Hostname: page-component-76fb5796d-45l2p Total loading time: 0 Render date: 2024-04-26T03:08:40.567Z Has data issue: false hasContentIssue false

Crafting the Eighteenth-Century Singer Introduction

Published online by Cambridge University Press:  12 November 2015

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Introduction
Copyright
© Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

Suzanne Aspden, University of Oxford; suzanne.aspden@music.ox.ac.uk.

References

1 See Metastasio, Pietro, Farinelli, Letter to, Vienna, 4 February 1754, in Charles Burney, ed., Memoirs of the Life and Writings of the Abate Metastasio, 3 vols. (London, 1796; reprint 1971), II: 115Google Scholar; Goldoni, Carlo, ‘Prefazioni dell’edizione Pasquali’, Tutte le opere, I: 694Google Scholar; trans. John Walter Hill, in Hill, , ‘Vivaldi’s Griselda’, Journal of the American Musicological Society 31 (1978), 78CrossRefGoogle Scholar.