Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-25wd4 Total loading time: 0 Render date: 2024-04-26T22:22:16.371Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  31 May 2019

Inger H. Dalsgaard
Affiliation:
Aarhus Universitet, Denmark
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

“Togetherness,” Aerospace Safety 16.2 (1960), pp. 68.Google Scholar
“A Gift of Books,” Holiday 38.6 (December 1965), pp. 164–65.Google Scholar
“A Journey Into The Mind of Watts,” New York Times Magazine, June 12, 1966, pp. 3435, 78, 8082, 84.Google Scholar
“Introduction,” in Fariña, Richard, Been Down So Long It Looks Like Up To Me (New York: Penguin, 1983), pp. vxiv.Google Scholar
“Is It O.K. to Be a Luddite?” New York Times Book Review, October 28, 1984, pp. 1, 4041.Google Scholar
“Introduction,” in Pynchon, Thomas, Slow Learner (Boston: Little, Brown and Company, 1984).Google Scholar
“The Heart’s Eternal Vow,” review of Love in the Time of Cholera by Márquez, Gabriel García, New York Times Book Review, April 10, 1988, pp. 1, 47, 49.Google Scholar
“Introduction,” in Barthelme, Donald, The Teachings of Don B., Herzinger, Kim (ed.) (New York: Turtle Bay, 1992), pp. xvxxii.Google Scholar
“Nearer, My Couch, to Thee,” New York Times Book Review, June 6, 1993, pp. 3, 57.Google Scholar
Liner notes to Spiked! The Music of Spike Jones (Catalyst, 1994).Google Scholar
Liner notes (copyrighted 1995) to Lotion, Nobody’s Cool (spinART, 1996).Google Scholar
“Hallowe’en? Over Already?” The Cathedral School Newsletter (January 1999), pp. 1, 3.Google Scholar
“Introduction,” in Dodge, Jim, Stone Junction: An Alchemical Pot-Boiler (Edinburgh: Canongate, 2000), pp. ixxv.Google Scholar
“Foreword,” in Orwell, George, Nineteen Eighty-Four (New York: Plume, 2003), pp. viixxvi.Google Scholar
“The Evolution of the Daily Show,” program notes for The Daily Show: Ten Fucking Years (The Concert), New York: Irving Plaza, November 16, 2006.Google Scholar
Pynchon, Thomas. To Kirkpatrick Sale and Patricia Mahool, [c. January 1959]. Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Corlies Smith (August 31, 1961) Of a Fond Ghoul. New York: The Blown Litter Press, 1990.Google Scholar
Pynchon, Thomas. To Corlies Smith (October 15, 1961). Of a Fond Ghoul. New York: The Blown Litter Press, 1990.Google Scholar
Pynchon, Thomas. To Candida Donadio (November 2, 1961). Joseph Heller Collection, Brandeis University.Google Scholar
Pynchon, Thomas. To Corlies Smith (March 13, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Corlies Smith (March 24, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Corlies Smith (April 19, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Corlies Smith (April 30, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Kirkpatrick Sale (May 28, 1962). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Corlies Smith (June 2, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Faith Sale (October 1, 1962). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Faith Sale (November 23, 1962). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Kirkpatrick and Faith Sale (March 9, 1963). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Faith and Kirkpatrick Sale (June 2, 1963). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Kirkpatrick and Faith Sale (June 29, 1963). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Joseph M. Fox (February 23, 1964). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Kirkpatrick and Faith Sale (March 27, 1964). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Gerald Freund (June 18, 1965). Papers of Stephen M. Tomaske, The Huntington Library.Google Scholar
Pynchon, Thomas. To James H. Silberman (October 12, 1965). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Richard Fariña (October 16, 1965). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To James H. Silberman (October 25, 1965). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Stanley Hyman (December 8, 1965). Stanley Edgar Hyman papers, 1932–78, Library of Congress.Google Scholar
Pynchon, Thomas. To Peter Tamony (February 4, 1966). Tamony, Peter (1902–85), Collection, 1890–1985 (C3939), State Historical Society of Missouri.Google Scholar
Pynchon, Thomas. To James H. Silberman (June 21, 1966). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. “Pros and Cohns.” New York Times Book Review, July 17, 1966, pp. 22, 24.Google Scholar
Pynchon, Thomas. To Thomas F. Hirsch (January 8, 1969). David Seed, The Fictional Labyrinths of Thomas Pynchon (Iowa City, IA: University of Iowa Press, 1988), pp. 240–43.Google Scholar
Pynchon, Thomas. To Arthur Mizener (November 25, 1970). Papers of Stephen M. Tomaske, The Huntington Library.Google Scholar
Pynchon, Thomas. To David Shetzline and M. F. Beal (January 21, 1974). Papers of Stephen M. Tomaske, The Huntington Library.Google Scholar
Pynchon, Thomas. To Ted Solotaroff [c. 1976]. Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Richard Wilbur. “Presentation to Thomas Pynchon of the Howells Medal for Fiction of the Academy,”Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters 26 (1976), 4346.Google Scholar
Pynchon, Thomas. To Charles Hollander, [c. 1981]. Private Collection.Google Scholar
Pynchon, Thomas. To Donald Barthelme, [c. 1983]. Donald Barthelme Literary Papers University of Houston, Special Collections.Google Scholar
Pynchon, Thomas. To Carla Urban (August 21, 1986). Private Collection. Posted at natedsanders.com/blog/2016/10/thomas-pynchon-autograph/.Google Scholar
Pynchon, Thomas. “Words for Salman Rushdie.” New York Times Book Review, March 12, 1989, p. 29.Google Scholar
Pynchon, Thomas. To Dan Franklin at Jonathan Cape. Nigel Reynolds, “The Borrowers: ‘Why McEwan is no Plagiarist,’” The Telegraph, December 5, 2006.Google Scholar

Secondary Sources

“Togetherness,” Aerospace Safety 16.2 (1960), pp. 68.Google Scholar
“A Gift of Books,” Holiday 38.6 (December 1965), pp. 164–65.Google Scholar
“A Journey Into The Mind of Watts,” New York Times Magazine, June 12, 1966, pp. 3435, 78, 8082, 84.Google Scholar
“Introduction,” in Fariña, Richard, Been Down So Long It Looks Like Up To Me (New York: Penguin, 1983), pp. vxiv.Google Scholar
“Is It O.K. to Be a Luddite?” New York Times Book Review, October 28, 1984, pp. 1, 4041.Google Scholar
“Introduction,” in Pynchon, Thomas, Slow Learner (Boston: Little, Brown and Company, 1984).Google Scholar
“The Heart’s Eternal Vow,” review of Love in the Time of Cholera by Márquez, Gabriel García, New York Times Book Review, April 10, 1988, pp. 1, 47, 49.Google Scholar
“Introduction,” in Barthelme, Donald, The Teachings of Don B., Herzinger, Kim (ed.) (New York: Turtle Bay, 1992), pp. xvxxii.Google Scholar
“Nearer, My Couch, to Thee,” New York Times Book Review, June 6, 1993, pp. 3, 57.Google Scholar
Liner notes to Spiked! The Music of Spike Jones (Catalyst, 1994).Google Scholar
Liner notes (copyrighted 1995) to Lotion, Nobody’s Cool (spinART, 1996).Google Scholar
“Hallowe’en? Over Already?” The Cathedral School Newsletter (January 1999), pp. 1, 3.Google Scholar
“Introduction,” in Dodge, Jim, Stone Junction: An Alchemical Pot-Boiler (Edinburgh: Canongate, 2000), pp. ixxv.Google Scholar
“Foreword,” in Orwell, George, Nineteen Eighty-Four (New York: Plume, 2003), pp. viixxvi.Google Scholar
“The Evolution of the Daily Show,” program notes for The Daily Show: Ten Fucking Years (The Concert), New York: Irving Plaza, November 16, 2006.Google Scholar
Pynchon, Thomas. To Kirkpatrick Sale and Patricia Mahool, [c. January 1959]. Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Corlies Smith (August 31, 1961) Of a Fond Ghoul. New York: The Blown Litter Press, 1990.Google Scholar
Pynchon, Thomas. To Corlies Smith (October 15, 1961). Of a Fond Ghoul. New York: The Blown Litter Press, 1990.Google Scholar
Pynchon, Thomas. To Candida Donadio (November 2, 1961). Joseph Heller Collection, Brandeis University.Google Scholar
Pynchon, Thomas. To Corlies Smith (March 13, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Corlies Smith (March 24, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Corlies Smith (April 19, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Corlies Smith (April 30, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Kirkpatrick Sale (May 28, 1962). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Corlies Smith (June 2, 1962). Of a Fond Ghoul (New York: The Blown Litter Press, 1990).Google Scholar
Pynchon, Thomas. To Faith Sale (October 1, 1962). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Faith Sale (November 23, 1962). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Kirkpatrick and Faith Sale (March 9, 1963). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Faith and Kirkpatrick Sale (June 2, 1963). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Kirkpatrick and Faith Sale (June 29, 1963). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Joseph M. Fox (February 23, 1964). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Kirkpatrick and Faith Sale (March 27, 1964). Harry Ransom Humanities Research Center, The University of Texas at Austin.Google Scholar
Pynchon, Thomas. To Gerald Freund (June 18, 1965). Papers of Stephen M. Tomaske, The Huntington Library.Google Scholar
Pynchon, Thomas. To James H. Silberman (October 12, 1965). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Richard Fariña (October 16, 1965). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To James H. Silberman (October 25, 1965). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Stanley Hyman (December 8, 1965). Stanley Edgar Hyman papers, 1932–78, Library of Congress.Google Scholar
Pynchon, Thomas. To Peter Tamony (February 4, 1966). Tamony, Peter (1902–85), Collection, 1890–1985 (C3939), State Historical Society of Missouri.Google Scholar
Pynchon, Thomas. To James H. Silberman (June 21, 1966). Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. “Pros and Cohns.” New York Times Book Review, July 17, 1966, pp. 22, 24.Google Scholar
Pynchon, Thomas. To Thomas F. Hirsch (January 8, 1969). David Seed, The Fictional Labyrinths of Thomas Pynchon (Iowa City, IA: University of Iowa Press, 1988), pp. 240–43.Google Scholar
Pynchon, Thomas. To Arthur Mizener (November 25, 1970). Papers of Stephen M. Tomaske, The Huntington Library.Google Scholar
Pynchon, Thomas. To David Shetzline and M. F. Beal (January 21, 1974). Papers of Stephen M. Tomaske, The Huntington Library.Google Scholar
Pynchon, Thomas. To Ted Solotaroff [c. 1976]. Archival Collection, Random House Records, 1925–99, Columbia University Libraries.Google Scholar
Pynchon, Thomas. To Richard Wilbur. “Presentation to Thomas Pynchon of the Howells Medal for Fiction of the Academy,”Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters 26 (1976), 4346.Google Scholar
Pynchon, Thomas. To Charles Hollander, [c. 1981]. Private Collection.Google Scholar
Pynchon, Thomas. To Donald Barthelme, [c. 1983]. Donald Barthelme Literary Papers University of Houston, Special Collections.Google Scholar
Pynchon, Thomas. To Carla Urban (August 21, 1986). Private Collection. Posted at natedsanders.com/blog/2016/10/thomas-pynchon-autograph/.Google Scholar
Pynchon, Thomas. “Words for Salman Rushdie.” New York Times Book Review, March 12, 1989, p. 29.Google Scholar
Pynchon, Thomas. To Dan Franklin at Jonathan Cape. Nigel Reynolds, “The Borrowers: ‘Why McEwan is no Plagiarist,’” The Telegraph, December 5, 2006.Google Scholar
Hollander, Charles, “Pynchon’s Inferno,” Cornell Alumni News (November 1978), 2430.Google Scholar
Kachka, Boris, “On the Thomas Pynchon Trail: From the Long Island of His Boyhood to the ‘Yupper West Side’ of His New Novel,” Vulture (August 25, 2013), www.vulture.com/2013/08/thomas-pynchon-bleeding-edge.html.Google Scholar
“Mapping Thomas Pynchon,” Vheissu, www.vheissu.net/bio/whereabouts.php.Google Scholar
Weisenburger, Steven, “Thomas Pynchon at Twenty-Two: A Recovered Autobiographical Sketch,” American Literature, 62.4 (1990), 692–97.CrossRefGoogle Scholar
Winston, Mathew, “The Quest for Pynchon,” Twentieth Century Literature, 21.3 (1975), 278–87.CrossRefGoogle Scholar
Gibbs, Rodney, “A Portrait of the Luddite as a Young Man,”Denver Quarterly 39.1 (2004), 3542.Google Scholar
Gussow, Mel, “Pynchon’s Letters Nudge His Mask,” New York Times, March 4, 1998, www.nytimes.com/1998/03/04/books/pynchon-s-letters-nudge-his-mask.html?pagewanted=all.Google Scholar
Hartnett, Michael, “A High School Record for Disturbing the Peace,” Pynchon Notes 2021 (1987), 115–20.Google Scholar
Herman, Luc, “Early Pynchon” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 1929.Google Scholar
Hollander, Charles, “Pynchon’s Juvenilia and Against the Day,” GRAAT 3 (2008), 3855.Google Scholar
LeMahieu, Michael, Fictions of Fact and Value: The Erasure of Logical Positivism in American Literature, 1945–1975 (Oxford: Oxford University Press, 2013).CrossRefGoogle Scholar
Mead, Clifford, Thomas Pynchon: A Bibliography of Primary and Secondary Materials (Elmwood Park, IL: Dalkey Archive Press, 1989).Google Scholar
Rolls, Albert, Thomas Pynchon: The Demon in the Text (Brighton: Edward Everett Root, 2019).Google Scholar
Seed, David, “Pynchon, Joseph Heller, and V.,” Pynchon Notes 2425 (1989), 127.Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Atlanta, GA: University of Georgia Press, 2011).Google Scholar
Herman, Luc, and Verveack, Bart, “Didn’t Know Any Better: Race and Unreliable Narration in ‘Low-Lands’ by Thomas Pynchon,” in D’hoker, Elke and Martens, Gunther (eds.), Narrative Unreliability in the Twentieth-Century First-Person Novel (Berlin: Walter de Gruyter, 2008), pp. 231–46.Google Scholar
Muth, Katie, “The Grammars of the System: Thomas Pynchon at Boeing,” Textual Practice 473–493 (2019), DOI:doi.org/10.1080/0950236X.2019.1580514.Google Scholar
Rolls, Albert, “‘A Dual Man [and Oeuvre], Aimed Two Ways at Once’: The Two Directions of Pynchon’s Life and Thought,” Orbit: A Journal of American Literature 4.1 (2016), np. DOI:doi.org/10.16995/orbit.188.Google Scholar
Wisnicki, Adrian, “A Trove of New Works by Thomas Pynchon? Bomarc Service News Rediscovered,” Pynchon Notes 4649 (2000–01), 934.Google Scholar
Daly, Robert, “Burned by the Hangman: Puritan Agency and the Road Not Taken,” Pynchon Notes 4445 (1999), 205–13.Google Scholar
Griffin, Susan M., “Awful Disclosures: Women’s Evidence in the Escaped Nun’s Tale,” PMLA 111.1 (1996), 93107.Google Scholar
Leise, Christopher, “Thomas Pynchon, the Sloth of Salvation, and Becoming Converted,” in Christopher Leise, The Story upon a Hill: The Puritan Myth in Contemporary American Fiction (Tuscaloosa, AL: University of Alabama Press, 2017), pp. 83108.Google Scholar
Lhamon, W. T., Deliberate Speed: The Origins of a Cultural Style in the American 1950s (Cambridge, MA: Harvard University Press, 2002).Google Scholar
McHale, Brian, “Mason & Dixon in the Zone: Or, a Brief Poetics of Pynchon-Space,” in Horvath, Brooke and Malin, Irving (eds.), Pynchon and Mason & Dixon (Newark, DE: University of Delaware Press, 2000), pp. 4362.Google Scholar
Olster, Stacey Michele, “A ‘Patch of England, at a three-thousand-Mile Off-set’? Representing America in Mason & Dixon,” MFS Modern Fiction Studies 50. 2 (2004), 283302.CrossRefGoogle Scholar
Reilly, Terry, “Narrating Tesla in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 139–66.Google Scholar
Vaughn, Alden T., and Clark, Edward W., “Cups of Common Calamity,” in Vaughn, Alden T. and Clark, Edward W. (eds.), Puritans Among the Indians: Accounts of Captivity and Redemption 1676–1724 (Cambridge, MA: Belknap Press, 1981), pp. 129.Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Athens, GA: University of Georgia Press, 2011).Google Scholar
Herman, Luc, and Weisenburger, Steven, Gravity’s Rainbow, Domination, and Freedom (Athens, GA: University of Georgia Press, 2013).Google Scholar
McClintock, Scott, and Miller, John, Pynchon’s California (Iowa City, IA: University of Iowa Press, 2014).Google Scholar
Miller, John, “Present Subjunctive: Pynchon’s California Novels,” Critique: Studies in Contemporary Fiction 54.3 (2013), 225–37.Google Scholar
Schaub, Thomas Hill, The Crying of Lot 49 and Other California Novels,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon(Cambridge: Cambridge University Press, 2011), pp. 3043.CrossRefGoogle Scholar
Severs, Jeffrey, “‘A City of the Future’: Gravity’s Rainbow and the 1962 Seattle World’s Fair,” Twentieth-Century Literature 62.2 (June 2016), 145–69.Google Scholar
Shoop, Casey, “Thomas Pynchon, Postmodernism, and the Rise of the New Right in California,” Contemporary Literature 53.1 (2012), 5186.CrossRefGoogle Scholar
Adams, Henry, The Education of Henry Adams (1907) (New York: Penguin Books, 1995).Google Scholar
Borkin, Joseph, The Crime and Punishment of IG Farben: The Unholy Alliance Between Hitler and the Great Chemical Combine (New York: Barnes and Noble, 1978).Google Scholar
Bové, Paul, “History and Fiction: The Narrative Voices of Pynchon’s Gravity’s Rainbow,” Modern Fiction Studies 50.3 (Fall 2004), 657–80.Google Scholar
Jeffreys, Diarmuid, Hell’s Cartel: IG Farben and the Making of Hitler’s War Machine (New York: Henry Holt, 2010).Google Scholar
Johnson, Chalmers, The Sorrows of Empire: Militarism, Secrecy, and the End of the Republic (New York: Metropolitan, 2004).Google Scholar
Lindner, Stephen, Inside IG Farben: Hoechst During the Third Reich (Cambridge: Cambridge University Press, 2011).Google Scholar
Narkunas, J. Paul, “Europe’s ‘Eastern Question’ and the United States’ ‘Western Question’: Representing Ethnic Wars in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 239–64.Google Scholar
Smith, Shawn, Pynchon and History: Metahistorical Rhetoric and Postmodern Narrative Form in the Novels of Thomas Pynchon (New York: Routledge, 2009).Google Scholar
Tabbi, Joseph, Postmodern Sublime: Technology and American Writing from Mailer to Cyberpunk (Ithaca, NY: Cornell University Press, 1995).Google Scholar
Appiah, Kwame Anthony, In My Father’s House: Africa in the Philosophy of Culture (New York: Oxford University Press, 1992).Google Scholar
Bhabha, Homi, The Location of Culture (New York: Routledge, 1994).Google Scholar
Fanon, Frantz, The Wretched of the Earth (New York: Grove Press, 1963).Google Scholar
Harris, Michael, “Pynchon’s Postcoloniality,” in Abbas, Niran (ed.), Thomas Pynchon: Reading from the Margins (London: Rosemont, 2003), pp. 199214.Google Scholar
Seed, David, The Fictional Labyrinths of Thomas Pynchon (Iowa City, IA: University of Iowa Press, 1988).CrossRefGoogle Scholar
Thomas, Samuel, “The Gaucho Sells Out: Thomas Pynchon and Argentina,” Studies in American Fiction 40.1 (2013), 5385.Google Scholar
Young, Robert, White Mythologies: Writing History and the West (New York: Routledge, 1990).Google Scholar
García-Caro, Pedro, “‘America was the only place … ’: American Exceptionalism and the Geographic Politics of Pynchon’s Mason & Dixon,” in Hinds, Elizabeth Jane Wall (ed.), The Multiple Worlds of Pynchon’s Mason & Dixon (Rochester, NY: Camden House, 2005), pp. 101–24.Google Scholar
Giles, Paul, Virtual Americas: Transnational Fictions and the Transatlantic Imaginary (Durham, NC: Duke University Press, 2002).Google Scholar
Monmonier, Mark, How to Lie with Maps, 2nd ed. (Chicago, IL: University of Chicago Press, 1996).Google Scholar
Olster, Stacey Michele, “A ‘Patch of England, at a three-thousand-Mile Off-set’? Representing America in Mason & Dixon,” Modern Fiction Studies 50.2 (Summer 2004), 283302.Google Scholar
Pöhlmann, Sascha, Pynchon’s Postnational Imagination (Heidelberg: Universitätsverlag Winter, 2010).Google Scholar
Schieweg, Larissa S., “The Decline of Baedeker Country: The Representation of Geographical and Cultural Identity in Pynchon’s Novels,” Pynchon Notes 5051 (2002), 108–17.Google Scholar
Seed, David, “Mapping the Course of Empire in the New World,” in Horvath, Brooke and Malin, Irving (eds.), Pynchon and Mason & Dixon (Newark, DE: University of Delaware Press, 2000), pp. 8499.Google Scholar
Turchi, Peter, Maps of the Imagination: The Writer as Cartographer (San Antonio, TX: Trinity University Press, 2004).Google Scholar
Adam, Ian, and Tiffin, Helen (eds.), Past the Last Post: Theorizing Post-Colonialism and Post-Modernism (New York and London: Harvester Wheatsheaf, 1991).Google Scholar
Farber, Paul Lawrence, Finding Order in Nature: The Naturalist Tradition from Linnaeus to E. O. Wilson (Baltimore, MD, and London: Johns Hopkins University Press, 2000).Google Scholar
Gilroy, Paul, The Black Atlantic: Modernity and Double Consciousness (Cambridge, MA: Harvard University Press, 1993).Google Scholar
Lawson, Philip, The East India Company: A History (New York and London: Routledge, 1993).Google Scholar
Soderlund, Jean R., Quakers and Slavery: A Divided Spirit (Princeton, NJ: Princeton University Press, 1985).Google Scholar
Stephanson, Anders, Manifest Destiny: American Expansion and the Empire of Right (New York: Hill and Wang, 1995).Google Scholar
Thomas, Keith, Man and the Natural World: Changing Attitudes in England, 1500–1800 (New York: Oxford University Press, 1983).Google Scholar
Alsen, Eberhard, “‘Transcendent Doings’ in Thomas Pynchon’s Gravity’s Rainbow,” in Romantic Postmodernism in American Fiction (Amsterdam and Atlanta, GA: Rodopi, 1996), pp. 171–88.Google Scholar
Hardack, Richard, “‘From Whaling to Armaments to Food’: Melville’s, Pynchon’s, and Wedde’s Economies of the Pacific,” Critique: Studies in Contemporary Fiction 54 (2013), 161–80.Google Scholar
Raudaskoski, Heikki, “Pynchon, Melville, and the Fulcrum of America,” in Mangen, Anne and Gaasland, Rolf (eds.), Blissful Bewilderment. Studies in the Fiction of Thomas Pynchon (Oslo: Novus Press, 2002), pp. 124–38.Google Scholar
Justin, St. Clair, “Borrowed Time: Thomas Pynchon’s Against the Day and the Victorian Fourth Dimension,” Science Fiction Studies 38,1 (2011), 4666.Google Scholar
Thoreen, David, “Thomas Pynchon’s Political Parable: Parallels between Vineland and ‘Rip van Winkle,’” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 14,3 (2001), 4550.Google Scholar
Ball, Kristie, Haggerty, Kevin D., and Lyon, David, Routledge Handbook of Surveillance Studies (New York: Routledge, 2012).Google Scholar
Deleuze, Giles, “Postscript on the Societies of Control,” October 59 (1992), 37.Google Scholar
Henry, Giroux, “Totalitarian Paranoia in the Post-Orwellian Surveillance State,” Cultural Studies 29.2 (2015), 108–40.Google Scholar
Kittler, Friedrich, “Pynchon and Electro-Mysticism,” Pynchon Notes 5455 (2008), 108–27.Google Scholar
Kolakowski, Leszek, “Totalitarianism and the Virtue of the Lie,” in Howe, Irving (ed.), 1984 Revisited: Totalitarianism in Our Century (New York: Harper and Row, 1983), pp. 123–35.Google Scholar
McDonald, Riley, “Thomas Pynchon’s Post-Human Luddites,” Canadian Review of American Studies 44.1 (2014), 103–21.Google Scholar
Surveillance & Society (Newcastle upon Tyne: 2002–present).Google Scholar
Chabon, Michael, “The Crying of September 11,” New York Review of Books, 60.17, November 7, 2013, 6870.Google Scholar
Collado-Rodríguez, Francisco, “Intratextuality, Trauma, and the Posthuman in Thomas Pynchon’s Bleeding Edge,” Critique: Studies in Contemporary Fiction 57.3 (2016), 229–41.Google Scholar
Smith, Evans Lansing, Thomas Pynchon and the Postmodern Mythology of the Underworld (New York: Peter Lang, 2012).CrossRefGoogle Scholar
Cowart, David, “‘Down on the Barroom Floor of History’: Pynchon’s Bleeding Edge,” Postmodern Culture 24.1 (September 2013), np.Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Athens, GA: University of Georgia Press, 2011).Google Scholar
Elias, Amy J., “History,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 123–35.Google Scholar
Schaub, Thomas (ed.), Approaches to Teaching Pynchon’s The Crying of Lot 49 and Other Works (New York: Modern Language Association, 2008).Google Scholar
Schaub, Thomas, “History and Fiction: From Providence to Paranoia,” in Pynchon: The Voice of Ambiguity (Urbana, IL: University of Illinois Press, 1981), pp. 76102.Google Scholar
Duyfhuizen, Bernard, “‘A Suspension Forever at the Hinge of Doubt’: The Reader-Trap of Bianca in Gravity’s Rainbow,” Journal of Interdisciplinary Thought on Contemporary Cultures, 2.1 (1991), 123.Google Scholar
Hayles, N. Katherine, “‘Who Was Saved?’: Families, Snitches, and Recuperation in Pynchon’s Vineland,” in Geoffrey Green, Donald J. Greiner, and McCaffery, Larry (eds.), The Vineland Papers: Critical Takes on Pynchon’s Novel (Normal, IL: Dalkey Archive Press, 1994), pp. 1430.Google Scholar
McClintock, Scott, “The Origins of the Family, Private Property, and the State of California in Pynchon’s Fiction,” in McClintock, Scott and Miller, John (eds.), Pynchon’s California (Iowa City, IA: University of Iowa Press, 2014), pp. 91111.Google Scholar
Purdy, Strother, Gravity’s Rainbow and the Culture of Childhood,” Pynchon Notes 2223 (1988), 723.Google Scholar
Rohland, Mark, “‘Feeling Totally Familied Out’: Teaching Pynchon through Families,” in Schaub, Thomas (ed.), Approaches to Teaching Pynchon’s The Crying of Lot 49 and Other Works (New York: Modern Language Association, 2008), pp. 4651.Google Scholar
Allen, Mary, “Women of the Fabulators: Barth, Pynchon, Purdy, Kesey,” in Mary Allen, The Necessary Blankness: Women in Major American Fiction of the Sixties (Urbana, IL: University of Illinois Press, 1976), pp. 3751.Google Scholar
Chapman, Wes, “Male Pro-Feminism and the Masculinist Gigantism of Gravity’s Rainbow,’” Postmodern Culture 6.3 (1996), np.CrossRefGoogle Scholar
Chetwynd, Ali, Freer, Joanna, and Maragos, Georgios, “Introduction,” in Chetwynd, Ali, Freer, Joanna, and Maragos, Georgios (eds.), Thomas Pynchon, Sex, and Gender (Athens, GA: University of Georgia Press, 2018).Google Scholar
Davidson, Cathy N., “Oedipa as Androgyne in Thomas Pynchon’s The Crying of Lot 49,” Contemporary Literature 18 (1977), 3850.Google Scholar
Freer, Joanna, “Feminism Moderate and Radical in The Crying of Lot 49 and Vineland: Pynchon and the Women’s Movement,” in Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014), pp. 126–56.Google Scholar
Herman, Luc, and Weisenburger, Steven, “Total Assault on the Culture,” in Gravity’s Rainbow, Domination, and Freedom (Athens, GA: Georgia University Press, 2013), pp. 5171.Google Scholar
Hite, Molly, “Feminist Theory and the Politics of Vineland,” in Green, Geoffrey, Greiner, Donald J., and McCaffery, Larry (eds.), The Vineland Papers (Normal, IL: Dalkey Archive Press, 1994), pp. 135–53.Google Scholar
Holton, Robert, “‘Closed Circuit’: The White Male Predicament in Pynchon’s Early Stories,” in Abbas, Niran (ed.), Thomas Pynchon: Reading from the Margins (Madison, NJ, Fairleigh Dickinson University Press, 2003), pp. 3750.Google Scholar
Maxwell, Marilyn, “Thomas Pynchon,” in Male Rage, Female Fury: Gender and Violence in Contemporary American Fiction (Lanham, MD: University Press of America, 2000), pp. 115–88.Google Scholar
Adorno, Theodor, and Horkheimer, Max, Dialectic of Enlightenment, trans. John Cumming (London: Verso, 1995).Google Scholar
de Man, Paul, “The Rhetoric of Temporality,” in Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (Abingdon: Routledge, 1996).Google Scholar
Freud, Sigmund, Jokes and their Relation to the Unconscious (1905), trans. James Strachey (London: Penguin, 1991).Google Scholar
Freud, Sigmund, “Humor” (1927), in The Standard Edition of the Complete Psychological Works, Vol. XXI, trans. James Strachey and Anna Freud (London: Vintage, 2001).Google Scholar
Schopenhauer, Arthur, The World as Will and Idea, trans. R. B. Haldane and J. Kemp (London: Routledge and Kegan Paul, 1964).Google Scholar
Baudelaire, Charles, “The Essence of Laughter,” in The Painter of Modern Life (1863), trans. Jonathan Mayne (London: Phaidon, 1995).Google Scholar
Adorno, Theodor, The Culture Industry: Selected Essays on Mass Culture. Bernstein, J. M. (ed.) (London: Routledge, 1991).Google Scholar
Dussere, Erik, “Flirters, Deserters, Wimps, and Pimps: Thomas Pynchon’s Two Americas,” Contemporary Literature 51. 3 (2010), 565–95.Google Scholar
Fiske, John, Reading the Popular (London: Routledge, 1989).Google Scholar
Glover, David and McCracken, Scott (eds.), The Cambridge Companion to Popular Fiction (Cambridge: Cambridge University Press, 2012).Google Scholar
Wallace, David Foster, E Unibus Pluram: Television and U. S. Fiction,” Review of Contemporary Fiction 13.2 (1993), 151–94.Google Scholar
Hess, John Joseph, “Music in Thomas Pynchon’s Mason & Dixon,” Orbit 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.75.Google Scholar
Hume, Kathryn, and Knight, Thomas J., “Orpheus and Orphic Voice in Gravity’s Rainbow,” Philological Quarterly 64.3 (1985), 299315.Google Scholar
Hume, Kathryn, and Knight, Thomas J., “Pynchon’s Orchestration of Gravity’s Rainbow,” Journal of English and Germanic Philology 85.3 (1986), 366–85.Google Scholar
Rouyan, Anahita, “Singing Thomas Pynchon’s Gravity’s Rainbow: Interfaces of Song, Narrative, and Sonic Performance,” Partial Answers: Journal of Literature and the History of Ideas, 15.1 (2017), 117–33.Google Scholar
Justin, St. Clair, “Listen to the Muzak: The Social Implications of Background Sound,” in Sound and Aural Media in Postmodern Literature: Novel Listening (New York: Routledge, 2013), pp. 120–47.Google Scholar
Tate, J. O., “Gravity’s Rainbow: The Original Soundtrack,” Pynchon Notes 13 (1983), 324.Google Scholar
Twigg, George William, “‘Sell Out with Me Tonight’: Popular Music, Commercialization, and Commodification in Vineland, The Crying of Lot 49, and V.,” Orbit 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.55.Google Scholar
Baudrillard, Jean, Simulacra and Simulation (1981) (Ann Arbor, MI: University of Michigan Press, 1994).Google Scholar
Eco, Umberto, “Travels in Hyperreality” (1975), in Travels in Hyperreality (New York: Harcourt Brace & Company, 1986), pp. 158.Google Scholar
Greider, William, “Reagan’s Reelection: How the Media Became All the President’s Men,” Rolling Stone, December 20, 1984, www.rollingstone.com/politics/politics-news/reagans-reelection-how-the-media-became-all-the-presidents-men-73809/.Google Scholar
McLuhan, Marshall, Understanding Media: The Extensions of Man (New York: McGraw-Hill, 1964).Google Scholar
Cowart, David, “‘Down on the Barroom Floor of History’: Pynchon’s Bleeding Edge,” Postmodern Culture 24.1 (September 2013), np.Google Scholar
Käkelä, Tiina, “‘This Land Is My Land, This Land Also Is My Land’: Real Estate Narratives in Pynchon’s Fiction,” Textual Practice (2019) doi:10.1080/0950236X.2019.1580504.CrossRefGoogle Scholar
McClintock, Scott, “The Origins of the Family, Private Property, and the State of California in Pynchon’s Fiction,” in McClintock, Scott and Miller, John (eds.), Pynchon’s California (Iowa City, IA, University of Iowa Press, 2014), pp. 91111.Google Scholar
Shannon, Claude E., and Warren, Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949).Google Scholar
Wiener, Norbert, The Human Use of Human Beings: Cybernetics and Society (London, Eyre & Spottiswoode, 1950).Google Scholar
Abbas, Niran (ed.), Thomas Pynchon: Reading from the Margins (Madison, NJ: Fairleigh Dickinson University Press, 2003).Google Scholar
Baker, Jeffrey S., “A Democratic Pynchon: Counterculture, Counterforce, and Participatory Democracy,” Pynchon Notes 3233 (1993), 99131.Google Scholar
Freer, Joanna, Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Hite, Molly, “‘Fun Actually Was Becoming Quite Subversive’: Herbert Marcuse, the Yippies, and the Value System of Gravity’s Rainbow,” Contemporary Literature 51.4 (2010), 677702.Google Scholar
Thomas, Samuel, Pynchon and the Political (New York: Routledge, 2007).Google Scholar
Blum, John Morton, Years of Discord: American Politics and Society, 1961–1974 (New York and London: Norton, 1992).Google Scholar
Boon, Marcus, The Road of Excess: A History of Writers on Drugs (Cambridge, MA, and London: Harvard University Press, 2002).Google Scholar
Gitlin, Todd, The Sixties: Years of Hope, Days of Rage (Toronto and New York: Bantam Books, 1987).Google Scholar
Huxley, Aldous, The Doors of Perception (London: Chatto & Windus, 1960).Google Scholar
Thompson, Hunter S., Fear and Loathing in Las Vegas (London: Paladin, 1972).Google Scholar
Coughran, Chris, “Green Scripts in Gravity’s Rainbow: Pynchon, Pastoral Ideology, and the Performance of the Ecological Self,” Interdisciplinary Studies in Literature and Environment 16.2 (2009), 265–79.Google Scholar
Eddins, Dwight, The Gnostic Pynchon (Bloomington, IN: Indiana University Press, 1990).Google Scholar
Hatooka, Keita, “The Sea around Them: Thoreau, Carson, and The Crying of Lot 49,” The Journal of the American Literature Society of Japan, 7 (2009), 1731.Google Scholar
Keesey, Douglas, “Nature and the Supernatural: Pynchon’s Ecological Ghost Stories,” Pynchon Notes 1819 (1986), 8495.Google Scholar
LeClair, Tom, The Art of Excess: Mastery in Contemporary American Fiction (Urbana, IL: University of Illinois Press, 1989).Google Scholar
McLaughlin, Robert L., “IG Farben’s Synthetic War Crimes and Thomas Pynchon’s Gravity’s Rainbow,” in Paul Holsinger, M. and Schofield, Mary Anne (eds.), Visions of War: World War II in Popular Literature and Culture (Bowling Green, KY: Bowling Green State University Popular Press, 1992), pp. 8595.Google Scholar
Schaub, Thomas H., “The Environmental Pynchon: Gravity’s Rainbow and the Ecological Context,” Pynchon Notes 4243 (1998), 5972.Google Scholar
White, Daniel R., Postmodern Ecology: Communication, Evolution, and Play (Albany, NY: State University of New York Press, 1998).Google Scholar
Clarke, William D., “‘It’s My Job, I Can’t Back Out’: The ‘House’ and Coercive Property Relations in Thomas Pynchon’s Vineland,” in Pöhlmann, Sascha (ed.), Against the Grain: Reading Pynchon’s Counternarratives (Amsterdam: Rodopi, 2010), pp. 185212.Google Scholar
Flay, Catherine, “After the Counterculture: American Capitalism, Power, and Opposition in Thomas Pynchon’s Mason & Dixon,” Journal of American Studies 51.3 (August 2017), 779804.Google Scholar
Haynes, Doug, “Under the Beach, the Paving-Stones! The Fate of Fordism in Pynchon’s Inherent Vice,” Critique 55.1 (2014), 116.Google Scholar
Herman, Luc, and Weisenburger, Steven, Gravity’s Rainbow, Domination and Freedom (Athens, GA: University of Georgia Press, 2013).Google Scholar
Käkelä-Puumala, Tiina, “‘There Is Money Everywhere’: Representation, Authority, and the Money Form in Thomas Pynchon’s Against the Day,” Critique 54.2 (2013), 147–60.Google Scholar
Pöhlmann, Sascha, “‘I Just Look at Books’: Reading the Monetary Metareality of Bleeding Edge,” Orbit: A Journal of American Literature 4.1 (2016), np. DOI:doi.org/10.16995/orbit.189.Google Scholar
Severs, Jeffrey, “‘The abstractions she was instructed to embody’: Women, Capitalism, and Artistic Representation in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 215–38.Google Scholar
Baker, Jeff, “Politics,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 136–45.Google Scholar
Carter, Dale, The Final Frontier: The Rise and Fall of the American Rocket State (London: Verso, 1988).Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Athens, GA: University of Georgia Press, 2011).Google Scholar
Flay, Catherine, “After the Counterculture: American Capitalism, Power, and Opposition in Thomas Pynchon’s Mason & Dixon,” Journal of American Studies, 51.3 (August 2017), 779804.Google Scholar
Freer, Joanna, Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Hume, Kathryn, “The Religious and Political Vision of Pynchon’s Against the Day,” Philological Quarterly, 86.1–2 (Winter 2007), 63187.Google Scholar
Thomas, Samuel, Pynchon and the Political (New York: Routledge, 2007).Google Scholar
Coale, Samuel Chase, Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction (Tuscaloosa, AL: University of Alabama Press, 2005).Google Scholar
Hite, Molly, Ideas of Order in the Novels of Thomas Pynchon (Columbus, OH: Ohio State University Press, 1983).Google Scholar
Knight, Peter, Conspiracy Culture: From Kennedy to the X-Files (London: Routledge, 2000).Google Scholar
Knight, Peter (ed.), Conspiracy Nation: The Politics of Paranoia in Postwar America (New York: New York University Press, 2003).Google Scholar
Marcus, George (ed.), Paranoia Within Reason: A Casebook on Conspiracy as Explanation (Chicago, IL: University of Chicago Press, 1999).Google Scholar
Melley, Timothy, Empire of Conspiracy: The Culture of Paranoia in Postwar America (Ithaca, NY: Cornell University Press, 2000).Google Scholar
Benton, Graham, “This Network of All Plots May Yet Carry Him to Freedom: Thomas Pynchon and the Political Philosophy of Anarchism,” Oklahoma City University Law Review 24 (1999), 535–56.Google Scholar
Cvek, Sven, Towering Figures: Reading the 9/11 Archive (Amsterdam: Rodopi, 2011).Google Scholar
Freer, Joanna, Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Gourley, James, Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo (New York: Bloomsbury Academic, 2013).Google Scholar
Molloy, Seán, “Escaping the Politics of the Irredeemable Earth – Anarchy and Transcendence in the Novels of Thomas Pynchon,” Theory & Event 13.3 (2010), np.Google Scholar
Thomas, Samuel, Pynchon and the Political (New York: Routledge, 2007).Google Scholar
Berressem, Hanjo, “‘Of Metal Ducks, Embodied Idorus, and Autopoietic Bridges’: Tales of an Intelligent Materialism in the Age of Artificial Life,” in Freese, Peter and Harris, Charles (eds.), The Holodeck in the Garden: Science and Technology in Contemporary American Fiction (Normal, IL: Dalkey Archive Press, 2004), pp. 7299.Google Scholar
de Bourcier, Simon, Pynchon and Relativity: Narrative Time in Thomas Pynchon’s Later Novels (London: Bloomsbury, 2013).Google Scholar
Collignon, Fabienne, “The Ballistic Flight of an Automatic Duck,” Orbit: Writing Around Pynchon 1.2 (2012), np. DOI:doi.org/10.7766/orbit.v1.2.23.Google Scholar
Dalsgaard, Inger H., “Science and Technology,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 156–67.Google Scholar
Engelhardt, Nina, “Gravity in Gravity’s Rainbow—Force, Fictitious Force, and Frame of Reference; or: The Science and Poetry of Sloth,” Orbit: Writing Around Pynchon 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.80.Google Scholar
Engelhardt, Nina, Modernism, Fiction and Mathematics (Edinburgh: Edinburgh University Press, 2018).Google Scholar
Engelhardt, Nina, “Scientific Metafiction and Postmodernism,” Zeitschrift für Anglistik und Amerikanistik, Special Issue: Aspects of the Science Novel 64.2 (2016), 189205.CrossRefGoogle Scholar
Ozier, Lance W., “Antipointsman/ Antimexico: Some Mathematical Imagery in Gravity’s Rainbow,” Critique 16.2 (1974), 7390.Google Scholar
Ozier, Lance W., “The Calculus of Transformation: More Mathematical Imagery in Gravity’s Rainbow,” Twentieth Century Literature 21.2 (1975), 193210.CrossRefGoogle Scholar
Schachterle, Lance, and Aravind, P. K., “The Three Equations in Gravity’s Rainbow,” Pynchon Notes 4649 (2000), 157–69.Google Scholar
Cantor, G. N., and Hodge, M. S. (eds.), Conceptions of Ether: Studies in the History of Ether Theories 1740–1900 (Cambridge: Cambridge University Press, 1981).Google Scholar
Čapek, Milič, Bergson and Modern Physics: A Reinterpretation and Re-evaluation (Dordrecht: Reidel, 1971).Google Scholar
Čapek, Milič, The Philosophical Impact of Modern Physics (Princeton, NJ: Van Nostrand, 1961).Google Scholar
Dainton, Barry, Space and Time (Chesham: Acumen, 2001).Google Scholar
Dalsgaard, Inger H., “‘Perchance to Dream’: Clock Time and Creative Resistance Against the Day,” in Pöhlmann, Sascha (ed.), Against the Grain: Reading Pynchon’s Counternarratives (Amsterdam: Rodopi, 2010), pp. 8196.Google Scholar
Dalsgaard, Inger H., “Readers and Trespassers: Time Travel, Orthogonal Time, and Alternative Figurations of Time in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 115–37.Google Scholar
de Bourcier, Simon, Pynchon and Relativity: Narrative Time in Thomas Pynchon’s Later Novels (London: Continuum, 2012).Google Scholar
Nahin, Paul J., Time Machines: Time Travel in Physics, Metaphysics, and Science Fiction, 2nd ed. (New York: Springer-Verlag, 1999).Google Scholar
Swenson, Loyd S., The Ethereal Aether: A History of the Michelson-Morley-Miller Aether-Drift Experiments, 1880–1930 (Austin, TX: University of Texas Press, 1972).Google Scholar
Whittaker, Edmund, A History of the Theories of the Aether and Electricity, 2 vols. (London: Thomas Nelson, 1951 –53).Google Scholar
Berressem, Hanjo, Pynchon’s Poetics: Interfacing Theory and Text (Urbana, IL: University of Illinois Press, 1993).Google Scholar
Eve, Martin Paul, Pynchon and Philosophy: Wittgenstein, Foucault and Adorno (London: Palgrave Macmillan, 2014).CrossRefGoogle Scholar
McConnell, Will, “Pynchon, Foucault, Power, and Strategies of Resistance,” Pynchon Notes 3233 (1993), 152–68.Google Scholar
McHoul, Alec, and Wills, David, “‘Die Welt Ist Alles Was Der Fall ist’ (Wittgenstein, Weissmann, Pynchon) / ‘Le Signe Est Toujours Le Signe de La chute’ (Derrida),” Southern Review 16 (1983), 274–91.Google Scholar
Palmeri, Frank, “Other than Postmodern? Foucault, Pynchon, Hybridity, Ethics,” Postmodern Culture 12 (2001), np.Google Scholar
Pöhlmann, Sascha, “Silences and Worlds: Wittgenstein and Pynchon,” Pynchon Notes 5657 (2009), 158–80.Google Scholar
Twigg, George, “‘Sell Out With Me Tonight’: Popular Music, Commercialization, and Commodification in Vineland, The Crying of Lot 49, and V.,” Orbit: A Journal of American Literature 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.55.Google Scholar
Corrywright, Dominic, Theoretical and Empirical Investigations into New Age Spiritualities (Oxford: P. Lang, 2003).Google Scholar
Eddins, Dwight, The Gnostic Pynchon (Bloomington, IN: Indiana University Press, 1990).Google Scholar
Hite, Molly, Ideas of Order in the Novels of Thomas Pynchon (Columbus, OH: Ohio State University Press, 1983).Google Scholar
Hume, Kathryn, Pynchon’s Mythography: An Approach to Gravity’s Rainbow (Carbondale, IL: Southern Illinois University Press, 1987).Google Scholar
Hungerford, Amy, Postmodern Belief: American Literature and Religion Since 1960 (Princeton, NJ: Princeton University Press, 2010).Google Scholar
Scholem, Gershom, Major Trends in Jewish Mysticism (New York: Schocken Books, 1941).Google Scholar
Baudrillard, Jean, L’échange symbolique et la mort (Paris: Éditions Gallimard, 1976).Google Scholar
Bauman, Zygmund, Postmodernity and Its Discontents (Cambridge: Polity Press, 1997).Google Scholar
Hazelgrove, Jenny, Spiritualism and British Society Between the Wars (Manchester: Manchester University Press, 2000).Google Scholar
Käkelä-Puumala, Tiina M., Other Side of This Life. Death, Value, and Social Being in Thomas Pynchon’s Fiction (Dissertation, Comparative literature, University of Helsinki, 2007), helda.helsinki.fi/handle/10138/19384.Google Scholar
Käkelä-Puumala, Tiina M., “Postmodern Ghosts and the Politics of Invisible Life,” in Kivistö, Sari and Hakola, Outi (eds.), Death in Literature (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014), pp. 83101.Google Scholar
Nealon, Jeffrey T., Double Reading: Postmodernism After Deconstruction (Ithaca, NY: Cornell University Press, 1993).Google Scholar
Peters, John Durham, Speaking Into the Air: A History of the Idea of Communication (Chicago, IL: University of Chicago Press, 1999).Google Scholar
Weisenburger, Steven, “Haunted History and Gravity’s Rainbow,” Pynchon Notes 4243 (Spring-Fall 1998), 1228.Google Scholar
Bové, Paul A., “History and Fiction: The Narrative Voices of Pynchon’s Gravity’s Rainbow,” Modern Fiction Studies 50.3 (2004), 657–80.Google Scholar
Hägg, Samuli, Narratologies of Gravity’s Rainbow (Joensuu: University of Joensuu, 2005).Google Scholar
Hardack, Richard, “Consciousness Without Borders: Narratology in Against the Day and the Works of Thomas Pynchon,” Criticism 52.1 (2010), 91128.Google Scholar
Herman, David, Jahn, Manfred, and Ryan, Marie-Laure (eds.), Routledge Encyclopedia of Narrative Theory (London and New York: Routledge, 2005).Google Scholar
Hühn, Peter, Meister, Jan Christoph, Pier, John, and Schmid, Wolf (eds.), Handbook of Narratology (Berlin: De Gruyter, 2014).Google Scholar
McHale, Brian, “‘You Used to Know What These Words Mean’: Misreading Gravity’s Rainbow (1985),” in Constructing Postmodernism (London and New York: Routledge, 1992), pp. 87114.Google Scholar
Nicholson, Colin E., and Stevenson, Randall W., “‘Words You Never Wanted to Hear’: Fiction, History and Narratology in The Crying of Lot 49,” Pynchon Notes 16 (1985), 89109.Google Scholar
Weisenburger, Steven, “Hyper-Embedded Narration in Gravity’s Rainbow,” Pynchon Notes 3435 (1994), 7087.Google Scholar
Dugdale, John, Thomas Pynchon: Allusive Parables of Power (New York: St. Martin’s Press, 1990).Google Scholar
Elias, Amy J., Sublime Desire: History and Post-1960s Fiction (Baltimore, MD: Johns Hopkins University Press, 2001).Google Scholar
Kharpertian, Theodore D., A Hand to Turn the Time: The Menippean Satires of Thomas Pynchon (Rutherford, NJ: Farleigh Dickinson University Press, 1990).Google Scholar
Madsen, Deborah, The Postmodernist Allegories of Thomas Pynchon (Leicester: Leicester University Press, 1991).Google Scholar
McHale, Brian, “POSTcyberMODERNpunkISM,” in Constructing Postmodernism (London: Routledge, 1992), pp. 225–42.Google Scholar
Petillon, Pierre-Yves, “A Re-cognition of Her Errand into the Wilderness,” in O’Donnell, Patrick (ed.), New Essays on The Crying of Lot 49 (Cambridge: Cambridge University Press, 1991), pp. 127–70.Google Scholar
Bertens, Hans, The Idea of the Postmodern: A History (London: Routledge, 1995).Google Scholar
DeKoven, Marianne, Utopia Limited: The Sixties and the Emergence of the Postmodern (Durham, NC: Duke University Press, 2004).Google Scholar
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction (New York: Routledge, 1988).Google Scholar
Killen, Andreas, 1973 Nervous Breakdown: Watergate, Warhol, and the Birth of Post-Sixties America (New York: Bloomsbury, 2006).Google Scholar
McHale, Brian, and Platt, Len (eds.), The Cambridge History of Postmodern Literature (Cambridge: Cambridge University Press, 2016).Google Scholar
Madsen, Deborah L., The Postmodernist Allegories of Thomas Pynchon (Leicester: Leicester University Press, 1989).Google Scholar
Quilligan, Maureen, The Language of Allegory (Ithaca, NY: Cornell University Press, 1979).Google Scholar
Schaub, Thomas H., Pynchon: The Voice of Ambiguity (Urbana, IL: University of Illinois Press, 1981).Google Scholar
Serpell, C. Namwali, Seven Modes of Uncertainty (Cambridge, MA: Harvard University Press, 2014).Google Scholar
Ashline, William L., “The Problem of Impossible Fictions,” Style 29.2 (1995), 215–34.Google Scholar
Bersani, Leo, “Pynchon, Paranoia, and Literature,” Representations 25 (1989), 99118.Google Scholar
Eve, Martin Paul, “Whose Line is it Anyway? Enlightenment, Revolution, and Ipseic Ethics in the Works of Thomas Pynchon,” Textual Practice 26.5 (2012), 921–39.CrossRefGoogle Scholar
McClure, John A., Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison (Athens, GA: University of Georgia Press, 2007).Google Scholar
Molloy, Seán, “Escaping the Politics of the Irredeemable Earth – Anarchy and Transcendence in the Novels of Thomas Pynchon,” Theory & Event 13.3 (2010), np.Google Scholar
Weisenburger, Steven, A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel, rev. ed. (Athens, GA: University of Georgia Press, 2006).Google Scholar
Andersen, Tore Rye, “Pynchon’s Twenty-First Century Paratexts,” in Freer, Joanna (ed.), The New Pynchon Studies: Twenty-First Century Critical Revisions (Cambridge: Cambridge University Press, 2019).Google Scholar
Bérubé, Michael, Marginal Forces/Cultural Centers: Tolson, Pynchon, and the Politics of the Canon (Ithaca, NY: Cornell University Press, 1992).Google Scholar
Eliot, Simon, and Rose, Jonathan (eds.), A Companion to the History of the Book (Oxford: Blackwell, 2007).Google Scholar
Finkelstein, David, and McCleery, Alistair (eds.), The Book History Reader, 2nd ed. (London: Routledge, 2006).Google Scholar
Thompson, John B., Merchants of Culture: The Publishing Business in the Twenty-First Century (New York: Plume, 2012).Google Scholar
Davidson, Donald, “Communication and Convention,” Synthese, 59. 1 (1984), 317.Google Scholar
Hayles, N. Katherine, Chaos Bound: Orderly Disorder in Contemporary Literature and Science (Ithaca, NY: Cornell University Press, 1990).Google Scholar
Tabbi, Joseph, Postmodern Sublime: Technology and Personal Identity from Mailer to Cyberpunk (Ithaca, NY: Cornell University Press, 1995).Google Scholar
Wallace, David Foster, E Unibus Pluram: Television and U. S. Fiction,” Review of Contemporary Fiction 13.2 (Summer 1993), 151–94.Google Scholar
Doyle, Michael, Radical Chapters: Pacifist Bookseller Roy Kepler and the Paperback Revolution (Syracuse, NY: Syracuse University Press, 2012).Google Scholar
Hellekson, Karen, “Fandom and Fan Culture,” in Canavan, Gerry and Link, Eric Carl (eds.), The Cambridge Companion to American Science Fiction (Cambridge: Cambridge University Press, 2015), pp. 153–63.Google Scholar
Kipen, David, “Pynchon Draws the Defining Pair,” Los Angeles Daily News, April 27, 1997, np.Google Scholar
Rexroth, Kenneth, Communalism: From Its Origins to the Twentieth Century (New York: Seabury Press, 1974).Google Scholar
“Thomas Pynchon, Against the Day” [Kipen, David], Publisher’s Weekly, 253.43 (October 30, 2006), p. 31.Google Scholar
“Thomas Pynchon, Inherent Vice” [Kipen, David], Publisher’s Weekly, 256.27 (July 6, 2009), np.Google Scholar
“Thomas Pynchon, Bleeding Edge” [Kipen, David], Publisher’s Weekly, 260.33 (August, 19 2013), np.Google Scholar
Herman, Luc, and Vervaeck, Bart, “Negotiating the Paranoia Narrative: The Critical Reception of Bleeding Edge (2013) by Thomas Pynchon,” Anglia 134.1 (March 2016), 88112.Google Scholar
Keesey, Douglas, Mason & Dixon on the Line: A Reception Study,” Pynchon Notes 3639 (1995–96), 165–78.Google Scholar
Keesey, Douglas, Vineland in the Mainstream Press: A Reception Study,” Pynchon Notes 2627 (Spring-Fall 1990), 107–13.Google Scholar
Mead, Clifford, Thomas Pynchon: A Bibliography of Primary and Secondary Materials (Elmwood Park, IL: Dalkey Archive Press, 1989).Google Scholar
Thomas Pynchon Wiki – A Literary / Literature Wiki, pynchonwiki.com.Google Scholar
Staiger, Jeffrey, “James Wood’s Case Against ‘Hysterical Realism’ and Thomas Pynchon,” Antioch Review 66.4 (Fall 2008), 634–54.Google Scholar
“Secondary Bibliography” on Vheissu: About Thomas Pynchon’s Works,” vheissu.net.Google Scholar
Tanner, Tony, Thomas Pynchon (London: Methuen, 1982).Google Scholar
Herman, Luc, and Weisenburger, StevenGravity’s Rainbow, Domination, and Freedom(Athens, GA: University of Georgia Press, 2013).Google Scholar
Freer, Joanna, Thomas Pynchon and the American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press,2012).Google Scholar
McClintock, Scott, and Miller, John (eds.), Pynchon’s California (Iowa City, IA: University of Iowa Press, 2014).Google Scholar
Hollander, Charles, “Pynchon’s Inferno,” Cornell Alumni News (November 1978), 2430.Google Scholar
Kachka, Boris, “On the Thomas Pynchon Trail: From the Long Island of His Boyhood to the ‘Yupper West Side’ of His New Novel,” Vulture (August 25, 2013), www.vulture.com/2013/08/thomas-pynchon-bleeding-edge.html.Google Scholar
“Mapping Thomas Pynchon,” Vheissu, www.vheissu.net/bio/whereabouts.php.Google Scholar
Weisenburger, Steven, “Thomas Pynchon at Twenty-Two: A Recovered Autobiographical Sketch,” American Literature, 62.4 (1990), 692–97.CrossRefGoogle Scholar
Winston, Mathew, “The Quest for Pynchon,” Twentieth Century Literature, 21.3 (1975), 278–87.CrossRefGoogle Scholar
Gibbs, Rodney, “A Portrait of the Luddite as a Young Man,”Denver Quarterly 39.1 (2004), 3542.Google Scholar
Gussow, Mel, “Pynchon’s Letters Nudge His Mask,” New York Times, March 4, 1998, www.nytimes.com/1998/03/04/books/pynchon-s-letters-nudge-his-mask.html?pagewanted=all.Google Scholar
Hartnett, Michael, “A High School Record for Disturbing the Peace,” Pynchon Notes 2021 (1987), 115–20.Google Scholar
Herman, Luc, “Early Pynchon” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 1929.Google Scholar
Hollander, Charles, “Pynchon’s Juvenilia and Against the Day,” GRAAT 3 (2008), 3855.Google Scholar
LeMahieu, Michael, Fictions of Fact and Value: The Erasure of Logical Positivism in American Literature, 1945–1975 (Oxford: Oxford University Press, 2013).CrossRefGoogle Scholar
Mead, Clifford, Thomas Pynchon: A Bibliography of Primary and Secondary Materials (Elmwood Park, IL: Dalkey Archive Press, 1989).Google Scholar
Rolls, Albert, Thomas Pynchon: The Demon in the Text (Brighton: Edward Everett Root, 2019).Google Scholar
Seed, David, “Pynchon, Joseph Heller, and V.,” Pynchon Notes 2425 (1989), 127.Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Atlanta, GA: University of Georgia Press, 2011).Google Scholar
Herman, Luc, and Verveack, Bart, “Didn’t Know Any Better: Race and Unreliable Narration in ‘Low-Lands’ by Thomas Pynchon,” in D’hoker, Elke and Martens, Gunther (eds.), Narrative Unreliability in the Twentieth-Century First-Person Novel (Berlin: Walter de Gruyter, 2008), pp. 231–46.Google Scholar
Muth, Katie, “The Grammars of the System: Thomas Pynchon at Boeing,” Textual Practice 473–493 (2019), DOI:doi.org/10.1080/0950236X.2019.1580514.Google Scholar
Rolls, Albert, “‘A Dual Man [and Oeuvre], Aimed Two Ways at Once’: The Two Directions of Pynchon’s Life and Thought,” Orbit: A Journal of American Literature 4.1 (2016), np. DOI:doi.org/10.16995/orbit.188.Google Scholar
Wisnicki, Adrian, “A Trove of New Works by Thomas Pynchon? Bomarc Service News Rediscovered,” Pynchon Notes 4649 (2000–01), 934.Google Scholar
Daly, Robert, “Burned by the Hangman: Puritan Agency and the Road Not Taken,” Pynchon Notes 4445 (1999), 205–13.Google Scholar
Griffin, Susan M., “Awful Disclosures: Women’s Evidence in the Escaped Nun’s Tale,” PMLA 111.1 (1996), 93107.Google Scholar
Leise, Christopher, “Thomas Pynchon, the Sloth of Salvation, and Becoming Converted,” in Christopher Leise, The Story upon a Hill: The Puritan Myth in Contemporary American Fiction (Tuscaloosa, AL: University of Alabama Press, 2017), pp. 83108.Google Scholar
Lhamon, W. T., Deliberate Speed: The Origins of a Cultural Style in the American 1950s (Cambridge, MA: Harvard University Press, 2002).Google Scholar
McHale, Brian, “Mason & Dixon in the Zone: Or, a Brief Poetics of Pynchon-Space,” in Horvath, Brooke and Malin, Irving (eds.), Pynchon and Mason & Dixon (Newark, DE: University of Delaware Press, 2000), pp. 4362.Google Scholar
Olster, Stacey Michele, “A ‘Patch of England, at a three-thousand-Mile Off-set’? Representing America in Mason & Dixon,” MFS Modern Fiction Studies 50. 2 (2004), 283302.CrossRefGoogle Scholar
Reilly, Terry, “Narrating Tesla in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 139–66.Google Scholar
Vaughn, Alden T., and Clark, Edward W., “Cups of Common Calamity,” in Vaughn, Alden T. and Clark, Edward W. (eds.), Puritans Among the Indians: Accounts of Captivity and Redemption 1676–1724 (Cambridge, MA: Belknap Press, 1981), pp. 129.Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Athens, GA: University of Georgia Press, 2011).Google Scholar
Herman, Luc, and Weisenburger, Steven, Gravity’s Rainbow, Domination, and Freedom (Athens, GA: University of Georgia Press, 2013).Google Scholar
McClintock, Scott, and Miller, John, Pynchon’s California (Iowa City, IA: University of Iowa Press, 2014).Google Scholar
Miller, John, “Present Subjunctive: Pynchon’s California Novels,” Critique: Studies in Contemporary Fiction 54.3 (2013), 225–37.Google Scholar
Schaub, Thomas Hill, The Crying of Lot 49 and Other California Novels,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon(Cambridge: Cambridge University Press, 2011), pp. 3043.CrossRefGoogle Scholar
Severs, Jeffrey, “‘A City of the Future’: Gravity’s Rainbow and the 1962 Seattle World’s Fair,” Twentieth-Century Literature 62.2 (June 2016), 145–69.Google Scholar
Shoop, Casey, “Thomas Pynchon, Postmodernism, and the Rise of the New Right in California,” Contemporary Literature 53.1 (2012), 5186.CrossRefGoogle Scholar
Adams, Henry, The Education of Henry Adams (1907) (New York: Penguin Books, 1995).Google Scholar
Borkin, Joseph, The Crime and Punishment of IG Farben: The Unholy Alliance Between Hitler and the Great Chemical Combine (New York: Barnes and Noble, 1978).Google Scholar
Bové, Paul, “History and Fiction: The Narrative Voices of Pynchon’s Gravity’s Rainbow,” Modern Fiction Studies 50.3 (Fall 2004), 657–80.Google Scholar
Jeffreys, Diarmuid, Hell’s Cartel: IG Farben and the Making of Hitler’s War Machine (New York: Henry Holt, 2010).Google Scholar
Johnson, Chalmers, The Sorrows of Empire: Militarism, Secrecy, and the End of the Republic (New York: Metropolitan, 2004).Google Scholar
Lindner, Stephen, Inside IG Farben: Hoechst During the Third Reich (Cambridge: Cambridge University Press, 2011).Google Scholar
Narkunas, J. Paul, “Europe’s ‘Eastern Question’ and the United States’ ‘Western Question’: Representing Ethnic Wars in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 239–64.Google Scholar
Smith, Shawn, Pynchon and History: Metahistorical Rhetoric and Postmodern Narrative Form in the Novels of Thomas Pynchon (New York: Routledge, 2009).Google Scholar
Tabbi, Joseph, Postmodern Sublime: Technology and American Writing from Mailer to Cyberpunk (Ithaca, NY: Cornell University Press, 1995).Google Scholar
Appiah, Kwame Anthony, In My Father’s House: Africa in the Philosophy of Culture (New York: Oxford University Press, 1992).Google Scholar
Bhabha, Homi, The Location of Culture (New York: Routledge, 1994).Google Scholar
Fanon, Frantz, The Wretched of the Earth (New York: Grove Press, 1963).Google Scholar
Harris, Michael, “Pynchon’s Postcoloniality,” in Abbas, Niran (ed.), Thomas Pynchon: Reading from the Margins (London: Rosemont, 2003), pp. 199214.Google Scholar
Seed, David, The Fictional Labyrinths of Thomas Pynchon (Iowa City, IA: University of Iowa Press, 1988).CrossRefGoogle Scholar
Thomas, Samuel, “The Gaucho Sells Out: Thomas Pynchon and Argentina,” Studies in American Fiction 40.1 (2013), 5385.Google Scholar
Young, Robert, White Mythologies: Writing History and the West (New York: Routledge, 1990).Google Scholar
García-Caro, Pedro, “‘America was the only place … ’: American Exceptionalism and the Geographic Politics of Pynchon’s Mason & Dixon,” in Hinds, Elizabeth Jane Wall (ed.), The Multiple Worlds of Pynchon’s Mason & Dixon (Rochester, NY: Camden House, 2005), pp. 101–24.Google Scholar
Giles, Paul, Virtual Americas: Transnational Fictions and the Transatlantic Imaginary (Durham, NC: Duke University Press, 2002).Google Scholar
Monmonier, Mark, How to Lie with Maps, 2nd ed. (Chicago, IL: University of Chicago Press, 1996).Google Scholar
Olster, Stacey Michele, “A ‘Patch of England, at a three-thousand-Mile Off-set’? Representing America in Mason & Dixon,” Modern Fiction Studies 50.2 (Summer 2004), 283302.Google Scholar
Pöhlmann, Sascha, Pynchon’s Postnational Imagination (Heidelberg: Universitätsverlag Winter, 2010).Google Scholar
Schieweg, Larissa S., “The Decline of Baedeker Country: The Representation of Geographical and Cultural Identity in Pynchon’s Novels,” Pynchon Notes 5051 (2002), 108–17.Google Scholar
Seed, David, “Mapping the Course of Empire in the New World,” in Horvath, Brooke and Malin, Irving (eds.), Pynchon and Mason & Dixon (Newark, DE: University of Delaware Press, 2000), pp. 8499.Google Scholar
Turchi, Peter, Maps of the Imagination: The Writer as Cartographer (San Antonio, TX: Trinity University Press, 2004).Google Scholar
Adam, Ian, and Tiffin, Helen (eds.), Past the Last Post: Theorizing Post-Colonialism and Post-Modernism (New York and London: Harvester Wheatsheaf, 1991).Google Scholar
Farber, Paul Lawrence, Finding Order in Nature: The Naturalist Tradition from Linnaeus to E. O. Wilson (Baltimore, MD, and London: Johns Hopkins University Press, 2000).Google Scholar
Gilroy, Paul, The Black Atlantic: Modernity and Double Consciousness (Cambridge, MA: Harvard University Press, 1993).Google Scholar
Lawson, Philip, The East India Company: A History (New York and London: Routledge, 1993).Google Scholar
Soderlund, Jean R., Quakers and Slavery: A Divided Spirit (Princeton, NJ: Princeton University Press, 1985).Google Scholar
Stephanson, Anders, Manifest Destiny: American Expansion and the Empire of Right (New York: Hill and Wang, 1995).Google Scholar
Thomas, Keith, Man and the Natural World: Changing Attitudes in England, 1500–1800 (New York: Oxford University Press, 1983).Google Scholar
Alsen, Eberhard, “‘Transcendent Doings’ in Thomas Pynchon’s Gravity’s Rainbow,” in Romantic Postmodernism in American Fiction (Amsterdam and Atlanta, GA: Rodopi, 1996), pp. 171–88.Google Scholar
Hardack, Richard, “‘From Whaling to Armaments to Food’: Melville’s, Pynchon’s, and Wedde’s Economies of the Pacific,” Critique: Studies in Contemporary Fiction 54 (2013), 161–80.Google Scholar
Raudaskoski, Heikki, “Pynchon, Melville, and the Fulcrum of America,” in Mangen, Anne and Gaasland, Rolf (eds.), Blissful Bewilderment. Studies in the Fiction of Thomas Pynchon (Oslo: Novus Press, 2002), pp. 124–38.Google Scholar
Justin, St. Clair, “Borrowed Time: Thomas Pynchon’s Against the Day and the Victorian Fourth Dimension,” Science Fiction Studies 38,1 (2011), 4666.Google Scholar
Thoreen, David, “Thomas Pynchon’s Political Parable: Parallels between Vineland and ‘Rip van Winkle,’” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 14,3 (2001), 4550.Google Scholar
Ball, Kristie, Haggerty, Kevin D., and Lyon, David, Routledge Handbook of Surveillance Studies (New York: Routledge, 2012).Google Scholar
Deleuze, Giles, “Postscript on the Societies of Control,” October 59 (1992), 37.Google Scholar
Henry, Giroux, “Totalitarian Paranoia in the Post-Orwellian Surveillance State,” Cultural Studies 29.2 (2015), 108–40.Google Scholar
Kittler, Friedrich, “Pynchon and Electro-Mysticism,” Pynchon Notes 5455 (2008), 108–27.Google Scholar
Kolakowski, Leszek, “Totalitarianism and the Virtue of the Lie,” in Howe, Irving (ed.), 1984 Revisited: Totalitarianism in Our Century (New York: Harper and Row, 1983), pp. 123–35.Google Scholar
McDonald, Riley, “Thomas Pynchon’s Post-Human Luddites,” Canadian Review of American Studies 44.1 (2014), 103–21.Google Scholar
Surveillance & Society (Newcastle upon Tyne: 2002–present).Google Scholar
Chabon, Michael, “The Crying of September 11,” New York Review of Books, 60.17, November 7, 2013, 6870.Google Scholar
Collado-Rodríguez, Francisco, “Intratextuality, Trauma, and the Posthuman in Thomas Pynchon’s Bleeding Edge,” Critique: Studies in Contemporary Fiction 57.3 (2016), 229–41.Google Scholar
Smith, Evans Lansing, Thomas Pynchon and the Postmodern Mythology of the Underworld (New York: Peter Lang, 2012).CrossRefGoogle Scholar
Cowart, David, “‘Down on the Barroom Floor of History’: Pynchon’s Bleeding Edge,” Postmodern Culture 24.1 (September 2013), np.Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Athens, GA: University of Georgia Press, 2011).Google Scholar
Elias, Amy J., “History,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 123–35.Google Scholar
Schaub, Thomas (ed.), Approaches to Teaching Pynchon’s The Crying of Lot 49 and Other Works (New York: Modern Language Association, 2008).Google Scholar
Schaub, Thomas, “History and Fiction: From Providence to Paranoia,” in Pynchon: The Voice of Ambiguity (Urbana, IL: University of Illinois Press, 1981), pp. 76102.Google Scholar
Duyfhuizen, Bernard, “‘A Suspension Forever at the Hinge of Doubt’: The Reader-Trap of Bianca in Gravity’s Rainbow,” Journal of Interdisciplinary Thought on Contemporary Cultures, 2.1 (1991), 123.Google Scholar
Hayles, N. Katherine, “‘Who Was Saved?’: Families, Snitches, and Recuperation in Pynchon’s Vineland,” in Geoffrey Green, Donald J. Greiner, and McCaffery, Larry (eds.), The Vineland Papers: Critical Takes on Pynchon’s Novel (Normal, IL: Dalkey Archive Press, 1994), pp. 1430.Google Scholar
McClintock, Scott, “The Origins of the Family, Private Property, and the State of California in Pynchon’s Fiction,” in McClintock, Scott and Miller, John (eds.), Pynchon’s California (Iowa City, IA: University of Iowa Press, 2014), pp. 91111.Google Scholar
Purdy, Strother, Gravity’s Rainbow and the Culture of Childhood,” Pynchon Notes 2223 (1988), 723.Google Scholar
Rohland, Mark, “‘Feeling Totally Familied Out’: Teaching Pynchon through Families,” in Schaub, Thomas (ed.), Approaches to Teaching Pynchon’s The Crying of Lot 49 and Other Works (New York: Modern Language Association, 2008), pp. 4651.Google Scholar
Allen, Mary, “Women of the Fabulators: Barth, Pynchon, Purdy, Kesey,” in Mary Allen, The Necessary Blankness: Women in Major American Fiction of the Sixties (Urbana, IL: University of Illinois Press, 1976), pp. 3751.Google Scholar
Chapman, Wes, “Male Pro-Feminism and the Masculinist Gigantism of Gravity’s Rainbow,’” Postmodern Culture 6.3 (1996), np.CrossRefGoogle Scholar
Chetwynd, Ali, Freer, Joanna, and Maragos, Georgios, “Introduction,” in Chetwynd, Ali, Freer, Joanna, and Maragos, Georgios (eds.), Thomas Pynchon, Sex, and Gender (Athens, GA: University of Georgia Press, 2018).Google Scholar
Davidson, Cathy N., “Oedipa as Androgyne in Thomas Pynchon’s The Crying of Lot 49,” Contemporary Literature 18 (1977), 3850.Google Scholar
Freer, Joanna, “Feminism Moderate and Radical in The Crying of Lot 49 and Vineland: Pynchon and the Women’s Movement,” in Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014), pp. 126–56.Google Scholar
Herman, Luc, and Weisenburger, Steven, “Total Assault on the Culture,” in Gravity’s Rainbow, Domination, and Freedom (Athens, GA: Georgia University Press, 2013), pp. 5171.Google Scholar
Hite, Molly, “Feminist Theory and the Politics of Vineland,” in Green, Geoffrey, Greiner, Donald J., and McCaffery, Larry (eds.), The Vineland Papers (Normal, IL: Dalkey Archive Press, 1994), pp. 135–53.Google Scholar
Holton, Robert, “‘Closed Circuit’: The White Male Predicament in Pynchon’s Early Stories,” in Abbas, Niran (ed.), Thomas Pynchon: Reading from the Margins (Madison, NJ, Fairleigh Dickinson University Press, 2003), pp. 3750.Google Scholar
Maxwell, Marilyn, “Thomas Pynchon,” in Male Rage, Female Fury: Gender and Violence in Contemporary American Fiction (Lanham, MD: University Press of America, 2000), pp. 115–88.Google Scholar
Adorno, Theodor, and Horkheimer, Max, Dialectic of Enlightenment, trans. John Cumming (London: Verso, 1995).Google Scholar
de Man, Paul, “The Rhetoric of Temporality,” in Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (Abingdon: Routledge, 1996).Google Scholar
Freud, Sigmund, Jokes and their Relation to the Unconscious (1905), trans. James Strachey (London: Penguin, 1991).Google Scholar
Freud, Sigmund, “Humor” (1927), in The Standard Edition of the Complete Psychological Works, Vol. XXI, trans. James Strachey and Anna Freud (London: Vintage, 2001).Google Scholar
Schopenhauer, Arthur, The World as Will and Idea, trans. R. B. Haldane and J. Kemp (London: Routledge and Kegan Paul, 1964).Google Scholar
Baudelaire, Charles, “The Essence of Laughter,” in The Painter of Modern Life (1863), trans. Jonathan Mayne (London: Phaidon, 1995).Google Scholar
Adorno, Theodor, The Culture Industry: Selected Essays on Mass Culture. Bernstein, J. M. (ed.) (London: Routledge, 1991).Google Scholar
Dussere, Erik, “Flirters, Deserters, Wimps, and Pimps: Thomas Pynchon’s Two Americas,” Contemporary Literature 51. 3 (2010), 565–95.Google Scholar
Fiske, John, Reading the Popular (London: Routledge, 1989).Google Scholar
Glover, David and McCracken, Scott (eds.), The Cambridge Companion to Popular Fiction (Cambridge: Cambridge University Press, 2012).Google Scholar
Wallace, David Foster, E Unibus Pluram: Television and U. S. Fiction,” Review of Contemporary Fiction 13.2 (1993), 151–94.Google Scholar
Hess, John Joseph, “Music in Thomas Pynchon’s Mason & Dixon,” Orbit 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.75.Google Scholar
Hume, Kathryn, and Knight, Thomas J., “Orpheus and Orphic Voice in Gravity’s Rainbow,” Philological Quarterly 64.3 (1985), 299315.Google Scholar
Hume, Kathryn, and Knight, Thomas J., “Pynchon’s Orchestration of Gravity’s Rainbow,” Journal of English and Germanic Philology 85.3 (1986), 366–85.Google Scholar
Rouyan, Anahita, “Singing Thomas Pynchon’s Gravity’s Rainbow: Interfaces of Song, Narrative, and Sonic Performance,” Partial Answers: Journal of Literature and the History of Ideas, 15.1 (2017), 117–33.Google Scholar
Justin, St. Clair, “Listen to the Muzak: The Social Implications of Background Sound,” in Sound and Aural Media in Postmodern Literature: Novel Listening (New York: Routledge, 2013), pp. 120–47.Google Scholar
Tate, J. O., “Gravity’s Rainbow: The Original Soundtrack,” Pynchon Notes 13 (1983), 324.Google Scholar
Twigg, George William, “‘Sell Out with Me Tonight’: Popular Music, Commercialization, and Commodification in Vineland, The Crying of Lot 49, and V.,” Orbit 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.55.Google Scholar
Baudrillard, Jean, Simulacra and Simulation (1981) (Ann Arbor, MI: University of Michigan Press, 1994).Google Scholar
Eco, Umberto, “Travels in Hyperreality” (1975), in Travels in Hyperreality (New York: Harcourt Brace & Company, 1986), pp. 158.Google Scholar
Greider, William, “Reagan’s Reelection: How the Media Became All the President’s Men,” Rolling Stone, December 20, 1984, www.rollingstone.com/politics/politics-news/reagans-reelection-how-the-media-became-all-the-presidents-men-73809/.Google Scholar
McLuhan, Marshall, Understanding Media: The Extensions of Man (New York: McGraw-Hill, 1964).Google Scholar
Cowart, David, “‘Down on the Barroom Floor of History’: Pynchon’s Bleeding Edge,” Postmodern Culture 24.1 (September 2013), np.Google Scholar
Käkelä, Tiina, “‘This Land Is My Land, This Land Also Is My Land’: Real Estate Narratives in Pynchon’s Fiction,” Textual Practice (2019) doi:10.1080/0950236X.2019.1580504.CrossRefGoogle Scholar
McClintock, Scott, “The Origins of the Family, Private Property, and the State of California in Pynchon’s Fiction,” in McClintock, Scott and Miller, John (eds.), Pynchon’s California (Iowa City, IA, University of Iowa Press, 2014), pp. 91111.Google Scholar
Shannon, Claude E., and Warren, Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949).Google Scholar
Wiener, Norbert, The Human Use of Human Beings: Cybernetics and Society (London, Eyre & Spottiswoode, 1950).Google Scholar
Abbas, Niran (ed.), Thomas Pynchon: Reading from the Margins (Madison, NJ: Fairleigh Dickinson University Press, 2003).Google Scholar
Baker, Jeffrey S., “A Democratic Pynchon: Counterculture, Counterforce, and Participatory Democracy,” Pynchon Notes 3233 (1993), 99131.Google Scholar
Freer, Joanna, Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Hite, Molly, “‘Fun Actually Was Becoming Quite Subversive’: Herbert Marcuse, the Yippies, and the Value System of Gravity’s Rainbow,” Contemporary Literature 51.4 (2010), 677702.Google Scholar
Thomas, Samuel, Pynchon and the Political (New York: Routledge, 2007).Google Scholar
Blum, John Morton, Years of Discord: American Politics and Society, 1961–1974 (New York and London: Norton, 1992).Google Scholar
Boon, Marcus, The Road of Excess: A History of Writers on Drugs (Cambridge, MA, and London: Harvard University Press, 2002).Google Scholar
Gitlin, Todd, The Sixties: Years of Hope, Days of Rage (Toronto and New York: Bantam Books, 1987).Google Scholar
Huxley, Aldous, The Doors of Perception (London: Chatto & Windus, 1960).Google Scholar
Thompson, Hunter S., Fear and Loathing in Las Vegas (London: Paladin, 1972).Google Scholar
Coughran, Chris, “Green Scripts in Gravity’s Rainbow: Pynchon, Pastoral Ideology, and the Performance of the Ecological Self,” Interdisciplinary Studies in Literature and Environment 16.2 (2009), 265–79.Google Scholar
Eddins, Dwight, The Gnostic Pynchon (Bloomington, IN: Indiana University Press, 1990).Google Scholar
Hatooka, Keita, “The Sea around Them: Thoreau, Carson, and The Crying of Lot 49,” The Journal of the American Literature Society of Japan, 7 (2009), 1731.Google Scholar
Keesey, Douglas, “Nature and the Supernatural: Pynchon’s Ecological Ghost Stories,” Pynchon Notes 1819 (1986), 8495.Google Scholar
LeClair, Tom, The Art of Excess: Mastery in Contemporary American Fiction (Urbana, IL: University of Illinois Press, 1989).Google Scholar
McLaughlin, Robert L., “IG Farben’s Synthetic War Crimes and Thomas Pynchon’s Gravity’s Rainbow,” in Paul Holsinger, M. and Schofield, Mary Anne (eds.), Visions of War: World War II in Popular Literature and Culture (Bowling Green, KY: Bowling Green State University Popular Press, 1992), pp. 8595.Google Scholar
Schaub, Thomas H., “The Environmental Pynchon: Gravity’s Rainbow and the Ecological Context,” Pynchon Notes 4243 (1998), 5972.Google Scholar
White, Daniel R., Postmodern Ecology: Communication, Evolution, and Play (Albany, NY: State University of New York Press, 1998).Google Scholar
Clarke, William D., “‘It’s My Job, I Can’t Back Out’: The ‘House’ and Coercive Property Relations in Thomas Pynchon’s Vineland,” in Pöhlmann, Sascha (ed.), Against the Grain: Reading Pynchon’s Counternarratives (Amsterdam: Rodopi, 2010), pp. 185212.Google Scholar
Flay, Catherine, “After the Counterculture: American Capitalism, Power, and Opposition in Thomas Pynchon’s Mason & Dixon,” Journal of American Studies 51.3 (August 2017), 779804.Google Scholar
Haynes, Doug, “Under the Beach, the Paving-Stones! The Fate of Fordism in Pynchon’s Inherent Vice,” Critique 55.1 (2014), 116.Google Scholar
Herman, Luc, and Weisenburger, Steven, Gravity’s Rainbow, Domination and Freedom (Athens, GA: University of Georgia Press, 2013).Google Scholar
Käkelä-Puumala, Tiina, “‘There Is Money Everywhere’: Representation, Authority, and the Money Form in Thomas Pynchon’s Against the Day,” Critique 54.2 (2013), 147–60.Google Scholar
Pöhlmann, Sascha, “‘I Just Look at Books’: Reading the Monetary Metareality of Bleeding Edge,” Orbit: A Journal of American Literature 4.1 (2016), np. DOI:doi.org/10.16995/orbit.189.Google Scholar
Severs, Jeffrey, “‘The abstractions she was instructed to embody’: Women, Capitalism, and Artistic Representation in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 215–38.Google Scholar
Baker, Jeff, “Politics,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 136–45.Google Scholar
Carter, Dale, The Final Frontier: The Rise and Fall of the American Rocket State (London: Verso, 1988).Google Scholar
Cowart, David, Thomas Pynchon and the Dark Passages of History (Athens, GA: University of Georgia Press, 2011).Google Scholar
Flay, Catherine, “After the Counterculture: American Capitalism, Power, and Opposition in Thomas Pynchon’s Mason & Dixon,” Journal of American Studies, 51.3 (August 2017), 779804.Google Scholar
Freer, Joanna, Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Hume, Kathryn, “The Religious and Political Vision of Pynchon’s Against the Day,” Philological Quarterly, 86.1–2 (Winter 2007), 63187.Google Scholar
Thomas, Samuel, Pynchon and the Political (New York: Routledge, 2007).Google Scholar
Coale, Samuel Chase, Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction (Tuscaloosa, AL: University of Alabama Press, 2005).Google Scholar
Hite, Molly, Ideas of Order in the Novels of Thomas Pynchon (Columbus, OH: Ohio State University Press, 1983).Google Scholar
Knight, Peter, Conspiracy Culture: From Kennedy to the X-Files (London: Routledge, 2000).Google Scholar
Knight, Peter (ed.), Conspiracy Nation: The Politics of Paranoia in Postwar America (New York: New York University Press, 2003).Google Scholar
Marcus, George (ed.), Paranoia Within Reason: A Casebook on Conspiracy as Explanation (Chicago, IL: University of Chicago Press, 1999).Google Scholar
Melley, Timothy, Empire of Conspiracy: The Culture of Paranoia in Postwar America (Ithaca, NY: Cornell University Press, 2000).Google Scholar
Benton, Graham, “This Network of All Plots May Yet Carry Him to Freedom: Thomas Pynchon and the Political Philosophy of Anarchism,” Oklahoma City University Law Review 24 (1999), 535–56.Google Scholar
Cvek, Sven, Towering Figures: Reading the 9/11 Archive (Amsterdam: Rodopi, 2011).Google Scholar
Freer, Joanna, Thomas Pynchon and American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Gourley, James, Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo (New York: Bloomsbury Academic, 2013).Google Scholar
Molloy, Seán, “Escaping the Politics of the Irredeemable Earth – Anarchy and Transcendence in the Novels of Thomas Pynchon,” Theory & Event 13.3 (2010), np.Google Scholar
Thomas, Samuel, Pynchon and the Political (New York: Routledge, 2007).Google Scholar
Berressem, Hanjo, “‘Of Metal Ducks, Embodied Idorus, and Autopoietic Bridges’: Tales of an Intelligent Materialism in the Age of Artificial Life,” in Freese, Peter and Harris, Charles (eds.), The Holodeck in the Garden: Science and Technology in Contemporary American Fiction (Normal, IL: Dalkey Archive Press, 2004), pp. 7299.Google Scholar
de Bourcier, Simon, Pynchon and Relativity: Narrative Time in Thomas Pynchon’s Later Novels (London: Bloomsbury, 2013).Google Scholar
Collignon, Fabienne, “The Ballistic Flight of an Automatic Duck,” Orbit: Writing Around Pynchon 1.2 (2012), np. DOI:doi.org/10.7766/orbit.v1.2.23.Google Scholar
Dalsgaard, Inger H., “Science and Technology,” in Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press, 2012), pp. 156–67.Google Scholar
Engelhardt, Nina, “Gravity in Gravity’s Rainbow—Force, Fictitious Force, and Frame of Reference; or: The Science and Poetry of Sloth,” Orbit: Writing Around Pynchon 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.80.Google Scholar
Engelhardt, Nina, Modernism, Fiction and Mathematics (Edinburgh: Edinburgh University Press, 2018).Google Scholar
Engelhardt, Nina, “Scientific Metafiction and Postmodernism,” Zeitschrift für Anglistik und Amerikanistik, Special Issue: Aspects of the Science Novel 64.2 (2016), 189205.CrossRefGoogle Scholar
Ozier, Lance W., “Antipointsman/ Antimexico: Some Mathematical Imagery in Gravity’s Rainbow,” Critique 16.2 (1974), 7390.Google Scholar
Ozier, Lance W., “The Calculus of Transformation: More Mathematical Imagery in Gravity’s Rainbow,” Twentieth Century Literature 21.2 (1975), 193210.CrossRefGoogle Scholar
Schachterle, Lance, and Aravind, P. K., “The Three Equations in Gravity’s Rainbow,” Pynchon Notes 4649 (2000), 157–69.Google Scholar
Cantor, G. N., and Hodge, M. S. (eds.), Conceptions of Ether: Studies in the History of Ether Theories 1740–1900 (Cambridge: Cambridge University Press, 1981).Google Scholar
Čapek, Milič, Bergson and Modern Physics: A Reinterpretation and Re-evaluation (Dordrecht: Reidel, 1971).Google Scholar
Čapek, Milič, The Philosophical Impact of Modern Physics (Princeton, NJ: Van Nostrand, 1961).Google Scholar
Dainton, Barry, Space and Time (Chesham: Acumen, 2001).Google Scholar
Dalsgaard, Inger H., “‘Perchance to Dream’: Clock Time and Creative Resistance Against the Day,” in Pöhlmann, Sascha (ed.), Against the Grain: Reading Pynchon’s Counternarratives (Amsterdam: Rodopi, 2010), pp. 8196.Google Scholar
Dalsgaard, Inger H., “Readers and Trespassers: Time Travel, Orthogonal Time, and Alternative Figurations of Time in Against the Day,” in Severs, Jeffrey and Leise, Christopher (eds.), Pynchon’s Against the Day: A Corrupted Pilgrim’s Guide (Newark, DE: University of Delaware Press, 2011), pp. 115–37.Google Scholar
de Bourcier, Simon, Pynchon and Relativity: Narrative Time in Thomas Pynchon’s Later Novels (London: Continuum, 2012).Google Scholar
Nahin, Paul J., Time Machines: Time Travel in Physics, Metaphysics, and Science Fiction, 2nd ed. (New York: Springer-Verlag, 1999).Google Scholar
Swenson, Loyd S., The Ethereal Aether: A History of the Michelson-Morley-Miller Aether-Drift Experiments, 1880–1930 (Austin, TX: University of Texas Press, 1972).Google Scholar
Whittaker, Edmund, A History of the Theories of the Aether and Electricity, 2 vols. (London: Thomas Nelson, 1951 –53).Google Scholar
Berressem, Hanjo, Pynchon’s Poetics: Interfacing Theory and Text (Urbana, IL: University of Illinois Press, 1993).Google Scholar
Eve, Martin Paul, Pynchon and Philosophy: Wittgenstein, Foucault and Adorno (London: Palgrave Macmillan, 2014).CrossRefGoogle Scholar
McConnell, Will, “Pynchon, Foucault, Power, and Strategies of Resistance,” Pynchon Notes 3233 (1993), 152–68.Google Scholar
McHoul, Alec, and Wills, David, “‘Die Welt Ist Alles Was Der Fall ist’ (Wittgenstein, Weissmann, Pynchon) / ‘Le Signe Est Toujours Le Signe de La chute’ (Derrida),” Southern Review 16 (1983), 274–91.Google Scholar
Palmeri, Frank, “Other than Postmodern? Foucault, Pynchon, Hybridity, Ethics,” Postmodern Culture 12 (2001), np.Google Scholar
Pöhlmann, Sascha, “Silences and Worlds: Wittgenstein and Pynchon,” Pynchon Notes 5657 (2009), 158–80.Google Scholar
Twigg, George, “‘Sell Out With Me Tonight’: Popular Music, Commercialization, and Commodification in Vineland, The Crying of Lot 49, and V.,” Orbit: A Journal of American Literature 2.2 (2014), np. DOI:doi.org/10.7766/orbit.v2.2.55.Google Scholar
Corrywright, Dominic, Theoretical and Empirical Investigations into New Age Spiritualities (Oxford: P. Lang, 2003).Google Scholar
Eddins, Dwight, The Gnostic Pynchon (Bloomington, IN: Indiana University Press, 1990).Google Scholar
Hite, Molly, Ideas of Order in the Novels of Thomas Pynchon (Columbus, OH: Ohio State University Press, 1983).Google Scholar
Hume, Kathryn, Pynchon’s Mythography: An Approach to Gravity’s Rainbow (Carbondale, IL: Southern Illinois University Press, 1987).Google Scholar
Hungerford, Amy, Postmodern Belief: American Literature and Religion Since 1960 (Princeton, NJ: Princeton University Press, 2010).Google Scholar
Scholem, Gershom, Major Trends in Jewish Mysticism (New York: Schocken Books, 1941).Google Scholar
Baudrillard, Jean, L’échange symbolique et la mort (Paris: Éditions Gallimard, 1976).Google Scholar
Bauman, Zygmund, Postmodernity and Its Discontents (Cambridge: Polity Press, 1997).Google Scholar
Hazelgrove, Jenny, Spiritualism and British Society Between the Wars (Manchester: Manchester University Press, 2000).Google Scholar
Käkelä-Puumala, Tiina M., Other Side of This Life. Death, Value, and Social Being in Thomas Pynchon’s Fiction (Dissertation, Comparative literature, University of Helsinki, 2007), helda.helsinki.fi/handle/10138/19384.Google Scholar
Käkelä-Puumala, Tiina M., “Postmodern Ghosts and the Politics of Invisible Life,” in Kivistö, Sari and Hakola, Outi (eds.), Death in Literature (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014), pp. 83101.Google Scholar
Nealon, Jeffrey T., Double Reading: Postmodernism After Deconstruction (Ithaca, NY: Cornell University Press, 1993).Google Scholar
Peters, John Durham, Speaking Into the Air: A History of the Idea of Communication (Chicago, IL: University of Chicago Press, 1999).Google Scholar
Weisenburger, Steven, “Haunted History and Gravity’s Rainbow,” Pynchon Notes 4243 (Spring-Fall 1998), 1228.Google Scholar
Bové, Paul A., “History and Fiction: The Narrative Voices of Pynchon’s Gravity’s Rainbow,” Modern Fiction Studies 50.3 (2004), 657–80.Google Scholar
Hägg, Samuli, Narratologies of Gravity’s Rainbow (Joensuu: University of Joensuu, 2005).Google Scholar
Hardack, Richard, “Consciousness Without Borders: Narratology in Against the Day and the Works of Thomas Pynchon,” Criticism 52.1 (2010), 91128.Google Scholar
Herman, David, Jahn, Manfred, and Ryan, Marie-Laure (eds.), Routledge Encyclopedia of Narrative Theory (London and New York: Routledge, 2005).Google Scholar
Hühn, Peter, Meister, Jan Christoph, Pier, John, and Schmid, Wolf (eds.), Handbook of Narratology (Berlin: De Gruyter, 2014).Google Scholar
McHale, Brian, “‘You Used to Know What These Words Mean’: Misreading Gravity’s Rainbow (1985),” in Constructing Postmodernism (London and New York: Routledge, 1992), pp. 87114.Google Scholar
Nicholson, Colin E., and Stevenson, Randall W., “‘Words You Never Wanted to Hear’: Fiction, History and Narratology in The Crying of Lot 49,” Pynchon Notes 16 (1985), 89109.Google Scholar
Weisenburger, Steven, “Hyper-Embedded Narration in Gravity’s Rainbow,” Pynchon Notes 3435 (1994), 7087.Google Scholar
Dugdale, John, Thomas Pynchon: Allusive Parables of Power (New York: St. Martin’s Press, 1990).Google Scholar
Elias, Amy J., Sublime Desire: History and Post-1960s Fiction (Baltimore, MD: Johns Hopkins University Press, 2001).Google Scholar
Kharpertian, Theodore D., A Hand to Turn the Time: The Menippean Satires of Thomas Pynchon (Rutherford, NJ: Farleigh Dickinson University Press, 1990).Google Scholar
Madsen, Deborah, The Postmodernist Allegories of Thomas Pynchon (Leicester: Leicester University Press, 1991).Google Scholar
McHale, Brian, “POSTcyberMODERNpunkISM,” in Constructing Postmodernism (London: Routledge, 1992), pp. 225–42.Google Scholar
Petillon, Pierre-Yves, “A Re-cognition of Her Errand into the Wilderness,” in O’Donnell, Patrick (ed.), New Essays on The Crying of Lot 49 (Cambridge: Cambridge University Press, 1991), pp. 127–70.Google Scholar
Bertens, Hans, The Idea of the Postmodern: A History (London: Routledge, 1995).Google Scholar
DeKoven, Marianne, Utopia Limited: The Sixties and the Emergence of the Postmodern (Durham, NC: Duke University Press, 2004).Google Scholar
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction (New York: Routledge, 1988).Google Scholar
Killen, Andreas, 1973 Nervous Breakdown: Watergate, Warhol, and the Birth of Post-Sixties America (New York: Bloomsbury, 2006).Google Scholar
McHale, Brian, and Platt, Len (eds.), The Cambridge History of Postmodern Literature (Cambridge: Cambridge University Press, 2016).Google Scholar
Madsen, Deborah L., The Postmodernist Allegories of Thomas Pynchon (Leicester: Leicester University Press, 1989).Google Scholar
Quilligan, Maureen, The Language of Allegory (Ithaca, NY: Cornell University Press, 1979).Google Scholar
Schaub, Thomas H., Pynchon: The Voice of Ambiguity (Urbana, IL: University of Illinois Press, 1981).Google Scholar
Serpell, C. Namwali, Seven Modes of Uncertainty (Cambridge, MA: Harvard University Press, 2014).Google Scholar
Ashline, William L., “The Problem of Impossible Fictions,” Style 29.2 (1995), 215–34.Google Scholar
Bersani, Leo, “Pynchon, Paranoia, and Literature,” Representations 25 (1989), 99118.Google Scholar
Eve, Martin Paul, “Whose Line is it Anyway? Enlightenment, Revolution, and Ipseic Ethics in the Works of Thomas Pynchon,” Textual Practice 26.5 (2012), 921–39.CrossRefGoogle Scholar
McClure, John A., Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison (Athens, GA: University of Georgia Press, 2007).Google Scholar
Molloy, Seán, “Escaping the Politics of the Irredeemable Earth – Anarchy and Transcendence in the Novels of Thomas Pynchon,” Theory & Event 13.3 (2010), np.Google Scholar
Weisenburger, Steven, A Gravity’s Rainbow Companion: Sources and Contexts for Pynchon’s Novel, rev. ed. (Athens, GA: University of Georgia Press, 2006).Google Scholar
Andersen, Tore Rye, “Pynchon’s Twenty-First Century Paratexts,” in Freer, Joanna (ed.), The New Pynchon Studies: Twenty-First Century Critical Revisions (Cambridge: Cambridge University Press, 2019).Google Scholar
Bérubé, Michael, Marginal Forces/Cultural Centers: Tolson, Pynchon, and the Politics of the Canon (Ithaca, NY: Cornell University Press, 1992).Google Scholar
Eliot, Simon, and Rose, Jonathan (eds.), A Companion to the History of the Book (Oxford: Blackwell, 2007).Google Scholar
Finkelstein, David, and McCleery, Alistair (eds.), The Book History Reader, 2nd ed. (London: Routledge, 2006).Google Scholar
Thompson, John B., Merchants of Culture: The Publishing Business in the Twenty-First Century (New York: Plume, 2012).Google Scholar
Davidson, Donald, “Communication and Convention,” Synthese, 59. 1 (1984), 317.Google Scholar
Hayles, N. Katherine, Chaos Bound: Orderly Disorder in Contemporary Literature and Science (Ithaca, NY: Cornell University Press, 1990).Google Scholar
Tabbi, Joseph, Postmodern Sublime: Technology and Personal Identity from Mailer to Cyberpunk (Ithaca, NY: Cornell University Press, 1995).Google Scholar
Wallace, David Foster, E Unibus Pluram: Television and U. S. Fiction,” Review of Contemporary Fiction 13.2 (Summer 1993), 151–94.Google Scholar
Doyle, Michael, Radical Chapters: Pacifist Bookseller Roy Kepler and the Paperback Revolution (Syracuse, NY: Syracuse University Press, 2012).Google Scholar
Hellekson, Karen, “Fandom and Fan Culture,” in Canavan, Gerry and Link, Eric Carl (eds.), The Cambridge Companion to American Science Fiction (Cambridge: Cambridge University Press, 2015), pp. 153–63.Google Scholar
Kipen, David, “Pynchon Draws the Defining Pair,” Los Angeles Daily News, April 27, 1997, np.Google Scholar
Rexroth, Kenneth, Communalism: From Its Origins to the Twentieth Century (New York: Seabury Press, 1974).Google Scholar
“Thomas Pynchon, Against the Day” [Kipen, David], Publisher’s Weekly, 253.43 (October 30, 2006), p. 31.Google Scholar
“Thomas Pynchon, Inherent Vice” [Kipen, David], Publisher’s Weekly, 256.27 (July 6, 2009), np.Google Scholar
“Thomas Pynchon, Bleeding Edge” [Kipen, David], Publisher’s Weekly, 260.33 (August, 19 2013), np.Google Scholar
Herman, Luc, and Vervaeck, Bart, “Negotiating the Paranoia Narrative: The Critical Reception of Bleeding Edge (2013) by Thomas Pynchon,” Anglia 134.1 (March 2016), 88112.Google Scholar
Keesey, Douglas, Mason & Dixon on the Line: A Reception Study,” Pynchon Notes 3639 (1995–96), 165–78.Google Scholar
Keesey, Douglas, Vineland in the Mainstream Press: A Reception Study,” Pynchon Notes 2627 (Spring-Fall 1990), 107–13.Google Scholar
Mead, Clifford, Thomas Pynchon: A Bibliography of Primary and Secondary Materials (Elmwood Park, IL: Dalkey Archive Press, 1989).Google Scholar
Thomas Pynchon Wiki – A Literary / Literature Wiki, pynchonwiki.com.Google Scholar
Staiger, Jeffrey, “James Wood’s Case Against ‘Hysterical Realism’ and Thomas Pynchon,” Antioch Review 66.4 (Fall 2008), 634–54.Google Scholar
“Secondary Bibliography” on Vheissu: About Thomas Pynchon’s Works,” vheissu.net.Google Scholar
Tanner, Tony, Thomas Pynchon (London: Methuen, 1982).Google Scholar
Herman, Luc, and Weisenburger, StevenGravity’s Rainbow, Domination, and Freedom(Athens, GA: University of Georgia Press, 2013).Google Scholar
Freer, Joanna, Thomas Pynchon and the American Counterculture (Cambridge: Cambridge University Press, 2014).Google Scholar
Dalsgaard, Inger H., Herman, Luc, and McHale, Brian (eds.), The Cambridge Companion to Thomas Pynchon (Cambridge: Cambridge University Press,2012).Google Scholar
McClintock, Scott, and Miller, John (eds.), Pynchon’s California (Iowa City, IA: University of Iowa Press, 2014).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Inger H. Dalsgaard, Aarhus Universitet, Denmark
  • Book: Thomas Pynchon in Context
  • Online publication: 31 May 2019
  • Chapter DOI: https://doi.org/10.1017/9781108683784.046
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Inger H. Dalsgaard, Aarhus Universitet, Denmark
  • Book: Thomas Pynchon in Context
  • Online publication: 31 May 2019
  • Chapter DOI: https://doi.org/10.1017/9781108683784.046
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Inger H. Dalsgaard, Aarhus Universitet, Denmark
  • Book: Thomas Pynchon in Context
  • Online publication: 31 May 2019
  • Chapter DOI: https://doi.org/10.1017/9781108683784.046
Available formats
×