Hostname: page-component-848d4c4894-8kt4b Total loading time: 0 Render date: 2024-06-30T00:18:43.676Z Has data issue: false hasContentIssue false

Xeremiers De Sa Calatrava, from Heydey to Unemployment: Lives Dedicated to the Mallorcan Bagpipes

Published online by Cambridge University Press:  06 December 2018

Abstract

Since 1976, [our] goal has been to fight against the Franco/tourist mono-culture with its flamenco, bulls, sangria and the Phalangist Sección Femenina regional folklorism with its coros i danzas and white shirts and red kerchiefs that are still part of the San Fermin costume to this day. As we became interested in [the xeremies], we found ourselves with a problem: the majority of the musicians were very old people, and in order to restore its dignity, we decided [that] we would collect what was left of the musical formation and ensure its secular presence in village celebrations. And I think that something came out of it. Otherwise, look around you. What it used to be and what it has become: what a difference! (Rotger and Rubio 2015)

Abstract in catalan

Abstract in Catalan

L’article està centrat en la bibliografia dels Xeremiers de sa Calatrava, dos homes que van dedicar la seva vida a la música tradicional mallorquína. La seva historia és inseparable del renaixament de la música mallorquína, en part iniciada per la seva gran voluntat per desenvolupar l’instrument, adaptant-lo a les seves necesitats artístiques com a músics. Aquí m’interesso per la seva influência directa i indirecta en el món de la música tradicional: tant en els seus principis a ľadolescéncia fins als seus èxits als anys 1990 i 2000, com en la reivindicació de les seves identitats durant el context de la crisi econòmica de 2008 que va impactar de manera dràstica en la cultura tradicional mallorquína.

Type
Articles
Copyright
Copyright © 2016 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Alonso, Joan Ignasi, and Rotger, Josep 2007 De joglars e ministrils. Palma de Mallorca: Edició del Consell de Mallorca.Google Scholar
Añon Baylach, Amparo, and Soler, Violeta Montolíe 2011 “Los coros y danzas de España.” In Transmisores del patrimonio cultural Valenciano: http://www.racv.es/files/Los_coros_y_danzas.pdf (accessed 18 October 2013).Google Scholar
Arana, Miranda 1999 Neotraditional Music in Vietnam. Kent, OH: Nhac Viět.Google Scholar
Artigues, Antoni 2000 Xeremies, El sac de gemecs catala de Mallorca. Palma: Edicions Cort.Google Scholar
Associació Cultural Albopàs 1999 Special issue, Albopàs, Especial xeremies (November). Sa Pobla, Mallorca: Associació Cultural Albopàs, Gelabert Arts Grafiques.Google Scholar
Baily, John 1988Amin-e Diwaneh: The Musician as Madman.” Popular Music 7/2: 133–46.Google Scholar
Baker, Sarah 2014'Nobody expects to be paid … Nobody asks “What is the fee?“': Making a Living from Music in Times of Economic Crisis—the Icelandic Experience.” In Popular Music Matters: Essays In Honour of Simon Frith, ed. Lee Marshall and Dave Laing, 3144. Farnham, UK: Ashgate.Google Scholar
Balosso-Bardin, Cassandre 2015 The Mallorcan Bagpipes (Xeremies): Anthropology of a Musical Instrument. PhD dissertation, SOAS, University of London.Google Scholar
Barceló i Pons, Bartomeu 2000Historia del turisme a Mallorca.” Treballs de la Societat Catalana de Geografia 50/15: 3155.Google Scholar
Bithell, Caroline, and Hill, Juniper 2014An Introduction to Music Revival as Concept, Cultural Process and Medium of Change.” In The Oxford Handbook of Music Revival, ed. Caroline Bithell and Juniper Hill, 342. New York: Oxford University Press.Google Scholar
Buswell, R. J. 2011 Mallorca and Tourism: History, Economy and Environment. Bristol, UK: Channel View Publications.CrossRefGoogle Scholar
Carboneil, Xavier 2012Les primeres imatges musicals de la Seu (Des dels seus orígins fins el 1500).” In Jaume II i la Seu de Mallorca, ed. M. Cambús and P. Fullana, 165184. Palma: Arxiu Capitular de Mallorca.Google Scholar
de Mallorca, Consell n.d. “La Institució.” Consell de Mallorc.net. http://www.conselldemallorca.net/?&id_parent=478&id_section=1042&id_son=1043 (accessed 11 May 2016).Google Scholar
Dankworth, Linda 2010Mallorquin Dance: Issues of Revival and Identity.” PhD dissertation, De Montfort University, Leicester, UK.Google Scholar
2013Embodying Mallorquinness through Performativity and Narration of Mallorquin Dance.” Journal of Tourism Consumption and Practice 5/1: 3347.Google Scholar
2014Embodying Cultural Identities and Creating Social Pathways through Mallorquin Dance.” In Dance Ethnography and Global Perspectives: Identity, Embodiment and Culture, ed. Linda Dankworth and Ann R. David, 95115. Basingstoke, UK: Palgrave MacMillan.CrossRefGoogle Scholar
Press, Europa 2011 “La crisis baja el plazo máximo de entrega de una gaita asturiana a un año, y sólo sube en el único taller mecanizado.” 20minutos (19 June): http://www.20minutos.es/noticia/1087094/0/ (accessed 10 May 2016).Google Scholar
Hutchinson, Sydney 2006Merengue Típico in Santiago and New York: Transnational Regionalism in a Neo-Traditional Dominican MusicEthnomusicology 50/1: 3772.Google Scholar
IBESTAT 2016 “Turismo: Flujo de turistas (FRONTUR).” Institut d'Estadictica de les Illes Balears: https://www.caib.es/ibestat/estadistiques/043d7774-cd6c-4363-929a-703aaa0cb9e0/ef88f7cf-8e0b-44e0-b897-85c2f85775ec/es/I208002_3001.px (accessed 21 June 2016). Jones-Bamman, RichardGoogle Scholar
2011‘Greetings from Lapland': The Legacy of Nils-Aslak Valkeapää (1943-2001).” In Ethnomusicological Encounters with Music and Musicians, ed. Timothy Rice, 97110. Farnham, UK: Ashgate.Google Scholar
Kanteewong, Thitipol 2012Changing Identities of Japanese Traditional Music in Twenty First Century.” In Understanding Confluences and Contestations, Continuities and Changes: Towards Transforming Society and Changing People, 216225. Bangkok: API Regional Coordinating Institution.Google Scholar
Kartomi, Margaret 2014Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on All Music, or Neglect.” In The Oxford Handbook of Music Revival, ed. Caroline Bithell and Juniper Hill, 371–91. New York: Oxford University Press.Google Scholar
Killick, Andrew. P. 2011An Ethnomusicology of Musical Art and Individual Success: Hwang Byungki and ‘National Music’ in the Republic of Korea.” In Ethnomusicological Encounters with Music and Musicians, ed. Timothy Rice, 3148. Farnham, UK: Ashgate.Google Scholar
Kubik, Gerhard 1974 The Kachamba Brothers ‘Band: A Study of Neo-Traditional Music in Malawi. Lusaka, Zambia: Manchester University Press for University of Zambia Institute for African Studies.Google Scholar
Lortat-Jacob, Bernard 1995 Sardinian Chronicles. Chicago: University of Chicago Press.Google Scholar
Mesclat, 2002 Mesclat. Performed by Carles Belda, Marcel Casellas, Joan Reig, Frances Ribera, David Rosell, and Pep Toni Rubio. Discmedi Blau DM 640 02. Compact disc.Google Scholar
2004 Manilla. Performed by Carles Belda, Marcel Casellas, Joan Reig, Frances Ribera, David Rosell, and Pep Toni Rubio. Discmedi Blau DM 985 02. Compact disc.Google Scholar
Moll, Rafel 2010 Interview with Pep Manel Ordinez and Miquel Jordi Girart. Es Grall (March): 1315. Sant Llorenç: Associació Cultural Es Grall.Google Scholar
Morell, Marc 2009 “Fent barri: Heritage Tourism Policy and Neighbourhood Scaling in Ciutat de Mallorca.” In Etnográfica 13/2: 343–72.Google Scholar
2011Working Class Heritage without the Working Class: An Ethnography on Gentrification in Ciutat (Mallorca).” In Heritage, Labour and the Working Class, ed. Laurajane Smith, Paul Shackal, and Gary Campbell, 283302. Abingdon, UK: Routledge.Google Scholar
Munar, Joan C., and Trujillo, Càndid 2012 “Música Tradicional i Conservar(tori) Superior.” Diario de Mallorca (24 October): http://www.diariodemallorca.es/servicios/cartas/cartaLector.jsp?pIdCar ta=17185&pRef=2012102400_0_0__Cartas (accessed 11 May 2016).Google Scholar
Nostra, Música 1981 Música Nostra. Performed by Enric Busquets, Miquela Lladó, Toni Roig, Pep Rotger, and Pep Toni Rubio. BLAU CD 163. Compact disc.Google Scholar
Ramnarine, Tina K. 2003 Ilmatar's Inspirations: Nationalism, Globalization and the Changing Soundscapes of Finnish Folk Music. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Rice, Timothy 1994 May it Fill Your Soul. Chicago: Chicago University Press.Google Scholar
2003Time, Place, and Metaphor in Musical Experience and EthnographyEthnomusicology 47/2: 151–79.Google Scholar
2011 Ed. Ethnomusicological Encounters with Music and Musicians. Farnham, UK: Ashgate.Google Scholar
Rice, Timothy, and Ruskin, Jesse D. 2012The Individual in Musical EthnographyEthnomusicology 56/2: 299327.Google Scholar
Rodas, G. 2012 “El Conservatori suprimirá la especialidad de música popular.” Diario de Mallorca (27 September): http://www.diariodemallorca.es/sociedad-cultura/2012/09/27/conservatori-suprimira-especialidad-musica-popular/796834.html (accessed 11 May 2016).Google Scholar
Ronström, Owe 2014Traditional Music, Heritage Music.” In The Oxford Handbook of Music Revival, ed. Caroline Bithell and Juniper Hill, 4359. New York: Oxford University Press.Google Scholar
Rosselló i Vaquer, R., Serra, J. Parets i, and Pizà, J. A. 2003/4 Notes per a historia de la música a Mallorca. 4 vols. Campos, Mallorca: Centre de recerca i documentació històrico-musical de Mallorca.Google Scholar
Rotger, Josep 2010 Interview with Albert Herranz. Es Grall (March): 3335. Sant Llorenç: Associació Cultural Es Grall.Google Scholar
Rotger, Josep, and Rubio, Pep Toni 2011 Interview with Antoni Genovart Espinosa and Aina Maria Llodrà. Es Grall (January): 813. Sant Llorenç: Associació Cultural Es Grall.Google Scholar
2015Pregó dels Xeremiers de Sa Caltrava.” Paper presented at Montuiri, August 14. Transcribed by Josep Rotger. https://esbinerbo.wordpress.com/2015/09/19/el-prego-de-les-festes-de-2015-i-una-disculpa/ (accessed 20 February 2016).Google Scholar
Rubio, Pep Toni 2000 Música Nostra, http://www.musicanostra.com (accessed 21 February 2016).Google Scholar
2009 Interview with Albert Herranz. Es Grall (November): 1113. Sant Llorenç: Associació Cultural Es Grall.Google Scholar
2010Badinerie Bach Bwv 1067.” Music video. https://www.youtube.com/watch?v=zs2RRRdr4W8 (added by Pep Toni Rubio Estades 9 July 2010; accessed 11 May 2016).Google Scholar
Scott, Julie 2012Instrumental Cosmopolitanism: The ‘Valorization’ of Heritage and Sociality in Mediterranean Cities.” In Culture and Society in Tourism Contexts, ed. Antonio Miguel Nogues-Pedregal, 124. Bingley: Emerald Group Publishing.Google Scholar
Signell, Karl 2011The Art of Master Musician Necdet Yasar as a Key to the Subtleties of Classical Turkish Music.” In Ethnomusicological Encounters with Music and Musicians, ed. Timothy Rice, 2130. Farnham, UK: Ashgate.Google Scholar
Elèctric, Siurell 1987 Siurell Elèctric. Performed by Miquela Liadó, Jaume Padrós, Toni Pastor, and Pep Toni Rubio. BLAU A 034. Compact disc.Google Scholar
Sureda i Colombram, Antònia Maria 2004Les xeremies al segle XXI.” Special issue, Albopàs, especial xeremies: 4050. Sa Pobla, Mallorca: Gelabert Arts Grafiques.Google Scholar
Tsioulakis, Ioannis 2015Reimagining locality through materiality: musicians turn into artisans.” Paper presented at the British Forum for Ethnomusicology and Société Française d'Ethnomusicologie joint annual conference, 2-6 July, Paris.Google Scholar
Turino, Thomas 2008 Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.Google Scholar
Uria, Jorge 1984 Cultura oficial en la Asturias franquista: El IDEA. Oviedo, Spain: Universidad de Oviedo Press.Google Scholar
Van Hees, Jean-Pierre 2014 La cornemuse: Un infini sonore. Spezet: Coop Breizh.Google Scholar
Waterman, Christopher A. 1990'Our Tradition is a Very Modern Tradition': Popular Music and the Construction of Pan-Yoruba Identity.” Ethnomusicology 34/3: 367–79.Google Scholar
Wieruszowski, Helene 1944The Rise of the Catalan Language in the 13th Century.” In Modern Language Notes 59/1:920.CrossRefGoogle Scholar
Atòmica, Ximbomba 1997 Cabres de Plastic. Performed by Pep Balaguer, Bernat Cabot, Miquel Ferrer, Pere Martorell, Josep Rotger, Pep Toni Rubio, Tomas Salom, and Jimi Torres. BLAU CD 132. Compact disc.Google Scholar
de sa Calatrava, Xeremiers 1996 Xeremiers de sa Calatrava. Recordings by the Xeremiers de sa Calatrava with Josep Rogter and Pep Toni Rubio. BLAU CDM 047. Compact disc.Google Scholar