Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- 3 Alexander von Humboldt and the Cultural Invention of Cuba Among Its Nineteenth-Century Intellectual Elite
- 4 Philosophy and Pedagogy in Félix Varela, José de la Luz y Caballero, and Enrique José Varona
- 5 Mercedes Merlin and the Rhetoric of Life Writing, Exile, and Race
- 6 The Lyric Vernacular of Cuban Romanticism
- 7 Gertrudis Gómez de Avellaneda as Literary Precursor and Transatlantic Intellectual
- 8 Racialized Futures
- 9 Journalism and Nineteenth-Century Literary Culture
- 10 José Martí as Hemispheric Visionary
- 11 Julián del Casal and the Other Faces of Cuban Modernismo
- 12 Performance Worlds of Nineteenth-Century Cuban Theater
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
12 - Performance Worlds of Nineteenth-Century Cuban Theater
from Part II - Cuban Literature’s Long Nineteenth Century
Published online by Cambridge University Press: aN Invalid Date NaN
By
Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- 3 Alexander von Humboldt and the Cultural Invention of Cuba Among Its Nineteenth-Century Intellectual Elite
- 4 Philosophy and Pedagogy in Félix Varela, José de la Luz y Caballero, and Enrique José Varona
- 5 Mercedes Merlin and the Rhetoric of Life Writing, Exile, and Race
- 6 The Lyric Vernacular of Cuban Romanticism
- 7 Gertrudis Gómez de Avellaneda as Literary Precursor and Transatlantic Intellectual
- 8 Racialized Futures
- 9 Journalism and Nineteenth-Century Literary Culture
- 10 José Martí as Hemispheric Visionary
- 11 Julián del Casal and the Other Faces of Cuban Modernismo
- 12 Performance Worlds of Nineteenth-Century Cuban Theater
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
Summary
Anchored in rich archival material, this chapter explores the diverse performance centers; dramatic genres; and key writers, actors, metamorphosing stock characters, and forms of humor that marked theater in Cuba’s long nineteenth century. Drawing on the growing diversity of Havana audiences for theatrical entertainment, interwoven with the stereotypes of ethnicity, race, and social class that often peppered theatrical genres, the chapter frames its detailed examples within the larger questions posed by a literary history, including whose theater history should be told and, in the context of the widely located political, economic, and commercial forces marking the island’s history, to which geographies and colonial or national temporalities its nineteenth-century theater history should belong.
Keywords
- Type
- Chapter
- Information
- The Cambridge History of Cuban Literature , pp. 200 - 214Publisher: Cambridge University PressPrint publication year: 2024
References
Works Cited
Andueza, José. Isla de Cuba pintoresca, histórica política, literaria, mercantil e industrial: Recuerdos, apuntes, impresiones de dos épocas. Boix, 1841. British Library Historical Print Editions, 2011.Google Scholar
Brown, Vincent. Tacky’s Revolt: The Story of an Atlantic Slave War. Harvard UP, 2020.CrossRefGoogle Scholar
Crespo y Borbón, Bartolomé José. [Creto Gangá]. “Un ajiaco, o la Boda de Pancha Jutía y Canuto Raspadura, juguete cómico.” [1847]. Teatro bufo, siglo XIX, antología, vol. 1, edited by Leal, Rine, Arte y Literatura, 1975, pp. 45–93.Google Scholar
“Dichos y Hechos.” Don Circunstancias, 18 Sept. 1881.Google Scholar
Documents regarding the Lealtad 128, 1883. Fondo: Gobierno General, Leg 52, no. 2296. Archivo Nacional de Cuba, Havana, Cuba.Google Scholar
Fernández de la Reguera Tayà, Tànit. Cuba y Cataluña en la segunda mitad del siglo XIX: Teatro popular e identidades (proto)nacionales. Pliegos, 2020.Google Scholar
Ferrer, Ada. Freedom’s Mirror: Cuba and Haiti in the Age of Revolution. Cambridge UP, 2016.Google Scholar
Gruesz, Kirsten. Ambassadors of Culture: The Transamerican Origins of Latino Writing. Princeton UP, 2020.CrossRefGoogle Scholar
Heredia, José Maria. “El campesino espantado.”Teatro Cubano: Hasta finales del siglo XIX, edited by Sánchez, Gerardo, CreateSpace Independent Publishing Platform, 2010, pp. 21–29.Google Scholar
Hernández González, Manuel. El primer teatro de la Habana: El Coliseo (1775–1793). Ediciones Idea, 2009.Google Scholar
Leal, Rine. La selva oscura: Historia del teatro cubano desde sus orígenes hasta 1868. Arte y Literatura, 1975.Google Scholar
Le Guin, Elizabeth. The Tonadilla in Performance: Lyric Comedy in Enlightenment Spain. U of California P, 2014.Google Scholar
Letters regarding “El Teatro Chino. Lealtad 128,” 1874–1875. Fondo: Gobierno General, Leg. 137, no. 7927. Archivo Nacional de Cuba, Havana, Cuba.Google Scholar
López, Kathleen. Chinese Cubans: A Transnational History. U of North Carolina P, 2013.CrossRefGoogle Scholar
Manzano, Juan Francisco. “Zafira: Tragedia en cinco actos.”Autobiografía del esclavo poeta y otros escritos, edited by Luis, William, Verlagsgesellschaft, 2016, pp. 201–290.CrossRefGoogle Scholar
Martí, José. Abdala Obras completas, vol. 18. Editorial Nacional de Cuba, 1964, pp. 11–24.Google Scholar
Martiatu, Inés María. “El negrito y la mulata en el vórtice de la nacionalidad.” Bufo y nación: Interpelaciones desde el presente. Letras Cubanas, 2009, pp. 68–104.Google Scholar
Moreno Fraginals, Manuel. El ingenio: Complejo económico social cubano del azúcar. Ciencias Sociales, 1978.Google Scholar
Olsen, Margaret. “Manzano’s Zafira and the Performance of Cuban Nationhood.” Hispanic Review, vol. 75, no. 2, 2007, pp. 135–158.CrossRefGoogle Scholar
Ortiz, Fernando. Cuban Counterpoint: Tobacco and Sugar. Translated by Harriet de Onís, Duke UP, 1995.Google Scholar
Villabella, Manuel, and Boudet, Rosa Ileana. Cuba entre cómicos: Candamo, Covarrubias y Prieto. La Flecha, 2015.Google Scholar
Yun, Lisa. The Coolie Speaks: Chinese Indentured Laborers and African Slaves in Cuba. Temple UP, 2009.Google Scholar