Book contents
- The New Ezra Pound Studies
- Twenty-First-Century Critical Revisions
- The New Ezra Pound Studies
- Copyright page
- Contents
- Notes on Contributors
- Key to Abbreviations
- Editor’s Introduction
- Part I Pound’s Texts
- Part II Ezra Pound and Asia
- Chapter 8 Pound’s Representation of the Chinese Frontiers
- Chapter 9 ‘A Treasure Like Nothing We Have in the Occident’
- Chapter 10 Ezra Pound and Chinese Poetry
- Part III Culture and Politics
- Index
- References
Chapter 9 - ‘A Treasure Like Nothing We Have in the Occident’
Ezra Pound and Japanese Literature
from Part II - Ezra Pound and Asia
Published online by Cambridge University Press: 17 October 2019
Edited by
Book contents
- The New Ezra Pound Studies
- Twenty-First-Century Critical Revisions
- The New Ezra Pound Studies
- Copyright page
- Contents
- Notes on Contributors
- Key to Abbreviations
- Editor’s Introduction
- Part I Pound’s Texts
- Part II Ezra Pound and Asia
- Chapter 8 Pound’s Representation of the Chinese Frontiers
- Chapter 9 ‘A Treasure Like Nothing We Have in the Occident’
- Chapter 10 Ezra Pound and Chinese Poetry
- Part III Culture and Politics
- Index
- References
Summary
Pound’s relationship with Japanese literature can be broadly divided into three areas: the influence of ‘hokku’ on his work, his interest in ‘Noh’ drama, and his own impact on Japanese literature. The first of these has, until recently, dominated in English-language Pound scholarship about Japan.
- Type
- Chapter
- Information
- The New Ezra Pound Studies , pp. 141 - 156Publisher: Cambridge University PressPrint publication year: 2019
References
Works Cited
Arrowsmith, Rupert Richard, Modernism and the Museum: Asian, African and Pacific Art and the Avant-Garde (Oxford: Oxford University Press, 2011).Google Scholar
Bush, Christopher, ‘“I am all for the triangle”: The Geopolitical Aesthetic of Pound’s Japan’, in Ezra Pound in the Present: Essays on Pound’s Contemporaneity , ed. Paul Stasi and Josephine Park, 75–106 (London: Bloomsbury, 2016).Google Scholar
Carr, Helen, The Verse Revolutionaries: Ezra Pound, H. D. and The Imagists (London: Jonathan Cape, 2009).Google Scholar
Chamberlain, Basil Hall, ‘Bashō and the Japanese Poetical Epigram’, Transactions of the Asiatic Society of Japan, 30 (1902), 243–362.Google Scholar
Dōgen, , Shōbōgenzō zenyaku dokkai (‘Treasury of the True Dharma Eye with Complete Translation and Commentary’), ed. Fumio, Masutani, 8 Vols., Vol. 3 (Tokyo: Kōdansha, 2004).Google Scholar
Ewick, David, ‘Imagism Status Rerum and a Note on Haiku’, Make It New 2/1 (2015), 42–57.Google Scholar
Ewick, David, ‘Notes Toward a Cultural History of Japanese Modernism in Modernist Europe, 1910–1920. With Special Reference to Kōri Torahiko’, The Hemingway Review of Japan, 13 (June 2012), 19–36.Google Scholar
Fenollosa, Ernest, and Pound, Ezra, ‘Noh’ or Accomplishment (London: Macmillan, 1916).Google Scholar
Flint, F. S., ‘Book of the Week: Recent Verse’, The New Age, 3/2 (11 July 1908), 212–13.Google Scholar
Hakutani, Yoshinobu, Haiku and Modernist Poetics (Basingstoke: Macmillan, 2009).CrossRefGoogle Scholar
Harmer, J. B., Victory in Limbo: Imagism, 1908–1917 (London: Secker and Warburg, 1975).Google Scholar
Houwen, Andrew, ‘Ezra Pound’s Early Cantos and His Translation of Takasago’, Review of English Studies, 65/269 (April 2014), 321–41.CrossRefGoogle Scholar
Houwen, Andrew, ‘Thinking by Images: Kamo no Chōmei’s Hōjōki and Basil Bunting’s Chomei at Toyama’, Translation and Literature, 25/3 (Autumn 2016), 363–79.Google Scholar
Imamura, Tateo, ‘Hemingway, Pound, and the Japanese Artist, Tamijuro Kume’, The Hemingway Review of Japan, 13 (June 2012), 37–47.Google Scholar
Yoshiko, Kita, ‘Ezra Pound and Haiku: Why Did Imagists Hardly Mention Basho?’, Paideuma, 29/1–2 (Spring and Fall 2000), 179–91.Google Scholar
Toru, Kiuchi, ‘Noguchi Yonejirō – haiku wo sekai ni hirometa hito’ (‘Noguchi Yonejirō – The Person Who Spread Haiku Around the World’), Kadokawa haiku 65/10 (September 2016), 118–29.Google Scholar
Kleitz, Dorsey, ‘Michio Ito and the Modernist Vortex’, The Hemingway Review of Japan, 13 (June 2012), 49–57.Google Scholar
Kodama, Sanehide, Ezra Pound and Japan: Letters and Essays (Redding Ridge: Black Swan Press, 1987).Google Scholar
Mihálka, Réka, Japonism and Modernism: Ezra Pound and His Era (PhD thesis, Eötvös Loránd University, 2010).Google Scholar
Miyake, Akiko, Kodama, Sanehide and Teele, Nicholas, ed., A Guide to Ezra Pound and Ernest Fenollosa’s Classic Noh Theatre of Japan (Orono, MN: The National Poetry Foundation, 1994).Google Scholar
Sōji, Momota, Atarashii shi no kaishaku to tsukurikata (‘The Interpretation and Ways of Writing New Poetry’) (Tokyo: Kōseikaku, 1929).Google Scholar
Nadel, Ira, ed., Ezra Pound’s Letters to Alice Corbin Henderson (Austin: University of Texas Press, 1993).Google Scholar
Seiichi, Niikuni, ‘Konkuriito poetorii jūnen – ASA no seiritsu to sono tenkan’ (‘Ten Years of Concrete Poetry – ASA’s Foundation and Development’), in Niikuni Seiichi shishū (‘The Poems of Niikuni Seiichi’), ed. Kamimura Hiroo, 57–63 (Tokyo: ASA, 1979).Google Scholar
Toshikazu, Niikura, Shijintachi no seiki: Nishiwaki Junzaburō to Ezura Paundo (‘The Poets’ Century: Nishiwaki Junzaburō and Ezra Pound’) (Tokyo: Misuzu, 2003).Google Scholar
Pellecchia, Diego, ‘Ezra Pound and the Politics of Noh Film’, Philological Quarterly, 92/4 (Fall 2013), 499–516.Google Scholar
Makoto, Sangū, Shibun kenkyū (‘Poetry and Literature Studies’) (Tokyo: Sekibundō, 1918).Google Scholar
Solt, John, Shredding the Tapestry of Meaning: The Poetry and Poetics of Kitasono Katué (1902–1978) (Cambridge, MA: Harvard East Asian Monographs, 1999).Google Scholar
Takahashi, Miho, ‘Herakles on the Blazing Pyre: A Reading of The Women of Trachis’, in ROMA/AMOR: Ezra Pound, Rome, and Love, ed. Pratt, William and Ricciardi, Caterina, 215–28 (Brooklyn: AMS, 2013).Google Scholar
Kagotarō, Yamazaki, Haikaishidan (‘A Discussion of Haikai’s History’) (Tokyo: Hakubunkan, 1893).Google Scholar