This paper addresses why, in legends concerning portraits of Christ and the Virgin painted from life, Saint Luke the Evangelist is named as the artist. The paper focuses on the perceived identity of Luke in early Byzantium, arguing that his status as a Christian, Evangelist and doctor made him the most credible figure as the artist in the story and the person most likely to be accepted into the Church's history as a painter.

The problem of the literary genre of Vita Basilii and, by extension, of the lack of Byzantine examples of purely secular biography is one of the most well known literary controversies of Byzantine studies. With respect to this problem a revision of the usual parameters involved in the definition of literary genres will be suggested, one which will cover not only formal aspects but also contextual and functional ones. This study will propose that the features related to these parameters could be classified as more or less prototypical, thus laying the foundation for an approach to canonical narrative patterns and enabling further progress in our understanding of this unique work.

This essay describes the archaeology of the revival in the later tenth- to eleventh-century of the town of Butrint, ancient Buthrotum in south-west Albania. Based on the extensive excavations by the Butrint Foundation, all the elements (fortifications, town-planning, roads, property boundaries, dwellings, churches, wells) of a new urban centre are considered, as is its economy and its wider historical context in the southern Adriatic Sea.

This article deals with a quadrilingual lexicon from a unique manuscript in the Bibliothéque Nationale in Paris, which was compiled in 1439 and contains abundant material on Medieval Greek vocabulary and phraseology. The article analyses Oriental loan-words in the Greek part of the lexicon as evidence of Oriental influences on the Greek language during the late Byzantine period.

This is the first publication of a tale about a journey to the other world from two seventeenth-century manuscripts kept in St.Petersburg. In the IS80s, the soul of a poor miner Nicholas from the Macedonian village of Izvor was mistakenly and prematurely snatched from his body by an angel who accompanied him through the heavens. After Nicholas' return to life, he described his adventures, which, although reminiscent of the famous Byzantine visions of the afterlife, still diverge from them in some important details. The tale not only helps to recreate the social life of the mining area of Siderokausia, but also portrays the infighting among the local Orthodox Christian clergy.

Although the Balkan Wars are regarded as a defining moment in modern Greek history that led to the expansion of Greek territory, they also constitute an important chapter in the history of internal Greek politics: the Greek prime minister Eleftherios Venizelos consolidated his position as the country’s most competent politician; the Palace, at the head of the victorious Greek army, regained much of its lost prestige after the unsuccessful Greco-Turkish war of 1897; and most importantly, the old parties began to function as a united front against Venizelos. This reaction was majorly triggered by Venizelos’ handling of the country’s foreign affairs in 1912-13. The anti-Venizelists’ rhetoric against Venizelos diplomacy invested heavily in tradition and the role of the king and was a harbinger of the national schism of 1915-16.

Despite the diversity of Modern Greek poetry available in Polish translation, Cavafy's work has eclipsed the achievements of other poets, just as the shadow of his lifelong translator, Zygmunt Kubiak, has inhibited other attempts only starting to surface in the twenty-first century. While external factors have determined Modern Greek anthologies in Poland, Cavafy translation has been mostly driven by personal passion. Apart from translation, this article reflects on various reasons why the Alexandrian's work should be so attractive to the Polish literary scene. Cavafy's seminal place within Polish literature stimulates further reflection on rewriting Cavafy in Poland.

In the second half of the twentieth century Greece became a subject for travel writers in search of a European ‘Paradise’. But ‘Hell was also to be found in Greece, often in the form of frustrations over allegedly ‘non-European’ standards of living, facilities, and attitudes. A sample of travel narratives published between 2006 and 2014 suggests the extent to which, in the light of the ‘Greek Crisis’, twenty-first-century writers are abandoning these formerly conventional themes. There is now the potential for the realignment of narratives, with Greece becoming the Hell, rather than the Heaven, of Europe.

Historians reconstruct the Byzantine conquest of Crete in 960-961 based largely on the History of Leo the Deacon and two variants of the continuation of the Chronicle of Symeon the Logothete. However, the account in the continuation is modelled closely, in narrative structure, imagery, vocabulary and ideology, on Prokopios’ account of the conquest of North Africa by Belisarios in 533-534. This challenges our knowledge of the campaign but sheds interesting new light on the sophisticated use of classical texts that Byzantine ‘chroniclers’ could make.