Book contents
- The Cambridge Companion to The Body in Literature
- The Cambridge Companion to the Body in Literature
- The Body in Literature
- Copyright page
- Contents
- Notes on Contributors
- Book part
- 1 Introduction
- 2 Medieval Somatics
- 3 Disability
- 4 Staging Early Modern Embodiment
- 5 Eating, Obesity and Literature
- 6 Language and the Body
- 7 The Maternal Body
- 8 Literary Sexualities
- 9 The Body, Pain and Violence
- 10 The Ageing Body
- 11 Representing Dead and Dying Bodies
- 12 The Racialized Body
- 13 Literature, Technology and the Senses
- 14 Literature and Neurology
- 15 Psychoanalytic Bodies
- 16 Literature and Affect
- 17 Posthuman Bodies
- Index
- Cambridge Companions to…
- References
13 - Literature, Technology and the Senses
Published online by Cambridge University Press: 05 June 2015
Book contents
- The Cambridge Companion to The Body in Literature
- The Cambridge Companion to the Body in Literature
- The Body in Literature
- Copyright page
- Contents
- Notes on Contributors
- Book part
- 1 Introduction
- 2 Medieval Somatics
- 3 Disability
- 4 Staging Early Modern Embodiment
- 5 Eating, Obesity and Literature
- 6 Language and the Body
- 7 The Maternal Body
- 8 Literary Sexualities
- 9 The Body, Pain and Violence
- 10 The Ageing Body
- 11 Representing Dead and Dying Bodies
- 12 The Racialized Body
- 13 Literature, Technology and the Senses
- 14 Literature and Neurology
- 15 Psychoanalytic Bodies
- 16 Literature and Affect
- 17 Posthuman Bodies
- Index
- Cambridge Companions to…
- References
- Type
- Chapter
- Information
- The Cambridge Companion to the Body in Literature , pp. 177 - 196Publisher: Cambridge University PressPrint publication year: 2015
References
Further Reading
Classen, Constance. The Deepest Sense: A Cultural History of Touch. Urbana, Chicago, and Springfield: The University of Illinois Press, 2012.CrossRefGoogle Scholar
Cohen, William A. Embodied: Victorian Literature and the Senses. Minneapolis: University of Minnesota Press, 2011.Google Scholar
Colligan, Colette and Linley, Margaret, eds. Media, Technology, and Literature in the Nineteenth Century. Farnham, Surrey and Burlington, VT: Ashgate, 2011.Google Scholar
Connor, Steven. Dumbstruck: A Cultural History of Ventriloquism. Oxford: Oxford University Press, 2000.CrossRefGoogle Scholar
Harvey, Elizabeth D., ed. Sensible Flesh: On Touch in Early Modern Culture. Philadelphia: University of Pennsylvania Press, 2002.Google Scholar
Howes, David, ed. Empire of the Senses: The Sensual Culture Reader. Oxford and New York: Berg, 2005.Google Scholar
Howes, David and Classen, Constance. Ways of Sensing: Understanding the Senses in Society. London: Routledge, 2014.Google Scholar
Jennings, Humphrey. Pandaemonium 1660–1886: The Coming of the Machine as Seen by Contemporary Observers, eds. Marie-Louise Jennings and Charles Madge. London: Icon Books, 2012.Google Scholar
Kittler, Friedrich. Discourse Networks 1800/1900, trans. Metteer, Michael. Stanford, CA: Stanford University Press, 1992.Google Scholar
Sawday, Jonathan. Engines of the Imagination: Renaissance Culture and the Rise of the Machine. London and New York, 2007.Google Scholar
Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-factor. Chicago: University of Chicago Press, 1999.Google Scholar
Smith, Mark M. Sensing the Past: Seeing, Hearing, Tasting, and Touching in History. Berkeley and Los Angeles: University of California Press, 2007.Google Scholar
Stiegler, Bernard. Technics and Time, 1: The Fault of Epimetheus, trans. Beardsworth, Richard and Collins, George. Stanford, CA: Stanford University Press, 1998.CrossRefGoogle Scholar
Stiegler, BernardTechnics and Time, 2: Disorientation, trans. Barker, Stephen. Stanford, CA: Stanford University Press, 2009.Google Scholar
Stiegler, BernardTechnics and Time, 3: Cinematic Time and the Question of Malaise, trans. Barker, Stephen. Stanford, CA: Stanford University Press, 2010.Google Scholar
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