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Time-Distance and Melodic Models in Improvisation among the Tausug of the Southern Philippines

Published online by Cambridge University Press:  07 March 2019

Ricardo D. Trimillos
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Extract

The discussion arises from the intent to consider improvisation in the wider context of the several performing arts and in a multicultural framework. Although it focusses upon one musical tradition, implicit is the understanding that the framework assumes the broader context.

Type
Articles
Information
Yearbook for Traditional Music , Volume 19 , 1987 , pp. 23 - 35
Copyright
Copyright © 1987 by the International Council for Traditional Music

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References

References Cited

Supply, Air 1979a “Even the Nights Are Better.” Santa Monica: Clement Publishing.Google Scholar
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al Fārūqī, Lois Lamyā' 1987 “The Mawlid.” The World of Music 28:3:78–89.Google Scholar
Kim, Patrick W. 1980 Sinawi, an Improvisational Style of Korean Folk Music: An Analytical Study. M.A. thesis in music, University of Hawaii.Google Scholar
Trimillos, Ricardo D. 1965 Some Social and Musical Aspects of the Music of the Taosug [sic] in Sulu, Philippines. M.A. thesis in music, University of Hawaii.Google Scholar