Adkins, L., and R. Dictionary of Roman Religion. New York, 1996.Google Scholar

Aelian, . On Animals.Google Scholar

Aelius Aristides, . The Complete Works, 2 Vols. Translated by Behr, C. Leiden, 1981.Google Scholar

Aeschylus, . ‘Agamemnon’. In Complete Plays, vol. 1. Translated by Mueller, Carl R. Hanover, NH, 2002.Google Scholar

Aldrete, G. Gestures and Acclamations in Ancient Rome. Baltimore, 1999.Google Scholar

Allison, P. Pompeian Households: An Analysis of the Material Culture. Los Angeles, 2004.Google Scholar

Allison, P. ‘The Relationship between Wall-Decoration and Room-Type in Pompeian Houses: A Case Study of the Casa della Caccia Antica’. JRA 5 (1992): 235–49.Google Scholar

Allison, P. ‘How Do We Identify the Use of Space in Roman Housing?’ In Functional and Spatial Analysis of Wallpainting: BABESCH, Supplement 3, edited by Moormann, E., 1–8. Leiden, 1993.Google Scholar

Allison, P. ‘Using the Material and Written Sources: Turn of the Millennium Approaches to Roman Domestic Space’. AJA 105 no. 2 (2001): 181–208.Google Scholar

Allison, P. “Engendering Roman domestic space”. In Building Communities, 343–50. London, 2007.Google Scholar

Allison, P., ed. Archaeology of Household Activities. London, 1999.Google Scholar

Allison, P., and Sear, F.. ‘Casa della Caccia Antica’. In Haüser in Pompeji, vol. 11. Munich, 2002.Google Scholar

Allroggen-Bedel, A. Maskendarstellungen in der Römisch-Kampanischen Wandmalerei. Munich, 1974.Google Scholar

Allroggen-Bedel, A. ‘Megalographien in der römisch-kampanischen Wandmalerei: Uberlegungen zu ihrer Interpretation’. Bonner Jahrbucher 208 (2008): 29–44.Google Scholar

Anderson, J. Jr. ‘Architecture, Space, and Society in the Roman World: Quotidian Architecture and Individual Space’. In Roman Architecture and Society, Chapter 6, 288–336. Baltimore: John Hopkins Press, 1997.Google Scholar

Anderson, M. Pompeian Frescoes in the Metropolitan Museum of Art. New York, 1987.Google Scholar

Andreae, B. The Art of Rome. Translated by Wolf, R. New York, 1978.Google Scholar

Anguissola, A. ‘The Dynamics of Seclusion: Observations on the Casa del Labirinto and the Casa degli Amorini Dorati at Pompeii’. In Privata Luxuria, 31–47. Munich: Herbrt Utz Verlag GmbH, 2012.Google Scholar

Anguissola, A. ‘Per una Semantica della Tradizione Architettonica: Il Biclinium nella Casa di Apollo a Pompei (VI, 7, 23)’. Prospettiva: Rivista di Storia dell’Arte Antica e Moderna 146 (2012): 2–21.Google Scholar

Annali dell’Instituto di Corrispondenza Archeologica [= AdI ]. Rome, 1829–1885.Google Scholar

Anonymous, . Ad Herennium.Google Scholar

Aoyagi, M. ‘Somma Vesuviana, c. d. Villa di Augusto. Aggiornamenti dalle indagini 2009–2010’. Amoenitas: Rivista Internazionale di Studi Miscellanei sulla Villa Romana Antica 2 (2012): 219–40.Google Scholar

Aoyagi, M. ‘La c. d. Villa di Augusto a Somma Vesuviana (NA). Nuove Ipotesi di Lettura Sulla Base delle Piu Recenti Ricerche Archeologiche’. Atti della Pontificia Accademia Romana di Archeologia, Rendiconti 85 (2012–2013): 171–202.Google Scholar

Apuleius, . Selections of Metamorphoses, Florida, Apologia, edited by Helm, R. Leipzig, 1921.Google Scholar

Appian, . Roman History, Volume IV: Civil Wars, Books 1–2. Edited and translated by McGing, Brian. Loeb Classical Library 5. Cambridge, MA: Harvard University Press, 2020.Google Scholar

Arias, P. ‘l’Evoluzione della Scena del teatro Romano’. Studi Romani 22 (1974): 17–24.Google Scholar

Aristodemou, G. ‘Theatre Façades and Façade Nymphaea. The Link between’. Bulletin de Correspondance Hellénique 135 no. 1 (2011): 163–97.CrossRefGoogle Scholar

Aristotle, . Poetics.Google Scholar

Aste, A. Il Teatro Antico a Roma: Allestimento e Drammaturgia. Tricase, 2009.Google Scholar

Athenaeus, . The Learned Banqueters, Volume I, and II: Edited and translated by Olson, S. Douglas. Loeb Classical Library 204. Cambridge, MA: Harvard University Press, 2007.Google Scholar

Augustine, . De Civitate Dei. Volume VI. Translated by Greene, W. C.. Harvard University Press, 1969.Google Scholar

Augustus, . Res Gestae. Translated by Shipley, Frederick W.. Loeb Classical Library 152. Cambridge, MA: Harvard University Press, 1924.Google Scholar

Gellius, Aulus. Noctes Atticae. Translated by Rolfe, J. C.. Loeb Classical Library, 195. Cambrdige, MA: Harvard University Press, 1927.Google Scholar

Axer, J. ‘Tribunal-Stage-Arena: Modelling of the Communication Situation in M. Tullius Cicero’s Judicial Speeches’. Rhetorica 7 no. 4 (1989): 299–311.CrossRefGoogle Scholar

Axer, J. ‘Spettatori e Spettacoli nell Roma Antica’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 221–29.Google Scholar

Baldassarre, I., et al., eds. Pittura Romana dall’Ellenismo al Tardo-Antico. Milan, 2002.Google Scholar

Barbet, A. La Peinture Romaine: Les Styles Décoratifs Pompéins. Paris, 1985.Google Scholar

Barchiesi, A. ‘Occhi Eruditi’. In Maecenas: Il Collezionismo nel Mondo Romano dall’Età degli Scipioni a Cicerone, edited by Fabbrini, F., 59–66. Arezzo, 2001.Google Scholar

Barnabei, F. Gli Scavi di Ercolano. Rome, 1878.Google Scholar

Barnabei, F. La Villa Pompeiana di P. Fannio Sinistore Scoperto Presso Boscoreale. Rome, 1901.Google Scholar

Barre, L. Herculanum et Pompéi. Recueil Général des Peintures, Bronzes, Mosaïques, etc, 7 Vols. Paris, 1861–1862.Google Scholar

Barthes, R. The Responsibility of Forms. Translated by Howard, R. Oxford, 1992.Google Scholar

Bartman, E. ‘Sculptural Collecting and Display in the Private Realm’. In Roman Art in the Private Sphere, edited by Gazda, E., 71–88. Ann Arbor, MI, 1991.Google Scholar

Barton, C. The Sorrows of the Ancient Romans. Princeton, NJ, 1993.Google Scholar

Bartsch, S. Actors in the Audience. Cambridge, MA, 1994.CrossRefGoogle Scholar

Baumann, M. Bilder Schreiben: Virtuose Ekphrasis in Philostrats “Eikones”. Berlin and New York, 2011.Google Scholar

Beacham, R. The Roman Theatre and Its Audience. Cambridge, MA, 1991.Google Scholar

Beacham, R. Spectacle Entertainments of Early Imperial Rome. New Haven, CT, 1999.Google Scholar

Beacham, R. ‘The Development of the Roman Stage: A Missing Link Restored’. Theatre Research International 5 no. 1 (1980): 37–45.Google Scholar

Beacham, R. ‘The Emperor as Impresario: Producing the Pageantry of Power’. In The Cambridge Companion to the Age of Augustus, edited by Galinsky, K., 151–74. Cambridge, 2005.Google Scholar

Beacham, R. Review of Roman Theatres: An Architectural Study, by Sear, F. JRS 97 (2007): 359–61.Google Scholar

Beacham, R. ‘Playing Places: The Temporary and the Permanent’. In Cambridge Companion to Greek and Roman Theatre, edited by Walton, J. and McDonald, M., 202–26. Cambridge, 2007.Google Scholar

Beacham, R. ‘Roman Frescoes from Boscoreale: The Villa of Publius Fannius Synistor in Reality and Virtual Reality’. In The Metropolitan Museum of Art Bulletin 67 no. 4, edited by Bergmann, B., De Caro, S., Mertens, J., and Meyer, R.. New York and New Haven, 2010.Google Scholar

Beacham, R. ‘“Ea omnia, quae scaenicis moribus per machinationem ad spectationis populo conparantur”: Observations on Staging the Ludi Virtuales’. In Greek and Roman Games in the Computer Age, edited by Thorsen, T., 109–24. Trondheim, 2012.Google Scholar

Beacham, R. ‘Otium, Opulentia and Opsis: Setting, Performance and Perception within the mise-en-scène of the Roman House’. In Performance in Greek and Roman Theatre, edited by Harrison, G. and Liapis, V., 361–408. Leiden and Boston, 2013.Google Scholar

Beacham, R. ‘Heron of Alexandria’s ‘Toy Theatre’ Automaton: Reality, Allusion and Illusion’. In Performance and Analogue Technology: Interfaces and Intermedialities, edited by Reilly, K., 15–39. Basingstoke, 2013.CrossRefGoogle Scholar

Beacham, R. ‘Architectural, Pictorial and Virtual Environments: Making Space for the Oculus Mentis of Ancient Theatre’. In Close Relations: Spaces of Greek and Roman Theatre, edited by Monaghan, P. and Griffiths, J., 63–94. Newcastle upon Tyne, 2016.Google Scholar

Beacham, R. ‘“I Dreamt I Dwelt in Marble Halls”: Using Computer Based Visualisation of Roman Domestic Architecture to Evoke the Built and the “Felt” Environment’. In Digital Cities: In between History and Archaeology, edited by Forte, M. and Murteira, H., 42–61. Oxford, 2020.Google Scholar

Beacham, R., et al. ‘The Villa of P. Fannius Synistor at Boscoreale: A Virtual Tour’. Accessed August 18, 2020. www.metmuseum.org/metmedia/video/collections/gr/boscoreale-model.Google Scholar

Beacham, R., Baker, D., Blazeby, M., and Denard, H.. ‘The Visualisation of the Boscoreale Villa in 3-D’. In La Villa Romaine de Boscoreale et ses Fresques, edited by Barbet, A. and Verbanck-Piérard, A., 165–95. Arles, 2014.Google Scholar

Beacham, R., Denard, H, and Blazeby, M. ‘Roman Theatre and Frescoes: Intermedial Research Through Applied Digital Visualisation Technologies’. In Virtual Reality at Work in the 21st Century: Impact on Society, edited by Thwaites, H. Budapest, 2005.Google Scholar

Beard, M. The Roman Triumph. Cambridge, MA, 2007.Google Scholar

Beard, M. ‘The Triumph of the Absurd: Roman Street Theatre’. In Rome the Cosmopolis, edited by Edwards, C and Woolf, G, 21–43. Cambridge, 2003.Google Scholar

Beard, M., and Henderson, J., eds. Classical Art: From Greece to Rome. Oxford, 2001.Google Scholar

Behrendt, P. ‘The Cult of Dionysus and the Roman Theatre: Dionysian Iconography in a Scenographic Painting from the Fourth Pompeian Style’. In Theatre History Studies Vol. 4, 1–30. Grand Forks, ND, 1984.Google Scholar

Bek, L. ‘Antithesis: A Roman Attitude and its Changes as Reflected in the Concept of Architecture from Vitruvius to Pliny the Younger’. In Studia Romana in Honorem Petri Krarup Septuagenarii, edited by Ascani, K. et al., 154–66. Odense, 1976.Google Scholar

Bek, L. ‘Towards Paradise on Earth’. Analecta Romana Instituti Danici 9 (1980).Google Scholar

Bek, L. ‘Towards Paradise on Earth’ Part III: ‘Axes and Space in Antiquity’, 164–203.Google Scholar

Bek, L. ‘Quaestiones Convivales: The Idea of the Triclinium and the Staging of Convivial Ceremony from Rome to Byzantium’. Analecta Romana Instituti Danici 12 (1983): 81–107.Google Scholar

Bell, A. Spectacular Power in the Greek and Roman City. Oxford, 2004.CrossRefGoogle Scholar

Bergmann, B. ‘Painted Perspectives of a Villa Visit: Landscape as Status and Metaphor’. In Roman Art in the Private Sphere, edited by Gazda, E., 49–70. Ann Arbor, MI, 1991.Google Scholar

Bergmann, B. ‘The Roman House as Memory Theater: The House of the Tragic Poet in Pompeii’. The Art Bulletin 76 no. 2 (1994): 225–56.Google Scholar

Bergmann, B. ‘Greek Masterpieces and Roman Recreative Fictions’. In Harvard Studies in Classical Philology Volume 97: Greece in Rome: Influence, Integration, Resistance, 79–120. Cambridge, MA, 1995.Google Scholar

Bergmann, B. ‘The Pregnant Moment: Tragic Wives in the Roman Interior’. In Sexuality in Ancient Art, edited by Kamper, N., 199–218. Cambridge, 1996.Google Scholar

Bergmann, B. ‘Rhythms of Recognition: Mythological Encounters in Roman Landscape Painting’. In Deutsches Archäologisches Institut Rom, Palilia 6: Im Spiegel des Mythos: Bilderwelt und Lebenswelt, 81–108. Wiesbaden, 1999.Google Scholar

Bergmann, B. ‘Introduction: The Art of Ancient Spectacle’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 9–35. Washington, DC, 1999.Google Scholar

Bergmann, B. ‘Houses of Cards’. JRA 14 (2001): 56–57.Google Scholar

Bergmann, B. ‘Art and Nature in the Villa at Oplontis’. JRA Supplement 47 (2002): 87–120.Google Scholar

Bergmann, B. ‘Playing with Boundaries: Painted Architecture in Roman Interiors’. In The Built Surface Volume 1: Architecture and the Pictorial Arts from Antiquity to the Enlightenment, edited by Anderson, C., 15–46. Aldershot, 2002.Google Scholar

Bergmann, B. ‘Final Hours: Victims of Vesuvius and Their Possessions’. Review of Pompeii: Stories from an Eruption (Field Museum, Chicago) and Pompeii: Stories from an Eruption: Guide to the Exhibition, edited by Guzzo, P. AJA 110 no. 3 (2006): 493–501.Google Scholar

Bergmann, B. ‘Staging the Supernatural: Interior Gardens of Pompeian Houses’. In Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, edited by Mattusch, C., 53–69. New York, 2008.Google Scholar

Bergmann, B. ‘The Gardens and Garden Paintings of Villa A’. In Leisure and Luxury in the Age of Nero, edited by Gazda, E. and Clarke, J., 96–110. Ann Arbor, MI, 2016.Google Scholar

Bergmann, B. ‘Frescoes in Roman Gardens’. In Gardens of the Roman Empire, edited by Jashemski, W., Gleason, K., Hartswick, K., and Malek, A., 278–316. Cambridge, 2018.Google Scholar

Bergmann, B., and Kondoleon, C., eds. The Art of Ancient Spectacle. Washington, DC, 1999.Google Scholar

Berkowitz, L., and Squitier, K.. Thesaurus Linguae Graecae: Canon of Greek Authors and Works, 3rd edition. Oxford, 1990.Google Scholar

Berry, J. ‘Household Artefacts: Towards a Re-Interpretation of Roman Domestic Space’. In Domestic Space in the Roman World: Pompeii and Beyond, edited by Laurence, R and Wallace-Hadrill, A. JRA Supplement 22 (1997): 183–95.Google Scholar

Beyen, H. Die Pompejanische Wanddekoration vom Zweiten bis zum Vierten Stil Vol. 1. Gravenhage, 1937.Google Scholar

Beyen, H. Die Pompejanische Wanddekoration vom Zweiten bis zum Vierten Stil Vol. 2. Gravenhage, 1960.Google Scholar

Beyen, H. ‘Das Stilistische und Chronologische Verhältnis der letzten drei Pompejanischen Stile’. In Antiquity and Survival Vol. 2, 349–72. The Hague, 1958.Google Scholar

Beyen, H. ‘Article on Pompeian Styles’. In Enciclopedia dell’Arte Antica Vol. 6, 356 ff. Rome, 1961.Google Scholar

Bezerra de Meneses, U. ‘La Peinture’. In Guide de Delos, edited by Bruneau, P. and Ducat, J.. Paris, 1983.Google Scholar

Bianco, A. ‘Il fregio delle Amazzoni nella Casa del Poeta Tragico a Pompei’. Rivista di Studi Pompeiani 18 (2007): 53–66.Google Scholar

Bieber, M. Die Denkmäler zum Theaterwesen im Altertum. Berlin and Leipzig, 1920.Google Scholar

Bieber, M. History of the Greek and Roman Theatre. Princeton, NJ, 1961.Google Scholar

Bieber, M. ‘Wurden die tragödien des Seneca in Rom aufgeführt?’. RM 60–61 (1953–1954): 100–06 and Tables.Google Scholar

Bieber, M. Review of Roman Perspective Painting and the Ancient Stage, by Little, A. AJA 76 no. 4 (1972): 454–56.Google Scholar

Boëthius, A. ‘On the Ancestral Masks of the Romans’. Acta Archaeologica 13 (1942): 226ii–234i.Google Scholar

Bollinger, T. Theatralis Licentia: Publikumsdemonstrationen an den Öffentlichen Spielen im Rom der Früheren Kaiserzeit und ihre Bedeutung im Politischen Leben. Winterthur, 1969.Google Scholar

Boman, H. ‘Let There Be Light: Light in Atrium Houses in Roman Pompeii and Herculaneum’. Vesuviana 3 (2011): 89–102.Google Scholar

Bonaria, M. ‘La musica conviviale dal mondo latino antico al medioevo’. In Spettacoli Conviviali dall’Antichità Classica alle Corti Italiane del’400, edited by Doglio, F., 119–47. Viterbo, 1982.Google Scholar

Booms, D. ‘Problematising privacy at the imperial villas’. In Making Roman Places, Past and Present, edited by Totten, D. and Samuels, K., 91–102. Portsmouth, 2012.Google Scholar

Borbein, A. ‘Zur Deutung von Scherwand und Durchblick auf den Wandgemälden des Zweiten Pompejanischen Stils’. In Neue Forschungen in Pompeji und den anderen vom Vesuvausbruch 79 n. Chr. verschütteten Städten, edited by Andreae, B and Kyrieleis, H, 61–70. Recklinghausen, 1975.Google Scholar

Boyle, A. Roman Tragedy. London, 2006.Google Scholar

Bradley, K. ‘The Roman Family at Dinner’. In Meals in a Social Context, edited by Nielsen, I and Nielsen, H, 36–55. Aarhus, 1998.Google Scholar

Braginskaia, N. ‘Ekphrasis as Conversation and Archaic Type of Theatrical Performance’ (unpublished piece).Google Scholar

Brandt, J. ‘Sacra Privata in the Roman Domus. Private or public?’. In Acta ad Archaeologiam et Artium Historiam Pertinentia 23 (2010): 57–117.Google Scholar

Braund, D., and Gill, C, eds. Myth, History and Culture in Republican Rome: Studies in Honour of T. P. Wiseman. Exeter, 2003.Google Scholar

Bremmer, J., and Roodenburg, H., eds. A Cultural History of Gesture. Oxford, 1993.Google Scholar

Brendel, O. Prolegomena to the Study of Roman Art. New Haven, CT, 1979.Google Scholar

Breton, E. Pompeia Décrite et Dessinée, 2nd revised edition. Paris, 1869.Google Scholar

Brilliant, R. Gesture and Rank in Roman Art. New Haven, CT, 1963.Google Scholar

Brilliant, R. Pompeii AD 79: The Treasure of Rediscovery. New York, 1979.Google Scholar

Brown, P. ‘Greek Comedy and the Atellana’. In L’Atellana Preletteraria, edited by Raffaelli, R. and Tontini, A., 7–27. Urbino, 2013.Google Scholar

Brown, S. ‘Death as Decoration: Scenes from the Arena on Roman Domestic Mosaics’. In Pornography and Representation in Greece and Rome, edited by Richlin, A., 180–211. Oxford, 1992.Google Scholar

Bruno, V. ‘The Mariemont Fragments from Boscoreale in Color’. In Functional and Spatial Analysis of Wallpainting: BABESCH Supplement 3, edited by Moormann, E., 223–33. Leiden, 1993.Google Scholar

Bryson, N. ‘Semiology and Visual Interpretation’. In Visual Theory: Painting and Interpretation by Bryson, N, Holly, M, and Moxey, K. New York, 1991.Google Scholar

Bryson, N. ‘Philostratus and the Imaginary Museum’. In Art and Text in Ancient Greek Culture, edited by Goldhill, S. and Osborne, R., 255–83. Cambridge, 1994.Google Scholar

Bulle, H. Untersuchungen an Griechischen Theatern. Munich, 1928.Google Scholar

Bulle, H. Eine Skenographie. Berlin, 1934.Google Scholar

Bulle, H. Bullettino Archeologico Napoletano [= BAN], new series, Vols. 1–7. Naples, 1852–1859.Google Scholar

Bulle, H. Bullettino dell’Instituto di Corrispondenza Archeologica [= BdI]. Rome and Berlin, 1829–1885.Google Scholar

Bundy, M. ‘The Theory of Art: Quintilian, Longinus, and Philostratus’. In The Theory of Imagination in Classical and Mediaeval Thought, Chapter 5. Urbana, 1927.Google Scholar

Burlot, D. Les Muses des Praedia de Julia Felix. Paris, 2012.Google Scholar

Burrell, B. ‘What Was the Regia in the Roman Theater?’. In Eretz-Israel: Archaeological, Historical and Geographical Studies Vol. 31, edited by Weiss, Z. and Geva, H.. Jerusalem, 2015.Google Scholar

Burrell, B. ‘False Fronts: Separating the Imperial Cult from the Aedicular Façade in Roman Asia Minor’. AJA 110 no. 3 (2006): 437–69.Google Scholar

Buscemi, F. Architettura e Romanizzazione della Sicilia di eta Imperiale: gli Edifici per Spettacoli. Palermo, 2012.Google Scholar

Busen, T. ‘Hölzerne Bühnenbauten am Theater der Villa Pausilypon bei Neapel’. In Bericht über die 49 Tagung für Ausgrabungswissenschaft und Bauforschung, 140–47. Stuttgart, 2017.Google Scholar

Butterworth, A., and Laurence, R.. Pompeii: The Living City. London, 2005.Google Scholar

Caesar Conte Corti, E. The Destruction and Resurrection of Pompeii and Herculaneum. London, 1951.Google Scholar

Callistratus, . Descriptiones Statuarum. Translated by Arthur Fairbanks. Loeb Classical Library, 256. Cambridge, MA: Harvard University Press, 1931.Google Scholar

Siculus, Calpurnius. Eclogae. Translated by J. Wight Duff, Arnold M. Duff. Loeb Classical Library, 284. Cambridge, MA: Harvard University Press, 1934.Google Scholar

Cameron, A. ‘Young Achilles in the Roman World’. JRS 99 (2009): 1–22.Google Scholar

Camerota, F. ‘Optics and the Visual Arts: The Role of Skenographia’. In Homo Faber: Studies on Nature, Technology, and Science at theTime of Pompeii, by Renn, J and Castagnetti, G, 121–41. Rome, 2002.Google Scholar

Camodeca, G. ‘I Lucretii Valentes Pompeiani…’. In Pompei, Capri e la Penisola Sorrentina, edited by Senatore, F, 323–47. Capri, 2004.Google Scholar

Carandini, A., et al., eds. Settefinestre: Una Villa Schiavistica nell’Etruria Romana. Modena, 1985.Google Scholar

Carettoni, G. Das Haus des Augustus auf dem Palatin. Translated by Feussner, S. Mainz, 1983.Google Scholar

Carettoni, G. ‘Due Nuovi Ambienti Dipinti Sul Palatino’. Bollettino d’Arte 4 (1961): 189–99.Google Scholar

Carletti, G. Antiche Camere delle Termi di Tito e loro Pitture Restituite al Pubblico da Ludovico Mirri Romano. Rome, 1776.Google Scholar

Carlotto, K. ‘Beyond the Two Dimensional: The Context of Frescoes within the Roman Home’. Accessed August 21, 2020. www.academia.edu/6145875/Beyond_the_Two_Dimensional_The_Context_of_Frescoes_within_the_Roman_Home.Google Scholar

Carpenter, T., and Faraone, C, eds. Masks of Dionysus. Ithaca, 1993.Google Scholar

Carroll, M. ‘Exploring the sanctuary of Venus and its sacred grove: politics, cult and identity in Roman Pompeii’. PBSR 78 (2010): 63–106.Google Scholar

Cassetta, R. ‘Un raro fregio figurato di I stile dalla Casa del Naviglio (VI 10,11) di Pompei’. In Pittura Ellenistica in Italia e in Sicilia, edited by La Torre, G and Torelli, M, 473–79. Rome, 2011.Google Scholar

Dio, Cassius. Roman History.Google Scholar

Castrén, P. Ordo Populusque Pompeianus: Polity and Society in Roman Pompeii, Acta Instituti Romani Finlandiae 8, 185–207. Rome, 1975.Google Scholar

Castrén, P. Domus Pompeiana: Una Casa a Pompei. Helsinki, 2008.Google Scholar

Castrén, P., Berg, R., Tammisto, A., and Viitanen, E.. ‘In the Heart of Pompeii – Archaeological Studies in the Casa di Marco Lucrezio (IX, 3, 5.24)’. In Nuove Ricerche Archeologiche nell’Area Vesuviana (scavi 2003–2006), edited by Guzzo, P. and Guidobaldi, M., 331–40. Rome, 2008.Google Scholar

Cerulli Irelli, G., et al. La Peinture de Pompéi. 2 Vols. Paris, 1993.Google Scholar

Cerutti, S., and Richardson, L.. ‘Vitruvius on Stage Architecture and Some Recently Discovered Scaenae Frons Decorations’. JSAH 48 (1989): 172–79.Google Scholar

Champlin, E. Nero. Cambridge, MA, 2003.Google Scholar

Champlin, E. ‘Agamemnon at Rome: Roman Dynasts and Greek Heroes’. In Myth, History and Culture in Republican Rome, edited by Braund, D. and Gill, C., 295–319. Exeter, 2002.Google Scholar

Chaniotis, A. ‘Theatricality Beyond the Theater: Staging Public Life in the Hellenistic World’. In De la Scène aux Gradins: Thêatre et Représentations Dramatiques après Alexandre le Grand dans les Cités Hellénstiques, edited by Le Guen, B., 219–59. Toulouse, 1997.Google Scholar

Charles-Picard, G. Roman Painting. New York, 1970.Google Scholar

Chiarini, G. ‘Alcune Riflessioni sull’Origine del vari Generi Teatrali a Roma’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 193–207.Google Scholar

Christensen, J. ‘Vindicating Vitruvius on the Subject of Perspective’. JHS 119 (1999): 161–66.Google Scholar

Ciardiello, R. ‘La Villa di Poppea ad Oplontis: decorazioni dalla Repubblica all’Impero’. In Apolline Project Volume 1: Studies on Vesuvius’ North Slope and the Bay of Naples, edited by De Simone, G. and Macfarlane, R., 64–76. Rome, 2009.Google Scholar

Cicero, . Ad Atticum. Letters to Atticus, Volume I, II, III and IV Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 7, 8, 97 and 491 Cambridge, MA: Harvard University Press, 1999.Google Scholar

Cicero, . Ad Familiares. Letters to Friends, Volume I, II and III: Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 205, 216 and 230. Cambridge, MA: Harvard University Press, 2001.Google Scholar

Cicero, . De Amicitia. Translated by W. A. Falconer. Loeb Classical Library 154. Cambridge, MA: Harvard University Press, 1923.Google Scholar

Cicero, . De Divinatione. Translated by W. A. Falconer. Loeb Classical Library 154. Cambridge, MA: Harvard University Press, 1923.Google Scholar

Cicero, . De Domo. Translated by N. H. Watts. Loeb Classical Library 158. Cambridge, MA: Harvard University Press, 1923.Google Scholar

Cicero, . De Fato. Translated by H. Rackham. Loeb Classical Library 349. Cambridge, MA: Harvard University Press, 1942.Google Scholar

Cicero, . De Finibus. Translated by H. Rackham. Loeb Classical Library 40. Cambridge, MA: Harvard University Press, 1914.Google Scholar

Cicero, . De Legibus. Translated by Clinton W. Keyes. Loeb Classical Library 213. Cambridge, MA: Harvard University Press, 1928.Google Scholar

Cicero, . De Officiis. Translated by Walter Miller. Loeb Classical Library 30. Cambridge, MA: Harvard University Press, 1913.Google Scholar

Cicero, . De Oratore. Translated by E. W. Sutton, H. Rackham. Loeb Classical Library 348. Cambridge, MA: Harvard University Press, 1942.Google Scholar

Cicero, . De Republica. Translated by Clinton W. Keyes. Loeb Classical Library 213. Cambridge, MA: Harvard University Press, 1928.Google Scholar

Cicero, . De Provinciis Consularibus. Translated by R. Gardner. Loeb Classical Library 447. Cambridge, MA: Harvard University Press, 1958.CrossRefGoogle Scholar

Cicero, . Epistulae ad Quintum Fratrem. Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 462. Cambridge, MA: Harvard University Press, 2002.Google Scholar

Cicero, . In Verrem. Translated by L. H. G. Greenwood. Loeb Classical Library 221. Cambridge, MA: Harvard University Press, 1928.Google Scholar

Cicero, . Letters to Quintus and Brutus; Letter Fragments; Letter to Octavian; Invectives; Handbook of Electioneering. Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 462. Cambridge, MA: Harvard University Press, 2002.Google Scholar

Cicero, . On the Orator, Book 3: On Fate; Stoic Paradoxes; Divisions of Oratory. Translated by Rackham, H. Loeb Classical Library 349. Cambridge, MA, 1942.Google Scholar

Cicero, . Orator.Google Scholar

Cicero, . Paradoxa Stoicorum.Google Scholar

Cicero, . Philippicae.Google Scholar

Cicero, . Pro Cluentio.Google Scholar

Cicero, . Pro Murena.Google Scholar

Cicero, . Pro Plancio.Google Scholar

Cicero, . Pro Rabirio Postumo.Google Scholar

Cicero, . Pro Roscio Amerino.Google Scholar

Cicero, . Pro Roscio Comoedo.Google Scholar

Cicero, . Pro Sestio.Google Scholar

Cicero, . Pro Sulla.Google Scholar

Cicero, . Rhetorica ad Herennium (attributed).Google Scholar

Cicirelli, C. ‘Il complesso di pitture e pavimenti di II stile dalla villa 6 di Terzigno’. In Proceedings of the XVth International Congress of Classical Archaeology, edited by Docter, R and Moormann, E, 118–22, Tav. 11a–b. Amsterdam, 1999. Also published in Pompei: Scienza e Società, edited by P. Guzzo, 209–20. Milan, 2001.Google Scholar

Cicu, L. Il Mimo Teatrale Greco-Romano: lo Spettacolo Ritrovato. Rome, 2012.Google Scholar

Ciotti, U. ‘Rilevo Roman e Plutei Medioevali Ritrovati a Castel S. Elia’. Bollettino D’Arte 35, Series 4, 1–8.Google Scholar

Cipolla, P. Poeti Minori del Dramma Satiresco, Testo Critico, Traduzione e Commento (Supplementi di Lexis, 23). Amsterdam, 2003.Google Scholar

Claridge, A. Rome: An Oxford Archaeological Guide, 2nd edition. Oxford, 2010.Google Scholar

Clarke, J. Roman Black-and-White Figural Mosaics. New York, 1979.Google Scholar

Clarke, J. The Houses of Roman Italy, 100 B.C.–A.D. 250: Ritual, Space, and Decoration. Berkeley, CA, 1991.Google Scholar

Clarke, J. Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.–A.D. 315. Berkeley, CA, 2003.Google Scholar

Clarke, J. ‘The Early Third Style at Oplontis’. RM 94 (1987): 267–94.Google Scholar

Clarke, J. ‘Living Figures Within the Scaenae Frons: Figuring the Viewer in Liminal Space’. In I Temi Figurativi nella Pittura Parietale Antica, 43–45. Bologna, 1995.Google Scholar

Clarke, J. ‘Landscape Paintings in the Villa of Oplontis’. JRA 9 (1996): 81–107.Google Scholar

Clarke, J. ‘Representations of the Cinaedus in Roman Art: Evidence of “Gay” Subculture?’. Journal of Homosexuality 49 no. 3–4 (2005): 271–98.Google Scholar

Clarke, J. ‘Augustan Domestic Interiors: Propaganda or Fashion?’. In The Cambridge Companion to the Age of Augustus, edited by Galinsky, K., 264–80. Cambridge, 2005.Google Scholar

Clarke, J. ‘The House of the Vetii, Pompeii: An Interactive Visit’. CD-ROM, 2006.Google Scholar

Clarke, J. ‘A Virtual Villa’. Apollo 179 no. 617 (2014): 48–53.Google Scholar

Clarke, J. ‘The Villa of Oplontis: A “Born Digital” Project’. In Preserving Complex Digital Objects, edited by Delve, J. and Anderson, D., 259–72. London, 2014.Google Scholar

Clarke, J. ‘Representing the cinaedus in Roman Visual Culture: Seeing, Speaking, Touching’. In Searching for the Cinaedus in Classical Antiquity, edited by Wiener, J and Gazzarri, T. Oxford, forthcoming.Google Scholar

Clarke, J., Beacham, R., Coulson, A., Liddell, T., and Abbott, M.. ‘Digital Imaging at Oplontis’. In Leisure and Luxury in the Age of Nero, edited by Gazda, E. and Clarke, J., 72–78. Ann Arbor, MI, 2016.Google Scholar

Clarke, J., and Muntasser, N, eds. Oplontis: Villa A (‘of Poppaea’) at Torre Annunziata Volume 1: The Ancient Setting and Modern Rediscovery. New York, 2014.Google Scholar

Clarke, J., and Thomas, M.. ‘The Oplontis Project 2005-2006: New Observations on Construction History at Villa A, Torre Annunziata’. JRA 20 (2007): 100–109.Google Scholar

Claudianus, Claudian. Panegyricus Dictus Manlio Theodoro Consuli.Google Scholar

Coarelli, F. Palatium: il Palatino dalle Origini all’Impero. Rome, 2012.Google Scholar

Coarelli, F. ‘La Tarda Repubblica e i Grandi Progetti’. In Campo Marzio: dalle Origine alla Fine della Repubblica, Chapter 4. Rome, 1997.Google Scholar

Coarelli, F. ‘Il Culto Di Mefitis in Campania e a Roma’. In I Culti della Campania Antica, 185–90. Rome, 1998.Google Scholar

Coarelli, F., ed. Guida Archeologica di Pompeii. Milan, 1976.Google Scholar

Coarelli, F., Pompeii. New York, 2002.Google Scholar

Coen, A. ‘Appunti sul Teatro Etrusco’. In L’Atellana Preletteraria, edited by Raffaelli, R. and Tontini, A., 29–60. Urbino, 2013.Google Scholar

Coffey, M. ‘Notes on the History of Augustan and Early Imperial Tragedy’. In Studies in Honour of T.B.L. Webster Vol. 1, edited by Betts, J., Hooker, J., and Green, J., 46–52. Bristol, 1986.Google Scholar

Coleman, K. ‘Fatal Charades: Roman Executions Staged as Mythological Enactments’. JRS 80 (1990): 44–73.Google Scholar

Coleman, K. ‘Launching into History: Aquatic Displays in the Early Empire’. JRS 83 (1993): 48–74.Google Scholar

Coleman, K. ‘Ptolemy Philadelphus and the Roman Amphitheatre’. In Roman Theatre and Society, edited by Slater, W., 49–68. Ann Arbor, MI, 1996.Google Scholar

Coletti, F. ‘Venus Pompeiana: Scelte Progettuali e Procedimenti Tecnici per la Realizzazione di un Grande Edificio Sacro Tra Tarda Repubblica e Primo Impero’. In Arqueologia de la Construcción 2: Los Procesos Constructivos en el Mundo Romano: Italia y Provincias Orientales, 189–211. Madrid, 2010.Google Scholar

Connor, W. ‘City Dionysia and Athenian Democracy’. Classica et Mediaevalia 40 (1989): 7–32.Google Scholar

Cooley, A. Pompeii. London, 2003.Google Scholar

Cooley, A., and Cooley, M. Pompeii: A Sourcebook. London, 2004.Google Scholar

Coralini, A. ‘I Pavimenti della Casa del Centenario a Pompei (IX 8, 3, 6, A): I Temi Figurati’. In Atti Del VII Colloquio dell’Associazione Italiana per lo Studio e la Conservazione del Mosaico, 45–60. Ravenna, 2001.Google Scholar

Corbeill, A. Nature Embodied: Gesture in Ancient Rome. Princeton, NJ, 2004.Google Scholar

Corbeill, A. ‘Dining Deviants in Roman Political Invective’. In Roman Sexualities, edited by Hallett, J. and Skinner, M., 99–128. Princeton, NJ, 1997.Google Scholar

Corbeill, A. ‘Political Movement: Walking and Ideology in Republican Rome’. In The Roman Gaze: Vision, Power, and the Body, edited by Fredrick, D, 182–215. London, 2002.Google Scholar

Nepos, Cornelius. Excellentium Imperatorum Vitae.Google Scholar

Corpus Topographicum Pompeianum [= CTP], edited by Van der Poel, H, Vols. 1–5. Rome, 1977–1986.Google Scholar

Courtois, C. Le Bâtiment de Scène des Théâtres d’Italie et de Sicilie: Étude Chronologique et Typologique: Archaeologia Transatlantica VIII. Providence and Louvain-La-Neuve, 1989.Google Scholar

Cozzo, G. II Colosseo. Rome, 1971.Google Scholar

Crawford, J. M. Tullius Cicero: The Fragmentary Speeches: An Edition with Commentary. Atlanta, 1994.Google Scholar

Croisille, J. ‘Le Sacrifice d’Iphigénie dans l’Art Romain et la Littérature Latine’. Latomus 22 no. 2 (1963): 209–25.Google Scholar

Cronache Ercolanesi [= CronErc]. Naples, 1971-.Google Scholar

Cronache Pompeiane [= CronPomp]. Naples, 1975–1979.Google Scholar

Crowther, N. ‘Greek Games in Republican Rome’. L’Antiquité Classique 52 (1983): 268–73.Google Scholar

Csapo, E. ‘A Note on the Würzburg Bell-Crater H5697 (“Telephus Travestitus”)’. Phoenix 40 no. 4 (1986): 379–91.Google Scholar

Csapo, E. Review of Comic Angels and Other Approaches to Greek Drama through Vase-Painting, by Taplin, O. Echos du Monde Classique / Classical Views 38, n.s. 13, no. 1 (1994): 51–58.Google Scholar

Csapo, E., and Slater, W., eds. The Context of Ancient Drama. Ann Arbor, MI, 1995.Google Scholar

Csordas, T. ‘Introduction: The Body as Representation and Being-in-the-World’. In Embodiment and Experience: The Existential Ground of Culture and Self, 1–21. Cambridge, MA, 1994.Google Scholar

Csordas, T. ‘Embodiment and Cultural Phenomenology’. In Perspectives on Embodiment: The Intersections of Nature and Culture, edited by Weiss, G. and Haber, H., 143–59. Abingdon and New York, 1999.Google Scholar

Curtius, L. Die Wandmalerei Pompejis. Leipzig, 1929.Google Scholar

Cyprian, . Ad Donatus.Google Scholar

Danese, R., and Raffaelli, R., eds. L’Atellana Letteraria, Vol. 1. Urbino, 2010.Google Scholar

D’Arms, J. Romans on the Bay of Naples: A Social and Cultural Study of the Villas and their Owners from 150 B.C. to A.D. 400. Cambridge, MA, 1970.Google Scholar

D’Arms, J. Commerce and Social Standing in Ancient Rome. Cambridge, MA, 1981.Google Scholar

D’Arms, J. ‘Control, Companionship and Clientele: Some Social Functions of the Roman Communal Meal’. Echos du Monde Classique 28 (1984): 327–48.Google Scholar

D’Arms, J. ‘Pompeii and Rome in the Augustan Age and Beyond: The Eminence of the Gens Holconia’. In Studia Pompeiana et Classica in Honor of Wilhelmina F. Jashemski, Vol. 1, edited by Curtis, R, 51–74. New Rochelleg, NY, 1988.Google Scholar

D’Arms, J. ‘The Roman Convivium and the Idea of Equality’. In Sympotica: A Symposium on the Symposion, edited by Murray, O., 308–20. Oxford, 1990.Google Scholar

D’Arms, J. ‘Performing Culture: Roman Spectacle and the bBanquets of the Powerful’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 301–19. Washington DC, 1999.Google Scholar

Daston, L., ed. Things that Talk. New York, 2004.Google Scholar

D’Auria, D. ‘Spatial Organization in Middle-Class Houses of III and II c. B.C. at Pompeii: The Example of the Casa del Granduca Michele (VI 5,5)’. In Privata Luxuria, edited by Anguissola, A., 131–42. Munich, 2012.Google Scholar

Davies, J. ‘On a Lydian Double Pipe (tibiæ pares) Represented in a Painting of a House at Pompeii’. In The Museum of Classical Antiquities: Essays on Ancient Art, edited by Falkener, E., 90–92. London, 1860.Google Scholar

Davis, T., and Postlewait, T. Theatricality. Cambridge, 2003.Google Scholar

Dearden, C. ‘Phlyax Comedy in Magna Graecia – A Reassessment’. In Studies in Honour of T.B.L. Webster, Vol. 2, edited by Betts, J., Hooker, J., and Green, J., 33–41. Bristol, 1988.Google Scholar

de Blois, L., Erdkamp, P, Hekster, O, de Kleijn, G, and Mols, S, eds. The Representation and Perception of Roman Imperial Power. Amsterdam, 2003.Google Scholar

de Caro, S. National Archaeological Museum of Naples. Naples, 1996.Google Scholar

de Caro, S. ‘La Lucerna D’oro Di Pompei: Un Dono Di Nerone a Venere Pompeiana’. In I Culti della Campania Antica, 239–44. Rome, 1998.Google Scholar

De Carolis, E. ‘Domus Sirici in Pompei (VII, 1, 25.47): Appunti Sulla Tecnica di Esecuzione degli Apparati Decorativi’. Ocnus, 15 (2007): 117–41.Google Scholar

de Chaisemartin, N. ‘Frontes Scaenae et la Part du Religieux dans le Theatre’. JRA 25 (2012): 607–12.Google Scholar

De Finis, L., ed. Scena e Spettacolo nell’Antichita. Florence, 1989.Google Scholar

de Franciscis, A. ‘Sepolcro di M. Obellius Firmus’. Cronache Pompeiane 2 (1976): 246–48.Google Scholar

de Franciscis, A. ‘Oplontis’. In La Regione Sotterrata dal Vesuvio: studi e prospettive, 907–25. Naples, 1982.Google Scholar

Deis, J. Herculaneum: Italy’s Buried Treasure. New York, 1985.Google Scholar

DeLaine, J., Fulford, M., and Wallace-Hadrill, A.. Urban Development at Pompeii Regio I, Insula 9, Excavations and Survey in 1995: Interim Report. Reading, 1995.Google Scholar

della Corte, M. Case ed Abitanti di Pompei, 3rd edition, edited by Soprano, P. Naples, 1965.Google Scholar

de Mol, J. ‘Some Remarks on Proportions in Fourth Style Wall-Paintings in Pompeii’. Kölner Jahrbuch für Vor- und Frühgeschichte 24 (1991): 159–63.Google Scholar

Denard, H. ‘Lost Theatre and Performance Traditions in Greece and Italy’. In Cambridge Companion to Greek and Roman Theatre, edited by Walton, J. and McDonald, M., 139–60. Cambridge, 2007.Google Scholar

De Puma, R., and Milosch, J.. Art in Roman Life: Villa to Grave. Rome, 2009.Google Scholar

de Vos, M. ‘Casa dei Quadretti Teatrali’. In Pompei: Pitture e Mosaici Vol. 1, 361–95. Rome, 1990.Google Scholar

de Vos, M. ‘Casa di L. Cecilio Giocondo’. In Pompei: Pitture e Mosaici, Vol. 3, 574–620. Rome, 1991.Google Scholar

Dickmann, J. ‘The Peristyle and the Transformation of Domestic Space in Hellenistic Pompeii’. In Domestic Space in the Roman World: Pompeii and Beyond, edited by Laurence, R and Wallace-Hadrill, A. JRA Supplement 22 (1997): 121–36.Google Scholar

Dickmann, J. ‘Space and Social Relations in the Roman West’. In A Companion to Families in the Greek and Roman Worlds, edited by Rawson, B., 53–72. Malden, MA, 2011.Google Scholar

Diderot, D. The Paradox of Acting. Translated by W. Pollock. London, 1883.Google Scholar

Dietrich, A. Pulcinella, Pompejanische Wandbiler und Römische Satyrspiele. Leipzig, 1897.Google Scholar

Dietrich, N. ‘Spatial Dimensions in Roman Wall Painting and the Interplay of Enclosing and Enclosed Space: A New Perspective on Second Style’. In Arts 8 no. 2, 68 (Institut für Klassische Archäologie, Universität Heidelberg, 2019): 1–26.Google Scholar

Dillon, S., and Welch, K., eds. Representations of War in Ancient Rome. Cambridge, 2006.Google Scholar

Di Napoli, V. ‘Architecture and Romanization: The Transition to Roman Forms in Greek Theatres of the Augustan Age’. In The Architecture of the Ancient Greek Theatre, edited by Frederiksen, R, Gebhard, E, and Sokolicek, A, 365–80. Aarhus, 2015.Google Scholar

Di Napoli, V. Review of Antike Theaterbauten: Ein Handbuch, by Isler, H. Logeion: A Journal of Ancient Theatre 8 (2018): 249–72.Google Scholar

Siculus, Diodorus. Bibliotheca Historica. Translated by C. H. Oldfather. Loeb Classical Library 279. Cambridge, MA: Harvard University Press, 1933.Google Scholar

Dionysius, of Halicarnassus. Roman Antiquities. Translated by Earnest Cary. Loeb Classical Library 319. Cambridge, MA: Harvard University Press, 1937Google Scholar

D’Ippolito, G. ‘Draconzio, Nonno e gli “idromimi ”’. Atene e Roma 7 (1962).Google Scholar

Dobbins, J. ‘The Altar in the Sanctuary of the Genius of Augustus in the Forum at Pompeii’. RM 99 (1992): 251–63.Google Scholar

Dosi, A., and Schnell, F.. I Romani in Cucina, 2nd edition. Rome, 1992.Google Scholar

Dosi, A., and Schnell, F.. Spazio e Tempo. Rome, 1992.Google Scholar

Drerup, H. ‘Bildraum und Realraum in der Römischen Architektur’. RM 66 (1959): 147–74.Google Scholar

Dunbabin, K. The Roman Banquet. Cambridge, 2003.Google Scholar

Dunbabin, K. Theater and Spectacle in the Art of the Roman Empire. Ithaca, NY, 2016.Google Scholar

Dunbabin, K. ‘Sic erimus cuncti… The Skeleton in Graeco-Roman Art’. JDAI 101 (1986): 185–255.Google Scholar

Dunbabin, K. ‘Triclinium and Stibadium’. In Dining in a Classical Context, edited by Slater, W., 121–48. Ann Arbor, MI, 1991.Google Scholar

Dunbabin, K. ‘Convivial Spaces: Dining and Entertainment in the Roman Villa’. JRA 9 (1996): 66–80.Google Scholar

Dunbabin, K. ‘Ut Graeco More Biberetur: Greeks and Romans on the Dining Couch’. In Meals in a Social Context, edited by Nielsen, I and Nielsen, H, 81–101. Aarhus, 1998.Google Scholar

Dunbabin, K. ‘Problems in the Iconography of Roman Mime’. In Le Statut de l’Acteur dans l’Antiquité Grecque et Romaine, edited by Hugoniot, C., Hurlet, F., and Milanezi, S.. Tours, 2004.Google Scholar

Dunbabin, K. ‘Nec Grave nec Infacetum: The Imagery of Convivial Entertainment’. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K., 13–26. Düsseldorf, 2008.Google Scholar

Dunbabin, K. ‘The pantomime Theonoe on a mosaic from Zeugma’. JRA 23 (2010): 413–26.Google Scholar

Duncan, A. Performance and Identity in the Classical World. Cambridge, 2006.Google Scholar

Duthoy, R. ‘La Fonction Sociale de l’Augustalité’. Epigraphica 36 (1974): 134–54.Google Scholar

Duthoy, R. ‘Les Augustales’. In Aufstieg und Niedergang der römischen Welt II.16.2, 254–309. Berlin and New York, 1978.Google Scholar

Dwyer, E. Pompeian Domestic Sculpture: A Study of Five Pompeian Houses and Their Contents. Rome, 1982.Google Scholar

Dwyer, E. ‘The Pompeian Atrium House in Theory and Practice’. In Roman Art in the Private Sphere, edited by Gazda, E., 25–48. Ann Arbor, MI, 1991.Google Scholar

Dyer, T. Pompeii: Its History, Buildings and Antiquities, 2nd edition. London, 1868.Google Scholar

Easterling, P., and Hall, E., eds. Greek and Roman Actors. Cambridge, 2002.Google Scholar

Edgerton, S. The Renaissance Rediscovery of Linear Perspective. New York, 1975.Google Scholar

Edmondson, J. ‘Dynamic Arenas: Gladiatorial Presentations in the City of Rome and the Construction of Roman Society during the Early Empire’. In Roman Theater and Society, edited by Slater, W., 69–112. Ann Arbor, MI, 1996.Google Scholar

Edmondson, J. ‘The Cultural Politics of Public Spectacle in Rome and the Greek East 167–166 BC’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 77–95. Washington DC, 1999.Google Scholar

Edmondson, J. ‘Public Spectacles and Roman Social Relations’. In Ludi Romani: Espectáculos en Hispania Romana, edited by Nogales Basarrate, T. and Castellano Hernández, A., 21–43. Madrid, 2002.Google Scholar

Edwards, C. ‘Unspeakable Professions: Public Performance and Prostitution in Ancient Rome’. In Roman Sexualities, edited by Hallett, J. and Skinner, M., 66–95. Princeton, NJ, 1997.Google Scholar

Edwards, C. ‘Acting and Self-Actualisation in Imperial Rome: Some Death Scenes’. In Greek and Roman Actors: Aspects of an Ancient Profession, edited by Easterling, P. and Hall, E., 377–94. Cambridge, 2002.Google Scholar

Edwards, C., and Woolf, G, eds. Rome the Cosmopolis. Cambridge, 2003.Google Scholar

Egelhaaf-Gaiser, U. ‘Das Versteinerte Convivium. Mirabile Metamorphosen und narrative Bildkunst bei Tisch (Ovid, Metamorphosen 4,607–5,272)’. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K., 83–99. Stuttgart, 2008.Google Scholar

Elder Philostratus, Younger Philostratus, Callistratus. Translated by Fairbanks, Arthur. Loeb Classical Library Volume 256. London: William Heinemann, 1931.Google Scholar

Elia, O. Pitture Murali e Mosaici del Museo Nazionale di Napoli. Rome, 1932.Google Scholar

Elia, O. Le Pitture del Tempio di Iside. Rome, 1941.Google Scholar

Elia, O. ‘Rappresentazione di un Pantomimo nella pittura Pompeiana’. In Gli Archeologi Italiani in Onore di Amedeo Maiuri, edited by Ciociaria, Centro Studi, 169–80. Cava dei Tirreni, 1965.Google Scholar

Ellis, S. Roman Housing. London, 2000.Google Scholar

Elsner, J. Art and the Roman Viewer. Cambridge, 1995.Google Scholar

Elsner, J. Roman Eyes: Visuality and Subjectivity in Art and Text. Princeton, 2007.Google Scholar

Elsner, J. ‘Viewing Ariadne. From Ekphrasis to Wall Painting in the Roman World’. Classical Philology 102 (2007): 20–44.Google Scholar

Elsner, J. ‘Philostratus Visualises the Tragic: Some Ekphrastic and Pictorial Receptions of Greek Tragedy in the Roman Era’. In Visualising the Tragic, edited by Kraus, C., Foley, H., Goldhill, S., and Elsner, J., 309–37. Oxford, 2007.Google Scholar

Elsner, J. ‘Ekphrasis and the Gaze: From Roman Poetry to Domestic Wall Painting’. In Roman Eyes: Visuality and Subjectivity in Art and Text, 67–109. Princeton, NJ, 2007.Google Scholar

Elsner, J. ‘Sight and Memory: The Visual Art of Roman Mnemonics’. In Sight and the Ancient Senses, edited by Squire, M., 180–204. London, 2016.Google Scholar

Elsner, J., ed. Art and Text in Roman Culture. Cambridge, 1996.Google Scholar

Engemann, J. Architekturdarstellungen des frühen zweiten Stils. Heidelberg, 1967.Google Scholar

Engemann, J. Epictetus, Encheiridion. Translated by W. A. Oldfather. Loeb Classical Library 131. Cambridge, MA: Harvard University Press, 1925.Google Scholar

Engemann, J. Discourses.Google Scholar

Erasmo, M. Roman Tragedy: Theatre to Theatricality. Austin, TX, 2004.Google Scholar

Eristov, H. ‘Peintures et Stucs des Villas de Stabies: Bilan des Recherches et Nouveaux Projets’. Rivista di Studi Pompeiani 20 (2009): 158–60.Google Scholar

Esposito, D. ‘I Pittori dell’Officina dei Vettii a Pompei. Meccanismi di Produzione della Pittura Parietale Romana’. BABESCH 82 (2007): 149–64.Google Scholar

Esposito, D. ‘The Economics of Pompeian Painting’. In The Economy of Pompeii, edited by Flohr, M. and Wilson, A., 263–89. Oxford, 2016.Google Scholar

Étienne, R. Pompeii: the Day a City Died. New York, 1992.Google Scholar

Étienne, R. Euripides. Heracles.Google Scholar

Fabbrini, F., ed. Maecenas: Il Collezionismo nel Mondo Romano dall’ età Degli Scipioni a Cicerone. Arezzo, 2001.Google Scholar

Falkener, E. ‘Report on a House at Pompeii Excavated under Personal Superintendence in 1847’. In The Museum of Classical Antiquities: Essays on Ancient Art Vol. 2, 35–89. London, 1860.Google Scholar

Falkener, E., ed. The Museum of Classical Antiquities: Essays on Ancient Art. London, 1860.Google Scholar

Fantham, R. ‘The Roman Experience of Menander in the Late Republic and Early Empire’. TAPA 114 (1984): 299–309.Google Scholar

Fantham, R. ‘Mime: The Missing Link in Roman Literary History’. Classical World 82 no. 3 (1988–9): 153–63.Google Scholar

Favro, D. The Urban Image of Augustan Rome. Cambridge, 1998.Google Scholar

‘In the Eyes of the Beholder: Virtual Reality Re-Creations and academia’. In Imaging Ancient Rome: Documentation – Visualization – Imagination, edited by Haselberger, L and Humphrey, J. JRA Supplement 61 (2006): 321–34.Google Scholar

Fears, J. ‘The Cult of Virtues and Roman Imperial Ideology’. In Aufstieg und Niedergang der römischen Welt II.17.2, 827–948. Berlin and New York, 1981.Google Scholar

Fehr, B. ‘Plattform und Blickbasis’. Marburger Winckelmann-Programm 1969 (1970): 31–67.Google Scholar

Ferguson, E. ‘The Mind’s Eye: Nonverbal Thought in Technology’. Science 197 no. 4306 (1977): 827–36.Google Scholar

Festus, . De Verborum Significatione.Google Scholar

Fiechter, E. Die baugeschichtliche Entwicklung des antiken Theaters. Munich, 1914.Google Scholar

Fiorelli, G. Gli scavi di Pompei dal 1861 al 1872. Naples, 1873.Google Scholar

Descrizione di Pompei. Naples, 1875.Google Scholar

Fiorelli, G., ed. Pompeianarum Antiquitatum Historia [ = PAH ], Volumes I–III. Naples, 1860-1864.Google Scholar

Fiska, G. Das Teatro Marittimo in der Villa Hadriana: neue Untersuchungen zur Architektur. Vienna, 2013.Google Scholar

Fittschen, K. ‘Zur Herkunft und Entstehung des 2 Stils’. In Hellenismus in Mittelitalien Vol. 2, edited by Zanker, P, 536–57. Göttingen, 1976.Google Scholar

Flohr, M. ‘Nec quicquam ingenuum habere potest officina? Spatial Contexts of Urban Production at Pompeii, AD 79’. BABESCH 82 (2007): 129–48.Google Scholar

Flohr, M. ‘Working and Living under One Roof: Workshops in Pompeian Atrium Houses’. Luxuria, In Privata, edited by Anguissola, A., 51–72. Munich, 2012.Google Scholar

Flower, H. Ancestor Masks and Aristocratic Power in Roman Culture. Oxford, 1996.Google Scholar

Flower, H. ‘Fabulae Praetextae in Context: When Were Plays on Contemporary Subjects Performed in Republican Rome?’ Classical Quarterly New Series 45 (1995): 170–90.Google Scholar

Franchi dell’Orto, L., ed. Ercolano 1738–1988: 250 Anni di Ricerca Archeologica, 35–144. Rome, 1993.Google Scholar

François-Garelli, M. Danser le Mythe: La Pantomime et sa Reception dans la Culture Antique. Louvain, 2007.Google Scholar

Franklin, J., Jr. Pompeii: The Electoral Programmata: Campaigns and Politics, A.D. 71–79. Papers and Monographs of the American Academy in Rome, no. 28. Rome, 1980.Google Scholar

Franklin, J., Pompeis Difficile Est: Studies in the Political Life of Imperial Pompeii. Ann Arbor, MI, 2001.Google Scholar

Franklin, J., ‘Pantomimists at Pompeii: Actius Anicetus and his Troupe’. AJP 108 no. 1 (1987): 95–107.Google Scholar

Fraser, P. ‘Religious Life’. In Ptolemaic Alexandria Volume 1, 201ff (notes in Volume 2; index in a separately bound book). Oxford and New York, 1972.Google Scholar

Frassinetti, P. Fabula Atellana. Genoa, 1953.Google Scholar

Frederiksen, M. Campania, edited by Purcell, N. London, 1984.Google Scholar

Fredrick, D., ed. The Roman Gaze: Vision, Power and the Body. London, 2002.Google Scholar

Fuchs, G. ‘Varros Vogelhaus bei Casinum’. RM 69 (1962): 96–105.Google Scholar

Fuchs, M. Untersuchungen zur Ausstattung Römischer Theater. Mainz, 1987.Google Scholar

Funaioli, H., ed. Grammaticae Romanae Fragmenta. Leipzig, 1907.Google Scholar

Funari, P. ‘Reading Pompeii’s Walls: A Social Archaeological Approach to Gladiatorial Graffiti’. In Roman Amphiteatres and Spectacula: a 21st-Century Perspective, 185–93. Oxford, 2009.Google Scholar

Galen, . De Sanitate Tuenda.Google Scholar

Galinsky, K. Augustan Culture. Princeton, NJ, 1996.Google Scholar

Galinsky, K. Augustus: Introduction to the Life of an Emperor. Cambridge, 2012.Google Scholar

Galinsky, K., ed. The Cambridge Companion to the Age of Augustus. Cambridge, 2005.Google Scholar

Galli, M. ‘Spazi Figurativi a Villa Adriana: Il Caso dell’Edificio a Tre Esedre’. Scienze dell’Antichità: Storia, Archeologia, Antropologia, 19 (2013): 291–325.Google Scholar

Gallo, A. ‘La Casa di M. Epidio Sabino a Pompei’. Boreas 32 (2009): 77–92.Google Scholar

Gasparini, V. ‘Staging Religion. Cultic performances in (and around) the Temple of Isis in Pompeii’. In Memory and Religious Experience in the Greco-Roman World, edited by Cusumano, N., Gasparini, V., Mastrocinque, A., and Rüpke, J., 185–211. Stuttgart, 2013.Google Scholar

Gazda, E., ed. Roman Art in the Private Sphere: New Perspectives on the Architecture and Décor of the Domus, Villa and Insula. Ann Arbor, MI, 1991.Google Scholar

Gebhard, E. ‘The Theater and the City’. In Roman Theater and Society, edited by Slater, W., 113–28. Ann Arbor, MI, 1996.Google Scholar

Gee, R. ‘Layered Histories: The Wall Painting Styles and Painters of Villa A’. In Leisure and Luxury in the Age of Nero, edited by Gazda, E. and Clarke, J., 85–95. Ann Arbor, MI, 2016.Google Scholar

Geissler, B. ‘Arzthaüser in Pompeji’. Kölner und Bonner Archaeologica 1 (2011): 7–35.Google Scholar

Gell, A. Art and Agency: An Anthropological Theory. Oxford, 1998.Google Scholar

Gell, W. Pompeii, Its Destruction and Re-Discovery, revised edition. New York, 1880.Google Scholar

Georgala-Priovolu, S. ‘Il “Pedante” nel Mimo, nell’Atellana e nel Teatro Comico Greco’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 269–75.Google Scholar

Gianotti, G. ‘Sulle Tracce della Pantomima Tragica: Alcesti tra i Danzatori?’ Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 121–49.Google Scholar

Gibson, J. The Ecological Approach to Visual Perception. New York, 1979.Google Scholar

Giganti, M. Civiltà delle Forme Letterarie nell’Antica Pompei. Naples, 1979.Google Scholar

Giganti, M. ‘La vita teatrale nell’antica Pompei’. In Studi Salernitani in Memoria di Raffaele Cantarella, edited by Gallo, I., 9–51. Salerno, 1981.Google Scholar

Giordano, C. ‘Iscrizioni graffite e dipinte nella Casa di C. Giulio Polibio’. Rendiconti della Accademia di Archeologia, Lettere e Belle Arti 49 (1974): 21–28.Google Scholar

Giordano, C. ‘Poppea e Nerone tra Oplontis e Pompei’. Sylva Mala 3, no. 1–6 (1982): 2–8.Google Scholar

Giordano, C. Giornale degli Scavi di Pompei [ = GdS ], new series, Vols. 1–4. Naples, 1868–1876.Google Scholar

Gleason, K. ‘The Garden Portico of Pompey the Great’. Expedition 32 (1990): 4–13.Google Scholar

Gleason, K. ‘Porticus Pompeiana: A New Perspective on the First Public Park of Ancient Rome’. Journal of Garden Studies 14 (1994): 13–27.Google Scholar

Goalen, M. ‘The Idea of the City and the Excavations at Pompeii’. In Urban Society in Roman Italy, edited by Cornell, T. and Lomas, K., 181–202. New York, 1995.Google Scholar

Gogräfe, R. Theater im Römischen Reich: Bühne für Schauspieler, die Feiern des Imperiums und die Sponsoren des Reiches. Mainz, 2013.Google Scholar

Gold, B. Literary and Artistic Patronage in Ancient Rome. Austin, TX, 1982.Google Scholar

Gowers, E. The Loaded Table: Representations of Food in Roman Literature. Oxford, 1993.Google Scholar

Gradel, O., and Mouritsen, H.. ‘Nero in Pompeian Politics: Edicta Munerum and Imperial Flaminates in Late Pompeii’. Zeitschrift für Papyrologie und Epigraphik 87 (1991): 145–55.Google Scholar

Graefe, R. Vela Erunt. 2 vols., Mainz, 1979.Google Scholar

Graf, F. ‘Gestures and Conventions: The Gestures of Roman Actors and Orators’. In A Cultural History of Gesture, edited by Bremmer, J. and Roodenburg, H., 36–58. Oxford, 1993.Google Scholar

Green, J. R. Theatre in Ancient Greek Society. London, 1994.Google Scholar

Green, J. R. ‘Drunk Again: A Study of the Iconography of the Comic Theatre’. AJA 89 (1985): 465–72.Google Scholar

Green, J. R. ‘On Seeing and Depicting the Theatre in Classical Athens’. Greek, Roman and Byzantine Studies 32 no. 1 (1991): 15–52.Google Scholar

Green, J. R., and Handley, E. Images of the Greek Theatre. London, 1995.Google Scholar

Griffin, M. Nero: End of a Dynasty. New Haven, 1985.Google Scholar

Griffith, M. ‘Slaves of Dionysos: Satyrs, Audience, and the Ends of the Oresteia’. Classical Antiquity 21 (2002): 195–258.Google Scholar

Griffiths, A., ed. Stage Directions: Essays in Ancient Drama in Honour of E. W. Handley. London, 1995.Google Scholar

Grimaldi, M. ‘La Villa di Publius Fannius Synistor a Boscoreale’. In La Villa Romana, edited by Ciardiello, R, 221–40. Naples, 2007.Google Scholar

Grimaldi, M. ‘L’Area Suburbana Sud-Occidentale di Pompei e la Villa Imperiale’. In Apolline Project Volume 1: Studies on Vesuvius’ North Slope and the Bay of Naples, edited by De Simone, G and Macfarlane, R, 87–99. Rome, 2009.Google Scholar

Grimaldi, M. ‘Charting the Urban Development of the Insula Occidentalis and the Casa di Marcus Fabius Rufus at Pompeii’. In Contested Spaces, edited by Balch, D and Weissenrieder, A, 185–200. Tübingen, 2012.Google Scholar

Grimaldi, M. ‘La Villa di Publius Fannius Synistor a Boscoreale’. Amoenitas 2 (2012): 121–34.Google Scholar

Gruen, E. Culture and National Identity in Republican Rome. Ithaca, NY, 1992.Google Scholar

Guidobaldi, M. Musica e Danza (Vita e Costumi dei Romani Antichi 13). Rome, 1992.Google Scholar

Guillaud, J. and M. Frescoes in the Time of Pompeii. Paris and New York, 1990.Google Scholar

Gutzwiller, K. ‘Seeing Thought: Timomachus’ Medea and Ecphrastic Epigram’. AJP 125 no. 3 (2004): 339–86.Google Scholar

Guzzo, P. Pompei: Storia e Paesaggi della Città Antica. Milan, 2007.Google Scholar

Guzzo, P. ‘Casti Amanti? Pistrina, Triclinia, Halicariae a Pompei’. Vesuviana 3 (2011): 53–66.Google Scholar

Guzzo, P., ed. Pompei: Scienza e Società. Milan, 2001.Google Scholar

Guzzo, P., Storie da un’Eruzione: Pompei, Ercolano, Oplontis (Exhibition Catalogue). Milan, 2003.Google Scholar

Guzzo, P., Storie da un’eruzione: In margine alla mostra. Naples, 2003.Google Scholar

Hagel, S. ‘Interpretando i quattro famosi auloi da Pompei’. In La musica nell’Impero Romano: Testimonianze teoriche e scoperte archeologiche, 111–12. Pavia, 2010.Google Scholar

Hales, S. The Roman House and Social Identity. Cambridge, 2003.Google Scholar

‘Aphrodite’s Mirror: Reflections of Greek Art in Roman Houses’. In Making Sense of Greek Art, edited by Coltman, Viccy, 53–69. Exeter, 2012.Google Scholar

Hall, E. ‘Orestes, Pylades, and Roman Men’. In Adventures with Iphigenia in Tauris: A Cultural History of Euripides’ Black Sea Tragedy. Oxford, 2012.Google Scholar

Hall, E., and Wyles, R., eds. New Directions in Ancient Pantomime. Oxford, 2008.Google Scholar

Hall, J. Cicero’s Use of Judicial Theater. Ann Arbor, MI, 2014.Google Scholar

Hall, J. ‘Imperial Austerity: The House of Augustus’. In Artifact and Artifice: Classical Archaeology and the Ancient Historian, 167–85. Chicago, 2014.Google Scholar

Hallett, J., and Skinner, M., eds. Roman Sexualities. Princeton, NJ, 1997.Google Scholar

Hammond, P. The Excavation of the Main Theatre at Petra. London, 1965.Google Scholar

Handley, E. ‘Acting, Action and Words in New Comedy’. In Greek and Roman Actors: Aspects of an Ancient Profession, edited by Easterling, P. and Hall, E., 165–88. Cambridge, 2002.Google Scholar

Hardie, P. Ovid’s Poetics of Illusion. Cambridge, 2002.Google Scholar

Hanson, J. Theater-Temples. Princeton, NJ, 1959.Google Scholar

Harris, J. Pompeii Awakened: A Story of Rediscovery. London, 2007.Google Scholar

Harrison, G., ed. Seneca in Performance. London and Swansea, 2000.Google Scholar

Harrison, G., and Liapis, V., eds. Performance in Greek and Roman Theatre. Leiden and Boston, 2013.Google Scholar

Hart, M., The Art of Ancient Greek Theater. Los Angeles, 2010.Google Scholar

Heinrich, E. Der zweite Stil in pompejanischen Wohnhäusern. Munich, 2002.Google Scholar

Helg, R. ‘Transformation of Domestic Space in the Vesuvian Cities: From the Development of the Upper Floors and Facades to a New Dimension of Intimacy’. In Privata Luxuria, edited by Anguissola, A., 143–61. Munich, 2012.Google Scholar

Hercvlanensivm volvminvm qvae svpersvnt I–VI, VIII–XI. Regale Accademia Ercolanese di Archeologia. Naples, 1793–1855.Google Scholar

Alexandria, Heron. ‘Catoptrics prop. 14’. In Heronis Alexandrini Opera Quae Supersunt Omnia, Vol. 2, 348–51. Leipzig, 1899–; reprinted Stuttgart, 1976.Google Scholar

Herrmann, P. Denkmäler der Malerei des Altertums. Munich, 1906–1950.Google Scholar

Herrmann, P. Review of Alexandrinische Studien, by Pagenstecher, R. Berliner Philologische Wochenschrift 27 (1919): 1227–37.Google Scholar

Heubner, H. ‘Zum Thyestes des L. Varius Rufus’. Rheinischer Museum für Philologie 122 (1979): 362.Google Scholar

Hidalgo Prieto, R. ‘Il cosiddetto Teatro Greco di Villa Adriana: Ultime Campagne di scavo’. In Lazio e Sabina 8, edited by Ghini, G and Mari, Z, 23–30. Rome, 2012.Google Scholar

Hillier, R., and Hanson, J. The Social Logic of Space. Cambridge, 1984.Google Scholar

Hillner, J. ‘Domus, Family, and Inheritance: The Senatorial Family House in Late Antique Rome’. JRS 93 (2003): 129–45.Google Scholar

Hinterhöller-Klein, M. Varietates Topiorum: Perspektive und Raumfassung in Landschafts- and Panoramabildern der römischen Wandmalerei vom 1. Jh. v. Chr. bis zum Ende der pompejanischen Stile. Vienna, 2015.Google Scholar

Hinterhöller-Klein, M. Historiae Augustae (Carinus and Numerian 19). Translated by Magie, D. London and Cambridge, MA, 1968.Google Scholar

Hjort Lange, C. ‘Triumph and Civil War in the Late Republic’. PBSR 81 (2013): 67–90.Google Scholar

Holliday, P., ed. Narrative and Event in Ancient Art. Cambridge, 1994.Google Scholar

Hook, B. ‘Nothing Within Which Passeth Show’. In Seneca in Performance, edited by G. Harrison, 53–71. London and Swansea, 2000.Google Scholar

Hopkins, K. A World Full of Gods: The Strange Triumph of Christianity. New York, 1999.Google Scholar

Hopkins, K., and Burton, G. ‘Ambition and Withdrawal: The Senatorial Aristocracy Under the Emperors’. In Death and Renewal, edited by Hopkins, K, Chapter 3. Cambridge, 1983.Google Scholar

Horace, . Ars Poetica. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar

Horace, . Carmina. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar

Horace, . Epistulae. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar

Horace, . Epodes. Edited and translated by Niall Rudd. Loeb Classical Library 33. Cambridge, MA: Harvard University Press, 2004.Google Scholar

Horace, . Satirae. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar

Hughes, A. ‘Comic Stages in Magna Graecia: the Evidence of the Vases’. Theatre Research International 21 no. 2 (1996): 95–107.Google Scholar

Hugoniot, C., Hurlet, F., and Milanezi, S., eds. Le Statut de l’Acteur dans l’Antiquité Grecque et Romaine. Tours, 2004.Google Scholar

Hulton, A. ‘Euripides and the Iphigenia Legend’. Mnemosyne 15 (1962): 364–68.Google Scholar

Humphrey, J. Roman Circuses: Arenas for Chariot Racing. Berkeley, CA, 1986.Google Scholar

Hyginus, . Astronomica.Google Scholar

Iacopi, I. The House of Augustus: Wall Paintings. Milan, 2008.Google Scholar

Iacopi, I, and Tedone, G. ‘Bibliotheca e Porticus ad Apollinis’. RM 112 ( 2005–2006): 351–78.Google Scholar

Ippel, A. Der dritte pompejanische Stil. Berlin, 1910.Google Scholar

Irmscher, J. ‘Satire, Mimus, Togata, Atellana – in Byzanz?’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 283–87.Google Scholar

Isager, J. Pliny on Art and Society: The Elder Pliny’s Chapters on the History of Art, 114–15. London, 1991.Google Scholar

Isler, H. Antike Theaterbauten: Ein Handbuch, 3 Vols. Vienna, 2017.Google Scholar

Itgenshorst, T. ‘Roman commanders and Hellenistic Kings: On the “Hellenization” of the Republican Triumph’. Ancient Society 36 (2006): 51–68.Google Scholar

Izenour, G. Roofed Theatres of Classical Antiquity. New Haven, CT, 1992.Google Scholar

Jacobi, I. The House of Augustus Wall Paintings. Translated by Scott, J. Milan, 2008.Google Scholar

Jacobi, I. ‘Domus: Livia’. In Lexicon Topographicum Urbis Romae, Vol. 2, edited by Steinby, E., 130–32. Rome, 1995.Google Scholar

Jaia, A. ‘Anzio: I luoghi di Caligola’. In Caligola: la Trasgressione al Potere, edited by Ghini, G., 199–202. Rome, 2013.Google Scholar

Jannelli, L., and Stefani, G.. ‘Ricostruzione Virtuale della Villa della Regina a Boscoreale’. In Vesuviana: Archeologie a Confronto, edited by Coralini, A., 143–49. Bologna, 2009.Google Scholar

Jashemski, W. The Gardens of Pompeii, 2 Vols. New York, 1993.Google Scholar

Jocelyn, H. ‘The Status of the “Fabula Togata” in the Roman Theatre and the Fortune of the Scripts’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 277–81.Google Scholar

Johannowsky, W. ‘La Situazione in Campania’. In Hellenismus in Mittelitalien, Vol. 1, edited by Zanker, P, 267–99. Göttingen, 1976.Google Scholar

Johnson, M. ‘Embodied Reason’. In Perspectives on Embodiment, edited by Weiss, G. and Haber, H., Chapter 5. London, 1999.Google Scholar

Johnson, O. Ruins. Ann Arbor, MI, 2018.Google Scholar

Jones, C. ‘Dinner Theatre’. In Dining in a Classical Context, edited by Slater, W., 185–98. Ann Arbor, MI, 1991.Google Scholar

Jones, C. ‘Greek Drama in the Roman Empire’. In Theater and Society in the Classical World, edited by Scodel, R., 39–52. Ann Arbor, MI, 1993.Google Scholar

Jones, F. ‘A Note on Juvenal Sat. 7.86’. Classical Quarterly 32 no. 2 (1982): 478–79.Google Scholar

Jones, F. ‘Roman Gardens, Imagination, and Cognitive Structure’. Mnemosyne 67 no. 5 (2014): 781–812.Google Scholar

Jones, R., et al. ‘Anglo-American Project in Pompeii’. Accessed August 30, 2020. https://interactive.archaeology.org/pompeii/.Google Scholar

Jones, R., and Robinson, D.. ‘Water, Wealth, and Social Status at Pompeii: The House of the Vestals in the First Century’. AJA 109 no. 4 (2005): 695–710.Google Scholar

Jongman, W. The Economy and Society of Pompeii (Dutch Monographs on Ancient History and Archaeology Volume 4). Amsterdam, 1988.Google Scholar

Jory, E. ‘Associations of Actors in Rome’. Hermes 98 (1970): 224–53.Google Scholar

Jory, E. ‘Literary Evidence for the Beginnings of Imperial Pantomime’. BICS 28 (1981): 147–61.Google Scholar

Jory, E. ‘The Early Pantomime Riots’. In Maistor: Classical, Byzantine and Renaissance Stuidies for Robert Browning, edited by Moffatt, A., 57–66. Canberra, 1984.Google Scholar

Jory, E. ‘Continuity and Change in the Roman Theatre’. In Studies in Honour of T. B. L. Webster, Vol. 1, edited by Betts, J., Hooker, J., and Green, J., 143–52. Bristol, 1986.Google Scholar

Jory, E. ‘Gladiators in the Theatre’. Classical Quarterly 36 no. 2 (1986): 537–39.Google Scholar

Jory, E. ‘Publilius Syrus and the Element of Competition in the Theatre of the Republic’. BICS Supplement 51 (1988): 73–81.Google Scholar

Jory, E. ‘Ars Ludicra and the Ludus Talarius’. In Stage Directions, edited by Griffiths, A., 139–52. London, 1995.Google Scholar

Jory, E. ‘The Drama of the Dance: Prolegomena to an Iconography of Imperial Pantomime’. In Roman Theater and Society, edited by Slater, W., 1–35. Ann Arbor, MI, 1996.Google Scholar

Josephus, . Antiquitates Iudaicae. Volume I: Books 1-3. Translated by H. St. J. Thackeray. Loeb Classical Library 242. Cambridge, MA: Harvard University Press, 1930.Google Scholar

Josephus, . Bellum Iudaicum. Volume I: Books 1-2. Translated by H. St. J. Thackeray. Loeb Classical Library 203. Cambridge, MA: Harvard University Press, 1927.Google Scholar

Juvenal, . Saturae. Edited and translated by Susanna Morton Braund. Loeb Classical Library 91. Cambridge, MA: Harvard University Press, 2004.Google Scholar

Kamper, N., ed. Sexuality in Ancient Art. Cambridge, 1996.Google Scholar

Kamper, N., ‘On Writing Histories of Roman Art’. The Art Bulletin 85 no. 2 (2003): 371–86.Google Scholar

Karivieri, A., and Forsell, R.. ‘The House of Caecilius Iucundes, V 1,22–27: A Preliminary Report’. Opuscula Romana 31–32 (2006–2007): 119–38.Google Scholar

Kath, R. ‘Politiker als Schauspieler – Schauspieler als Politiker? Zur Gefahr theatralischer Elemente in der Römischen Republik’. In Von Sklaven, Pächtern und Politikern, edited by Popko, L, Quenouille, N, and Rücker, M, 41–65. Berlin, 2012.Google Scholar

Keith, A. ‘Lycoris Galli/Volumnia Cytheris: a Greek Courtesan in Rome’. In Eugesta-Revue 1 (2011): 23–53.Google Scholar

Kellum, B. ‘The Phallus as Signifier: The Forum of Augustus and Rituals of Masculinity’. In Sexuality in Ancient Art, edited by Kamper, N., 170–83. Cambridge, 1996.Google Scholar

Kellum, B. ‘The Spectacle of the Street’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 283–99. Washington DC, 1999.Google Scholar

Kelly, H. ‘Tragedy and the Performance of Tragedy in Late Roman Antiquity’. Traditio 35 (1979): 21–44.Google Scholar

Kemp, W. ‘The Work of Art and Its Beholder: The Methodology of the Aesthetic of Reception’. In The Subjects of Art History: Historical Objects in Contemporary Perspectives, edited by Cheetham, M., Holly, M., and Moxey, K., 180–96. Cambridge, 1998.Google Scholar

Kenner, H. Das Theater und der Realismus in der Griechischen Kunst. Vienna, 1954.Google Scholar

Kenner, H. ‘Griechische Theaterlandschaften’. Jahreshefte des Österreichischen Archäologischen Instituts in Wien 47 (1964–1965): 33–69.Google Scholar

Kenner, H. ‘Zur Archäologie des Dionysostheaters in Athen’. Jahreshefte des Österreichischen Archäologischen Instituts in Wien 57 (1986–87): 55–91.Google Scholar

Kenny, A. A New History of Western Philosophy Volume 1: Ancient Philosophy. Oxford, 2004.Google Scholar

King, H. ‘Aristotle’s theory of Topos’. Classical Quarterly 44 (1950): 76–96.Google Scholar

King, R. ‘Spatial Form and the Literary Representation of Time in Ovid’s Fasti’. PhD diss., Bloomington, IN, 1994.Google Scholar

King, R. ‘Dancers in the Columbarium of Villa Doria-Pamphili’. In I Temi Figurativi nella Pittura Parietale Antica, 77–80. Bologna, 1995.Google Scholar

Klar, L. ‘The Origins of the Roman Scaenae Frons and the Architecture of Triumphal Games in the Second Century BC’. In Representations of War in Ancient Rome, edited by Dillon, S. and Welch, K., 162–83. Cambridge, 2006.Google Scholar

Knox, P. ‘Ovidian Myths on Pompeian Walls’. In A Handbook to the Reception of Ovid, edited by Miller, J. and Newlands, C., 36–54. Chichester, 2014.Google Scholar

Knox, P. ‘The Literary House of Mr Octavius Quartio’. Illinois Classical Studies 40 no. 1 (2015): 171–84.Google Scholar

Kokolakis, M. ‘Gladiatorial Games and Animal-Baiting in Lucian’. Platon 10 (1958): 328–51.Google Scholar

Kondoleon, C. ‘Signs of Privilege and Pleasure: Roman Domestic Mosaics’. In Roman Art in the Private Sphere, edited by Gazda, E., Chapter 5. Ann Arbor, MI, 1991.Google Scholar

Kondoleon, C. ‘Timing Spectacles: Roman Domestic Art and Performance’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 321–42. Washington DC, 1999.Google Scholar

Kraiker, W. ‘Das Stuckgemaelde aus Herculaneum…’. RM 60 no. 61 (1953–1954): 133–49.Google Scholar

Kuttner, A. ‘Vitruvius and the Second Style’. Review of Aedificorum Figurae: Untersuchungen zu den Architekturdarstellungen des Frühen Zweiten Stils, by Tybout, R. JRA 6 (1993): 341–47.Google Scholar

Kuttner, A. ‘Culture and History at Pompey’s Museum’. TAPhA 129 (1999): 343–73.Google Scholar

Kuttner, A. ‘Looking Outside Inside: Ancient Roman Garden Rooms’. Studies in the History of Gardens and Designed Landscapes 1 [formerly Journal of Garden History], special issue: The Immediate Garden and the Larger Landscape, edited by Hunt, J. D (1999): 7–35.Google Scholar

Kuttner, A. ‘Hellenistic Images of Spectacle from Alexander to Augustus’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 97–122. Washington DC, 1999.Google Scholar

Laidlaw, A. The First Style in Pompeii: Painting and Architecture. Rome, 1985.Google Scholar

La Rocca, E. ‘La ‘Scaena cui Theatrum Adiectum non Erat’ Sacrifici notturni nel “Tarentum” su Monete di Domiziano’. In La Riva a Mezzaluna: Culti, Agoni, Monumenti Funerari Presso il Tevere nel Campo Marzio Occidentale. Rome, 1984.Google Scholar

La Rocca, E., de Vos, M, and de Vos, A. Pompei: Guide Archeologiche. Milan, 1994 (2nd edition, 2000).Google Scholar

Laurence, R. ‘Space and Text’. In Domestic Space in the Roman World: Pompeii and Beyond, edited by Laurence, R and Wallace-Hadrill, A. JRA Supplement 22 (1997): 7–14.Google Scholar

Laurence, R., and Wallace-Hadrill, A., eds. Domestic Space in the Roman World: Pompeii and Beyond. JRA Supplement 22 (1997).Google Scholar

Lauritsen, T. ‘The Form and Function of Boundaries in the Campanian House’. In Privata Luxuria, edited by Anguissola, A., 95–114. Munich, 2012.Google Scholar

Lauter, H. ‘Die Hellenistische Theater der Samniten und Latiner in ihrer Beziehung zur Theaterarchitektur der Griechen’. In Hellenismus in Mittelitalien, Vol. 2, edited by Zanker, P, 413–30. Göttingen, 1976.Google Scholar

Lavagne, H. Operosa Antra: Recherches sur la Grotte à Rome de Sylla à Hadrien. Rome, 1988.Google Scholar

Leach, E. The Rhetoric of Space: Literary and Artistic Representations of Landscape in Republican and Augustan Rome. Princeton, NJ, 1988.Google Scholar

Leach, E. The Social Life of Painting in Ancient Rome and on the Bay of Naples. Cambridge, 2004.Google Scholar

Leach, E. ‘Patrons, Painters and Patterns: The Anonymity of Romano-Campanian Painting and the Transition from the Second to the Third Style’. In Literary and Artistic Patronage in Ancient Rome, edited by Gold, B.. Austin, TX, 1982.Google Scholar

Leach, E. ‘Reading Signs of Status: Recent Books on Roman Art in the Domestic Sphere’. Review of The Augustan Villa at Boscotrecase, by von Blanckenhagen, P and Alexander, C; Roman Painting, by Ling, R; and Roman Art in the Private Sphere, edited by Gazda, E. AJA 96 (1992): 551–57.Google Scholar