfor, G. (1995) The Beatles Anthology [DVD]. N. Aspinall and C. Chipperfield (Producers). London: EMI Records.Google Scholar
Smith, E. L. (1990) Rape and Revelation: The Descent to the Underworld in Modernism, Lanham, MD: University Press of America.Google Scholar
Snyder, T. (2008) The Tomorrow Show with Tom Snyder: John, Paul, Tom & Ringo [DVD]. P. Burke and T. Blomquist (Producers). Los Angeles, CA: Shout! Factory.Google Scholar
Sounes, H. (2011a) Down the Highway: The Life of Bob Dylan. New York, NY: Doubleday.Google Scholar
Sounes, H. (2011b) Fab: An Intimate Life of Paul McCartney. Cambridge, MA: Da Capo Press.Google Scholar
Spangler, J. (2019a) Beatles photos & quotes database: 1964. Beatles Interviews. www.beatlesinterviews.org/db64.html.Google Scholar
Spangler, J. (2019b) Beatles interview: Memphis, Tennessee, 19 August 1966. Beatles Interviews. www.beatlesinterviews.org/db1966.0819.beatles.html.Google Scholar
Spangler, J. (2019c) John Lennon interview: Red Mole, 21 January 1971. Beatles Interviews. www.beatlesinterviews.org/db1971.0121.beatles.html.Google Scholar
Spangler, J. (2019d) John Lennon Interview: Newsweek, 29 September 1980. Beatles Interviews. www.beatlesinterviews.org/db1980.0929.beatles.html.Google Scholar
Spitz, B. (2006) The Beatles: The Biography. London: Aurum.Google Scholar
St John, G. (2017) Electronic dance music: Trance and techno-shamanism. In Partridge, C. and Moberg, M. (eds.), The Bloomsbury Handbook of Religion and Popular Music (pp. 278–85). London: Bloomsbury Academic.Google Scholar
Stark, S. D. (2005) Meet the Beatles: A Cultural History of the Band That Shook Youth, Gender, and the World. London: HarperCollins.Google Scholar
Stewart, C. J., Smith, C. A. and Denton, R. E. (1984) Persuasion and Social Movements. Prospect Heights, NY: Waveland Press.Google Scholar
Street, J. (2002) Bob, Bono and Tony B: The popular artist as politician. Media, Culture & Society 24(3): 433–41.Google Scholar
Strout, P. (2016) Core Values & Beliefs. Stafford, TX: Vineyard USA.Google Scholar
Subirats Miranda, J. L. (2013) Harrison, Dylan, Fogerty, Jesse Ed Davis, Taj Mahal y Amigos 1 de 2. YouTube: Jose L. Subirats Miranda. https://youtu.be/r23DKWvFb3k.Google Scholar
Sullivan, H. (1995) The Beatles with Lacan: Rock ‘n’ Roll as Requiem for the Modern Age. New York, NY: Peter Lang.Google Scholar
Sutton, M. (2009) ‘Roadmaps for the soul’: History and cartography in Bob Dylan’s early songs. Australasian Journal of American Studies 28(1): 1733.Google Scholar
Sylvan, R. (2002) Traces of the Spirit: The Religious Dimensions of Popular Music. New York, NY: New York University Press.Google Scholar
Tagg, P. (1987) Musicology and the semiotics of popular music. Semiotoca 66(1): 279–98.Google Scholar
Taylor, D. (1987) It Was Twenty Years Ago Today. London: Bantam.Google Scholar
Taylor, J. and Israelson, C. (2017) The Political World of Bob Dylan: Freedom and Justice, Power and Sin. Basingstoke, UK: Palgrave Macmillan.Google Scholar
Taylor, M. (2003) The illusion of independent agency: Do adult fiction writers experience their characters as having minds of their own? Imagination, Cognition & Personality 22: 361–80.Google Scholar
Taylor, R. P. (1985) The Death and Resurrection Show: From Shaman to Superstar. London: Anthony Blond.Google Scholar
Temple, C. (2016) Picasso’s Brain: The Basis of Creative Genius. London: Robinson.Google Scholar
Terrarosa, T. (2018) Why GM’s claim to use 90% U.S. Steel might not hold water. The Street, 2 March. www.thestreet.com/investing/stocks/why-gm-s-claim-to-use-90-u-s-steel-might-not-hold-water-14508408.Google Scholar
Thalbourne, M. A. and Delin, P. S. (1999) Transliminality: Its relation to dream life, religiosity, and mystical experience. The International Journal for the Psychology of Religion 9(1): 4561.Google Scholar
Tharoor, S. (2017) Inglorious Empire: What the British Did to India. London: C. Hurst & Co.Google Scholar
Thomson, J. A. (2009a) Who are we? Where did we come from? How religious identity divides and damns us all. The American Journal of Psychoanalysis 69(1): 2242.Google Scholar
Thomson, J. A. (2009b) Why we believe in gods – Andy Thomson – American Atheists 09. YouTube: Richard Dawkins Foundation for Reason & Science. https://youtu.be/1iMmvu9eMrg.Google Scholar
Thomson, J. A. and Aukofer, C. (2011) Why We Believe in God(s): A Concise Guide to the Science of Faith. Durham, NC: Pitchstone Publishing.Google Scholar
Thoreau, H. D. (1849) Resistance to civil government. In Peabody, E. P. (ed.), Æsthetic Papers (pp. 189–213). Boston, MA: The Editor.Google Scholar
Thoreau, H. D. (1854) Walden; or, Life in the Woods. Boston, MA: Ticknor and Fields.Google Scholar
Thoreau, H. D. (1860) A plea for Captain John Brown. In Redpath, J. (ed.), Echoes of Harpers Ferry (pp. 189–213). Boston, MA: Thayer and Eldridge.Google Scholar
Till, R. (2010) Pop Cult: Religion and Popular Music. London: Continuum.Google Scholar
Turner, F. J. (1921) The Frontier in American History. New York, NY. Henry Holt & Co.Google Scholar
Turner, J. (2005) Performing conscience: Thoreau, political action, and the plea for John Brown. Political Theory 33: 448–71.Google Scholar
Turner, J. M. (2003) Pablo Fanque, black circus proprietor. In Gerzina, G. H. (ed.), Black Victorians/Black Victoriana (pp. 20–38). New Brunswick, NJ: Rutgers University Press.Google Scholar
Turner, S. (2006) The Gospel According to the Beatles. Louisville, KY: Westminster John Knox Press.Google Scholar
Ullestad, N. (1992) Diverse rock rebellions subvert mass media hegemony. In Garofalo, R. (ed.), Rockin’ the Boat: Mass Music and Mass Movements (pp. 37–54). Cambridge, MA: South End Press.Google Scholar
Urish, B. (2007) The Words and Music of John Lennon. Westport, CT: Greenwood Publishing Group.Google Scholar
Valdez, S. (2017) Revolver as a pivotal art work: Structure, harmony and vocal harmonisation. In Reising, R. (ed.), ‘Every Sound There Is’: The Beatles’ Revolver and the Transformation of Rock and Roll. Farnham, UK: Ashgate.Google Scholar
Verplaetse, J., de Schrijver, J., Vanneste, S. and Braeckman, J. (2009) The Moral Brain: Essays on the Evolutionary and Neuroscientific Aspects of Morality. Berlin: Springer.Google Scholar
Vinnicombe, C. (2008) Paul McCartney to record with Bob Dylan? Music Radar, 18 November. www.musicradar.com/news/guitars/paul-mccartney-to-record-with-bob-dylan-183291.Google Scholar
Walker, D. A. (1979) Iron Frontier: The Discovery and Early Development of Minnesota’s Three Ranges. St Paul, MN: Minnesota Historical Society Press.Google Scholar
Warren, A. (1986) Citizens of the empire: Baden-Powell, scouts and guides, and an imperial ideal. In MacKenzie, J. M. (ed.), Imperialism and Popular Culture (pp. 232–56). Manchester: Manchester University Press.Google Scholar
Webb, S. H. (2006) Dylan Redeemed: From Highway 61 to Saved. London: Bloomsbury Academic.Google Scholar
Weber, L. (2014) Jewish religious life on the Iron Range. MNopedia. www.mnopedia.org/jewish-religious-life-iron-range.Google Scholar
Weinstein, D. (2006) Rock protest songs: So many and so few. In Peddie, I. (ed.), The Resisting Muse: Popular Music and Social Protest (pp. 3–16). Farnham, UK: Ashgate.Google Scholar
Wenner, J. (2000) Lennon Remembers. New York, NY: Verso.Google Scholar
Wenner, J. (2007) Bob Dylan: The 40th anniversary interview. Rolling Stone, 3–17 May. www.rollingstone.com/music/news/bob-dylan-hits-the-big-themes-from-religion-to-the-atomic-age-20110511.Google Scholar
Wheeler, S. (2005) Charlie Lennon: Uncle to a Beatle. Denver, CO: Outskirts Press.Google Scholar
Whissell, C. (1996) Traditional and emotional stylometric analysis of the songs of Beatles Paul McCartney and John Lennon. Computers and the Humanities 30: 257–65.Google Scholar
White, T. (2000) George Harrison: ‘All Things’ in good time. Billboard. 30 December. www.billboard.com/articles/news/80788/george-harrison-all-things-in-good-time.Google Scholar
Whiteley, S. (1997) Sexing the Groove: Popular Music and Gender. London: Routledge.Google Scholar
Whiteley, S. (2000) Women and Popular Music: Sexuality, Identity and Subjectivity. London: Routledge.Google Scholar
Whiteley, S. (2003) The Space between the Notes: Rock and the Counter-Culture. Oxford: Taylor & Francis.Google Scholar
Whiteley, S. (2008) ‘Tangerine trees and marmalade skies’: Cultural agendas or optimistic escapism? In Julien, O. (ed.), Sgt. Pepper and the Beatles: It Was Forty Years Ago Today (pp. 1122). Farnham, UK: Ashgate.Google Scholar
Whitman, W. (1860) Leaves of Grass [E-book]. www.gutenberg.org/ebooks/1322.Google Scholar
Whitman, W. (1865) Drum Taps. New York, NY: Peter Eckler.Google Scholar
Wiener, J. (1991) Come Together: John Lennon in His Time. Chicago, IL: University of Illinois Press.Google Scholar
Wiener, J. (1999) Gimme Some Truth: The John Lennon F.B.I. Files. Berkeley, CA: University of California Press.Google Scholar
Wilentz, S. (2011) Bob Dylan in America. London: Vintage.Google Scholar
Williams, A. R. (1951) The magazine reading of secondary school children. British Journal of Educational Psychology 21: 186–98.Google Scholar
Williams, R. (1977) Marxism and Literature. Oxford: Oxford University Press.Google Scholar
Williams, R. (1993) Two worlds collide. Mojo 1: 4060.Google Scholar
Williams, R. (2010) The Royal Albert Hall: A Masterpiece for the 21st Century. London: Art Books International.Google Scholar
Williams, W. (2020) Windrush Lessons Learned Review. London: Home Office.Google Scholar
Willis, E. (1967) The sound of Bob Dylan. Commentary, November. www.commentarymagazine.com/articles/the-guns-of-navarro/.Google Scholar
Wilson, S. (2015) Stop Making Sense: Music from the Perspective of the Real. London: Karnac Books.Google Scholar
Winegarten, R. (2008) Germaine de Staël and Benjamin Constant: A Dual Biography. New Haven, CT: Yale University Press.Google Scholar
Winkelman, M. (2005) Spirituality and the healing of addictions: A shamanic drumming approach. Religion and Healing in America 37(2): 455–70.Google Scholar
Womack, K. (2009) The Cambridge Companion to the Beatles. Cambridge, UK: Cambridge University Press.Google Scholar
Womack, K. (2016) The Beatles Encyclopedia: Everything Fab Four. Santa Barbara, CA: ABC-CLIO.Google Scholar
Womack, K. and Davis, K. W. T. F. (2006) Reading The Beatles: Cultural Studies, Literary Criticism, and the Fab Four. Albany, NY: State University of New York Press.Google Scholar
Woodhead, L. (2017) War Paint: Elizabeth Arden and Helena Rubinstein: Their Lives, Their Times, Their Rivalry. London: Weidenfeld & Nicolson.Google Scholar
Wuthnow, R. (2001) Creative Spirituality: The Way of the Artist. Berkeley, CA: University of California Press.Google Scholar
Wylde, R. (2020) Bob Dylan & John Lennon chatting in London, 1966 [Restored footage and audio]. YouTube: Swinging Pig. https://youtu.be/9g2X_MtVRqk.Google Scholar
Wynne-Jones, J. (2008) Bigger than Jesus? The Beatles were a Christian band. The Daily Telegraph, 12 July. www.telegraph.co.uk/news/uknews/2403617/Bigger-than-Jesus-The-Beatles-were-a-Christian-band.html.Google Scholar
Zak III, A. J. (2005) Bob Dylan and Jimi Hendrix: Juxtaposition and transformation ‘All Along the Watchtower’. Journal of American Musicological Society 57(3): 599644.Google Scholar
Zukav, G. (1979) The Dancing Wu Li Masters: An Overview of the New Physics. New York, NY: Bantam Books.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • References
  • Jon Stewart
  • Book: Dylan, Lennon, Marx and God
  • Online publication: 02 February 2022
  • Chapter DOI: https://doi.org/10.1017/9781108779470.012
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • References
  • Jon Stewart
  • Book: Dylan, Lennon, Marx and God
  • Online publication: 02 February 2022
  • Chapter DOI: https://doi.org/10.1017/9781108779470.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • References
  • Jon Stewart
  • Book: Dylan, Lennon, Marx and God
  • Online publication: 02 February 2022
  • Chapter DOI: https://doi.org/10.1017/9781108779470.012
Available formats
×