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Orient Okzident. Südosteuropa. Two 12″ LP records. Museum Collection Berlin (West) MC 3 stereo. Aufnahmen, Kommentar in English und Deutsch (32 p.) fotos. Notenbeispiele, Zeichnungen, Karten: Wolf Dietrich. Musiketnologische Abteilung. Museum für Völkerkunde Berlin, Staatliche Museum. Preussischer Kulturbesitz. Berlin, 1982.

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Orient Okzident. Südosteuropa. Two 12″ LP records. Museum Collection Berlin (West) MC 3 stereo. Aufnahmen, Kommentar in English und Deutsch (32 p.) fotos. Notenbeispiele, Zeichnungen, Karten: Wolf Dietrich. Musiketnologische Abteilung. Museum für Völkerkunde Berlin, Staatliche Museum. Preussischer Kulturbesitz. Berlin, 1982.

Published online by Cambridge University Press:  07 March 2019

Annie Goffre
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Type
Record Reviews
Information
Yearbook for Traditional Music , Volume 17 , 1985 , pp. 228 - 232
Copyright
Copyright © 1985 by the International Council for Traditional Music

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References

Footnotes

1. Wolf Dietrich: Musica popolare della Grecia del Nord. Epiro-Macedonia. 1 disque Albatros VPA 8298, Milano, 1976. B.6. Cf. Egalement Domna SAMIOU; Grèce, 1 disque Le Chant du Monde GU. LDX 74425, A.1.Google Scholar

2. cf. Simon Karas: Songs of Kassos and Karpathos. 1 disque SDNM 103, Grèce, 1973, B.1. Egalement Tragovdia tis Olymbos Karpathou. Apo ti syllogi Melpo Merlié, 1930. 1 cassette, Fidelity BIEM, Polygram, Athènes, 1979.Google Scholar

3. Cf. Christian Ahrens: Musik der Pontos—Griechen. Schallplatte MC 5. Museum für Völkerkunde. Berlin 1975. Markos Dragoumis: Authentika Mikrasiatika. ACBA Production, Athènes, 1980.Google Scholar

4. Cf. Despina Mazaraki: To laïko Klarino stin Ellada, Athènes, 1959.Google Scholar

5. Folk Festival prepared by the Yugoslav Council for Science and Culture for the meeting of the International Folk Music Council in Opatija, 1951. cf. World Library of Folk and Primitive Music, vol. XV, Yougoslavie. 1 disque Columbia, SL 217, New York, 1954(?) en particulier A.6.Google Scholar

6. Cf. Simon Karas: Songs of the Ionian Islands. SDNM 115, Grèce, 1977, A.5-6.Google Scholar

7. Cf. Simon Karas: Songs of Western Macedonia, SDNM 109, Grèce, 1975, A.3, A.5, B.5.Google Scholar

8. A Naxos, en 1979, nous avons recueilli des témoignages de divers stades de l‘évolution de l'ensemble classique de l‘île, violon-laouto, le plus moderne était composé de violon, laouto, guitare électrique, harmonium électronique et effets de réverbération acoustique.Google Scholar