Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- 22 Beginnings
- 23 Imagining Cuba’s New Revolutionary Communities Through Film (1959–1989)
- 24 Shaping New Cultural Literacies
- 25 The Social Life of Music in Cuban Literary Culture
- 26 Casa de las Américas and Revolutionary Configurations of Latinoamericanismo
- 27 The Travels of Fiction in the Cuban Diaspora
- 28 Cuba’s Poetic Imaginary (1959–1989)
- 29 The Artistic Worlds of Guillermo Cabrera Infante
- 30 The Diasporic Odysseys of Reinaldo Arenas and His Writings
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
29 - The Artistic Worlds of Guillermo Cabrera Infante
from Part IV - The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
Published online by Cambridge University Press: aN Invalid Date NaN
Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- 22 Beginnings
- 23 Imagining Cuba’s New Revolutionary Communities Through Film (1959–1989)
- 24 Shaping New Cultural Literacies
- 25 The Social Life of Music in Cuban Literary Culture
- 26 Casa de las Américas and Revolutionary Configurations of Latinoamericanismo
- 27 The Travels of Fiction in the Cuban Diaspora
- 28 Cuba’s Poetic Imaginary (1959–1989)
- 29 The Artistic Worlds of Guillermo Cabrera Infante
- 30 The Diasporic Odysseys of Reinaldo Arenas and His Writings
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
Summary
This chapter addresses the literary-artistic worlds marking the work of Cuban fiction writer, journalist, and film critic Guillermo Cabrera Infante, demonstrating first that the stories of cultural publications in the 1950s, like the longstanding Bohemia and Carteles, and of the new postrevolutionary initiative of the early 1960s, Lunes de Revolución, cannot be understood without tracing the key role Cabrera Infante played in them during these years. But, as the chapter details, Cabrera Infante’s own masterpieces, Tres tristes tigres (1967) and Vista del amanecer en el trópico (1974), are also more fully illuminated by pursuing such connections. In making these links, the chapter proposes that the convergences in Cabrera Infante’s journalism, cinema criticism, and fiction created a “poetics of the fragment” that embodied a privileging of ambiguity over didacticism in art.
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- The Cambridge History of Cuban Literature , pp. 454 - 468Publisher: Cambridge University PressPrint publication year: 2024
References
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