Book contents
- European Literatures in Britain, 1815–1832
- Cambridge Studies in Romanticism
- European Literatures in Britain, 1815–1832
- Copyright page
- Contents
- Preface
- Acknowledgements
- Introduction
- Chapter 1 Periodicals and the Construction of European Literatures
- Chapter 2 Interpreting Nations
- Chapter 3 Italian Studies and Cultural Translation at Holland House
- Chapter 4 Foreign Presences on the National Stage
- Chapter 5 Continental Voices and Post-Napoleonic Politics in Southey, Byron, and Hemans
- Coda
- Select Bibliography
- Index
- Cambridge Studies in Romanticism
- References
Select Bibliography
Published online by Cambridge University Press: 29 September 2018
Book contents
- European Literatures in Britain, 1815–1832
- Cambridge Studies in Romanticism
- European Literatures in Britain, 1815–1832
- Copyright page
- Contents
- Preface
- Acknowledgements
- Introduction
- Chapter 1 Periodicals and the Construction of European Literatures
- Chapter 2 Interpreting Nations
- Chapter 3 Italian Studies and Cultural Translation at Holland House
- Chapter 4 Foreign Presences on the National Stage
- Chapter 5 Continental Voices and Post-Napoleonic Politics in Southey, Byron, and Hemans
- Coda
- Select Bibliography
- Index
- Cambridge Studies in Romanticism
- References
Summary
This brief section examines historical fiction from the post-Waterloo years as further evidence of the markedly cosmopolitan, international and transnational, tendencies in this phase of British literature. It starts from Walter Scott’s Waverley (1814) as encoding the geo-political changes, risks and opportunities that Napoleon’s defeat brought to bear on Britain’s insular history and identity. It then broadens its scope to consider historical novels from the 1820s that similarly engaged with national and foreign concerns. Subsequently it focuses on Charles Robert Maturin’s The Albigenses (1824) and its self-conscious reprise of Scott’s combination of British and Continental sources and themes. With its explicitly pan-European outlook, Maturin’s narrative represents past and present, and foreign and national questions, through ideologically loaded mechanisms of cultural translation and appropriation, which, as this book demonstrates, informed British relations to Continental European literatures and cultures from the mid-1810s to the mid-1830s.
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2018
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